A Differential Op-Amp Circuit Collection: Bruce Carter High Performance Linear Products
A Differential Op-Amp Circuit Collection: Bruce Carter High Performance Linear Products
A Differential Op-Amp Circuit Collection: Bruce Carter High Performance Linear Products
ABSTRACT
All op-amps are differential input devices. Designers are accustomed to working with
these inputs and connecting each to the proper potential. What happens when there are
two outputs? How does a designer connect the second output? How are gain stages
and filters developed? This application note will answer these questions and give a
jumpstart to apprehensive designers.
1 INTRODUCTION
The idea of fully-differential op-amps is not new. The first commercial op-amp, the K2-W,
utilized two dual section tubes (4 active circuit elements) to implement an op-amp with
differential inputs and outputs. It required a 300 V dc power supply, dissipating 4.5 W of power,
(1)
had a corner frequency of 1 Hz, and a gain bandwidth product of 1 MHz .
In an era of discrete tube or transistor op-amp modules, any potential advantage to be gained
from fully-differential circuitry was masked by primitive op-amp module performance. Fully-
differential output op-amps were abandoned in favor of single ended op-amps. Fully-differential
op-amps were all but forgotten, even when IC technology was developed. The main reason
appears to be the simplicity of using single ended op-amps. The number of passive components
required to support a fully-differential circuit is approximately double that of a single-ended
circuit. The thinking may have been Why double the number of passive components when
there is nothing to be gained?
Almost 50 years later, IC processing has matured to the point that fully-differential op-amps are
possible that offer significant advantage over their single-ended cousins. The advantages of
differential logic have been exploited for 2 decades. More recently, advanced high-speed A/D
converters have adopted differential inputs. Single-ended op-amps require a problematic
transformer to interface to these differential input A/D converters. This is the application that
spurred the development of fully-differential op-amps. An op-amp with differential outputs,
however, has far more uses than one application.
2 BASIC CIRCUITS
The easiest way to construct fully-differential circuits is to think of the inverting op-amp feedback
topology. In fully-differential op-amp circuits, there are two inverting feedback paths:
Both feedback paths must be closed in order for the fully-differential op-amp to operate properly.
1
SLOA064
When a gain is specified in the following sections, it is a differential gain that is the gain at
OUT-
VOUT+ with a return of V . Another way of thinking of differential outputs is that each signal is
the return path for the other.
place to input a potentially noisy signal that will appear simultaneously on both inputs i.e.
common mode noise. The fully-differential op-amp can then reject the common mode noise.
The VOCM pin can be connected to a data converter reference voltage pin to achieve tight tracking
between the op-amp common mode voltage and the data converter common mode voltage. In
this application, the data converter also provides a free dc level conversion for single supply
circuits. The common mode voltage of the data converter is also the dc operating point of the
single-supply circuit. The designer should take care, however, that the dc operating point of the
circuit is within the common mode range of the op-amp + and inputs. This can most easily be
achieved by summing a dc level into the inputs equal or close to the common mode voltage.
2.2 Gain
A gain stage is a basic op-amp circuit. Nothing has really changed from the single-ended
design, except that two feedback pathways have been closed. The differential gain is still R f /R in
a familiar concept to analog designers.
Gain = Rf/Rin
Rf
+Vcc
3
Rin 1-
Vin- 2 4
+ Vout+
8 5
CM -
Vocm
Vout-
+
Vin+
Rin
6
-Vcc
Rf
This circuit can be converted to a single-ended input by connecting either of the signal inputs to
ground. The gain equation remains unchanged, because the gain is the differential gain.
2.3 Instrumentation
An instrumentation amplifier can be constructed from two single-ended amplifiers and a fully-
differential amplifier as shown in Figure 2. Both polarities of the output signal are available, of
course, and there is no ground dependence.
5 5
Vin-
+Vcc
5
3
-Vcc 1
- 4
Vout+
Vocm 2 + Vout-
CM 5
Gain = ( R2/R1)*( 1+2*R5/R6) 5 -
R1=R3 8 +
R2=R4
R5=R7
6
+Vcc
5 -Vcc
-
Vin+ + 5 5
-Vcc
3 FILTER CIRCUITS
Filtering is done to eliminate unwanted content in audio, among other things. Differential filters
that do the same job to differential signals as their single-ended cousins do to single-ended
signals can be applied.
