Film Analysis
Film Analysis
Film Analysis
Write an essay of about 600-800 words (about 3 pages) on the following topic.
Refer to at 3 or 4 of the 8 movies weve watched thus far in class, using as many
specific details as possible concerning the various elements of film that weve
discussed cinematography, mise-en-scene, movement, editing, sound,
acting. Naturally, youll want to observe all the rules of good writing that is, of
grammar, organization, logic, &c.
Topic: How do the specific cinematic techniques or elements of a film support
the message or point it is making? As much as possible, choose the films and
point out techniques in such a way as to make some general point about the
way(s) in which a film exposes its themes.
TipsforWritinganEssayonFilm
ThefollowingtipsforwritingyourMidterm/Finalareinascendingorderofimportance,
beginningwithbasicmechanicalissuesandendingwithverybroadpointsconcerningcontent.
Mechanics
Foranyformalessay,youshouldfollowtheformattingguidelinesoftheprofessionstyleinthe
fieldinthiscaseMLAstyle.Thatmeansyoushouldhave
aheading(yourname,thecourse,&c.),
aheader(yourlastname&thepagenumber,whichyoucanaddusingfunctions
undertheInserttabinyourwordprocessingprogram),and
anoriginal,relevanttitle.
(UnderCourseDocumentsinBlackboard,IhaveincludedadocumenttitledEssayFormat
[yellowlettering]thatshowswhatadocumentshouldlooklikeinMLAstyle.)
Useitalicsforthetitleofanyfeaturelengthfilm.
Grammar
Indiscussinganyworkofart,includingafilm,youshouldusethepresenttense,notthepast.
AsanupperlevelEnglishcourse,thisoneassumesthatyouhaveageneralgriponbasic
organizationalconcepts(paragraphing,essaystructure,&c.),grammaticalconcepts(sentence
1
structure,agreement,modifierplacement,parallelism,&c.),andpunctuation.Youcancheck
mydocumenttitledWritingProblems(cyangreenlettering),whichliststhemajorsentence
errorsandrefersyoutothelocationsintheLittleBrownHandbookwhereyoucanfind
informationonthoseerrors.
Style
Inallofyourwriting,youshouldstrivetowriteconcisely.(UnderCourseDocuments,Ihave
includedadocumenttitledConciseness[azurebluetitle]thatdiscusseswaystoavoid
wordinessingeneral.)Asforspecificwordinessproblemsassociatedwithwritingabout
film/literature,hereareafewtips:
Avoidreferencestoyourselforyourthoughts/opinionsjuststatethemdirectly.
Avoidreferencestoyourwriting(Imgoingtodiscuss)oryouressay(Thisessayis
about).
Avoidreferencestoyourreader;avoidthe2ndpersonpronoun(you,your)altogether.
Minimizereferencestotheartistsinvolvedinthecreationofspecifictechniques.Its
finetonamesomeoneonce(e.g.,thedirector,thecinematographer,orthescriptwriter)
ifyouhappentoknowwhothatpersonis.Butdontconstantlysaythingslike,Inthis
scenethedirectoruseslightingtoshow.
Avoidreferencestotheintentionsofthefilmoritsmakers,likeThemovieistryingto
makethepointthat.Again,juststatethosepointsdirectly,e.g.,Thehighcontrast
lightingsupportsthethemeofthedarksideofhumannature.
Avoidreferencestothefilmsaudience,e.g.,Theviewernoticesthat.
Inalltheabovecases,juststateyourpointsdirectlye.g.,Thehighcontrastlightingin
thisscenesymbolizesorTheexpressioniststyleunderscorestheliberalmessage
that
Content
Dontjustmakebroadgeneralizationsabouthowgreat,howineffective,howconfusing,&c.the
techniquesareinthefilmsthatyoureusingasexamples.Instead,discussindetail(whileof
coursewritingconcisely)howthetechniquedeliversitseffect.
Finallyandprobablymostimportantly:Youshouldhaveacentralidea,athesis,forthewhole
essayanargumentthatisoriginal,complex,relevant,specific,anddebatable.Thus,instead
ofjustsortofparrotingmyquestionandsayingsomethingobviouslike,Thefilmsweve
watchedinthisclassuseavarietyofcinematictechniquestocreatemeaning,youshouldtry
tonarrowthefocustosomethingspecificperhapssomepatternthatyounoticedfromweek
toweek,orsomeaspectoffilmthatyoufoundyourselfparticularlyinterestedinaswewent
along.
Ifyoufindyourselfhavingdifficultyinidentifyingsuchanaspect,Ihaveincluded2itemsunder
CourseDocumentsthatmightbeofsomeusetoyou.OneofthemistitledLevelsofLiterary
Interpretation[purpletitle]andlistsanumberofdifferentsubjectsthataworkmight
address,orcriticalperspectivesthroughwhichwemightviewthatworke.g.,varioussocial
issuesorsymbolicframeworksorcultural/historicalcontextsorartisticinfluencesrelatedtothe
work.Oryourthesiscouldbesomestrictlyaestheticpoint.
FortheFinalespecially,youshouldbestrivingtousethevariouscriticalapproachesweve
touchedonduringthesemester,andspecificallythosediscussedinChapters10(Ideology)&11
(Critique).TheotherusefulitemIveincludedunderCourseDocumentsistitledIssuesin
Ideology,whichisjustabriefsummaryoftheleftcenterrightmodelthatGiannetti
discussesinChap.10.
EssayRubric
Content:
Topic
Thesis
Body
Logic
Research
Form:
Organization
Style
Grammar,
Punctuation,
mechanics
Manuscriptform
(orspoken
delivery)
Excellent(A)
Highlyrelevant&
original.
Exceptionally
complex.
Lotsofdetail;ex
tensivedevelopment
Airtightreasoning.
Vasteffortonfinding
sources.
Seamlessflowof
information
Vital,original,
energeticprose.
Essentiallyfreeof
errors.
FollowingServer
documents;con
fidentlydelivered.
Good(B)
Veryrelevantw/
personaltouches.
Verycomplex.
Gooddetail,examples,
coverage.
Soundreasoning;few
lapses.
Goodsources;
interestingvariety.
Goodstructure;major
componentsinplace.
Good,soundEnglish
expression.
Freeofmajor
sentenceerrors,but
someminorones.
Mostguidelines,
followed;good
presence.
Fair(C)
Marginallyimportant
ororiginal.
Somecomplexity,but
fairlystraightfwd.
Somedetailandeffort
ondevelopm.
Okay,butwaveringona
fewpoints.
Somesources;lacking
invariety.
Basicstructureinplace,
butblandpresentation.
Poor(D)
Somewhatinsignificant;
derivative
Notverycomplex.
Failing(F)
Notrelevantor
original.
Verysimplistic.
Tooshort;no
concretedetail.
Illogical;offtrack.
Asmatteringof
sentenceinfractions.
Speakingmainlyin
generalizations.
Patternoffaultylogic&
emotionalappeals.
Littleeffortonsources;
sloppybibliography.
Componentsoutofplace
ortransitionshardto
follow.
Awkward,inconsistent
language.
Significantmajor
sentenceerrors.
Somelapsesinform;
goodhumor.
Disregardsfomatrules;
lacklusterperformance.
Somewhatbland.
Virtuallynocitations.
Seriouslylackingin
structure.
Noenergy.
Varietyoferrors.
Noknowledgeof
requiredformats;
poorattitude.