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    Upon D S C H: Dmitry Dmitryevich's Ground

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    Pavao Masic
    The document is a musical composition titled 'Upon DSCH' for keyboard instrument. It was inspired by a 16th century English piece and the notes DSCH. The piece should initially be played quite fast then repeated slower with more ornamentation. It can be played on any keyboard instrument and suggests the use of a cembalo cromatico.

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    © All Rights Reserved
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    Upon D S C H: Dmitry Dmitryevich's Ground

    Uploaded by

    Pavao Masic
    32 views3 pages
    The document is a musical composition titled 'Upon DSCH' for keyboard instrument. It was inspired by a 16th century English piece and the notes DSCH. The piece should initially be played quite fast then repeated slower with more ornamentation. It can be played on any keyboard instrument and suggests the use of a cembalo cromatico.

    Original Description:

    Ground.

    Original Title

    Upon DSCH

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    The document is a musical composition titled 'Upon DSCH' for keyboard instrument. It was inspired by a 16th century English piece and the notes DSCH. The piece should initially be played quite fast then repeated slower with more ornamentation. It can be played on any keyboard instrument and suggests the use of a cembalo cromatico.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    32 views3 pages

    Upon D S C H: Dmitry Dmitryevich's Ground

    Uploaded by

    Pavao Masic
    The document is a musical composition titled 'Upon DSCH' for keyboard instrument. It was inspired by a 16th century English piece and the notes DSCH. The piece should initially be played quite fast then repeated slower with more ornamentation. It can be played on any keyboard instrument and suggests the use of a cembalo cromatico.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 3

    UponDSCH

    or

    DmitryDmitryevichsGround

    for keyboard instrument

    by

    Christopher Stembridge
    NOTE

    This piece was inspired by a combination of "La Mi Re", an anonymous early


    16th-century English piece, and DSCH (see illustration).
    It should be played initially quite fast, = 80+, repeated, with some
    ornamentation added, at = c. 70, then repeated at = c. 60 with more
    ornamentation.1
    The juxtaposed chromatic notes suggest the possible use of a cembalo
    cromatico, the notion of which was revived in mid 19th-century Russia by
    Count Odoyesvski whose chromatic piano is preserved in the Glinka Museum.
    The piece may however also be played on any instrument with a normal
    keyboard tuned to any temperament the performer considers appropriate.
    On organ two manuals may be used, or separate treble and bass registrations
    on the same keyboard where available.

    1 For the final repeat the original title Dmitrys Doleful Dumpe is perhaps appropriate


    w = 80-88 (see notes)








    10

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    31


    36


    1.2. 3.






    Christopher Stembridge, 16th December 2011

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