Emmanuel Variants
Emmanuel Variants
Emmanuel Variants
Reeder
REPERTOIRE EVALUATION FORM
Title: Emmanuel Variants
Composer / Arranger: Robert E. Foster
Publisher: Wingert-Jones
Date of Publication: 1989
Price: $65 Band Set & Score; $11 Extra Score
Ensemble Type: Concert Band
Description/Genre: Fantasy/Variations on a O Come, O Come Emmanuel
Duration: 8:00-9:00 (depends on tempos you take)
Difculty: V. Easy ! Easy ! Mod. ! Diff. ! V. Diff. !
Score: Full Score ! Reduced Score ! / Transposed ! C-Score !
Instrumentation:
Picc ! Fl1 ! Fl2 ! Fl3 ! Alto Fl ! Bass Fl !
Ob1 ! Ob2 ! EHn ! Bsn1 ! Bsn2 ! CBsn !
EbCl! Cl1 ! Cl2 ! Cl 3 ! Alto Cl ! Bass Cl !
CAltoCl ! EbContraBCl ! SSax! ASax1 ! ASax2 !
TSax ! BarSax ! BassSax !
Cor1 ! Cor2 ! Cor3 ! Trp1 ! Trp2 ! Trp3 !
Hn1 ! Hn2 ! Hn3 ! Hn4 ! Flg1 ! Flg2 !
Tbn1 ! Tbn2 ! Tbn3 ! BTbn ! BarTC ! BarBC !
EuphTC ! EuphBC ! Tuba1 ! Tuba2 ! StBass !
Other Brass:
Harp ! Celeste! Glock. ! Xylo ! Mar. ! Vibes !
Piano ! Synth ! Chimes ! Crotales ! Timp ! Bass Dr. !
Snare ! Toms ! CrCym ! SusCym ! Tam ! Tri. !
TempleBlks ! WdBlks ! Gong !
Other Considerations:
Highest Pitch Trumpet: C6 Highest Pitch Clarinet: E6
Clarinet Crosses Break?: Yes ! No ! N/A !
Other Range Concerns: Arpeggios & ourishes in top range of ute/picc
Technical Concerns: Primarily with rhythm, patterns, & articulations
Articulations/Bowings: Slur patterns - accented 16ths -
Meter(s): 4/4 2/4 5/8 6/8
Rhythmic Complexities: Fanfare section
16th (and faster) licks
Multi-meters
Key(s): Multiple - see form for more information
Harmonic Concerns: Often sparse & exposed instrumentation
Primary Texture(s): Polyphonic
Featured Instrument(s)/Solo(s):Trumpet/brass fanfare
Piccolo solo
Compositional Techniques: Fanfare repeated throughout as a transitional element
Almost symphonic-like
Form: Exposition (Fanfare)
Verse 1 - Fanfare sampling (Cm)
Verse 2 - 1st variation: key & meter
Cm-Dm 5/8 and 6/8
Verse 3 - 2nd variation: key & melody/harmony
Dm - Abm
Fanfare Gm-BbM (rst time this has happened)
Verse 4 - 3rd variation: key; motives/fantasy/fanfare
BbM-Gm Highly polyphonic
Final Statement & Coda: Combined elements
Program Notes:
O Come, O Come Emmanuel takes a distinctly uncharacteristic turn away from its somber hymn version in Robert
E. Fosters Emmanuel Variants. As the title suggests, the melody evolves as the piece progresses, creating rhythmic,
melodic, and harmonic demands on the performers in a variety of ways.
Similar Pieces (Title/Composer):
Additional Comments:
What is at the heart of this piece?
Educationally, there is a lot of room to teach about theme and variations. I can get fairly deep with metaphorical
religious connections, although I wouldnt necessarily delve into them unless a student asked rst. At the heart of
this piece is transformation.
I would play this piece with: Advanced High School
Honor Band
Collegiate Band
I would recommend this piece: Yes ! No !
It really needs the right musicians to bring out the nuances and to be capable of the independence it takes to perform
this successfully.