The document discusses several key theses on Hsing I Ch'uan martial arts from Yueh Fei's teachings:
1) All parts of the body and martial arts techniques, though appearing separate, are ultimately connected and originate from the same root. Mastery involves integrating internal chi with external movements in a harmonious whole.
2) Chi can be understood as having both yin and yang aspects related to inhalation/exhalation and rising/sinking movements. Proper cultivation balances these complementary forces.
3) The body and techniques can be conceptualized as having three interconnected sections - top, middle, bottom - that must work together for effectiveness.
4) Chi is generated
The document discusses several key theses on Hsing I Ch'uan martial arts from Yueh Fei's teachings:
1) All parts of the body and martial arts techniques, though appearing separate, are ultimately connected and originate from the same root. Mastery involves integrating internal chi with external movements in a harmonious whole.
2) Chi can be understood as having both yin and yang aspects related to inhalation/exhalation and rising/sinking movements. Proper cultivation balances these complementary forces.
3) The body and techniques can be conceptualized as having three interconnected sections - top, middle, bottom - that must work together for effectiveness.
4) Chi is generated
Original Description:
Yueh Fei’s, Ten Important Theses on Hsing I Ch'uan
The document discusses several key theses on Hsing I Ch'uan martial arts from Yueh Fei's teachings:
1) All parts of the body and martial arts techniques, though appearing separate, are ultimately connected and originate from the same root. Mastery involves integrating internal chi with external movements in a harmonious whole.
2) Chi can be understood as having both yin and yang aspects related to inhalation/exhalation and rising/sinking movements. Proper cultivation balances these complementary forces.
3) The body and techniques can be conceptualized as having three interconnected sections - top, middle, bottom - that must work together for effectiveness.
4) Chi is generated
The document discusses several key theses on Hsing I Ch'uan martial arts from Yueh Fei's teachings:
1) All parts of the body and martial arts techniques, though appearing separate, are ultimately connected and originate from the same root. Mastery involves integrating internal chi with external movements in a harmonious whole.
2) Chi can be understood as having both yin and yang aspects related to inhalation/exhalation and rising/sinking movements. Proper cultivation balances these complementary forces.
3) The body and techniques can be conceptualized as having three interconnected sections - top, middle, bottom - that must work together for effectiveness.
4) Chi is generated
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Learning and mastery of a few useful and variable things is
better than learning many things you cannot perfect.
and The more ways in which you look at something, the more ways there will be to understand it. Hsing I Chuan Classics!
Yueh Feis, Ten Important Theses on Hsing I Ch'uan Thesis of Integrity "#ne$ From the beginning, that which is discrete must have its unifcation. The divided must be combined. Therefore, between heaven and earth, all that is disordered has its abode, all the thousand branches and the confusion of then thousand endings, all have their origin. This is because one root divides into ten thousand branches, and ten thousand branches all belong to one root. These events are natural. This theory is applied to the martial arts. It is also numerous. The important point is the thousands of changes and the ten thousand variations. Nothing but postures and nothing but Chi. Although the postures cannot be classifed, the Chi, however is, one. About what one means from top to the bottom of the feet, internally there are viscera, bowels, tendons, and bones. !"ternally, there are muscles, s#in, the fve sensing organs, and hundreds of bones of the s#eleton, mutually combined and become one. $hen struc# will not open, when hit will not decompose. The top wishes to move, the bottom automatically follows. The bottom wishes to move the top will automatically lead. The center section moves, the top and the bottom will coordinate. Internal and e"ternal are combined, the front and the rear mutually re%uired. This is what is called threading into one. This cannot be reached through force or done from imitating. $hen it is time to be calm, it is %uiet and transparent. In this position, you are steady li#e a mountain. $hen it is time to move, move li#e thunder and collapse. The speed of emitting is li#e lighting. In addition, when calm, there is nothing that is not calm. The surface and the internal, the top and the bottom, all without disorder and the meaning of inhibiting each other. $hen moving, there is nothing that does not move. The left and the right, the front and the rear, all without antagoni&ing, and the shape of swiftly moving around. It is 'ust li#e water (owing downward. It is so powerful that nothing is able to stop it. It is fred internally. $hen shot, not fast enough to cover your ears. $ithout considering thin#ing, without bothering to plan, simply reach the goal without e"pectation. This is reached without intention, then isn)t it the natural way* +ecause the Chi must be accumulated daily to gain beneft, ,ung is trained for long term success. In contemplating the way, one passes through the holy door. -ne must wait until one has listened repeatedly and gained su.cient #nowledge and has reached the stage where he suddenly comprehends, and has not ignored achieving through thorough training, then he #nows that these things are not di.cult nor easy. The achievement can be reached as an end by itself cannot be through waiting and cannot be speeded up. Follow the steps and catch the pace, advancing according to the order. -nly then will the organs, s#eleton bones, limbs, and 'oints connect automatically, and the top and bottom, the e"ternal and internal not have di.culty communicating. Then those randomi&ed will be gathered and those divided will be unifed. The four limbs and hundreds of s#eleton bones will all belong to one Chi.
