Stroy Borrrrdddd

Shot
No.
1
Production company
Type of shot,
movement and angle.
Still shot
Straight on angle
No movement
Dialogue. Sound. Setting. Colour. Lighting.

Mise-en-scene.
Dialogue- N/A
Sound- N/A
Setting-N/A
Colour- Gold and black on white background
Lighting- N/A
Mise-en-scene- N/A
Frame
duration
0:00
4
seconds
0:04
Production company indicated.
Editing notes
Fade in and fade out to black
Shot
No.
2
Distribution company
Still shot
Straight on angle
Dialogue- N/A
Sound- N/A
Setting- N/A
Colour- Red and white on black background
Lighting- N/A
Mise-en-scene- N/A
Distribution company indicated.
4
seconds
0:08
Editing notes
Fade in and then fade out to black
Shot
No.
3
Still shot
Waiting
Dialogue- N/A
Sound- scissors cutting and a quiet score
begins
Setting- N/A
Colour- black
Lighting- N/A
Mise-en-scene- N/A
Black screen to signal the opening is to begin.
Editing notes
Fades in from black and fades out to black
7
seconds
0:15
Shot
No.
4
Close up
Handheld camera
No movement other
than handheld
movement
Straight angle
Dialogue-N/A
Sound- Score and pen scribbling (Foley)
Setting- desk in villains home
Colour- Black and white
Lighting- Dark
Mise-en-scene- Props of pen and photos, low
key lighting
Kurtis scribbling out the face of Alex in a

photo.
Editing notes
Cuts in from black
Cuts out
Black and white
1
seconds
0:16
Shot
No.
5
Still shot
Close up
High angle
Point of view shot
Dialogue- N/A
Sound- Score
Setting- Desk in villains home
Lighting- Dark
Mise-en-scene- Props of pen and photos, gun
and low key lighting
The gun he later shoots Alex with is lay on the
table along with a photograph that tells of
Alexs location at certain times and places.
Editing notes
Cuts transition before and after
Black and white
Credit:
Sound by
Nicole Daybell and Samantha Leason
Copyright free music
1
seconds
0:17
Shot
No.
6
Still shot
Birds eye
Mid shot
Point of view shot
No movement
Black and white

Dark lighting
Setting at desk in villains house
Score
Dialogue- N/A
Sound- Score and lighter burning (Foley)
Lighting- Dark
Mise en scene- props of pen, scissors, photos,
lighter and notebook
Kurtis notebook and photographs that are
ripped cut and damaged all lay out on the
table with the gun beside them. Kurtis is about
to set this alight.
Editing notes
Black and white
Credit continued:
Sound by
1
seconds
0:18
Shot
No.
7
Still shot
Ariel shot
Close up
Point of view shot
Dialogue- N/A
Sound- Score and scissors cutting (Foley)
Lighting- Dark
Mise en scene- props of photos and scissors,
low key lighting
Kurtis cutting up a newspaper article about
John leaving the police to become a private
investigator.
Editing notes
Black and white
Credit continued:
Sound by
1
seconds
0:19
Shot
No.
8
Close up
Still shot
Ariel shot
Point of view shot
Dialogue- N/A
Sound- Score and pen scribbling (foley)
Lighting- Dark
Mise en scene- props of pen and photos, low
key lighting
Kurtis writing the time on a photograph of Alex

