Deleuze's Postscript On The Societies of Control

CULTURE MACHINE VOL 11 • 2010
DELEUZE’S ‘POSTSCRIPT ON THE SOCIETIES OF

CONTROL’
Gary Hall, Clare Birchall, Peter Woodbridge
To watch the second episode of Liquid Theory TV: Deleuze’s ‘Postscript on the
Societies of Control’, click on the image above, or cut and paste this link into your
Internet browser: http://www.youtube.com/watch_popup?v=GIus7lm_ZK0
Liquid Theory TV is a collaboration between Clare Birchall, Gary

Hall and Peter Woodbridge designed to develop a series of IPTV
programmes. (IPTV, in its broadest sense, refers to all those
technologies which use computer networks to deliver audio-visual
programming.) The idea behind the Liquid Theory TV project is to
experiment with IPTV’s potential for providing new ways of
communicating ‘intellectual’ ideas, easily and cheaply, both inside
and outside of the university. We want to do so not so much to have
an impact outside of the academy, be it economic, social or cultural;
nor to connect with an increasingly media-literate audience that
books supposedly cannot, or can no longer, reach. Rather, we are
experimenting with IPTV in order to explore the potential that
different forms of communication have to do different things – to
the point of perhaps even leading us to conceive of what we do as
www.culturemachine.net • 41
HALL, BIRCHALL & WOODBRIDGE • POSTSCRIPT CM 11 • 2010
academics, writers, artists, media theorists and philosophers

differently (see Wise, 2006: 242).
The second episode in the series takes as its focus Gilles Deleuze’s
short essay, ‘Postscript on the Societies of Control’.1 While this
episode is being made available for the first time in an issue of
Culture Machine which has as its theme creative media; and while
Liquid Theory TV could indeed be described as a creative project
concerned, to an extent, with producing alternative, rival, or
counter-desires to those currently dominant within much of society
(at its simplest, a desire for philosophy or – more broadly – theory,
rather than for the media creations of Richard Branson, Simon
Cowell or Rupert Murdoch, say), this does not mean that either the
series or this particular episode should be regarded simply as an
attempt to creatively perform Deleuze’s philosophy. The critical and
interpretive aspects of scholarly work remain important to us here,
even if they are being undertaken in a medium very different to the
traditional academic journal article or book.
Significantly, many of those writing under the influence of the

philosophy of Gilles Deleuze and Félix Guattari have interpreted
desire somewhat crudely – as an inherently positive, primal
propulsive force that opposes domination and control. Within the
realms of critical and cultural theory, in particular, this has indeed
led to a marked shift in emphasis and attention: away from a concern
with representation and critical interpretation, and toward the
generation of creative proliferations of desire. Our reading of
Deleuze and Guattari, however, would be closer to that of Franco
‘Bifo’ Berardi when, in The Soul at Work, he argues that desire
should be conceived more as a field than as a force. ‘It is the field
where an intense struggle takes place, or better an entangled
network of different and conflicting forces’, Bifo writes. ‘Desire is
not a good boy, nor the positive force of history. Desire is the
psychological field where imaginary flows, ideologies and economic
interests are constantly clashing’ (Bifo, 2009: 118).
This understanding of desire as a field rather than as simply a force is

extremely important. It means that not all forms of desire can be
regarded as being psychologically or politically progressive. Nor do
all instances of desire necessarily oppose domination. Some
instances of the desiring field can be neo-liberal, totalitarian, even
fascist.2 Bifo makes a related point with regard to the use of the
concept of the multitude by Michael Hardt, Antonio Negri and
others in the last decade or so. ‘They speak of the multitude as if it
were a boundless positive energy, a force of liberty that cannot

submit to domination in any way’ (2009: 154-55). Bifo, however,
proceeds to cite Jean Baudrillard from In the Shadow of the Silent
Majorities to show that, far from being inherently politically
subversive, the multitude also has another, constitutively passive
side to it:
It has always been thought – this is the very