Thesis of Yin and Yang (Two) It is seldom heard that he who discusses stri#ing, also discussed Chi. About the Chi, it is mastered as one but can be divided into two. $hat are these two* They are inhaling and e"haling. The inhalation and e"halation are the /in and /ang. The stri#ing cannot occur without moving and calmness. The Chi cannot e"ist without inhaling and e"haling. Inhalation is /in and e"halation is /ang. The one, which is calm, is /in and the one, which is moving, is /ang. 0ising up is /ang and sin#ing downward is /in. $hen /ang Chi is rising up it becomes /ang, and when /ang Chi is being transported downward it becomes /in. $hen /in Chi is being transported downward it becomes /in, and when /in Chi is being transported upward it becomes /ang. This is the discrimination of /in and /ang. $hat are clean and muddy* The one that rises up to the top is clean and the one descending downward is muddy. The clean Chi rises upward and the dirty Chi sin#s downward. The clean one is /ang and the dirty one is /in. It is important that /ang should be used to nourish /in. 1enerally spea#ing, they are united as one Chi. If divided they are distinguished as /in and /ang. Chi cannot be without /in and /ang, and it is 'ust li#e man cannot live without having movement and calmness. The nose cannot be without inhalation and e"halation, and the mouth cannot be without e"iting and entering. This is the unchangeable theory of natural cycling. 2owever, though Chi can be divided into two, in fact, it is one. Those who li#e to study this should be careful not to restrict this.
Thesis of the Three Sections $ell, Chi is the root of the entire body, and the sections of the body should not have defnite places3positions. $hat are called the 4three sections4 are the top, middle, and bottom. For the body, the head is the top section, the body is the middle section, and the legs are the bottom section. If tal#ing about the top section, then the crown is the top section, the nose is the middle section, and the tongue is the bottom section. If tal#ing about the middle section, then the chest is the top section, the abdomen is the middle section, and the %an Tien is the bottom section. If tal#ing about the bottom section, the feet are the ending section, the #nees are the middle section, and the hips are the root section. If tal#ing about the arms, the hands are the ending section, the elbows are the middle section, and the shoulders are the root section. If tal#ing about the hands, the fngers are the ending section, the palms are the middle section, and the roots of the palms are the root section. From this, there is no need to tal# more about feet. 2owever from the head to the feet, all have three sections. 5ost important is that if there is not a distinguishing into three sections, then the meaning cannot be clear. If the top section is not clear, there is no dependence and no origin. If the middle section is not clear, then the entire body is void. If the bottom section is not clear, then you will fall by yourself. 2ow can we ignore them* As to how the Chi starts to move, there is nothing but the end section must move, the middle section follows, and the root section urges. 2owever, all of these discussions are but dividing into sections to tal# about them. If we tal# about when they are all combined, then form the top of the head to the bottom of the feet, the four limbs and hundreds of bones, all in one section, how can they be divided into three sections* Furthermore, how can we again divide each section of these three sections into another three sections*
Thesis of the Four Extremities Try, in addition, to discussing the body and the Chi, to discuss the e"tremities. The e"tremities are the surplus ends of the body. Those who tal# about the body have never mentioned these since the beginning, and those who tal# about the Chi have also seldom discussed them. 6tri#ing is from the internal and emitted to the outside, and thus the Chi is from the body and reaches to the e"tremities. If the application of Chi does not originate from the body, this is void and not solid. If it does not manifest in every e"tremity, though solid it is still void. 2ow is it possible to not tal# about the e"tremities* 2owever, these are only the e"tremities of the physical body and not the e"tremities of the Chi. $hat are the four e"tremities* The hair is one. +ecause the hair does not belong to one of the Five 7hases and is not related to the four limbs, it seems this is not worth discussing. 