when he saw her.
Editing notes
Black and white
Credit continued:
Sound by
1
seconds
0:20
Shot
No.
9
Close up
Panning of camera
Straight on angle
Point of view shot
Shallow focus
Dialogue- N/A
Sound- Score
Lighting- Dark
Mise en scene- prop of gun, low key lighting
Kurtis holding the gun he later will shoot Alex
with.
Editing notes
Black and White
1
seconds
0:21
Shot
No.
10
Close up
Shallow focus
High angle
Still shot
Point of view shot
Dialogue- N/A
Sound- Score and lighter (Foley)
Lighting- Dark
Mise en scene- prop of lighter, pen and
photographs.
Kurtis holding a lighter to more photos.
Editing notes
Black and white
Credit
Edited by
Samantha Leason
And Nicole Daybell
1
seconds
0:22
Shot
No.
11
High angle
Mid shot
Still shot
Point of view shot
Shallow focus
Dialogue- N/A
1
Sound- Score and lighter (Foley)
seconds
0:23
Lighting- Dark
Mise en scene- prop of photograph and lighter
Kurtis burning an image of John and Alex.
Editing notes
Black and white
Credit: Edited by
Samantha Leason
And Nicole Daybell
Shot
No.
12
Close up
Still shot
High, tilted angle
Point of view shot
Dialogue- N/A
Lighting- Dark
Mise en scene- prop of photos and pen
Kurtis writing the date of his break up with
Alex.
Editing notes
Black and white
Credit continued:
Edited by
Samantha Leason
And Nicole Daybell
1 second
0:24
Shot
No.
13
Extreme close up
Still shot
High angle
Point of view shot
Dialogue- N/A
Sound- Score and pages flicking (Foley)
Lighting- Dark
Mise en scene- prop of notebook/diary
Kurtis flicking through his diary
Editing notes
Black and white
1 second
0:25
Shot
No.
14
Close up
Straight on angle
Still shot
Point of view shot
Dialogue- N/A
Sound- Score and paper ripping (Foley)
Lighting- Dark
Mise en scene- prop of photograph
Kurtis ripping up photos of Alex and John
Editing notes
Black and white
Credit:
Directed by Samantha Leason
and Nicole Daybell
1 second
0:26
Shot
No.
15
Mid shot
Still shot
High, tilted angle
Point of view shot
Dialogue- N/A
Sound- Score
Lighting- Dark
Mise en scene- Props of photographs
Kurtis moving around the photos
Editing notes
Black and white
Credit:
Directed by Samantha Leason
and Nicole Daybell
1 second
0:27
Shot
No.
16
Point of view shot

Close up shot
Ariel view
Still shot
Dialogue- N/A
Sound- Score
Lighting- Dark
Mise en scene- Props of photographs and
notebook
Kurtis gluing down Johns address into his
notebook
Editing notes
Black and white
Credit: Directed by Samantha Leason
and Nicole Daybell
1 second
0:28
Shot
No.
17
Extreme close up
High, tilted angle
Panning of camera
Dialogue- N/A
Lighting- Dark
Mise en scene- Props of photograph and pen
Kurtis writing a date and time and captioning
the photo of where Alex was at this time.
Editing notes
Black and White
1 second
0:29
Shot
No.
18
Point of view shot

Close up shot
Still shot
Dialogue- N/A
Sound- Score and scissors cutting (Foley)
Lighting- Dark
Mise en scene- Props of photograph and
scissors
Kurtis cutting up a photo of Alex and John.
Editing notes
Black and white
Credit:
Produced by Samantha Leason
And Nicole Daybell
1 second
0:30
Shot
No.
19
Point of view shot

Close up shot
Still shot
High angle
Dialogue- N/A
Sound- Score
Lighting- Dark
Mise en scene- props of pen and paper
Kurtis writing down Alexs address.
Editing notes
Black and white
Credit:
Produced by Samantha Leason
And Nicole Daybell
1 second
0:31
Shot
No.
20
N/A
Dialogue- N/A
Sound- N/A
Setting- N/A
Colour- Black
Lighting- N/A
Mise en scene- N/A
Screen cuts to black and score stops. End of
the montage.
Editing notes
Cuts in and cuts out at end of 2 seconds duration
2
seconds
0:33
Shot
No.
21
Close up shot
Straight on angle (low
to the floor)
Still shot no movement
Dialogue- N/A
Sound- Score
Setting- Dark Street
Colour- Natural colour
Lighting- Dark
Mise en scene- dark atmosphere, Alex wearing
heels and smart business wear confident body
language but slight anxious attitude also. Prop
of bag.
It is late evening and Alex is walking home
from work. She walks confidently but also
slightly anxiously.
Editing notes
Cut transition to next shot
3
seconds
0:36
Shot
No.
22
Long shot
Straight Angle
No movement
Dialogue- N/A
Sound- Score, footsteps (Foley) and sting
Lighting- Dark
of bag
It is late evening and Alex is walking home