For differential filter implementations, the components are simply mirror imaged for each
feedback loop. The components in the top feedback loop are designated A, and those in the
bottom feedback loop are designated B.
For clarity decoupling components are not shown in the following schematics. Proper operation
of high-speed op-amps requires proper decoupling techniques. That does not mean a shotgun
approach of using inexpensive 0.1-F capacitors. Decoupling component selection should be
based on the frequencies that need to be rejected, and the characteristics of the capacitors used
at those frequencies.
+Vcc R2A
3
1 -
R1A 4
2
Vin- + 5 Vout+
8 CM -
Vocm + Vout-
Vin+ 6
R1B
-Vcc
R2B
C1B
A high pass filter can be formed by placing a capacitor in series with an inverting gain stage as
shown in Figure 4:
+Vcc
R2A
fo=1/(2**R1*C1)
gain=-R2/R1
3
C1A R1A 1 -
Vin-
4
Vocm Vout+
2 +
CM - 5
8 Vout-
+
Vin+
C1B R1B
6
-Vcc
R2B
The good news, however, is that there are topologies available to form differential low pass, high
pass, bandpass, and notch filters. However, the designer might have to use an unfamiliar
topology or more op-amps than would have been required for a single-ended circuit.
3.2.1 Multiple Feedback Filters
MFB filter topology is the simplest topology that will support fully-differential filters.
Unfortunately, the MFB topology is a bit hard to work with, but component ratios are shown for
common unity gain filters.
C1A
R2A +Vcc
R1A
Vin-
3
R3A
C2A 1 -
2 4
+ 5 Vout+
Vocm 8
CM - Vout-
C2B +
R3B
6
Vin+
R1B
-Vcc
R2B C1B
There is no reason why the feedback paths have to be identical. A bandpass filter can be
formed by using nonsymmetrical feedback pathways (one low pass and one high pass). Figure
7 shows a bandpass filter that passes the range of human speech (300 Hz to 3 kHz).
C1 270 pF
R2
88.7 k
R1
100 k +VCC
Vin-
R3 3U1
C2 41.2 k THS4121
1 nF 1 -
2 4
+ 5 Vout+
Vcm 8 CM -
R4 + Vout-
19.1 k C4 22 nF
6
Vin+ C3 10 nF -VCC
R5
C5 22 nF 86.6 k
R4A
3U1 3U2
R1AR3A
1 - 1 -
2 4 2 4
+ 5 + 5
Vocm 8 CM - Vocm 8 CM -
+ +
Vin- R3B Vout+
R1B
6 6 Vout-
Vin+
-Vcc C1B -Vcc C2B
R4B
R2B
R1A
Vin-
R3A
C1A
+Vcc
C2A +Vcc C3A
3 U1 R2A
1 3 U2
-
4
1 -
4
Vocm + 2 +
2 Vocm CM Vout+
CM
- 5 - 5 Vout-
8 + 8 +
R2B
6 6
R3B
C1B
Vin+
R1B
R3A
3 U1 3 U2
1 Vocm 1 - Vout+
- 4 2 + 4
2 + CM
CM 5 - 5 Vout-
Vocm -
8 +
R3B
8 +
6
6
R1A R3A
3 U1 3 U2
1 1 Vout+
Vin- - -
4 4
+ +
Vocm 2 2 CM Vout-
CM Vocm 5
- 5 -
8 +
Vin+
R1B 8 + R3B
6
6
C2B R4B
R2B
C1A
+Vcc C2A
+Vcc
R4A
3 U1 3 U2
R1A
Vin- 1
2 - + Vocm 1
2 - + LPout+
CM 4 CM 4
Vocm
- 5 - 5 LPout-
8 + 8 +
Vin+
R1B R4B
6 6
-Vcc C2B
C1B -Vcc
BPout-
R3B
R2B
BANDPASS LOWPASS
Vin
A/D +Input
A/D -Input
Vin
-
+
A/D +Input
Gain can be added to the secondary side of the transformer. In Figure 15, two single-ended op
amps have been configured as inverting gain stages to drive the A/D Inputs. The non-inverting
input inputs are connected to the transformer center tap and A/D V refoutput.