2owever, the hair is the ending of the blood and the blood is the ocean of Chi. !ven though we do not use the hair to discuss Chi, we cannot ignore the blood in the generation of Chi. If we cannot ignore the blood, then we cannot but also be concerned with the hair. $hen the hair is strong enough to shoot up the hat, the blood ending is su.cient. -thers such as the tongue is the ending of the muscles and the muscles are the Chi bag 8capable of storing Chi9. If the Chi cannot be manifested in the ending of the muscles, then there is not enough %uantity of Chi to fll up the muscles. Therefore, the tongue should urge 8push against9 the teeth, then the Chi in the meat ending will be enough. As to the ending of the bones, it is the teeth. The ending of the tendons is the nails. Chi is generated form the bones, which are connected to the tendons. If the Chi cannot reach the teeth, it means the Chi cannot reach the ending of the tendons. If you desire to have plenty, then it cannot be done unless the teeth are able to brea# the tendons and the nails are able to penetrate the bones. If able to do this, the Chi of the four e"tremities is su.cient. $hen the Chi of the four e"tremities is su.cient, the Chi will be plenty automatically. In this case, how can it be still void and not solid, or though solid still void*
Thesis of the Five Phases $hen tal#ing about stri#ing, discuss the posture. $hen tal#ing about the postures, discuss Chi. 5an has fve viscera, which therefore form the shape. From the fve viscera, the Chi is born. The fve viscera are really the original bearers of human nature and the source of growing Chi. They are named heart, liver, spleen, lungs, and #idneys. The heart is Fire and has the appearance of (aming upward. The liver is $ood and has the shape of curved and straight. The spleen is !arth and has the feeling of solid and sincere. The lungs are 5etal and have the capability of initiating changes. The #idneys are $ater and have the talent of moistening the lower body. This is the meaning of the fve viscera, and they must be coordinated accurately with the Chi so that they are able to cooperate with each other. This is why those who tal# about martial a:airs must not separate from them. The chest and diaphragm is the position of the lung primary Chi channels and cover all other viscera. Therefore, when the lung primary channel moves, all other viscera cannot be calm. The heart is between the two nipples and enwrapped and protected by the lungs. ;nderneath the lungs and above the stomach is the location of the heart primary Chi channel. The heart is the #ing of Fire, and once it moves all other primary ministerial Fires will naturally follow. +etween the two (an#s, left is the liver and right is the spleen. -n the fourteenth section of the spine are the #idneys. These are the positions of the fve viscera. 2owever, all these fve viscera are lin#ed with the bac# spine and connected with the #idneys essence. As to the waist, it is the home position of the two #idneys. They are the frst among the pre<heaven, and especially are the origin and root of all other viscera. Therefore, when the #idney $ater is su.cient, then 5etal, $ood, $ater, Fire, and !arth will have the opportunity to create. These are the positions of the fve viscera. In addition, the fve viscera e"isting internally have their defnite positions. 5anifested on the body, they also have their special positions. They are the nec#, the top of the head, the brain, the bones, the bac#, and the waist. The two ears are the #idneys, the two lips and two chee#s are the spleen. The two hairs 8head hair and body hair9 are the lungs. The forehead is the leader of the si" /ang organs and gathers the !ssence of the fve viscera 8/in organs9 and actually is the main master of the head and face and is the governor of the entire body. The /intang, is the #ey place of the 6tomach Chi of /ang +rightness. $hen the human nature starts at the Tianting, its functioning is approached from here. The Chi generated and developed is able to reach the si" /angs from the #idneys and it is really the main #ey place of the Tianting. Two eyes are both the liver. 6tudied in more detail, the tip 8of the eyes9 is the spleen and the bottom is the stomach. The big corner is for the heart channel and the small corner is for the small intestines. The white 8of the eyes9 means the lungs and the blac# is the liver. The pupil is the #idneys and is actually the !ssence gathering of the fve viscera. 