from work. She walks confidently but also
slightly anxiously.
Editing notes
Credit/fade/overlay:
Samantha Leason
5
seconds
0:41
Shot
No.
23
Close up
Straight Angle
No movement
Dialogue- N/A
Sound- Score
Lighting- Dark
Mise en scene- dark atmosphere, Kurtis is
wearing dark hooded clothing.
We then see Kurtis feet at the same time as he
is also walking somewhere. He walks fast and
angrily.
Cut transition to next shot.
3
seconds
0:44
Shot
No.
24
Long shot
Straight angle
No movement
Dialogue- N/A
Sound- Score and footsteps (Foley)
Lighting- Dark
We then see Kurtis at the same time as he is
also walking somewhere. He walks fast and
angrily.
Editing notes
Credit/fade/overlay:
Matt Davies
3
seconds
0:47
Shot
No.
25
Close up shot
Straight angle
No movement
Dialogue- N/A
Lighting- Dark
We then see Kurtis clenched fist as he walks.
.
Editing notes
1 second
0:48
Shot
No.
26
Long shot
Straight angled shot
No movement
Dialogue- N/A
Lighting- Dark
of bag
We see Alex walking again.
Editing notes
Credit/Fade/Overlay:
Callum Neilson
2
seconds
0:50
Shot
No.
27
Straight angle/ low

angle shot
Camera tilts upwards
Dialogue- N/A
Lighting- Dark
of bag
We focus on Alexs feet walking.
Editing notes
Credit continued/Fade/Overlay:
Callum Neilson
2
seconds
0:52
Shot
No.
28
Close up shots
Straight angle
Panning movement
Dialogue- N/A
Lighting- Dark
of bag
We focus on Alexs feet walking.
Editing notes
2
seconds
0:54
Shot
No.
29
Long shot
Straight on angle
No movement
Dialogue- N/A
Lighting- Dark
We see Kurtis reaching the house just after
passing the street name previously seen in the
montage of Alexs road.
.
Editing notes
3
seconds
0:57
Shot
No.
30
Long shot
Dialogue- N/A
Straight on/slightly high Sound- Score, footsteps (Foley) and sting
angle
No movement
Lighting- Dark
of bag
We see Alex still walking before stopping to

look in her bag and get out her phone.
5
seconds
1:02
Editing notes
Shot
No.
High angle
Close up shot
No movement
31
Dialogue- N/A
Sound- Score
Lighting- Dark
of phone
Alex texts John telling him she will be home

