ICF 2016 Sundance Booklet
ICF 2016 Sundance Booklet
ICF 2016 Sundance Booklet
or the 16th year in a row, Creative Artists Agency (CAA) is sponsoring Inner-City Filmmakers (ICF) students to
attend the Sundance Film Festival in Park City, Utah.
Fred Heinrich, ICF Founder, and Mike Boggio, Mentor, and an ICF 1993 Alumnus, will lead a team of seven select
students from January 22 27, 2016. They will be seeing three or more films a day, meeting stars, filmmakers, and
industry executives, which will inspire, inform and empower our diverse filmmakers.
This year, Cesar Cervantes, an ICF 2010 alumnus, is attending Sundance as one of 12 artists selected for the Sundance
Writers Lab. He is the first recipient of the Sundance Institutes Feature Film Program Latino Fellowship.
Justin Floyd, an ICF 2012 alumnus, is attending Sundance as one of the 5 winners selected for the Sundance Ignite
Fellows program, supported by Adobe through its project 1324.
Familiarize yourself with what the Sundance Film Festival is all about. Visit: www.sundance.org
On behalf of all our students we thank CAA for their ongoing friendship and generous support.
We welcome your support, too! Visit: www.innercityfilmmakers.com
FRED HEINRICH - is a graduate of the School of Cinema at USC. Born to immigrant parents, by age 22 he was a
leading editor. Freds work earned two Clio Awards. In 1973, Fred started one of the first independent commercial
editorial companies, Wildwood Films. Over thirty years he has worked on thousands of high quality commercial projects.
He has also produced ad campaigns with multi-million dollar budgets, difficult clients, and complex logistics on
distant locations.
In 1992, the Los Angeles Riots swept Southern California leaving chaos and devastation in its wake. It also left an indelible
mark on Fred and his producer wife, Stephania Lipner. Shortly thereafter, they established Inner-City Filmmakers to
educate, empower, and find employment for diverse low income youth. Fred has been recognized by news service
agencies that include: ABC-Television Network, CBS-Television, Directors Guild of America magazine, Producers Guild
of America magazine, Hollywood Foreign Press Association, The Hollywood Reporter, KTLA, Los Angeles Times,
NBC-TV, Newsweek magazine, Reuters News Agency, Shoot Magazine, Time Magazine, Variety, and VIBE Magazine.
In 2009, Fred was honored with a Lifetime Achievement Award by the Association of Independent Creative Editors (AICE),
an international association representing independent creative editorial companies and their editors. In 2015, Fred was
selected as a CNN Hero!
STEPHANIA LIPNER - is a producer of TV commercials, documentaries and live theatre. Originally from New York
City, at age 15 she became the youngest dancer ever to be discovered and accepted into the American Ballet Theatre
by Lucia Chase, ballet director and co-founder. Traveling the world with ABT and later the Joffrey Ballet, Stephania
advanced to principal roles. During hiatus, she appeared as a dancer in the original films, BYE BYE BIRDIE and
HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING, which is where she became interested in production.
Stephania moved into advertising, became a producer, and at age 26, promoted to Vice President, Head of Broadcast
Production for McCann-Erickson, one of the worlds premier advertising agencies, where she won Clio and Belding
Awards for her work. She later produced an ABC-Television Network Special, THE MYSTERIOUS POWERS OF MAN,
before becoming Vice President of Development for Telepictures, an American television and film production company,
currently operating as a label of Warner Bros. Television. As a producer of live theatre in Los Angeles, Stephania has
worked with many Hollywood notables including Jack Lemmon in David Mamets, LIFE IN THE THEATER.
Since 1992, Stephania has shared the vision and worked tirelessly side-by-side with her husband, Fred Heinrich, to build
Inner-City Filmmakers into the successful organization that it is today. Her motivation, determination, energy and work
ethic are infused in Inner-City Filmmakers students.
PAULA AGUILAR
PAULA
AGUILAR
Cinematographer
Cinematographer
I was born in Whittier, CA. I am 18 years of age and currently live in Rosemead. Both of my parents are from Guayaquil,
I was
born and
in Whittier,
I am 18
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of were
age and
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Guayaquil,
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moved toCA.
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in their
twenties.
liveRosemead.
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moms
boyfriend,
16-year-old
Ecuador
to California
when
were
their twenties.
I live
with
mother,
boyfriend,
my one
16-year-old
sister, and
my moved
8-year-old
brother and
mythey
6-year
oldinsister.
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oldmy
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two moms
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and mythe
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sure8-year-old
you can already
quotidian
arguments
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restroom.
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imagine
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roofcan
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but attic.
we areIt grateful
make the
of it.
frightening. Our living condition is definitely inadequate for such a large family, but we are grateful and make the best of it.
For the most part, we live off of my moms boyfriends income, but I choose to help my family by working, too. I used to work
ForONE
the most
part, we
liveretail
off of
boyfriends
income,
but I choose
to help 2015
my family
by Program,
working, too.
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to work
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wage
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butmoms
as soon
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Inner-City
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Summer
I realized
8 hours
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minimum
wage retail
but asI soon
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I realizedshoe
thatstores,
8 hoursand
a week
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tackle THREE
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I spend 162015
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at two different
a week
is definitely
decidedJuice.
to tackle
jobs.from
I spend
16 hours
a week at(to
two
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and
another
23 hours ofnot
myenough.
week atI Jamba
SomeTHREE
days I drive
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to Pasadena
getdifferent
to Jambashoe
Juice),
Rosemead
another
23 hours
of my
week
Jamba
Juice.and
Some
I drive to
from
Rosemead
to Pasadena
(to getI give
to Jamba
Juice),amount
Rosemead
to Arcadia
(to get
to the
firstat shoe
store),
fromdays
Rosemead
Citadel
(the second
shoe store).
a generous
of my
to Arcadia
getmom
to the
shoe
store),asand
from
Citadel (the
store).
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a generous
money to(tomy
andfirst
save
as much
I can
forRosemead
my prized to
possession;
mysecond
camera,shoe
which
I bought
my ownamount
money!of my
money to my mom and save as much as I can for my prized possession; my camera, which I bought with my own money!
I recently left my job at Jamba Juice to work at the Landmark Theatre on Pico Blvd., which is extremely far from where I live.
I recently
job atisJamba
Juice
to work
thenot
Landmark
Theatre
on Pico
which
is extremely
far fromALWAYS
where I live.
