Fat Tony 2
Fat Tony 2
Fat Tony 2
Birds rarely write more than ornithologists – Piety for the impious
–Fat Tony does not drink milk – Why not Harvardify? –Can
Socrates out-argue FT ? -- Mystagogue philosophaster
I said earlier that, because of complexity, life and the world are not
command-and-control style, but that we tended somehow to think so on
the occasion, the wrong occasion. Let us call it the error of rationalism.
In Fat Tony’s language, it would be what makes us the suckers of all
suckers. It is this rationalism that makes us move away from optionality
--which makes us denigrate options and trial-and-error because we think
we can figure it out by ourselves.
Consider two types of knowledge. The first type is not exactly
“knowledge”; its ambiguous character prevents us from associating it
with the strict definitions of knowledge. It a way of doing thing that we
cannot really express in clear language, but that we do nevertheless, and
do well. The second type is more like what we call “knowledge”; it is what
you acquire in school, can get grades for, can codify, what can be
explainable, academizable, rationalizable, formalizable, theoretizable,
codifiable, Sovietizable, bureaucratizable, Harvardifiable, provable, etc.
To make things simple, just look at the second type of knowledge as
something so stripped of ambiguity that an autistic person (a high
functioning autistic person, that is) can easily understand it. So could a
computer.
The error of rationalism is, simply, overestimating the role and
necessity of the second type, the academic knowledge, in human affairs --
and degrading the uncodifiable, more complex, intuitive or experience-
3/22/10 © Copyright 2010 by N. N. Taleb. This draft version cannot be
disseminated or quoted.
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based type. It is a severe error because not only a large share of our
knowledge is not explainable, academizable, rationalizable, formalizable,
theoretizable, codifiable, Sovietizable, bureaucratizable, Harvardifiable,
etc., but, further, that the role such explainable knowledge plays in life is
so minor that it is not even funny.
We are very likely to believe that skills and ideas that we actually
acquired by doing, or that came naturally to us (as we already knew by
our innate biological instinct) came from books, ideas, and reasoning. We
get blinded by it; there may even be something in our brains that makes
us suckers for the point. Let us see how.
Clearly we never think that it is thanks to ornithologists that birds
learn to fly –and if some people do hold such belief, it would be hard for
them to convince the birds. But, let’s anthropomorphize a bit: when
replace “birds” with “men”, then the idea that people learn to do things
thanks to what they learned during pompous lectures becomes plausible.
When it comes to human agency, matters suddenly become confusing to
us.
We tend to believe that it is largely thanks to the beautiful rules of
grammar that we can speak, that it is thanks to science that we have all
this technology, thanks to universities that societies can function, thanks
to political scientists and political philosophers that we have a well-
functioning political system, and thanks to economists that we have an
economy. Of course we need to add that the belief that it is thanks to
government planning and nation states that the world is functioning.
In other words, the denigration of practice. This is a dangerous
human disease, a severe sucker problem, to be inclined to think that
practice has a debt to theories; that practice is inferior to theories, and
that theories are necessarily good and better than no-theories5 --even
after the Soviet experiences, even after the literal bankruptcy of the
economic establishment, even after the severe failures of the brand of
5 I will show later how the "better than nothing argument" used in finance to
introduce risk models is perhaps the most vicious one to argue against.
3/22/10 © Copyright 2010 by N. N. Taleb. This draft version cannot be
disseminated or quoted.
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EUTHYPHRO
their thoughts, how little they knew about the concepts they used
routinely –and the need for philosophy to elucidate these concepts. He
applied it across a few dialogues, Euthyphro being the most
representative.
The second method, called maieutics, i.e. midwifery, travelled in the
opposite direction: One starts with ignorance, then progressively attain
knowledge. Like a midwife, Socrates gave birth to the truths that resided
in us by nudging the interlocutor into revealing these abstract truths that
sat there independent of empirical reality. These truths are typically what
we call Platonic representations. The dialogue that has given rise to the
most commentary is Meno, in which Socrates shows to a slave boy how
he already knew, deep-down, the laws of geometry and was helped by the
questioner, only helped, to give gestation to these a priori truths.
So in the beginning of the Euthypro dialogue, he catches his
interlocutor using the word piety while characterizing the prosecution of
his father as a pious act –and so gave the impression that he was
conducting the prosecution on grounds of piety. So Socrates posed the
issue : “tell me how you define piety and impiety”. Euthyphro answered:
“piety is what I am doing now, prosecuting a wrongdoer with
manslaughter.” He showed, in support of what he thought was his
definition, that gods did it. For example, Zeus, whom people agree is the
most pious of the gods, put his own father in chains for a crime. Socrates
pounced on him: “I urged you not to tell me about one or two of these
many pious actions, but to describe the actual feature that makes any
pious action pious (...) because you said that there is one characteristic
that makes a pious action pious”.
“What is pious is loved by the god” appeared to Euthyphro a good
such characteristic. Not satisfactory, as Socrates showed him that the
gods were not so always in agreement, since there were things liked by
some gods, and hated by others. Therefore the same things can be pious
and impious, which makes Euthypro’s definition fail Socrates’ scrutiny.
The conversation appeared to reach some happy resolution when
Socrates made Euthyphro agree that what is pious is what is loved by all
the gods. Until, surprise, Socrates required him to show the causal arrow,
whether something is pious because it is loved by the gods, or is if it is
loved by the gods because it is pious. From that, he derived that what is
pious and what is loved by the gods could not the same property. So we
are back at the very beginning.
When prodded for another definition of what was pious, Euthyphro
was honest in his frustration. The poor man felt that he knew what piety
was but could not express it; worst, he was now insecure: “I don’t know
how to convey to you what I have in mind. Whatever we put forward
somehow keeps on shifting its position and refuses to stay where we laid
it down”.