soon and will see him at 7.
Editing notes
4
seconds
1:06
Shot
No.
32
Straight on
long/mid
No movement
Dialogue- N/A
Setting- Outside of Alexs house
Lighting- Dark
Kurtis gets to the door of the house and looks
around cautiously to see who if anyone is
watching him.
Editing notes
2
seconds
1:08
Shot
No.
Close up shot
Straight on angle
Pan movement
33
Dialogue- N/A
Sound- Score
Lighting- Dark
He reaches for a key in his pocket and goes to
put it in the door.
Editing notes
2 second
1:10
Shot
No.
Close up
Straight angle
No movement
34
Dialogue- N/A
Sound- Score
Lighting- Dark
He turns the key.
Editing notes
Cut to next shot
2 second
1:12
Shot
No.
Close up
High/straight angle
No movement
Dialogue- N/A
Sound- Score and door opening (Foley)
Setting- Alexs house
Lighting- Dark
35
We see the door opening from inside of the
house and Kurtis feet walking through.
.
Editing notes
2seconds
1:14
Shot
No.
Long Shot
High angle
Pan movement
36
Dialogue- N/A
Sound- Score
Lighting- Dark
language but slight anxious attitude also.
Cut back to Alex walking along and looking
wary of her surroundings as it gets closer to
night.
Editing notes
3
seconds
1:17
Shot
No.
Close up
Straight angle
No movement
37
Dialogue- N/A
Sound- Score
Lighting- Dark
Kurtis walking through the house.
Editing notes
1 second
1:18
Shot
No.
Mid shot
Straight/low angle
Tilt movement
Dialogue- N/A
Sound- Score
Lighting- Dark
6seconds
1:24
38
We see Kurtis walk again before stopping
abruptly. As the camera tilts upwards we see
him holding a photograph, he throws this
carelessly to the floor.
Editing notes
Shot
No.
High angle
Close up
No movement
39
Dialogue- N/A
Sound- Score
Lighting- Dark
We see the photo lying on the floor and
discover it is of John and Alex.
Editing notes
1 second
1:25
Shot
No.
Straight on angle
Long shot
No movement
40
Dialogue- N/A
Sound- Score
Lighting- Dark
Kurtis walks off leaving the photo on the floor.
Editing notes
2
seconds
1:27
Shot
No.
High angle shot

Close/Mid shot
No movement
Dialogue- N/A
Sound- Score and draw opening (Foley)
Lighting- Dark
41
Kurtis walks over to a draw and opens it and
roots around the contents looking through
Alexs belongings.
Editing notes
5
seconds
1:32
Shot
No.
Straight angle
Long shot
No movement
42
Dialogue- N/A
Sound- Score
Lighting- Dark
Kurtis walks back through the house towards
the stairs.
Editing notes
3seconds
1:35
Shot
No.
Low angle shot