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mymy
dream
to make
movies,
so at
why
work where
movies
are Blvd.,
screened?
Besides,
the Landmark
hosts
ButQ&A's
hey, my
is toand
make
movies,
soI why
not work
where
are screened?
Landmark ALWAYS hosts
withdream
directors
actors,
which
can actually
attend
formovies
free because
I will be Besides,
working the events!
Q&A's with directors and actors, which I can actually attend for free because I will be working the events!
My goal is to work in the film industry. I am willing to do anything as long as it is a stepping stone towards a career. But without
Mya goal
is to
in thegoal
filmand
industry.
to do anything asI have
long as
it is
a stepping
stone towards
a career.
withoutand
doubt,
mywork
ultimate
dream Iisam
to willing
be a Cinematographer.
also
recently
discovered
a passion
for artBut
direction,
a doubt,
my ultimate
and dream
is to
a Cinematographer.
havetime
alsoworking,
recentlybut
discovered
a passion
for art
WRITING.
I work goal
diligently
towards
mybegoals!
I spend most ofI my
as soon as
I have time
offdirection,
I write asand
much
WRITING.
I workasdiligently
towards
my goals!
I spend
most of
myfriends,
time working,
but as soon
as for
I have
timefilm
off Iinternships.
write as much
as I can, watch
many films
as possible,
make
short films
with
and consistently
apply
unpaid
as I can, watch as many films as possible, make short films with friends, and consistently apply for unpaid film internships.
I am attending Santa Monica College (as a full time student) because I know that I need to graduate from college in order to be
I am
attendinginSanta
Monicaand
College
(asworld.
a full Itime
because
I knowexperience
that I neednew
to graduate
from
college
in order
to be
successful
the industry
in this
wantstudent)
to be more
informed,
things, and
meet
talented
and creative
successful
in the
and goals
in thisare
world.
I want
to be more informed,
meet talented
andmy
creative
individuals.
Myindustry
short term
to turn
my screenplays
into short experience
films, and Inew
wantthings,
to buyand
a telephoto
lens for
camera.
individuals.
Mycollaborating
short term goals
turn my screenplays
shortlike,
films,
and I want
to buy
myme
camera.
I have been
a lot are
withtoInner-City
Filmmakersinto
alumni
Jonathan
Hurtado.
He aistelephoto
a directorlens
and for
askes
to shoot
I have
been collaborating
a lot with
Inner-City
alumni
like,
Jonathan
his projects.
We just recently
finished
one ofFilmmakers
the short films
called,
When
Im Hurtado.
Ready. He is a director and askes me to shoot
his projects. We just recently finished one of the short films called, When Im Ready.
Inner-City Filmmakers has changed my life. Not only has Inner-City Filmmakers shown me the ins and outs of filmmaking and
Inner-City
Filmmakers
changed mybut
life.it Not
has Inner-City
Filmmakers
me the
and outs
of filmmaking
and
what it TAKES
to behas
a filmmaker,
has only
also made
me a more
confident shown
individual
andins
helped
me develop
qualities
of a
what
it TAKES
to be
filmmaker,
but it,
it and
has at
also
me a more
individual
andtohelped
develop
qualities
of a
leader.
I feel like
mya family
has seen
mymade
workplace
peopleconfident
have definitely
started
notice me
a positive
shift
in my overall
leader.
I feel and
like my
family
has seenFilmmakers
it, and at myhas
workplace
people
have
definitelyand
started
to notice a positive
shift in my overall
character
drive.
Inner-City
made me
more
meticulous
down-to-earth.
Most importantly,
the ICF
character
drive.me
Inner-City
made meInner-City
more meticulous
andtaught
down-to-earth.
importantly,
thea reality,
ICF
Programand
inspired
and gave Filmmakers
me hope as ahas
filmmaker.
Filmmakers
me that myMost
dreams
can become
Program
inspired me
andtowards
gave me
as and
a filmmaker.
Inner-City
Filmmakers
taughtdefine
me that
dreams can
become ahelped
reality,fuel
if I incessantly
work
myhope
goals,
that my financial
situation
does NOT
me.my
Inner-City
Filmmakers
if Imy
incessantly
work
towards
goals,
and that
situation
NOTI am
define
me. Inner-City
Filmmakers
helped
passion for
film,
and it my
is what
helped
keepmy
mefinancial
going toward
mydoes
dreams.
incredibly
appreciative
and blessed
forfuel
being
myable
passion
film,ofand
is what helped
keep me
going toward my dreams. I am incredibly appreciative and blessed for being
to befor
a part
the it
Inner-City
Filmmakers
program.
able to be a part of the Inner-City Filmmakers program.
I am honored to have been selected to attend the 2016 Sundance Film Festival - to learn how a prestigious film festival works, to
I am
honored
to haveindependent
been selected
to attend
2016 Sundance
Film Festival
- to learn
how feel
a prestigious
film festival
works, to
watch
top-notch
films,
and tothemingle
with the various
filmmakers.
I truly
that attending
the Sundance
Film
watch
top-notch
independent
and to mingle
with
the bring
various
I truly
feel that my
attending
theIt Sundance
Festival
will change
my lifefilms,
as a filmmaker
because
it will
mefilmmakers.
one-step closer
to achieving
dreams.
has alwaysFilm
been a
Festival
change
my lifethe
as Sundance
a filmmaker
because
it will
bringa film
me one-step
closeron
to screened
achievingthere.
my dreams. It has always been a
dreamwill
of mine
to attend
Film
Festival
or have
that I worked
dream of mine to attend the Sundance Film Festival or have a film that I worked on screened there.
I would like to thank Creative Artists Agency and Inner-City Filmmakers for this amazing opportunity to attend the 2016
I would
like Film
to thank
Creative
Artists
Agency
andI Inner-City
Filmmakers
for this
amazing
to proud.
attend Thank
the 2016
Sundance
Festival;
it means
the world
to me.
promise that
I will continue
to work
hard toopportunity
make you all
you!
Sundance Film Festival; it means the world to me. I promise that I will continue to work hard to make you all proud. Thank you!
VALENTINA ARGUETA
Cinematographer
As long as I can remember, I have always lived with seven or eight people in a small two room house. I have always had to share
a room with my mother and brother, so the only privacy I would get is when no one was home. I guess you can say, its a Hispanic
thingto live within a large family. It can be fun at times, but sometimes you just want to have your own space.