-
+ A/D -Input
Vin-
A/D +Input
Figure 16 shows how single-ended amplifiers can be used as noninverting buffers to drive the
input of an A/D. The advantage of this technique is that the unity gain buffers have exact gains,
so the system will be balanced.
The circuit does not include dc in the frequency response. By definition, the transformer
isolates dc and limits the ac response of the circuit.
If the response of the system must include dc, even for calibration purposes, a transformer is a
serious limitation.
A transformer is not strictly necessary. Two single-ended amplifiers can be used to drive an A/D
converter without a transformer:
Vin
A/D +Input
-
+
A/D -Input
Although all of the methods can be employed, the most preferable method is the use a fully-
differential op-amp:
+Vcc
1
3
- 4
Vin 2 A/D +Input
+ 5
8 CM - A/D -Input
+
6
-Vcc
A designer should be aware of the characteristics of the reference output from the A/D converter.
It may have limited drive capability, and / or have relatively high output impedance. A high-output
impedance means that the common mode signal is susceptible to noise pickup. In these cases,
it may be wise to filter and/or buffer the A/D reference output:
Optional Buffer
-
+ Op Amp Vocm Input
A/D Vref Output
-
+ Op Amp Vocm Input
A/D Vref+ Output
Figure 20: Filter and Buffer for the A/D Reference Output
5 Audio Applications
INPUT -
+
Power Amp 1
SPEAKER
-
+
Power Amp 2
The time delay is nonzero, and a degree of cancellation as one peak occurs slightly before the
other when the two outputs are combined at the speaker. Worse yet, one output will contain one
amplifiers worth of distortion, while the other has two amplifiers worth of distortion. Assuming
traditional methods of adding random noise, that is a 41.4% noise increase in one output with
respect to the other, power output stages are usually somewhat noisy, so this noise increase will
probably be audible.
A fully-differential op-amp will not have completely symmetrical outputs. There will still be a
finite delay, but the delay is orders of magnitude less than that of the traditional circuit.
+
3
1
- 4
INPUT
2 +
CM 5
-
8 +
SPEAKER
6
-
Differential Stage
This technique increases component count and expense. Therefore, it will probably be more
appropriate in high end products. Most fully-differential op-amps are high-speed devices, and
have excellent noise response when used in the audio range.
+Vcc
R8
C1 100 k
R1 3
4.7 F 100 k U1 R6
Lin 1 - 100 k
4 +Vcc
+ 2
+ 5
8 CM -
+ R5A R7 U2 C2
10 k Pot 100 k 4.7 F
6 - +
+
Lout
-Vcc
R10
100 k R15
100 k
+VccR13
100 k +Vcc
C3
R9 3
4.7 F U3 R14
100 k U4 C4
1 - 100 k
4 4.7 F
+ 2 - +
+ 5
8 +
-
CM
+
Rin
6 Rout
R5B
10 k Pot -Vcc
-Vcc
100 k 100 k
R11 R12
The output mixers (U2 and U4) are presented with an inverted version of the input signal on one
input (through R6 and R14), and a variable amount of out-of-phase signal from the other
channel.
When the ganged pot (R5) is at the center position, equal amounts of inverted and noninverted
signal cancel each other, for a net output of zero on the other input of the output mixers (through
R7 and R13).
At one extreme of the pot (top in this schematic), the output of each channel is the sum of the
left and right channel input audio, or monaural. At the other extreme, the output of each mixer is
devoid of any content from the other channel canceling anything common between them.
References
1. Electrical Engineering Times, Design Classics, Unsung Hero Pioneered Op-Amp,
http://www.eetimes.com/anniversary/designclassics/opamp.html
2. Fully-differential Amplifiers, Texas Instruments SLOA054A
3. A Single-supply Op-Amp Circuit Collection, Texas Instruments SLOA058
4. Stereo Width Controllers, Elliot Sound Products, http://www.sound.au.com/project21.htm
5. Active Low-Pass Filter Design, Texas Instruments SLOA049A
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