6o, they 8the eyes9 are not only especially related to the liver. The nose is the lungs, the two chee#s are the #idneys, the front of the ear doors are the 1all +ladder, and the high bones behind the ears are also the #idneys. The nose is the !arth Center and is the source of the birth and nourishment of the million ob'ects. It is actually the master of the center Chi. The 0en&hong is the meeting of blood and Chi, thrusting upward into the /intang and reaching to the Tianting it is also the most important place. ;nder the two lips is the Cheng'iang and underneath the Cheng'iang is the =ihe, correspond to the Tianting and also relate to the #idney channel. The head and nec# are the pathway to the fve viscera and the main gathering place of blood and Chi. The front is the entering and e"iting path of food and air and the rear is the ascending and descending way of #idney Chi. The liver Chi is thus spinning to the left and the spleen Chi is spinning to the right. Their relations are most important and are the #ey points in the entire body. The two nipples are the liver and the two shoulders are the lungs. The two elbows are the #idneys. The two shoulders on the bac# is the spleen. The ten fngers are the heart, liver, spleen, lungs, and #idneys. The #nees and the calves are both the #idneys. The bottoms of the two feet are the important places of the #idneys and the /ong%uan are the cavities of the #idneys. 1enerally, how the body is related is as follows. Those places which are conve" are the heart. Those concave are the lungs. Those places where the bone is e"posed are the #idneys. The tendons 'unction places are the liver. And where the (esh is thic# are the spleen. >oo#ing at them from the /i, the heart is li#e a fery tiger, the liver is li#e an arrow, the spleen with the unlimited strength of the Chi and >i. The distribution of the liver channel is the most variable spiritually, the movement of the #idneys Chi is fast li#e the wind. $hen applied to the body such as the application of Chi channels, the places in the entire body which are related to these channels, ultimately they cannot be without having the meaning. Therefore, people studying should comprehend by themselves. This cannot be done through pen and in#. As to the production, con%uest, and derivation, though there is some other discussion already, studying their #ey points, there is a total comprehension automatically. The Five 7hases and the hundreds of parts of the body, after all, are one unit. The four bodies and the three centers are combined into one. $hy do we have to pay attention to every channel and every branch or section of the body*
Thesis of the Six Combinations 2sin combines with /i, /i combines with Chi, and Chi combines with >i are the three internal combinations. 2ands combine with feet, elbows combine with #nees, and shoulders combines with hips are the three e"ternal combinations. These are called Liou He 8the si" combinations9. The left hand combines with the right foot, the left elbow combines with the right #nee, the left shoulder combines with the right hip. The same holds true for the other side. Then, the head combines with the hands, the hands combine with the body, and the body combines with the stepping. These cannot be thought not to be the e"ternal combinations. The heart combines with the eyes, the liver combines with the tendons, the spleen combines with the meat, the lungs combine with the body, and the #idneys combine with the bones. These cannot be thought not to be the internal combinations. 2ow can there be only si" combinations* They are divided only for discussion. In all, one place moves, everywhere moves one place combines, every place is combined. The fve shapes and hundreds of bones will all be useful.
Thesis of the Seven Advancings The head is the leader of the si" /angs and is also the master of the entire body. The fve sensing organs and hundreds of bones do not but rely on it. Therefore, the head cannot but advance. The hands move frst, and their foundation and root are in the shoulders. If the shoulders do not advance, then the hands will hesitate and not advance. Therefore, it is important that the shoulders must advance. Chi is gathered in the ?hongwan cavity and the #ey is in the waist@ when the waist does not advance, then the Chi is wea# and not solid. Therefore, it is important that the waist must advance. /i is threaded throughout the entire body, and the movements depend on the stepping. If the stepping is not forward, then the /i is in vain and cannot do anything. Therefore, the stepping is important in advancing. Then, when attac#ing the left, the right must be advanced, and when attac#ing the right, the left must be advanced. These are the seven advancings. They are not what are called the advancing in touching the ground. To conclude their importance, before advancing, the entire body may not have the /i connection and be related to each other. -nce tal#ing about advancing, then the entire body does not have the appearance of delaying and hesitation.