ideology of the mass media – that it is the media
which envelop the masses. The secret of
manipulation has been sought in a frantic
semiology of the mass media. But it has been
overlooked, in this naive logic of communication,
that the masses are a stronger medium than all the
media, that it is the former who envelop and
absorb the latter – or at least there is no priority of
one over the other. The mass and the media are
one single process. Mass(age) is the message.
(Baudrillard, 1983:44; cited in Berardi, 2009:
155)3
While we would largely agree with Bifo in this respect, at least one
important question remains to be addressed. It is a question that
Bifo raises but which he himself does not proceed to answer in The
Soul at Work: namely, that while desire may judge history, ‘who
judges desire?’ (2009: 118). What if n ot every desire does oppose
domination, with some desires actually being a function of the
ideology of late capitalist society and its modes of production? What
if some ideas of desire, liquidity and flow in fact serve to replicate the
forces and values of market capitalism and the societies of control, as
both Baudrillard and Bifo maintain?4 How do we judge which
creative proliferations of desire are politically just and progressive,
and thus capable of producing deterritorializing ‘unblockages’,
psychologically and socially? Who decides which desires oppose
domination and offer escape plans from already mapped out
existential and philosophical paths, and which do not? On what
basis, on what grounds, can such judgements be made?
We must confess to a certain fascination with the philosophy of

Deleuze and Guattari and with the creative energy it has generated
in fields as diverse as art, architecture, design, film, music and dance.
Yet for all that we must also admit to being uncertain as to what
extent, and with quite what degree of rigour, the question of
judgement and the decision has been addressed within what we, as a
form of shorthand, might refer to as ‘Deleuzianism’, and what Bifo

refers to as the ‘“desiring movement”’ or ‘desiring theory’(2009:
117, 154).
It is certainly possible to provide a reading of the philosophy of

Deleuze and Guattari that offers a means of thinking about this
question. The following passage from Deleuze’s Essays Critical and
Clinical is just one of the possible starting points for doing so:
The mind begins by coldly and curiously

regarding what the body does, it is first of all a
witness; then it is affected, it becomes an
impassioned witness, that is, it experiences for
itself affects that are not simply effects of the
body, but veritable critical entities that hover over
the body and judge it. (Deleuze, 1997: 124)
Still, other issues and concerns appear to have taken precedence,

certainly when it comes to much of the way in which Deleuze and
Guattari’s philosophy has been taken up and adopted within
academia today.
It is perhaps fair to say that the question of judgment and decision

has been a more prominent feature of that current of thought
associated more closely with the philosophy of Jacques Derrida. To
what extent, then, can Derrida’s account of the undecidable nature
of the decision help us to rigorously think through and understand
how to make a responsible political judgement as to what particular
actions to take, what readings or writings to produce, what creative
proliferations of desire to follow?
To be sure, what Derrida teaches us about the relation between

politics and undecidability is that the decision as to whether a
specific instance of media activism or creative proliferation of desire
is politically just and responsible cannot remain entirely open and
incalculable. If it is not to be subject to the specific demands of the
particular concrete situation in which it is to be made, any decision
regarding politics cannot be taken from scratch. Instead, it has to be
based on rationally calculated and reflected upon – in however
compromised and limited a fashion – universal values of infinite
justice and responsibility.
At the same time, any such decision cannot be made solely on the
basis of knowledge and values that have been extensively thought
about and decided upon a priori, such as a preconceived political

agenda or theory (and that would include any preconceived position
derived from Deleuze and Guattari’s schizoanalysis). To make a
responsible political decision it is necessary to respect both poles of
the non-oppositional relation between the calculable and the
incalculable, the knowable and the unknowable, the decidable and
the undecidable; but then to make a leap of faith.
Can such a leap of faith in the face of a ‘certain non-knowledge’

which leaves us ‘disarmed’, but to which we feel ‘freely obligated and
bound to respond’ (Derrida, 2001b: 53-54),5 perhaps serve as
another name for what this issue of Culture Machine describes as a
creative process that also remains critical? This is just one of the
questions this second episode of Liquid Theory TV, Deleuze’s
‘Postscript on the Societies of Control’, endeavours to explore.
To watch Deleuze’s ‘Postscript on the Societies of Control’, click on the

image below:
Notes
1
The first episode appeared in Culture Machine 10 in 2009.
2
Bifo writes:
Ever since the corporations specializing in