My family emigrated from El Salvador in pursuit of a better life and to be able to provide for those who stayed behind. My father
was part of the military during the Salvadorian Civil War in the 80s, after losing his left index finger and recovering from battle
wounds, he left his home country. My mother followed her older brother to the U.S. leaving her younger sisters and brothers behind
with my grandparents; all to get a shot at getting her family out of poverty back home. When I was eight, my parents separated.
I was really close to my dad; so that impacted my life a lot, I closed up. I did not want to go to school and I just threw tantrums.
But after a while, and a few therapy sessions, I learned how to cope; I used my creative side to help my emotional side. Drawing,
listening to music, and reading books were what really helped. My moms strength to overcome obstacles has made her my role
model. Her perseverance to come out of tough situations is amazing; stubbornness and toughness is something I admire. She has
never stopped working a day in her life since she moved to America.
I currently attend CSULA after graduating from Woodrow Wilson High School and Inner-City Filmmakers in 2015. School is the
only thing that I have had to worry about. My mom never really wanted to put other pressures on me and my brother. She just
wanted us to get a higher education than she did and to become something more. My older brother and I share a love for art, though
Im more into the realistic type of drawings whereas hes into graffiti. Hes supportive and gives me advice.
My short term goals are to graduate college, travel to different countries, and develop my filmmaking | cinematography skills.
Inner-City Filmmakers is a great way to learn professional filmmaking skills and how to network with people who can help me.
I know I also have to get out on my own and continue to meet people. In the long run, I want to be able to give back to my high
school and Inner-City Filmmakers; to the people who have helped me and motivated me to keep pursuing my dreams. I want to
inspire people to never give up on their creative and artistic pursuits. I want to tell them that anything is possible as long as you
are doing what you truly love. I want to be able to become something big for my mom, to show her that her hard work didnt go
unappreciated. I want to be working in the film industry and be involved in creating features that make an impact on peoples lives.
I want to be able to do what I want whenever I want without restrictions because of my gender or ethnic background.
Inner-City Filmmakers Summer Program helped me mature a lot. Having to create, direct and edit my own short film and work in
various crew positions on four other team member films at the same time, had me face real industry situations; like working with actors,
making sure theyre pleased, and making sure the crew is doing everything you need and on time. Losing footage, and losing a location
at the last minute, was hectic, but in a sense it was a test. It was helping me see if I could actually handle this and make smart and fast
critical decisions. It helped me understand that filmmaking is serious work and not as easy as people think. Inner-City Filmmakers
made me picture myself really working in the industry, and I enjoyed every second of it.
The Sundance Film Festival will help me expand my network of people in the industry and learn from and about their experiences.
I feel that Inner-City Filmmakers has given me a great deal of knowledge and self-confidence, which will enable me to communicate
with the filmmakers at the festival. Being present and watching the quality of the films will help me keep in mind what I have to do
in order to get my films screened at the festival one day. I will also be making myself known as a Hispanic woman taking an interest
in film and showing that more people like me can also have a future in this industry.
The opportunity to attend the 2016 Sundance Film Festival is beyond what I could have ever imagined. I am truly grateful! I want
to thank Creative Artists Agency for their generous support and for working together with Inner-City Filmmakers to help young
diverse filmmakers get a shot at being something in this industry. You are little by little helping create change; change that one day
will help impact the entire world. Thank you for believing in us so much, your genuine hard work is very much appreciated.
MIKE
BOGGIO
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REVISED
1-4-16
MIKE
BOGGIO
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1-4-16
MIKE
BOGGIO
MIKE
BOGGIO
Mentor
Mentor
MikeMike
Boggio,
an Inner
City Filmmakers
ClassClass
of 1993
Alumnus,
has worked
as anas
actor,
film editor,
musician,
producer,
martial
Boggio,
an Inner
City Filmmakers
of 1993
Alumnus,
has worked
an actor,
film editor,
musician,
producer,
martial
arts instructor,
and real
investor.
arts instructor,
andestate
real estate
investor.
Mike's
entertainment
careercareer
beganbegan
at ageattwelve
performing
in films
for NBC,
AFI, AFI,
and LAUSD
whilewhile
studying
dancedance
and drama
Mike's
entertainment
age twelve
performing
in films
for NBC,
and LAUSD
studying
and drama
at Bancroft
Performing
Arts Magnet
in Hollywood
('87-'89).
Trained
in TVinproduction
and music
at Van
Performing
Arts Arts
at Bancroft
Performing
Arts Magnet
in Hollywood
('87-'89).
Trained
TV production
and music
at Nuys
Van Nuys
Performing
Magnet
('90-'93),
Mike
was
voted
"Best
Instrumentalist"
by
the
student
body.
While
earning
his
Bachelor
of
Music
degree
in in
Magnet ('90-'93), Mike was voted "Best Instrumentalist" by the student body. While earning his Bachelor of Music degree
Jazz Jazz
Studies
from from
Cal State
LA ('93-'97),
MikeMike
worked
as a production
assistant
for the
HARD
COPY
(Paramount
Studies
Cal State
LA ('93-'97),
worked
as a production
assistant
forTV
thetabloid
TV tabloid
HARD
COPY
(Paramount
Studios
'94-'97)
and as
editorial
internintern
on DANGEROUS
MINDS
(Hollywood
Pictures
'94-'95).
AfterAfter
graduating
with with
honors,
Studios
'94-'97)
and
as editorial
on DANGEROUS
MINDS
(Hollywood
Pictures
'94-'95).
graduating
honors,
MikeMike
was awas
lead
actor
in
SUCKERS,
a
low-budget
16mm
feature,
which
he
also
edited
and
co-produced.
In
1998,
MikeMike
a lead actor in SUCKERS, a low-budget 16mm feature, which he also edited and co-produced. In 1998,
launched
his own
post-production
company,
Almighty
Post, Post,
whichwhich
handled
digital
editing,
FX, sound
design,
voice-over,
and and
launched
his own
post-production
company,
Almighty
handled
digital
editing,
FX, sound
design,
voice-over,
musicmusic
for film
&
television.
Editorial
feature
credits
include
ROAD
DOGZ
(HBO/Cinemax),
COME
AND
TAKE
IT
DAY
for film & television. Editorial feature credits include ROAD DOGZ (HBO/Cinemax), COME AND TAKE IT DAY
(PBS),
and FOOD
STAMPS.
His comedy
shortsshorts
have have
won numerous
national
awards
including
a College
Emmy.
(PBS),
and FOOD
STAMPS.