Thesis of the Bod!s "aneuvers $hat are the body)s maneuvers* 6imply T&ong 8straight forward9, 2ern 8sideways9, 1au 8moving high9, =i 8moving low9, Ainn 8advancing9, Tuey 8retreating9, Faan 8reversing9, and Tseh 8beware of the (an#9. T&ong is releasing the posture forward and not returning. 2ern is to enwrap the >i, opening up the way, which cannot be resisted. 1au is to e"tend the body, and the body has the tendency to rise. =i is to press down the body and ma#e the body have the shape of drilling and sei&ing. $hen is should be forward, then forward. +ounce the body and straight forward bravely. $hen you should retreat, then retreat. >ead the Chi bac# and convert the posture into yielding. As to turning the body and beware of the rear, the rear is the front. $hen I beware of the left and right, nobody dare to resist me from the left or the right. /ou should not be inhibited. First, you must inspect the opponents strong and wea#, s#illfully apply #ey tric#s 8strategy9, sometimes suddenly forward and suddenly sideways. Forward and sideways are changeable following the situation and there is no general rule to follow. There is suddenly high and suddenly low, they can be switched anytime. =o not be stubborn in the rules and do not deliberate. $hen it is time to advance, then do not retreat. If retreating, then the Chi strength is wea#ened. $hen it is time to retreat, then retreat to prepare for an advance. Advance is for advancing, and even retreating relies on advance. If you turn the body to beware of the rear, beware of the rear still never feel it is the rear. $hen you beware of the left and right, the left and right are never felt to be left and right. In all, the #ey is in the eyes, and the change is from the heart, then when the #ey is held, it is applied to the body. $hen the body is moving forward, it does not need an order, the four limbs are forward. $hen the body is retreating, then hundreds of s#eleton bones are all in their positions scientifcally. 2ow can we not tal# about the body)s maneuvers*
Thesis of Ste##ing $hen the fve sensing organs and hundred s#eleton bones decide to move, in fact, the stepping transports them. The stepping is the foundation of the entire body and the governing #ey to movement. Therefore, engaging in battle and matching the opponent relies on the body. Actually the main support of this is nothing but stepping. The changes that correspond to the situation and opportunity are in the hands. 2owever, that which enables the hands to switch and move around is also in the stepping. Advancing, retreating, turning around, and beware of he sides if not for the stepping, how to catch the opportunity to stimulate and also to rise, e"tend, and withdraw* If not for the stepping, how to demonstrate the marvelous variations* $hat is called the tric#y #eys are in the eyes, the variations are in the heart. Then it is possible to turn around and change angles, thousand variations and ten thousand derivations which prevent being forced into urgency. If not from the actions of stepping, how could it be done* 1oals cannot be reached by force. The movements originate from no heart and the e"citement is generated from no feeling. $hen the body wishes to move, the stepping will also move around. $hen the hands are going to move, stepping has already progressed to the urgent position. This happens without e"pectation, progresses without being pushed. Isn)t this what is called the top wishes to move the bottom naturally follows* Furthermore, stepping is divided into front and rear. The one with defnite positions is stepping. Also the one without defnite positions is also stepping. 6uch as the front leg steps forward, the rear leg will follow. The front and the rear all have a defnite position. If the earlier stepping steps later, and the later stepping steps frst, also if the earlier stepping is used as the frst stepping for the later, or the later stepping is used as the following stepping for the frst, then the earlier and the later stepping will naturally not have defnite positions. In all, when tal#ing about the situation of the fst 8style9, the important point should be considered to be stepping. >ively or not is also decided by stepping. Agile or not also depends on stepping how great are the applications of steppingB The fst 8this style9 is named 2sin /i 8heart<mind9. In 2sin</i, the /i 8intention9 originates from the 2sin 8heart9 and the fsts are emitted according to the /i. /ou must #now yourself and the opponent, following the opportunity and responding with variations. The Chi in the heart is emitted. The four limbs all move. $hile the feet are raised, they are grounded. $hile the #nees are lifted, they have number 8specifc techni%ues9. $hile turning, there are positions. Combine with the shoulders and coordinate with the hips, three tips are matching, and the 2sin, /i, and chi internal three are combined. The fst is combined with the feet, the elbows are combined with the #nees, and the shoulders are combined with the hips, e"ternal three are combined. The palm centers, the sole center, and the 2sin, three centers and