Close up
No movement
43
Dialogue- N/A
Lighting- Dark
Kurtis walks up the stairs.
Editing notes
1 second
1:36
Shot
No.
Long shot
No movement
Straight angle
44
Dialogue- N/A
Sound- Score
Setting- Outside Alexs house
Lighting- Dark
Alex walking up to the door of the same house
(her house).
Editing notes
2
seconds
1:38
Shot
No.
Close up
Straight/High angle
Pan
Dialogue- N/A
Sound- Score
Setting- Alexs House
Lighting- Dark
45
Alex reaches into the bag to find her key and
lets herself into her house.
Editing notes
4
seconds
1:42
Shot
No.
Close up
Straight Angle
No movement
Dialogue- N/A
Sound- Score
Lighting- Dark
46
Alex goes into her house.
Editing notes
1 second
1:43
Shot
No.
Long shot
Straight/High angle
Pan movement
47
Dialogue- N/A
Sound- Score
Lighting- Dark
Alex walks into her house, she walks down the
hall to see the smashed frame on the floor
where she stops still and bends down to look
at the frame on the floor before standing up
again.
Editing notes
5
seconds
1:48
Shot
No.
Mid/Long shot
Straight angle
No movement
48
Dialogue- N/A
Sound- Score and creak of footsteps (Foley)
Lighting- Dark
Alex looks up and looks around after hearing a
noise upstairs.
Editing notes
2
seconds
1:50
Shot
No.
High angle
Long/Mid shot
No movement
49
Sound- Score
Lighting- Dark
Alex walks back down the hall towards the
stairs.
Editing notes
3
seconds
1:53
Shot
No.
Straight angle
Close up
No movement
50
Dialogue- N/A
Sound- Score
Lighting- Dark
Alex goes upstairs.
Editing notes
1 second
1:54
Shot
No.
Long/Mid shot
Straight angle
No movement
51
Dialogue- N/A
Sound- Score
Lighting- Dark
Mise en scene- dark atmosphere, Kurtis
Kurtis turns to hear Alex coming upstairs.
Editing notes
Cut transition
1 second
1:55
Shot
No.
Close up
High angle
No movement
52
Dialogue- N/A
Sound- Score
Lighting- Dark
Kurtis reaches for the gun in his pocket
Editing notes
2
seconds
1:57
Shot
No.
Long shot
Straight angle
No movement
53
Dialogue- N/A
Sound- Score
Lighting- Dark
Kurtis backs away from the door that Alex is
walking towards.
Editing notes
1 second
1:58
Shot
No.
Close up
Straight angle
No movement
Dialogue- N/A
Sound- Score
Lighting- Dark
54
Alex opens the door to her bedroom.
Editing notes
Cut transition
1 second
1:59
Shot
No.
Straight angle
Close up
No movement
55
Dialogue- N/A
Sound- Score
Lighting- Dark
Kurtis lifts the gun to shoot Alex.
Editing notes
2
seconds
2:01
Shot
No.
Straight angle
Mid/Close up
No movement
56
Dialogue- N/A
Sound- Score
Lighting- Dark
Mise en scene- dark atmosphere, Alex is
wearing smart business clothes.
Alex appears frightened and begins to back
away from the door.
Editing notes
1 second
2:02
Shot
No.
Close up
Straight Angle
No movement
Shallow focus
57
Dialogue- N/A
Sound- Score and gun shot (Foley)
Lighting- Dark
Kurtis pulls the trigger. (slow motion)
Editing notes
Slow motion
2
seconds
2:04
Shot
No.
High angle
Long shot
No movement
58
Dialogue- N/A
Sound- Score
Lighting- Dark
Alex is shot and falls to the floor.
Editing notes
2
seconds
2:06
Shot
No.
Close up
Ariel angle
No movement
59
Dialogue- N/A
Sound- Score
Lighting- Dark
We see Alexs hand curl up.
Editing notes
1 second
2:07
Shot
No.
Long shot
Straight angle
No movement
Dialogue- N/A
Sound- Score
Lighting- Dark
dressed in dark hooded clothing. Prop of gun.
60
Kurtis steps towards Alexs body and looks
down at her in disgust. We see his face looks at
the camera for the first time.
Editing notes
2
seconds
2:09
Shot
No.
Mid shot
High angle
No movement
Dialogue- N/A
Sound- Score
Lighting- Dark
wearing dark hooded clothing. Prop of phone
and gun.
61
Kurtis steps over Alexs body and leaves.
Editing notes
1 second
2:10
Shot
No.
Long shot
Straight Angle
No movement
62
Dialogue- N/A
Sound- Score
Lighting- Dark
wearing dark hooded clothing. Prop of gun
Kurtis steps over Alexs body and leaves.
Editing notes
1 second
2:11
Shot
No.
Close up
High/side angle
No movement
Dialogue- N/A
Sound- Score and phone ringing (Foley)
Lighting- Dark
Mise en scene- dark atmosphere, Alex is dead.
63
Alexs phone receives a call from John. It rings
out.
Editing notes
2 second
2:13
Shot
No.
Close up
Straight angle
No movement
64
Dialogue- N/A
Sound- Score and clock tick (Foley)
Lighting- Dark
Mise en scene- dark atmosphere, Alex is dead.
The final shot is of the clock hitting seven.
Editing notes
Cut transition to end the opening.
2
seconds
2:14

Stroy Borrrrdddd

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Stroy Borrrrdddd

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Shot

Dialogue. Sound. Setting. Colour. Lighting.

Production company indicated.

Kurtis scribbling out the face of Alex in a

Black and white

Kurtis writing the time on a photograph of Alex

Kurtis flicking through his diary

Point of view shot

Point of view shot

Kurtis cutting up a photo of Alex and John.

Point of view shot

It is late evening and Alex is walking home

Cut transition to next shot.

We see Alex walking again.

Straight angle/ low

We focus on Alexs feet walking.

We focus on Alexs feet walking.

We see Alex still walking before stopping to

Alex texts John telling him she will be home

High angle shot

Low angle shot

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