His comedy
won numerous
national
awards
including
a College
Emmy.
As a As
professional
drummer
with with
over 20
years
of stage
and studio
experience,
MikeMike
has toured
Europe,
Japan,Japan,
and most
of North
a professional
drummer
over
20 years
of stage
and studio
experience,
has toured
Europe,
and most
of North
America
with
various
artists
of
diverse
musical
influences.
Performance
highlights
include
the
North
Sea,
Montreux,
and
America with various artists of diverse musical influences. Performance highlights include the North Sea, Montreux,Detroit
and Detroit
Jazz Festivals,
MGMMGM
GrandGrand
ArenaArena
in LasinVegas,
and the
House
in Washington
D.C. D.C.
Jazz Festivals,
Las Vegas,
andWhite
the White
House
in Washington
MikeMike
is also
Brazilian
Jiu-Jitsu
specialist.
Growing
up inup
theingang-heavy
corridor
between
Downtown
LA and
in in
is aalso
a Brazilian
Jiu-Jitsu
specialist.
Growing
the gang-heavy
corridor
between
Downtown
LAHollywood
and Hollywood
the 1980s
and early
'90s, '90s,
wherewhere
gunfire
and street
crimecrime
were were
commonplace,
MikeMike
was compelled
to learn
self-defense
but but
the 1980s
and early
gunfire
and street
commonplace,
was compelled
to learn
self-defense
couldn't
affordafford
classes
until until
after after
college.
He began
training
in 1999
at theatGracie
Jiu Jitsu
Academy
in Torrance,
CA and
couldn't
classes
college.
He began
training
in 1999
the Gracie
Jiu Jitsu
Academy
in Torrance,
CA has
and has
sincesince
instructed
classes
for
the
Los
Angeles
Dept.
of
Recreation
and
Parks,
UCLA,
and
Caique
Jiu
Jitsu
Academy
in
Lomita,
CA, CA,
instructed classes for the Los Angeles Dept. of Recreation and Parks, UCLA, and Caique Jiu Jitsu Academy in Lomita,
wherewhere
he currently
trains.trains.
he currently
In 2007,
MikeMike
beganbegan
buying,
renovating,
and renting
real estate,
whichwhich
has proven
to be to
hisbemost
lucrative
careercareer
- allowing
him him
In 2007,
buying,
renovating,
and renting
real estate,
has proven
his most
lucrative
- allowing
to become
a
major
financial
supporter
of
Inner-City
Filmmakers.
to become a major financial supporter of Inner-City Filmmakers.
"As a"As
member
of ICF's
first class
in 1993,
I am Igrateful
to have
witnessed
the program's
growth
and evolution.
Fred Fred
and Steph's
a member
of ICF's
first class
in 1993,
am grateful
to have
witnessed
the program's
growth
and evolution.
and Steph's
care,care,
persistence,
and
leadership
have
inspired
me
to
develop
these
same
qualities
in
my
own
life."
persistence, and leadership have inspired me to develop these same qualities in my own life."
MikeMike
editededited
thank
you you
videos
for the
and 2002
Creative
Artists
Agency
(CAA)
sponsored
trips to
SUNDANCE,
but 2016
thank
videos
for2001
the 2001
and 2002
Creative
Artists
Agency
(CAA)
sponsored
trips
to SUNDANCE,
but 2016
marksmarks
his first
to Park
City, City,
Utah Utah
as a team
mentor
with Inner-City
Filmmakers.
his time
first traveling
time traveling
to Park
as a team
mentor
with Inner-City
Filmmakers.
We We
are grateful
for the
of CAA,
whichwhich
provides
greatgreat
learning
opportunities
and encourages
Inner-City
Filmmakers
are grateful
forsupport
the support
of CAA,
provides
learning
opportunities
and encourages
Inner-City
Filmmakers
students
to step
their
comfort
zone zone
so they
successful
in college,
jobs, jobs,
life, and
community
leaders.
students
to out
stepofout
of their
comfort
so can
theybecome
can become
successful
in college,
life,as
and
as community
leaders.
THALIA CARDONA
THALIA
Editor CARDONA
Editor
I was born and raised in Boyle Heights, CA. I graduated from Oscar De La Hoya Animo Charter High School and attend
I wasPasadena
born andCity
raised
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I graduated
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attend
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look forward
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dadAnimo
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not a religious person.
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value
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One thing I struggle with every day is living with anxiety. Because of it, I am not a social person. Anxiety makes me feel like a
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my anxietyOne
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about
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it has made me
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person.
thing about my anxiety is that it has made me a hard worker and a dedicated person.
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I have2015,
to admit
though,
anxiety
was to
pretty
bad a couple
years ago
I have worked
been taking
steps to overcome
it. And,
I took
a hugemy
leap;
I applied
Inner-City
Filmmakers,
wasbut
accepted,
hard,baby
and completed
my summer
withinthem.
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I took a huge
leap; I applied
Inner-City
was accepted,
worked
completed my summer with them.
Filmmakers
did nottoonly
teach meFilmmakers,
about filmmaking,
but it taught
mehard,
aboutand
myself.
Inner-City Filmmakers did not only teach me about filmmaking, but it taught me about myself.
I have grown so much this past summer and continue to do so. ICF allowed me to go beyond my comfort zone. Before ICF,
I have
grown
so much
thisroutine
past summer
continue
to do so. ICF
allowed
go something
beyond mynew
comfort
zone. Before
I lived
a boring
daily
becauseand
I dont
like uncertainty.
Every
singleme
daytowas
and different.
I wasICF,
not used
I lived
boring
dailyit routine
because
I dont
like know
uncertainty.
single
day In
was
new
and different.
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used just
to athat,
in fact
scared me
because
I didnt
how toEvery
handle
change.
thesomething
past, when
something
went wrong,
I would
to that,
in fact
scared
me something
because I didnt
know
to handle
change.
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themy
past,
something
wentICF
wrong,
I would
justand it
panic.
Butitnow,
when
does not
go how
as planned,
I try
to think
feetwhen
and find
a solution.
taught
me that;
panic.has
But
now,a when
somethingindoes
as planned,
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to think
my feet
and findpeople
a solution.
taught mehow
that;
it
made
huge difference
my not
life.go
Because
of ICF,
I have
met on
so many
incredible
and IICF
am learning
to and
socialize.
has made a huge difference in my life. Because of ICF, I have met so many incredible people and I am learning how to socialize.
