The document discusses techniques for photographing lighting installations and portraits. It recommends using larger cameras like 8x10 inch or 5x7 inch cameras for interior and exterior lighting photos. Smaller cameras can also work if they have adequate adjustments. Photos should be taken at a small aperture like f/16 for sharpness, and exposure determined with a meter. Developing and printing should follow manufacturer recommendations, except for scenes with a wide brightness range where special techniques are needed. Examples show proper techniques for photographing reflected glare from a work surface. Photos should be taken from the viewpoint of an observer of the installation or subject.
The document discusses techniques for photographing lighting installations and portraits. It recommends using larger cameras like 8x10 inch or 5x7 inch cameras for interior and exterior lighting photos. Smaller cameras can also work if they have adequate adjustments. Photos should be taken at a small aperture like f/16 for sharpness, and exposure determined with a meter. Developing and printing should follow manufacturer recommendations, except for scenes with a wide brightness range where special techniques are needed. Examples show proper techniques for photographing reflected glare from a work surface. Photos should be taken from the viewpoint of an observer of the installation or subject.
The document discusses techniques for photographing lighting installations and portraits. It recommends using larger cameras like 8x10 inch or 5x7 inch cameras for interior and exterior lighting photos. Smaller cameras can also work if they have adequate adjustments. Photos should be taken at a small aperture like f/16 for sharpness, and exposure determined with a meter. Developing and printing should follow manufacturer recommendations, except for scenes with a wide brightness range where special techniques are needed. Examples show proper techniques for photographing reflected glare from a work surface. Photos should be taken from the viewpoint of an observer of the installation or subject.
The document discusses techniques for photographing lighting installations and portraits. It recommends using larger cameras like 8x10 inch or 5x7 inch cameras for interior and exterior lighting photos. Smaller cameras can also work if they have adequate adjustments. Photos should be taken at a small aperture like f/16 for sharpness, and exposure determined with a meter. Developing and printing should follow manufacturer recommendations, except for scenes with a wide brightness range where special techniques are needed. Examples show proper techniques for photographing reflected glare from a work surface. Photos should be taken from the viewpoint of an observer of the installation or subject.
Background brightness. A factor closely related to lighting is background
brightness. For ordinary subjects, the background should not be very dark, very light, or too close behind the subject; neither should it be of exactly the same brightness as important parts of the subject, because such a condition would have the effect of merging the subject with the background. The less detail and the fewer the distracting spots in the background, the better. Portrait Photography The portrait photographer is concerned with photographing people either singly or in groups. In a case of individuals or groups of two to four he endeavors carefully to model the subjects with lights to make a pleasing and natural likeness, possessing "roundness" and "depth." This he does with the aid of shadows, highlights, and contrasts. Photography of Lighting Installations The making of pictures of interiors and exteriors using the regular, permanently installed lighting does not require special photographic materials or equipment. Larger cameras such as the 8-by 10-inch or 5- by 7-inch view types are appropriate. Smaller cameras such as the 4 by 5 inch and 2\ by 3| inch sizes can be used, provided they possess ade- quate adjustments. The small miniature camera usually is not suitable. In any case, a good lens is needed. It should be coated to reduce flare and improve shadow detail. Care is needed in assuring sharp focus and proper exposure. The camera should be supported on a tripod. The pictures should be made at a small lens aperture (such as//16) to obtain sharpness everywhere in the picture. The exposure time should be determined with an exposure meter. Film development and printing procedure should follow the manufacturer's recommendations except in the case of subjects in which there are a wide range of brightnesses such as interiors in which luminaires are in the camera field. The technique for such cases is ex- plained on page 14-18. Several possibilities and limitations of lighting installation photographs are illustrated by Figs. 14-5 to 14-9. FIG. 14-5. Photography to show reflected glare, a, and appropriate lighting, b. Tbe subject is a scribed drawing on metal. A brightness measurement made with an exposure meter held somewhat in front of the camera is as significant as any other measurement for this type of subject. The important point in photographing a reflected glare spot is that the picture be taken from the eye point of the worker. Otherwise, the reflected image will appear in a different area of the work. The same thing applies to photographing a correctly lighted area. If the camera viewpoint differs radically from the observer's viewpoint, glare spots out of the normal fiel4 of view may be included in the photograph.