EXPLORE FILMMAKING

NATIONAL FILM AND TELEVISION SCHOOL

Glossary
180 Degree Rule
One of the key features of the continuity system to which most mainstream
film and television has tended to adhere. A screen direction rule in which an
imaginary line is drawn between two actors in a scene, which the camera
should not cross, lest the viewer becomes disorientated.
Adaptation
A text in one art form based upon, derived from (or adapted from) a text in
another. For example, a film based on a stage play, novel, video game or comic
strip, which basically preserves some of the setting and dialogue of the
original.
Animatic
The process of animating a storyboard into a moving sequence.
Aperture
A measure of the width of the opening allowing light to enter the camera.

Aspect Ratio
A term used to define the shape of the screen, presented in the form
width:height.
Art Department
responsible for arranging the overall "look" of the film, including sets, dcor,
props.
Assembly
The first stage of editing, in which all the shots are arranged in script order.

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Automated Dialogue Replacement (ADR)
The post production re-recording of dialogue in a sound studio, usually
performed to playback of edited picture in order to match lip movements on
screen.

Backlighting
Lighting directed towards the camera from behind the subject.

Blocking
Setting out where lighting and camera will go on the set by working out where
actors will be standing or moving.
Boom Microphone
A long pole with a microphone on the end, extended towards the actors but
placed in the camera safe area, thus out of shot.
Camera Crew
The team directly involved with operating the camera, including clapper-loader,
focus puller and grip, as well as the camera operator, all responsible to the
Cinematographer/Director of Photography.
Casting
The process of hiring the actors to play the characters, usually done by a
casting director at auditions, with input from director and producer.
Cinematographer
See Director of Photography
Compositing
Combining visual elements from separate sources into single images or
sequences, usually to create the illusion that all those elements are parts of
the same scene. Also known as a matte shot.

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Continuity
This describes the extent to which a film has internal consistency. For example,
if in a scene an actor has her hat on from one angle but is not wearing it when
seen from another, the film would lose continuity. A continuity person is
employed to check that continuity is maintained to avoid the expense of
having to reshoot such errors.

Continuity System
This is the system of editing that developed in the early 20th century to
provide a continuous and clear movement of events in a film; it refers to the
final edited structure of a completed film, with the events arranged as if they
had occurred continuously, when, often, they were shot out of sequence. It
involves a series of rules, notably the 180 degree rule, the match on action,
eyeline match and shot/reverse shot.

Coverage
This refers to all the shots, including close-ups and reverse angles, that a
director takes in addition to the master shot, to make up the final product; to
have proper coverage means having all the scenes, angles and close-ups
needed to ensure that all desired options are possible in the edit.
Crane Shot
This is a camera shot taken from a device that can raise the camera up in the
air above the ground 20 feet or more; the crane allows the camera to fluidly
move in virtually any direction (with vertical and horizontal movement),
providing shifts in levels and angles; crane shots usually provide some kind of
overhead view of a scene.
Cross Cutting
This is an editing technique involving alternating, interweaving, or interspersing
one narrative action (scene, sequence, or event) with another - usually in
different locations or places, thus combining the two, which suggests some
kind of parallel action is taking place simultaneously. The technique is
frequently used to dramatically build tension and suspense.
Cut
A change in camera angle or placement, location, or time.

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Dailies
The first footage or rushes which the director and editor will see from the
previous days shoot.
Depth of Field
The range in the cameras line of sight in which objects will be in focus.
Diegetic sound
A sound that comes from the world of the film, created by something or
someone visible on screen or the source of which is implied as present by the
action of the film.
Director
The main creative artist on a film, usually the driving artistic source who
orchestrates the various other creative personnel on the film, communicating to
the actors how a scene should be played. Typically, a director has complete
artistic control over all aspects of the film.
Director of Photography
The head of the camera and lighting crews, responsible for the look of the film
on camera. Also known as Cinematographer or Lighting Cameraperson.
Dissolve
An editing technique between two sequences, shots or scenes, in which the
visible image of one shot or scene is gradually replaced, superimposed or
blended by an overlapping fade out and fade in. It is often used to suggest the
passage of time.
Distribution
The process of getting the film to its audience, in all formats, including
theatrical release and other formats such as DVD and online, which includes
working with exhibitors and the marketing of the film.

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Dolly
A dolly refers both to a device which allows the camera to be moved along a
track and to the movement itself in relation to the object which it is filming.
Editing
The process by which shots are put together into sequences or scenes.
Editor
Someone who carries out the editing process, in consultation with the director.
Establishing shot
The first shot of a new scene, introducing the audience to the space in which
the scene will take place.

Executive Producer
The producer who looks after business and legal issues, but has little input on
the technical and creative side.

Expressionism
A stylised form of cinema, in which the elements of shot and editing are
mobilised to evoke powerful emotion. Key features are high contrast of light
and dark, extreme camera angles and shot composition.

Fade-Outs
Ending a shot by gradually darkening the image until it goes black.
Festival
A showcase event, at which films often premiere. In some cases it is an event
where distribution rights are negotiated. Many festivals are competitive, with
awards from a jury. For shorts, festivals are a key place for the films to be seen
at all.