An opportunity to attend the Sundance Film Festival does not come around very often. That is why I am so grateful. I know the
An opportunity
to attend
the Sundance
Filma new
Festival
does notabout
comethe
around
often.I look
That forward
is why I to
ammeeting
so grateful.
know the and
Sundance Film
Festival
will give me
perspective
film very
industry.
new Ifilmmakers
Sundance
Film Festival
willwith
givethem.
me aInew
thetheir
filmstories;
industry.
I look
forward
to their
meeting
new filmmakers
experiencing
their art
lookperspective
forward to about
hearing
their
successes
and
failures.
Above all, Iand
hope to
experiencing
their
art with
them.
to hearing
their stories;
successes
andtotheir
all, I hope
learn more
about
myself
and Itolook
growforward
as a person.
An experience
like their
this will
push me
be a failures.
bit more Above
independent,
for ittowould
learn be
more
myself
andontomy
grow
as Ita person.
Anme
experience
likemyself
this will
push of
mehiding
to be abehind
bit more
it would
my about
first time
being
own.
will force
to speak for
instead
my independent,
friends, like Ifor
usually
do.
be my first time being on my own. It will force me to speak for myself instead of hiding behind my friends, like I usually do.
I thank Creative Artists Agency and Inner-City Filmmakers for this tremendous opportunity to attend the Sundance Film Festival.
I thank
Creative
Artists
Agency
Inner-City
Filmmakers
for this
tremendous
opportunity
to attend
the Sundance
Festival.
I feel
blessed
to have
been and
chosen
to be a part
of the 2016
Sundance
team because
I know
how much
you wantFilm
us all
to succeed.
I feelYOU
blessed
to have
been chosen
to beofaus
part
the 2016
Sundance
team do.
because
know how
muchayou
wantand
us family
all to succeed.
believe
in every
single one
in of
a way
that not
many adults
I am Ifortunate
to have
mother
who support
YOUme.
believe
in every
onetoofhave
us inpeople
a waylike
thatYOU,
not many
do. I ambut
fortunate
mother
andyou
family
who support
So, its
a truesingle
blessing
who adults
want nothing
the besttoforhave
me,atoo.
Thank
for caring.
me. So, its a true blessing to have people like YOU, who want nothing but the best for me, too. Thank you for caring.
HANSON ESCOBAR
Writer | Director
Born in the small town of Quetzaltenango, Guatemala, I had big dreams; but no means to achieving them. With the help of
Inner-City Filmmakers and Creative Artists Agency, I now feel that I have a chance! I am extremely grateful!
When I was born, both my parents left me for reasons still unknown. My grandparents in Guatemala raised me for the first six years
of my life, and as far as I was concerned, they were my parents. They gave me everything I needed to be happy as a child, which in
a way was both a good and bad thing. I became a little spoiled, but I was happy, and thats all they wanted. However, at the start of
2003, my mother showed up, unannounced. She was there to take me with her, to the United States. All this confused me, especially
when I saw her arguing with my grandparents. The next thing I knew, Im on a plane, leaving everything behind; all my friends,
family, everything I loved was left in Guatemala. It was my mother and me on a plane. I was truly frightened, but awed as I felt
this was the start of a new adventure.
The thing was, I wasnt really on a plane to California. My mother wasnt a citizen; she was an immigrant, which meant that in order
for me to reach California, where my mothers family lived, we had to cross the border. It felt straight out of a movie: waking up at
dawn, sneaking around under highways, moving only when it was dark, and hitching a ride on the back of a pickup truck alongside
many other faceless people. Nobody knew one another, but we were all in the same boat - or pick-up truck to be precise - scared
of being caught and separated from our families. I remember staying in many different places, many people opening the doors of
their home to us so we could continue our journey. All was going smoothly until one fateful day. The person who was guiding us,
known as the coyote, suddenly left us under a highway. Lost, we wandered under the thick trees until we accidentally came faceto-face with immigration. Soon, we were split up. I was put in an orphanage/detention center while my mother was whisked away.
Those days in the detention center were definitely the worst. For starters, the crying of all the other kids was incessant. Im not much
of a crier, but even I broke down once. Then there were the showers. They, meaning the workers there, would stuff 20 of us kids
into the shower, spray us with cold water, then passed around a bar of soap, telling us to lather ourselves and pass it on. Then came
another douse of cold water. It was the same routine every day. Days and days passed in a blur, and we encountered many other
hardships. After months of planning, I was able to come to America. My first few months that I lived in the U.S. were the hardest.
I did not speak a single word of English. I was a loner at school. I felt every kid was making fun of me. Kids are cruel! My only
friends were my teachers who told me that they saw something special in me. I believe that it was this positive reinforcement early
on that led me to overcome those few early obstacles at school. Outside of school, I didnt have friends, only books and toys. This
is where my love for storytelling started; I would re-enact scenes from my books with my action figures. I wasnt allowed to play
video games or watch TV, so books were my only escape. I fell in love with books. Nights were filled with books under my covers
and a flashlight in my hand. I would wake up early in the morning just to continue reading. I was alone, but I had my books to keep
me company and to me that was enough to make life happy.
In 2006, I met one of the loves of my life: my little brother, Alan. I still love him, more than ever, and I was truly happy to be a big
brother. In 2009, I received news that made that happiness revisited. My mother was pregnant, again. That feeling was short-lived
this time around, as my mother had a miscarriage. That has been the hardest time in my entire life. However, around this time is
where I learned about my love for movies. They were the only things that consoled me because they provided the hope I needed to
believe that things were going to get better. From then on, I knew what I wanted to do with my life. Time heals all wounds, and it
sure did in 2012 when Iker, my youngest brother was born.
So why am I telling you all of this? What does my life have to do with anything? Well, its because I want to show you that I have
stories to tell. I enjoy not only hearing, but also telling a good story, especially if that story is told through film. Many of us live
hardships, and I feel that film is a great way to escape, to go on someone elses journey and forget about yours for a moment. Film
gives us heroes to root for and role models to look up to; it opens our imagination. I have a massive debt to Inner-City Filmmakers
and Creative Artists Agency - they have given me so much, that there is almost no way to repay them. Through knowledge and
hands-on experience, they have made me feel confident that I am competent enough to work in the industry. This trip to the
Sundance Film Festival will further help me. Thank you!
My parents came to the United States not knowing how to speak English. They came to this country with a dream, to help their
families by sending money back to their homeland in Oaxaca, Mexico. They faced countless struggles such as jobs that paid less
than minimum wage and adjusting to a new culture with a new language. However, that did not stop them from accomplishing what
they came for, to make a better life for themselves and their children.