one Chi are mutually combined. $hen far, the hands are not emitted. The fsts are used to stri#e within fve feet and beyond three feet, no matter whether moving forward, retreating, moving to the left or to the right, every step corresponds with each fst 8stri#e9. The concept is marvelous if able to reach. The opponent cannot see your shape. $hen the hands are emitted, they are fast li#e the wind and the arrow. The sound is li#e thunder. Appear and disappear li#e a rabbit. It is li#e a lively bird entering the woods. !ncountering an enemy, li#e a giant cannon whose power can destroy a wall li#e a thin one. The eyes are sharp and the hands are fast. $hen you 'ump forward, it is straightforward for swallowing. +efore e"changing hands, the Chi is already forward. -nce the hands have entered, the agile movements are most marvelous. $hen you see an opening, do not stri#e. 6ee the 2ern, then stri#e. 6ee the opening, do not stand frm. 6ee the 2ern, then stand frm. Top, middle, and bottom, hold the Chi steady. The body, feet, and hands are all following orders. They are not raised because of the opening and they do not fall because of the opening. The wisdom and s#illful tric#s all depend on the aliveness, ability to go, ability to ft in, ability to be soft, and ability to be hard, ability to advance, and ability to retreat. Not moving, steady as a mountain. As di.cult to fgure out as /in and /ang. ;nlimited li#e the heavens and the earth. Full li#e a huge granary. !"tensive and abundant as the four seas. +right and shining li#e the three lights. Inspect the opportunity of the opponents attac# and determine the advantages and disadvantages. There are advanced techni%ues to be calm and wait for the movement. There are borrowing techni%ues, moving to deal with the calmness. The borrowing techni%ues are easy and the advanced techni%ues are hare. The advances techni%ues should still be considered frst. Those who are e"changing bravery should not thin# about mista#es. Those who thin# about the mista#es fnd it hard to move even an inch step. 0ise li#e a penetrating arrow and fall li#e the wind. The hands grasp the hands, attac# forward. !very movement automatically combines secretly. 6peedy li#e lightning in the s#y and beware of the two sides, left and right. Turning to the rear is 'ust li#e a tiger searching the mountain. Chop and stri#e are used, intrepid and indefensible. Chop the endings 8limbs9 and attac# the face, aiming for the Aongtang. Thrusting upward and downward, it is li#e a tiger, also li#e an eagle swooping downward to a chic#en coop. =o not be hurried in turning over the rivers and reversing the ocean. A single phoeni" that dares to (y toward the sun can be said to be brave. The clouds are covering the heavens and the moon. The heavens and the earth interact when martial arts are competed the winner and the loser can be seen. $hen stepping, an inch apart and a step a foot. Chop forward to the face and step the right leg and advance with the left steps, following this method to move forward. Approaching the opponent, advance your body. The body and the hands arrive together, then can be real. $ithin the emitting, how to understand the secret application* $hen the meaning has been e"plained, its marvelous nature can seem to be supernatural. $hen a bird of prey enters the woods, it must not catch its wings. $hile an eagle is sei&ing a small bird, its postures are balanced in four directions. To win the victory, the four e"tremities must be gathered neatly. First, still need the hand to protect the heart. 7lan the strategies and apply them s#illfully, a spirit of thunder and a venomous heart is the best policy. The hands and the eyes are able to defeat the opponent. $hat is dodging* $hat is advancing* To advance is to dodge and to dodge is to advance. =o not loo# for the distant answer. $hat is called a stri#e* $hat is called beware* To beware is to stri#e and to stri#e is to beware. The hands are 'ust simply emitted. The heart is li#e gunpowder and the fst is li#e a canon ball. $hen the trigger is moved, it is hard for the bird to (y. The body is li#e a bow and bowstring and the hands are li#e the arrows. $hen the string is aimed ant the bird, the marvelous results will be seen. $hen the hands move, li#e lightning lightning is so fast that there is not enough time to close the eyes. The stri#ing is li#e thunder and it is so fast that there is no time to cover your ears. The fve paths are actually the fve entrances. Nobody protects them but you. $hen the left hand passes the chee#, the right hand will go. $hen the right chee#s hand is going, the left chee#s hand is coming. The two hands are bound fsts and released to the face. The doors of the fve gates are tightly closed. The fsts are emitted from the heart and fall onto the nose. The feet are from underneath the ground. $hen a foot is raised fast, the heat Fire is (aming. The Five 7hases are 5etal, $ood, $ater, Fire, and !arth. The Fire is (aming upward and the $ater is (owing downward. I have the heart, liver, spleen, lungs, and #idneys. The Five 7hases can mutually cooperate without mista#e.
Thesis of Fighting 1rab the right enter the left. 1rab the left enter the right. $hen stepping forward, the heels touch the ground frst. The tip of the foot uses the toes to grab the ground. The stepping must be steady and the body must be solemn. The stri#e must be frm, solid, and have >i from the bones. $hile going, the hands are rela"ed and when they reach the opponent they become fsts. $hen fsts are used, curl in tightly. $hen you grab, the grabbing must have chi. From the top to the bottom, the Chi must be uniform. !"iting and entering use the heart as master. The eyes, hands, and feet then follow. =o not be greedy and do not be defcient. The elbows should fall into the cave of the elbows and the hands should fall into the hands cave. The right leg moves frst and the tip of the shoulder moves forward. This is e"changing steps. The fst is emitted from the heart, and the body urges the hand. The hand is grabbing with the heart and the heart is grabbing with the hand. The man moves and steps forward, every step and every fst, one branch moves, hundreds of branches all follow. There is a secret in emitting Aing, when one is grabbing, the entire body is all grabbing. $hen one is e"tending, the entire body is all e"tending. !"tending must e"tend enough to enter the grabbing must grab to the root. >i#e wrapping the cannon, wrap tightly, and restrained with >i. It does not matter whether lift stri#ing, press stri#ing, ward o: stri#ing, rotating stri#ing, chopping stri#ing, thrusting stri#ing, drilling stri#ing, elbow stri#ing, shoulder stri#ing, palm stri#ing, head stri#ing, forward step stri#ing, bac#ward step stri#ing, smooth step stri#ing, sideways step stri#ing, and front, rear, left, right, top, and bottom all hundreds of stri#ing methods, all must mutually follow. 0eleasing hands frst occupy the front door. This is called cunning. The bone sections must be matched. If not matched, no >i. The hand grabbing must be agile. If not agile, then changes can occur. The emitting hand must be fast. If not fast, then too late. The rising hand must be alive. If not alive, then not fast. 6tri#ing must have follow<up. If no follow<up, then not e:ective. The scheming heart must be venomous. If not venomous, then not accurate. Feet and hands must be alive. If not alive, then they carry danger. The scheming heart must be refned. If not refned, then it will be fooled. $hen attac#ing, must be brave and ferce li#e an eagles stoop. +e calm e"ternally and audacious, and use the opportunity s#illfully. 5ust not be afraid, hesitant, and suspicious. The heart is small and the bladder is big 8brave9. The face loo#s nice the mind is venomous. +e calm li#e a scholar and move li#e the thunder stri#ing. The opponents approaching posture must also be carefully inspected, such as the feet #ic#s, the head bumps, the fst stri#es and the shoulder action, narrowing the body to advance, relying on the body to raise and emit, wal#ing diagonally and e"changing stepping, intercepting stri#es and retreating the body, and lifting and e"tending the leg for emitting. $hen wary of feet to the east, must prevent being #illed from the west. The top is void, the bottom must be solid. 6o many tric#s that the fngers are not enough for bending 8counting9. /ou must fgure out the clever tric#s and opportunities. The fast hand stri#es the slow hand. The traditional sayings should not be ignored. Indeed have their #nowledgeable opinion. 0ising, e"pect falling. Falling, e"pect rising. The rising and falling mutually follow each other. The body and the hands all arrive at the same time is the real method. The thighs form a scissors, and chop toward the eyebrows. In addition, turning around is li#e a tiger searching the mountain. The hands rise li#e lightning and fall li#e speedy thunder, the wind blowing the rain, the eagle sei&ing the swallow, the sparrowhaw# entering the woods, and the lion catching a rabbit. $hen the hands are raised, the three centers match each other. Not moving, li#e a scholar. And moving, li#e a dragon and a tiger. If too far, the hands should not be emitted for stri#ing. Two hands protect the sides of the heart. $hen