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Fill Light
Diffused light, usually used to offset shadows from the key light source.

First Assistant Director

Responsible for the preparation of the shooting schedule and script
breakdown, working with the Director to manage operations on the set during
the process of filming, tracking the progress of filming versus the production
schedule and ensuring that all safety and contract rules are adhered to.
Flashback
A scene which breaks with the forward chronology of the story to show events
which happened in the past.
Focus
The sharpness of an image and adjustments made on the camera to achieve it.
Foley
Recreating sound effects (such as footsteps) in synchronisation with the visual
element of a movie.
Gaffer
Chief electrician, responsible for the design and execution of the lighting plan
for a production.
Grip
Looks after camera equipment on the set, particularly involved in its movement.

High Key Lighting

A style of lighting that is bright, even and produces little contrast between
light and dark areas of the scene.

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In Camera Editing
Filming in the order required for the final product, thereby eliminating the
editing stage.
Independent Film
A film which has not been produced by one of the major studios.
Insert
A close up shot of an object to be inserted into the film at the edit stage.

Key light
The main light on a subject, often angled and off-centre that selectively
illuminates various prominent features of the image to produce depth and
shadows.
Location Filming
Filming which occurs at a place not constructed specifically for the film, such
as outdoors, a well-known place, or in an interior suited to the purpose.

Location Manager
Organises various aspects of filming on location, such as arranging with
authorities for permission to shoot in specific places.

Low Key lighting

A term used in cinematography to refer to high contrast lighting, especially if
there is a predominance of shadowy areas.
Majors
The major Hollywood movie producer/distributor studios (MGM/UA, 20th
Century Fox, Sony Pictures, Warner Bros, Paramount Pictures, Universal, and
Disney).

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Master shot
A continuous shot that shows the main action or setting of an entire scene
which will often be used as the establishing shot for the scene before moving
into closer shots during editing.
Match cut
A technique in which a cut between two linked shots helps to seamlessly
match them together. For example, a cut on the moment of opening a door to
the same moment inside the room.

Mise-en-scene
Literally translates as "what is put into the scene", includes dcor, colours,
costume, props, even the human figure. It is the sum of production design.
Off-line
The preliminary editing done to prepare a list of edits for the on-line edit
stage.
On-line
The final editing and preparation for distribution of film, with edits often from a
list of changes prepared during the off-line stage.
Pan
A shot which involves the horizontal movement of the camera in one direction
while filming from a fixed axis.
Point of View
A camera angle in which the camera views what would be visible from a
particular subject's position.

Post-Production
Work performed on a movie after the end of shooting. It includes editing and
any visual effects.

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Pre-Production
Arrangements made before the start of filming, such as editing the script,
constructing sets, finding locations and casting.

Previsualisation Artist
A specialist task involving conceptualising a sequence, often involving complex
and expensive action, through the use of 3D FX character animation.

Producer
Responsible for raising finance, hiring key crew and arranging distribution. May
also be involved in the day to day shoot at a more creative level.
Production
Can mean both the whole process of making a film, or more specifically the
actual shoot.
Production design
This refers to the overall look and composition and is the responsibility of
the production designer.
Production Manager
Reports to the Producer, supervising budget.

Production Sound Mixer

In charge of sound on the set, including selection and operation of the
microphones and recording equipment and directing the boom operator.
Prop
Anything to be used by actors on set.

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Reverse Shot
When used in dialogue scenes, reverse-shot editing usually alternates between
over-the-shoulder shots that show each character speaking.
Score
The music in a film soundtrack, sometimes written specifically by a composer,
sometimes put together from existing songs by a musical director.
Screenplay
A script written to be produced as a film.
Screenwriter
The writer who either adapts an existing work or creates a new screenplay.
Script
A general term for a written work detailing story, setting, and dialogue.
Set
An environment constructed especially for filming.
Sequence
A scene, or connected series of related scenes in a film.
Shot list
A list given to the film crew which indicates the order of shooting for the day.
Sound Designer
The leading creative for a film soundtrack, especially in post-production.
Sound Recordist
Also known as Production Sound Mixer, the person who records the audio on
the shoot.

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Special Effects
Something used to create an illusion in a film. Some may be produced on the
set, such as smoke or fog, while others may be created in post-production such
as multiplied crowds.
Storyboard
A sequence of planning pictures to communicate the visuals which the camera
will capture.
Studio
A company that makes films. The largest ones have their own production
spaces (studios) in which to film.
Synchronised sound
Sound recorded at the same time as the picture.
Take
A single continuous recorded performance of a scene.
Theme
An underlying idea explored by the film.
Wild Sound
Non-synchronised sound recording, used to fill in or replace synchronised
sound later.
Wipe
A technique of editing in which the images from one shot are replaced by
those of another almost chased across the screen.
Zoom
A shot in which the magnification of the objects by the cameras lenses is
increased (zoom in) or decreased (zoom out).

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