My mother and father work in the dry cleaning business as pressers. Two of my older brothers Abraham and Osvaldo both graduated
from Cal State LA University. Abraham works as a telemarketer and Osvaldo works as a music teacher. My little sister Priscilla
and I are still in college.
At the age of 9, I was introduced to my first instrument, the trumpet, and continued to pick up other instruments such as the guitar,
drums, and piano. Music has been a big part of life especially growing up in a family with pure musicians. My father Wilfrido and
mother Elena were both singers. My two older brothers Abraham and Osvaldo play instruments such as the clarinet, saxophone,
and guitar. My little sister Priscilla also played the saxophone. I knew that music was going to be a great passion of mine once
I fell in love in creating it.
I graduated from Hamilton High School. When I started my second year at Los Angeles City College, I took a few art and business
classes but they were not keeping me interested. Luckily, I stumble upon a photographers blog by the name of Van Styles and got
into photography after I started to see and admire the creativity of these photographers.
With the money I had saved up, I bought a camera and learned how to take photographs. I learned by trial and error. As my work
progressed, I got interested in making videos after saw videos on YouTube channels such as, Hypebeast, The Hundreds, Vice,
and Audiotree. What I love about these channels is the creativity and differences that these channels had towards each other such
as the mechanics in how they were filmed and the story behind it.
In 2015, I was accepted into Inner-City Filmmakers; it was an honor and a life-changer. I met so many people and learned so many
things and skills about filmmaking. Nothing in this line of work is impossible unless I make myself think that it is. My short-term
goal is to finish LACC and get a job as a full-time photographer or cinematographer. My long-term goal is to make my own feature
films and create a film production company that can help up and coming businesses, artists, and musicians to grow and get the right
recognition that they deserve. The step that Im taking to get closer to my goal is putting in all my effort and creativity into every
film project that I am involved in.
Being chosen to attend the Sundance Film Festival, as a young filmmaker, I will be able to learn and experience new fundamentals
of filmmaking and build new connections at the same time. I hope to learn new techniques and other ways of telling great stories
through visuals by other filmmakers at this festival. Going to this festival means to me that I will have the privilege to be up-close
and personal with new film directors and their expertise.
I really appreciate all the love and support that Creative Artists Agency and Inner-City Filmmakers has given me throughout the
year including this great opportunity to attend Sundance to meet other passionate filmmakers like me.
Thank you everyone for your support!
DANIEL
HENRIQUEZ
DANIEL
HENRIQUEZ
Sound
Editor
Sound
Editor
I am Ianam
Inner-City
Filmmakers
alumnus
from from
the Class
of 2014.
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in Burbank
and live
Sun
CA. ICA.
am I19am
years
an Inner-City
Filmmakers
alumnus
the Class
of 2014.
was born
in Burbank
andin
live
in Valley,
Sun Valley,
19 years
old and
graduate
of Verdugo
Hills Hills
HighHigh
School.
Both Both
of myofparents
were were
born born
in ElinSalvador.
I have
two sisters,
both both
olderolder
old aand
a graduate
of Verdugo
School.
my parents
El Salvador.
I have
two sisters,
than than
me. My
a driver
for a for
delivery
company.
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is a freelance
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and house-sitter.
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me.dad
My isdad
is a driver
a delivery
company.
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is a freelance
and house-sitter.
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clothing
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and my
oldestoldest
sistersister
worksworks
as a coach
for anforafter-school
program.
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now, now,
the biggest
question
I ask I ask
clothing
andsecond
my second
as a coach
an after-school
program.
the biggest
question
myself
regarding
a career
is, Isis,itIs
absolutely
essential
to gototogo
school
for Sound
Design
to gettoaget
jobainjob
that
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myself
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a career
it absolutely
essential
to school
for Sound
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in field?
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a while
and Im
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to lean
And, And,
part of
that
is thatis most
people
I tell I tell
on for
thisquite
for quite
a while
and now
Im now
starting
to into
lean not
intogoing.
not going.
part
of problem
that problem
that most
people
that to
seem
to think
Im simply
careless
and not
enough
to mytogoal
that isthat
notisthe
I careI very
deeply
aboutabout
that
to seem
to think
Im simply
careless
andcommitted
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my when
goal when
notcase.
the case.
care very
deeply
this passion
of mine,
but I but
dont
trust trust
giving
money
and time
into ainto
system
I dont
thinkthink
is reliable.
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than than
willing
to to
this passion
of mine,
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giving
money
and time
a system
I dont
is reliable.
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willing
investinvest
a lot of
time
and effort
into Sound
to gettotoget
where
I want
to be.to be.
a lot
of time
and effort
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to where
I want
So, Im
in thisinlimbo
until until
I get Ia get
definite
path, path,
whichwhich
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with with
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Inner-City
Filmmakers.
SinceSince
So,stuck
Im stuck
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a definite
will most
the of
help
of Inner-City
Filmmakers.
my graduation,
it became
drastically
moremore
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that Ithat
need
my own
car. Icar.
missed
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a fewa opportunities
because
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my graduation,
it became
drastically
evident
I need
my own
I missed
few opportunities
because
I didnt
own own
one. So,
term term
goalsgoals
are focused
towards
that. that.
I am Icurrently
volunteering
for LAs
Best,Best,
an afterschool
program.
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So,short
my short
are focused
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am currently
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an afterschool
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coaches
who plan
and help
with with
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homework.
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wonderful
program
and Ive
had ahad a
am shadowing
coaches
who activities
plan activities
and students
help students
homework.
a wonderful
program
and only
Ive only
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so far.soI far.
chatted
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a supervisor
that dropped
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should
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andtold
she me
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meIthat
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car. And,
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buy more
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thingsthings
I needI need
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buy more
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and other
to practice
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and studying
techniques.
I create
environments
usingusing
manymany
layerslayers
of separate
soundsound
clips clips
in aninattempt
to make
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whatever
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an attempt
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I dont
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individuals
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haveI have
ICF to
thank
for that.
program.
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so much
individuals
ICF
to thank
for that.
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also like
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Creative
Artists
Agency
for the
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Sundance.
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that you
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like
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forchance
the chance
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that can
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so generous.
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gift isgift
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appreciated
by everyone
involved
in ICF.
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forward
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involved
in ICF.
forward
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so much
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to learn
moremore
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independent
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possibilities
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as a filmmaker.
I haveI have
ICF and
to thank
so much.
As I was
yeara year
ago, and
I willI be
forever
indebted
to you
for every
gift you
ICFCAA
and CAA
to thank
so much.
As I awas
ago,today,
and today,
will
be forever
indebted
to both
you both
for every
gift you
have have
givengiven
to alltoofallusofstudents.
It goes
without
saying,
you are
in ourin careers,
professional
relationships,
and our
us students.
It goes
without
saying,
yousignificant
are significant
our careers,
professional
relationships,
and our
lives.lives.
Thank
you for
support.
Thank
youyour
for your
support.
JONATHAN HURTADO
Writer | Director
I am a dreamer! Ever since I was a child, I had grand ideas for my future, whether it was planning a large business corporation that
stemmed off the idea of selling candy and chips at school, or designing my future house with ridiculous, over the top designs that
included a movie theatre and a room dedicated to video games. I have since outgrown most of these ideas, but I havent outgrown
being a dreamer. In my junior year at San Gabriel High School, I saw a movie called, Rushmore, and in that moment I fell in love
with cinema. I saved up, bought some equipment, went out and began shooting. I havent stopped!
I live in Alhambra with my mother and two sisters. My mother is an anxiety attack on legs and my sisters are the reason. Alina, 15 and
angry, is constantly bickering with Giselle, 9 and naive, over the most insignificant things. Before my parents split up, my father
was the dictator. He was always in control of the house and he kept order. With the big man on campus gone, my mother, is a push
over and no match for the girls. It is a world of estrogen and chaos.
My mother works in Matriculation at ELAC (East Los Angeles College) and my father is a manager at Case Parts Company. I work
at McDonalds. The legacy lives on! I know I should be thankful that I have a job, as there are many individuals out there who cant
seem to find one, but I cant stand it. Obviously, I am only working there for a bi-monthly paycheck.
I will be attending Santa Monica College starting in February. In the meantime, I have been doing a lot of writing and shooting,
but others see it as a hobby. A hobby is something you do for fun, but they dont understand. Filmmaking IS my career!
My short term goals are - to write; enter many short film festivals; write and continue to shoot short films; write and apply for
internships; and write. My long term goal is to write and direct full-length features. In addition, I also like to: write and produce
a play; write and produce a live action television show; write and produce a cartoon; start a record label and find unsigned talent;
and write a novel. I plan to reach these goals by being persistent and to NEVER stop writing.
Inner-City Filmmakers gave me the courage to follow my passion. I may be scared, but I am NOT willing to settle for an occupation
or a life that is only tolerable. I want to make movies and it doesnt matter to me that I will have to work hard, struggle, work hard
and have patience, and work hard, to get to where I want to be. Id just like to thank Inner-City Filmmakers for bringing out the
courage in me and encouraging me to live the life I wantand was meant to live.
I appreciate the opportunity to attend the Sundance Film Festival where I can watch and analyze new films, communicate with
filmmakers and others in the business, and more importantly, expand my knowledge. As much as I love the art of filmmaking,
I have to keep in mind that it is also a business. This trip will be one of the greatest learning opportunities, and I am very grateful
to have been selected.
I would like to thank Creative Artists Agency for caring about us, diverse young adults trying to make it in the film industry. Thank you
for collaborating with Inner-City Filmmakers. I will soak in every moment of this trip. It will change my life forever!
CESAR CERVANTES
Writer | Director
2016 Sundance Screenwriters Lab Winner
Sundance Institute Selects 12 Projects for 2016 January Screenwriters Lab. Artists Will Be Supported From Script Development
to Distribution Through Year-Round Customized System of Labs, Granting and Mentorship.
The Screenwriters Lab is an immersive five-day writers workshop at the Sundance Resort in Utah, January 15-20. The lab is one of
25 residency Labs the Institute hosts each year for independent artists in theatre, film, new media and episodic content. Participating
independent screenwriters will have the opportunity to develop their feature film scripts with the support of accomplished writers in
an environment that encourages creative risk-taking and original storytelling. The filmmakers reflect a broad and diverse spectrum
of independent storytelling from the U.S. and around the world, all bringing a personal and distinctive voice and aesthetic to the
projects selected.
Cesar Cervantes, an Inner-City Filmmakers 2010 alumnus, is one of the twelve winners selected and the first recipient of the
Sundance Institutes Feature Film Program Latino Fellowship.
Hot Clip (U.S.A.) / Csar Cervantes (Writer/Director) A week after their best friends fatal confrontation with a cop, three
Southeast Los Angeles skaters spend 24 hours chasing dreams, making trouble and trying to survive in a community on the verge
of exploding. This project is the recipient of the Feature Film Program Latino Fellowship.
Csar Cervantes is a first-generation Chicano filmmaker from Maywood, California. His skateboarding do-it-yourself background
and whatever-it-takes approach to filmmaking got him into the Emerging Filmmakers Showcase at the Cannes Film Festival, led
him to create an after-school film program for inner-city youth with the help of CAA, and put him on tour with the Grammy-winning
band La Santa Cecilia as their lead videographer. A Vassar College graduate, Cervantes will make his feature debut with Hot Clip.
I am a 2010 Inner-City Filmmakers (ICF) alumnus, and I couldnt be more grateful. I was born and raised in Los Angeles along
with two younger sisters. My parents migrated from Mexico to the United States in hopes of providing their children with a better
life. I grew up in a tough neighborhood where going down the wrong path was a common route but participation in the arts and
academia kept me out of trouble.
I was introduced to filmmaking by Roy Lansdown, a teacher at Bell High School, and immediately fell in love with it. Since then,
I have continued to pursue my passion for film by graduating from Inner-City Filmmakers in 2010 and taking film classes from
2010 to 2014 while attending Vassar College.
Inner-City Filmmakers taught me the skills and habits necessary to move ahead in the professional world. My goal is to be a writer
| director and start my own production company. ICF continues to help me reach my goals, and I decided to show my appreciation
and share my new knowledge by being a Team Captain in 2011. Inner-City Filmmakers then matched me to an internship at
Foundation Content where I worked on TV commercials and music videos.
In 2012, I spent a year abroad as an international student at FAMU, in the Czech Republic, the oldest and most respected film
academy in Eastern Europe. Upon my return, Inner-City Filmmakers matched me to a production assistant job at NBCUniversal,
Mun 2, where I rose to second unit camera operator during my short time at Mun 2 and shot for a national cable broadcast program.
I owe Inner-City Filmmakers a lot for who I am today!
JUSTIN FLOYD
OUR MISSION: to provide free year-round high quality education, pre-professional training, and access to career building jobs
for diverse disadvantaged youth who are high school graduates (ages 17 22) from Los Angeles County. They must be talented,
passionate, dependable, determined, and appreciative.
OUR GOAL: to guide diverse disadvantaged youth towards college, provide ongoing support, and to match the most dedicated and
qualified to behind-the-scenes jobs in the entertainment industry where they aspire to build careers, which are normally unavailable
to them. We reshape their lives and change their futures becauseTHEY MATTER!
Inner-City Filmmakers has 600 alumni; 98% overall attend college. (The national average is 68.3 %.) ICF alumni are in community
colleges in California and universities (on full scholarships) around the country and the world that include, but are not limited to:
Art Center, UC Berkeley, Brooks Institute, Cornell College in Iowa, UC Davis, Otis School of Art & Design, UC Santa Cruz, UCLA,
and USC as well as NYU, Vassar, University of Vermont, Western Kentucky, Williams College in MA, FAMU in the Czech Republic,
and Regents University in London.
100% of our alumni are working. (The national average of college students employed is 47%.) We have successfully matched over
60% of our alumni to industry jobs where they are respected, rehired and building careers. Our alumni are working on content
in all media platforms: A-list films at every major motion picture studio, Scripted and Reality TV, Webisodes, Documentaries,
Indie Films, Music Videos and TV Commercials. They are members of the Motion Picture Editors Guild, Cinematographers Guild,
Casting, Costumers, Props, Grip, Studio Electrical Lighting Technicians unions, the Writers Guild, and the Directors Guild of
America. They are EMMY AWARD winners and ACADEMY AWARD nominees.
RICHARD MOLINA (ICF 93), is a member of the Motion Picture Editors Guild and 1st Assistant Editor on THE REVENANT,
starring Leonardo DiCaprio. Richard also hired two other ICF alumni to work in postproduction on this film; Joshua Johnson (ICF 06)
and Gladys Garcia (ICF 09). Richard has numerous feature film credits to his name, which include - 300: RISE OF AN EMPIRE;
THE HUNGER GAMES; PIRATES OF THE CARIBBEAN; WALL STREET: MONEY NEVER SLEEPS; and 2012...just to name a few.
GIL KENAN (ICF 94), is a 2007 Academy Award Nominee for Best Director of an Animated Feature Film, MONSTER HOUSE,
executive produced by Robert Zemeckis and Steven Spielberg. Gil directed CITY OF EMBER, with Walden Media and Playtone
Partners, Gary Goetzman and Tom Hanks as executive producers. Gil directed POLTERGEIST 3D which was released in 2015.
He hired Estefany Zendejas (ICF 08) as his personal assistant. Legendary filmmaker, Sam Raimi, produced.
SAL ALVAREZ (ICF 95), is a member of the Cinematographers Guild (Local 600). He has a long list of credits, which includes second
assistant camera: a camera, on the Ang Lee film, BILLY LYNNS LONG HALFTIME WALK. Sal is currently working on a TV series and
hired Luigi Ventura (ICF 06) and Enrique Garcia (ICF 12) as part of the camera crew on AQUARIUS, starring David Duchovny.
TRINH TRAN (ICF 00), is Creative Executive at Marvel Entertainment responsible for CAPTAIN AMERICA: THE WINTER
SOLDIER, which had a record breaking opening weekend in 2014. She is currently working on CAPTAIN AMERICA: CIVIL WAR,
starring Chris Evans and Robert Downey Jr. Trinh was promoted to Associate Producer on this film.
CHRISKO MORALES (ICF 07), is a 2012 EMMY Award Winner for 3D Camera with his technical team from Cameron-Pace
Group, the innovator of 3D technology. He helped build special 3D RED Epic rigs for James Camerons record breaking Mariana
Trench solo sub dive. In 2013, Chrisko went to Russia to film the Mariinsky Ballet in 3D. He worked with the camera crew on
THE WALKING DEAD, SOUTHPAW and CONCUSSION.
Inner-City Filmmakers alumni are also MBAs, Lawyers, Clinical Social Workers, Law Enforcement Officers, Accountants, Professors,
Film Restorer for the Academy of Motion Picture Arts and Sciences, AMPAS Theater Staff members, AMPAS Museum Office Manager,
Talent and Literary Managers, IT Specialists, Graphic Designers, Welfare Administrators, Web Designers, Picture Vehicle Technicians,
Set Dressers, Writers Assistants, Location Scouts, Colorists, Compositing Artists, Director of Creative Services at IMAX, Manager of
Education and New Film Programs at Panavision, as well as business owners. They are job providers and ICF donors becauseWE MATTER!
Platinum Sponsors
The Ahmanson Foundation
Johnny Carson Foundation
Creative Artists Agency Foundation
Friars Charitable Foundation
Hollywood Foreign Press Association
S. Mark Taper Foundation
Gold Sponsors
Academy of Motion Picture Arts and Sciences
Anonymous
Drake Family Trust
Joseph Drown Foundation
Evolution Media Capital
The Green Foundation
The Kenneth T. and Eileen L. Norris Foundation
Silver Sponsors
Casey Family Foundation
Los Angeles Lakers Youth Foundation
Supporters
British Academy of Film & Television Arts, Los Angeles
Scott & Michelle Greenberg
FOXGives
Motion Picture Editors Guild
Pergo Foundation
Linda & Jay Sandrich
Seidman Family Foundation
In-kind Donations
Academy of Motion Picture Arts and Sciences
American Cinema Editors
Avid Technology
Russell Carpenter, ASC
Deen Design
designory, inc.
Maine Media Workshop
NBCUniversal
Panavision
PromaxBDA
Promo Pathways program
Sony Pictures Studios
Stella Adler Academy of Acting, Los Angeles
Sundance Ignite Fellows program
Universal Studios Sound Department
Warner Bros. Studios
Wild Mind Film Camp
To make your gift to Inner-City Filmmakers visit www.innercityfilmmakers.com and use the Pay Pal feature.
100% of your donation is tax deductible and goes directly towards educating youth. Thank you for your support.
1993-2016
P 310-264-3992 | F 310-264-3981
3000 West Olympic Boulevard | Santa Monica CA 90404
[email protected] | www.innercityfilmmakers.com