an attac# is from the right, intercept with the right and when and attac# is form the left, intercept with the left. This is a short cut in intercepting. If too far, then move forward with my hand and when it is close, add the elbow. If it is far, then use the leg to #ic# and if it is close, add the #nee. Far or close must be #nown properly. The fsts stri#e and the foot #ic#s, from the head to the postures inspecting the opponent can cause you to thin# of advancing. $hen there is an /i, do not have shape 8e"ternal appearance9. $hen there is a shape, you will not win. The method of defeating the opponent@ inspect and be aware of the shape of the ground. $hen a fst is in an advantageous position, the hands must be speedy. The feet must be light 8agile9 and when the postures are moving, they are li#e a cats wal#. The heart must be neutral and centered, the eyes are gathering essence, the hands and feet all arrive, must win. If the hands arrive but the feet are not arriving, then cannot obtain the marvelous tric#. The hands arrive and the feet also arrive, stri#ing the opponent is 'ust li#e pulling up grass. The top stri#es the throat and the bottom stri#es the groin. The left or the right (an# remains in the center. It is not far to stri#e ten feet away. It is close, it can be within only an inch. $hen the body moves, li#e a wall collapsing. $hen the feet are falling, li#e a tree is growing roots. $hen the hands are rising, li#e a fred cannonball, thrusting straightforward. The body should be li#e a living sna#e, when the head is attac#ed, the tail will respond, when the tail is attac#ed, the head will respond, and when the middle section is attac#ed, then the head and the tail both respond. $hen stri#ing forward, must be aware of the rear. ,nowing forward, you should also #now bac#ward. The heart moves li#e a horse, the shoulders move with the speed of wind. $hen training, it seems there is someone in front of you and when you are e"changing the hands, even though there is an opponent, it is li#e fghting nobody. $hen the front hand rises, the rear hand urges closely. $hen the front leg rises, the rear leg follows closely. There are hands in front of you. =o not see the hands. And there are elbows in front of the chest. =o not see the elbows. If you see an opening, do not stri#e, and if you see the opening, do not advance. The fst should not stri#e the false rising and also not stri#e the false lowering. $hen the hands rise, the feet must fall. $hen the feet fall, the hands must rise. The heart must move frst and the /i must defeat the opponent. The body will attac# the opponent, and the stepping must be better than the opponents. The front leg is li#e crossing and the rear leg is li#e stic#ing. The head must stic# up and the chest must be e"posed. The waist must grow and rise, and the =an Tien must transport the Chi. From the top to the feet, the one Chi must thread through. 2olding fear in the battle and the heart is cold, then surely not able to win. ;nable to inspect the tal#ing and view the color, surely not able to prevent the opponents intention and surely not able to move frst. 2e who moves frst is the master, and he who moves second is the follower. +e able to thin# only of advancing and do not #eep thin#ing of retreating. The three sections must be clear, the three tips must match, and the four e"tremities must be gathered. ;nderstanding the three centers will increase by one more power, comprehending the three sections will add one more techni%ue, understanding the four e"tremities will increase one essence, understanding the Five 7hases will increase the one Chi. ;nderstanding the three sections, not greedy and not defcient, rise, fall, advance, and retreat will have more variations. Three rounds and nine turns are one posture 8in each posture9. The one heart must master all. ;sing the two Chi to govern the Five 7hases, practice all the time, do not be delayed morning and evening. Crossing the legs 8meditation9 and stri#ing 8form practice9 must often be forced. After the ,ung 8,ung Fu@ energy and time9 has passed, it will be natural. This is sincere language and not empty tal#.