The dialogue continued with more definitions (what is “moral
rectitude?"), until Euthyphro claimed an urgent engagement and ran
away. The dialogue ended abruptly, but the reader is left with the
impression that it could have gone on until today, twenty-five centuries
later, without it bringing us any closer to anything.
Let us reopen it.
him answers are never final and should not be fixated. Nothing should be
written in stone, even literally: Socrates in the Euthyphro boasts for
ancestry the sculptor Daedalus. Daedalus’ statues became alive as soon as
the work was completed; and unlike other statues frozen for eternity in a
single posture, nobody could observe them in the rigidity of a single
position. When you talk to one of Daedalus' statues, it talks back to you,
unlike the ones you see in the Metropolitan Museum of Arts in New York
City. Tony, for his part did not like writing for other, no less respectable
reasons: he almost flunked out of high school in East Brooklyn.
But the similarities stop somewhere, which would be good enough
for a dialogue. Of course we can expect a bit of a surprise on the part of
Fat Tony standing in front of the man described to him by Nero as the
greater philosopher of all times: Socrates, we are told, have looks beyond
the unprepossessing. For someone with some expectation of what a
philosopher would look like, it would be much like an encounter with one
of those hippies of the 1960s that we run into forty years too late, when
biology, norepinephrine (stress-hormones), mortgage worries,
carbohydrates, and the lack of intensity in the bedroom take their toll.
Socrates was repeatedly described as having a protruding belly, thin
limbs, bulging eyes, a snub nose (to the point that Nietzsche questioned
the purity of his race, casting him as a non-Hellene). He looked haggard.
He might even have had body odor as he bathed much less than his
peers. You can imagine Fat Tony sneering while pointing his finger at the
fellow: “Look, Neeero, you want me to talk to ...this”? Or perhaps not:
Socrates was said to have a presence, a certain personal confidence and a
serenity of mind that made some young men find him “beautiful”, and
even fall madly in love with him.
Now assume Fat Tony was asked by Socrates how he defined piety.
Fat Tony’s answer would have been most certainly to get lost –Fat Tony,
aware of Socrates’ statement in the beginning of the Euthyphro dialogue
that not only he would debate for free, but that he would be ready to pay
for conversation, would have claimed one doesn’t argue with someone
who is ready to pay you to just argue with him.
But Fat Tony’s power in life is that he does not let the other person
frame the question. He taught Nero that an answer is planted in every
question; never respond to a question that makes no sense to you with a
straight answer.
FAT TONY: “You are asking me to define what characteristic makes
a difference between pious and nonpious. Do I really need to be able to
tell you what it is to be able to conduct a pious action?”
SOCRATES: “How can you use words like piety without knowing
what it means, while pretending to know what it means?”
FAT TONY: “Do I actually have to be able to tell you in plain
barbarian nonGreek English, or in pure Greek what it means to know and
understand what it means?”
No doubt Fat Tony would have taken Socrates of Athens further
down his own road and be the one to doing the framing of the question:
FAT TONY: “tell me, old man. Does a child need to know what
mother’s milk is to understand the needs to drink it?”.
SOCRATES: “No, he does not need to”.
FAT TONY, using the same repetitive pattern of Socrates in the
Plato dialogues: “And my dear Socrates, does a dog need to define what
an owner is to be loyal to him?”
SOCRATES, puzzled to have someone ask him questions: “A dog has
... instinct. It does not reflect on its life. We are not dogs.”
Fat Tony: “I agree, my dear Socrates, that a dog has instinct. We are
not dogs. But are we humans fundamentally different to be completely
stripped of instinct leading us to do things?”
Without waiting for Socrates’s answer (only suckers wait for
answers; questions are not made for answers).
FAT TONY: ”Then, my good man Socrates, why do you think that we
need to define things?”
SOCRATES: “My dear Mega-tony, we need to know what we are
talking about when we talk. The entire idea of philosophy is to be able to
You can see here that what Fat Tony is hitting here is the very core
of philosophy: it is indeed with Socrates that the main questions that
became today philosophy were first raised; and questions such as “what
is existence?”, “what are morals?”, “what is a proof”, “what is science”,
“what is this?” and “what is that?”.
The question we saw in Euthypro occurs in the various dialogues
written by Plato. While the question, as we just saw, in the Euthyphro
was ‘what is piety [hosiotês]? Other dialogues address: temperance
[sôphrosunê] (in the Charmides ); courage [andreia] (in the Laches’),
virtue [aretê] in the Meno I mentioned earlier. What Socrates is seeking
relentlessly are definitions that specify the essential nature of the thing
concerned rather than the properties by means of which we can recognize
it or the meaning of the term used to designate it.
To place this in a modern context –the great question of the
separation between art and science; why they don't mix, and why
practitioners on both sides look down at the other one. Socrates went
even as far as questioning the poets and reported that had no more clue
than the public about their own works. In Plato’s account of his trial in
Nietzsche
Fat Tony, of course, had many precursors. Many we will not hear
about, because of the primacy of philosophy and the way it got integrated
into daily practices by Christianity and Islam. I remind the reader that
when I say “philosophy”, I mean theoretical and conceptual knowledge,
all knowledge. For, until recently, the term largely meant science –this
attempt to rationalize nature.
A vivid modern attack on the point came from the young Friedrich
Nietzsche, through dressed up in literary flight on optimism, pessimism,
mixed with a hallucination on what “West”, a “typical Hellene”, and the
German soul mean. The young Nietzsche wrote his first book, The Birth
of the Tragedy while in his early twenties. He went after Socrates whom
he called the “mystagogue of science” for “making existence appear
comprehensible”. This brilliant passage exposes what I call the
rationalistic fallacy: