Brand-Identity Guidelines
Brand-Identity Guidelines
Brand-Identity Guidelines
Client:
Contents:
Date:
Introduction (page 1)
The Logo Design (page 3)
The Logo Usage (page 6)
Colour Scheme (page 13)
Typography (page 16)
Contact Details (page 19)
January 2013
1.0
Introduction
Overview
The purpose of these guidelines is to explain the use of the new brand style and to
reinforce consistent application of the visual elements in all communications. This
includes publications, presentations, and all other marketing materials both online and
offline. Guidelines on the use of the logo are included.
1.0 Introduction
1.
Your corporate identity is the face and personality presented to the global community.
Its as important as the products and services you provide. Your identity is the total
effect of your logos, products, brand names, trademarks, advertising, brochures, and
presentations everything that represents you.
Because the brand cannot be compromised, weve created this guide to provide all the
pertinent specifications you need to maintain its integrity. The guidelines set in this
document are not meant to inhibit, but to improve the creative process. By following
these guidelines, the materials you create will represent your company cohesively to
the outside world.
Page Edge
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1.0 Introduction
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2.
2.0
3.
4.
5.
2.1
6.
Exclusion Zone
Make sure that text or other design elements do
not encroach upon the logo.
The marked space should always be given to let
the logo breathe, free from distraction.
31 mm
7 mm
7.
Wrong!
The logo has become distorted from its
designed aspect ratio, therefore stretching or
squshing the shape and text.
If the space is restrictive, the scale of the logo
(not the dimensions) must be adjusted to fit.
Correct!
The logos shape is consistent with the initial
design, retaining balance and legibility.
8.
Wrong!
The backdrop for the logos placement is too
similar to the primary colour - it lacks visibilty
and contrast.
To fix this problem, you can either select a
contrasting base colour, or switch to one of the
secondary colours assigned to the logo.
Correct!
The logo is clear and visible, set in primary
colours onto a backdrop which shows contrast.
Although the backdrop is not white, the colours
have been adjusted accordingly to work with the
design.
9.
Wrong!
Important elements within the logo have been
distorted, enlarged or shrunk, affecting the
balance and design.
A consistent layout is essential across all media,
and by changing key elements it will introduce
confusion into the brand.
Correct!
The logo has been used in the fashion it was
designed. A consistency has been achieved in
how it is seen.
10.
Wrong!
Inkbot.Design
Correct!
The logo is presented in its primary colours
using the primary typeface that has been
selected for the logotype.
11.
Content
Content
12.
3.0
Colour Scheme
Accurate reproduction of the brand colour scheme is essential in communicating a
clear and consistent message about the company image.
The Pantone colours should be used wherever possible, with CMYK / RGB being
matched as closely as possible depending on the materials and print process.
Black and white are acceptable as accent colours, in addition to the colours within the
assigned scheme.
13.
CMYK
RGB
HEX
Pantone 123 C
#999999
Pantone 123 C
#999999
Pantone 123 C
#999999
Pantone 123 C
#999999
Pantone 123 C
#999999
Pantone 123 C
#999999
Base Colour
Pantone 123 C
#999999
14.
Examples of how the primary logo deals with the alternative colour
backgrounds from the suggested scheme.
The only rules are that the colours do not clash and that there is a
level of contrast (or difference) between logo, typography and its
specified backdrop.
15.
4.0
Typography
The primary typeface is [insert name here] with a secondary [insert name here] to
complement the primary. These have been carefully selected to best represent the
brand image, and must be used to retain consistency - especially within the logo.
Replacing fonts with alternatives should not be done under any circumstances.
4.0 Typography
16.
Primary Typeface
Avenir Next LT Pro (Regular)
abcdefghijklmnopqr s tuv w x y z
ABCDEFGHIJK LMNOPQRS TU V W X Y Z
1234567890
!@ $%^&*()# - _=+ {} [];:/ \ ,.~
^ ~
4.0 Typography
17.
Secondary Typeface
Avenir Next LT Pro (Demi)
Tagline / Subheadings
4.0 Typography
18.
5.0
Contact Details
Company:
Inkbot Design
Designer:
Stuart L. Crawford
Email:
Web:
Twitter/Skype:
[email protected]
www.inkbotdesign.com
@stuartlcrawford
19.