‘imagineering’ (Walt Disney, Murdoch, Mediaser,
Microsoft, Glaxo) took control of the desiring
field, violence and ignorance have been
unleashed, digging the immaterial trenches of
techno-slavery and mass conformism. These
forces have colonized the field of desire. This is
why the new cultural movements, like media-
activism, emphasize the need of effective action in

the constitution of the desiring field. (2009: 118)
3
Similarly, Bifo points out that, while the US for Deleuze and
Guattari is a country of ‘infinite energy, producing schizoid signs,
endlessly reactived’, it is a desert of the real as far as Baudrillard is
concerned. Also, while Guattari’s schizoanalysis associates
schizophrenia with a creative proliferation of desire which can
‘endlessly erode all structures of control’, schizophrenia is connected
to terror for Baudrillard (Bifo, 2009: 150, 160).
4
For Baudrillard,
This compulsion towards liquidity, flow, and an

accelerated situation of what is psychic, sexual, or
pertaining to the body is the exact replica of the
force which rules market value: capital must
circulate; gravity and any fixed point must
disappear; the chain of investments and
reinvestments must never stop; value must radiate
endlessly and in every direction. It is the form
itself which the current realization of value takes.
It is the form of capital, and sexuality as a
catchword and a model is the way it appears at the
level of bodies. (1987: 25; cited in Bifo, 2009:
154)
5
For a more thorough explanation of this notion of decision, see also
Derrida (2001a: 61; 2001b: 53-54).
References
Baudrillard, J. (1983) In the Shadow of the Silent Majorities, or, The

End of the Social, and Other Essays. New York: Semiotext(e).
Baudrillard, J. (1987) ‘Forget Foucault’, in J. Baudrillard, Forget

Foucault & Forget Baudrillard: An Interview with Sylvère Lotringer.
New York: Semiotext(e).
Berardi, Franco ‘Bifo’ (2009) The Soul at Work: From Alienation to

Autonomy. Los Angeles, California: Semiotext(e).
Deleuze, G. (1997) Essays Critical and Clinical. Minneapolis:

University of Minnesota Press.
Derrida, J. (2001a) ‘I Have a Taste for the Secret’, in J. Derrida & M.

Ferraris (ed.), A Taste for the Secret. Cambridge: Polity.
Derrida, J. (2001b) ‘On Forgiveness’, On Cosmopolitanism and

Forgiveness. London: Routledge.
Wise, J. Macgregor (2006) ‘Cultural Studies and Rem Koolhaas’

Project on the City’, in G. Hall and C. Birchall (eds), New Cultural
Studies: Adventures in Theory. Edinburgh University Press:
Edinburgh.

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CULTURE MACHINE VOL 11 • 2010

DELEUZE’S ‘POSTSCRIPT ON THE SOCIETIES OF

Liquid Theory TV is a collaboration between Clare Birchall, Gary

academics, writers, artists, media theorists and philosophers

Significantly, many of those writing under the influence of the

This understanding of desire as a field rather than as simply a force is

were a boundless positive energy, a force of liberty that cannot

It has always been thought – this is the very

We must confess to a certain fascination with the philosophy of

form of shorthand, might refer to as ‘Deleuzianism’, and what Bifo

It is certainly possible to provide a reading of the philosophy of

The mind begins by coldly and curiously

Still, other issues and concerns appear to have taken precedence,

It is perhaps fair to say that the question of judgment and decision

To be sure, what Derrida teaches us about the relation between

about and decided upon a priori, such as a preconceived political

Can such a leap of faith in the face of a ‘certain non-knowledge’

To watch Deleuze’s ‘Postscript on the Societies of Control’, click on the

Ever since the corporations specializing in

activism, emphasize the need of effective action in

This compulsion towards liquidity, flow, and an

Baudrillard, J. (1983) In the Shadow of the Silent Majorities, or, The

Baudrillard, J. (1987) ‘Forget Foucault’, in J. Baudrillard, Forget

Berardi, Franco ‘Bifo’ (2009) The Soul at Work: From Alienation to

Deleuze, G. (1997) Essays Critical and Clinical. Minneapolis:

Derrida, J. (2001a) ‘I Have a Taste for the Secret’, in J. Derrida & M.

Derrida, J. (2001b) ‘On Forgiveness’, On Cosmopolitanism and

Wise, J. Macgregor (2006) ‘Cultural Studies and Rem Koolhaas’

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