In Gear: Presidents Report
In Gear: Presidents Report
In Gear: Presidents Report
In Gear
20162017
ROTARY CLUB OF BEAUMARIS WEEKLY BULLETIN
Next Meetings
Presidents Report
THURSDAY DECEMBER 8
THURSDAY DECEMBER 15
Contents
1
2
3
4/5
6
7
8
9
Presidents Report
Notices
Fellowship Book of Mormon
BBQ Photos
Mirboo North BRAGG Weekend Details
Pre Conference Golf Day Details
RAWCS New Zealand Earthquake Appeal Donation
Club Structure / Photo of Week
R OT AR Y
C L U B
OF
BE AU M AR IS
B U L L ET IN
SER VIN G
T H E
COM M U N IT Y
SINC E
1985
Yours in Rotary
Malcolm
https://donations.rawcs.com.au/Default.aspx?
ProjectNo=32&YearRegistered=2016-17
Discounted agents fees are available from Hocking Stuart for
RCOB Members.
R OT AR Y
C L U B
OF
BE AU M AR IS
B U L L ET IN
SER VIN G
T H E
COM M U N IT Y
SINC E
1985
Trey Parker and Matt Stone, the two men responsible for creating the long-running adult
animation, started working on the production in
2003.
Having both grown up in Colorado surrounded
by Mormons, or members of The Church of Jesus Christ of Latter-day Saints, the pair were
well-versed in the religion.
The pair workshopped the script with producer
friend Scott Rudin and created the music with
composer Robert Lopez.
The show premiered on Broadway in March
2011.
What do the critics say?
The New York Times Ben Brantley said The
Book of Mormon restored his faith in musicals.
This is to all the doubters and deniers out
there, the ones who say that heaven on Broadway does not exist, that its only some myth our
ancestors dreamed up, Brantley wrote.
I am here to report that a newborn, oldThe musical explores the concept of faith, with fashioned, pleasure-giving musical has arrived
creator Matt Stone describing it as an atheists at the Eugene ONeill Theater, the kind our
grandparents told us left them walking on air if
love letter to religion.
not on water.
The Washington Posts Peter Marks was similarly inspired, writing: Dont believe what they
say. Money can buy happiness. Its yours for
the price of a ticket to The Book of Mormon.
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R OT AR Y
C L U B
OF
BE AU M AR IS
B U L L ET IN
SER VIN G
T H E
COM M U N IT Y
SINC E
1985
Page 4
R OT AR Y
C L U B
OF
BE AU M AR IS
B U L L ET IN
SER VIN G
T H E
COM M U N IT Y
SINC E
1985
Page 5
R OT AR Y
C L U B
OF
BE AU M AR IS
B U L L ET IN
SER VIN G
T H E
COM M U N IT Y
SINC E
1985
Page 6
R OT AR Y
C L U B
OF
BE AU M AR IS
B U L L ET IN
SER VIN G
T H E
COM M U N IT Y
SINC E
1985
Page 7
R OT AR Y
C L U B
OF
BE AU M AR IS
B U L L ET IN
SER VIN G
T H E
COM M U N IT Y
SINC E
1985
Page 8
ROT ARY
CL UB
OF
BEAUM ARIS
BUL LET IN
SERVING
T HE
COMMU NIT Y
SINCE
1985
UPDATED 17/10/2016
CLUB SERVICE TEAM
President
Malcom Sawle
Chris D'Arcy
President Elect
Secretary
Chris DArcy
James Glenwright
Auditor
Program
Tony Phillips
Adrian Culshaw
Treasurer
Projects
Independent
Past President
Richard Jones
Robert McArthur
Kerrie Geard
Trish Smyth
Meeting Attendance
Communications
Social Media
Fellowship
Chris D'Arcy
David Lea
Tim Dark
David Langworthy
COMMITTEE CHAIRS
Foundation
Membership
Mike Hede
Lynda Doutch
Photographer
Almoner
Chair /Host /Cashiers /AV
Public Relations
International
Peter Flude
John Sime
Youth Service
Community
Chris Martin
Chris Werner
Archivist
John Beaty
Fundraising
Heather Chisholm
TEAM MEMBERS
International
Community
Youth
Fundraising
Fred Hofmann
Geoff Abbott
David Rushworth
Jim OBrien
Ken Mirams
Tim Dark
Tony McKenna *
Antony Nixon
John Manks
Mary Sealy
Vivienne Zoppolato
Roger Frewen
Geoff Stockdale
Richard Shermon
Lois Lindsay
Geoff Stringer
Ross Phillips
Tony Phillips
David Hone#
Clem Quick
Membership
Mary Cunnington
Megan Glenwright
Max Darby
Martin Fothergill
Public Relations
Greg Every
# Indigenous Project
* District
OVERWHELMING NATURE
Look closely: Theres more to
this image than the frothy,
rushing waters of the Columbia River Gorge and velvety
green of the forest. Two
bright kayaks are on the river, dwarfed by the surroundings. "This shot took a lot of
planning and coordination,"
Your Shot photographer Karim Iliya writes. The kayakers
had to hang out in an eddy
and try not to move while I
took long exposures with a
drone. It needed to be at
twilight so the light was balanced, which meant we only
had one attempt."
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