Backline 600
Backline 600
Backline 600
Backline 350
Backline 250
Backline 600
Backline 115
Backline 210
Backline Seies
Table of Contents
Table Of Contents
Introduction..................................................................... 3 Safety Information.......................................................... 4 Quick Start.......................................................................5 Settings & Sounds............................................................6 Sound Tips....................................................................... 7 Front & Rear Panel Controls........................................ 8 Installation & Maintenance.......................................... 10 Backline Combo............................................................11 Tech Talk........................................................................ 12 Specifications................................................................. 13
*All Features and specifications are subject to change without notice. **This list is subject to change without notice.
Gallien-Krueger
2234 Industrial Drive Stockton, CA 95206 phone: 209-234-7300 fax: 209-234-8420 www.gallien-krueger.com
Backline Series
Congratulations
Your purchase of a new Gallien-Krueger Backline product is surely the result of much careful consideration on your part. For our part, we at Gallien-Krueger are pleased that you chose us, and are determined that you will be a satisfied customer. In choosing a Backline product, you now own an amplifier with many unique features, which will allow you to create your own distinct sound. To get the most out of your new purchase please take a few minutes to read through this manual. If you are in a hurry, we suggest you at least read through the Quick Start and Safety Information sections before setting up your new rig. This will help get you started and give you a few quick tips, but is not a substitute for reading the rest of the manual. Your Backline unit should have come with the following items, please check the contents of the box to ensure that you have everything. Included with your Backline 350/250/600 Head: Backline 350/250/600 Power cord Owners manual Warranty card Safety instructions sheet Included with your Backline 210/115 Combo: Backline 210/115 1 Power Cord Owners Manual Warranty Card Safety Instructions Sheet 1 1 1 1 1
GK Philosophy
I have never seen the point in doing things the way others have done them. I also have not been very interested in following the latest fad. I am a Stanford educated engineer who worked his way through school as a musician. Like all musicians, I have lugged amplifiers up stairways and into car trunks, always wondering why these things had to be so heavy, bulky, and hard to handle. As I am the principal innovator at G K K, our products reflect my attitudes and life experiences. I dont model my designs after other manufacturers products (as some of our competitors are proud of reciting). Instead, I believe new and old problems are best solved with new solutions. Having taken our own path, G K products enjoy a unique, unmatched sound, allowing the artist using them every opportunity to make an original statement. Having supported my products for over thirty years, I have learned from the story they tell. GallienKrueger is a reflection of that story, and has a commitment to support that legacy. Just as the products I created thirty years ago are still telling their story, the products we create today will be talking to us tomorrow. Well be listening,
Introduction
1 1 1 1
If your new unit did not come with all the items listed, or if you encounter problems while setting up your new equipment, please contact your local dealer, or GK customer service at: Gallien-Krueger, Inc. 2234 Industrial Drive Stockton, CA 95206 phone: (209) 234-7300 fax: (209) 234-8420 Internet: www.gallien-krueger.com Email: [email protected] We wish you a lifetime of good playing and remember to always have fun!
Backline Series
Safety Information
Verify Line Voltage and Amperage Before Use: Do Not Use Extension Cords:
To avoid safety hazards, use only the power cord supplied with your unit. If a replacement cord is used, make certain that it is of consistent quality and gauge as the original. We do not recommend using extension cords with this product. As with all electrical devices, do not run power cords under rugs or carpets or place heavy objects on them. Damaged power cords should be replaced immediately with cords meeting factory specifications.
Safety Information
. . .
Your new Backline unit has been factory configured for use with: 120 Volt/60Hz 15 Amp circuit for USA & Canada. 230 Volt/50Hz 10 Amp circuit for Europe & Australia. 100 Volt/50Hz 15 Amp circuit for Japan. Proper AC circuit for all other countries. Connecting the amplifier to a line with specifications other than indicated above can create a safety and fire hazard, and may damage the amplifier. If you have any questions about the voltage requirements for your specific model, or about the line voltage in your area, contact your dealer before plugging the unit into a wall outlet.
Mains Disconnect:
If the AC mains has to be completly disconnected, the plug/power cord is used as the mains disconnect device and shall remain readily operable.
Unpacking:
The carton and packing materials used in shipping your new amplifier were specially designed to cushion it from the shocks and vibration that occur during transport. We suggest that you save the carton and packing materials for use in shipping, in the event you move, or the amplifier needs repair.
Warning: Do not disconnect or plug in the instrument/speaker cable with the amplifier power on. Be sure the amplifier unit is turned off before connecting anything to it.
Backline Series
Quick Start
Your Backline unit is designed to be simple to operate. All controls have a well defined purpose and are well behaved. These directions will take you through the basics and give you a good start for setting up your sound. not turn the volume control in the input section past 1 oclock unless you want an overdrive effect. If you have a bass with passive electronics make sure that the controls on the bass guitar are all the way up. If you have a bass with active electronics, set all controls on the bass to the middle or flat position.
1.
Set the power switch to Off and connect the supplied power cord from the amplifier AC receptacle to an AC power outlet of proper voltage and power rating (see safety information on page 5 for details).
At This Point:
You should be hearing your bass quite well. You can use the volume and Master to achieve a comfortable sound level.
5.
Now you are ready to check out the overdrive feature (Channel-B). Push in the Level A/B button. The overdrive LED should light. Set the Gain control to 9 oclock as a starting point. Slowly raise the Level-B volume to the desired sound level. This will give a slightly distorted sound. Raising the gain will add more distortion and sustain. (See Sound Tips for more detail).
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3.
Set all EQ controls and the Boost control to 12 oclock. The Voicing Filter should be turned all the way down to get a flat response. Set the Gain, Level-A, Level-B and Master Volumes at 0. Set the A/B switch to off (Channel A).
Extremely high current power supply and power amp circuitry, gets the sound out of your head. Four bass specific bands of active equalization for Precise tone control. An adjustable voicing filter for shaping and customizing your sound. Balanced direct output eliminates the need for a direct box. Bass specific overdrive channel for all modern sounds.
4.
Using an instrument cable, connect your bass to the Input jack and turn the power switch on, set the master control to 3 oclock, slowly bring the Level-A volume up and play. If the clip LED flashes excessively, push the button marked - 10db in. Occasional clip light flashes while playing very hard, is normal and should not raise any concern . Do
Quick Start
Backline Series
Settings and Sounds
The Backline Series are versatile in its sound and tone. Below are a few suggested amp settings that can be used as starting points to define your own sound. Note: the Gain/Overdrive settings will vary according to the output of your bass. * Contour note: At higher playing levels the contour should be set lower for mid-range clarity. To get the 800RB contour voicing,
Insane Gain:
Deep Bass:
Slap:
Backline Series
Sound Tips
The Backline Series has several unique features which, if used properly, will obtain that sound you have been searching for.
The Equalizer:
The Equalizer is used to fine tune your sound. When adjusting it, do it a little at a time. These are active circuits, and small changes can make a big difference in your sound. With a little experimentation you will find that this equalizer is very easy to use, never sounds weird and provides you with a large variety of great sounds, unique to GK.
Direct Out:
The Backline Series provides a low noise, high quality balanced direct out for connection to PA and recording consoles. With the Pre/Post EQ switch set to Pre (Out), the direct output signal is fed directly from our low noise, high headroom, FET input stage providing a low noise output superior to external direct boxes and impedance transformers. The Direct Output signal is only effected by the -10dB Pad, and Tuning Mute controls. This allows you to adjust your tone and volume on stage without changing the Direct Out signal level and confusing your sound man. Changing the Pre/Post EQ switch to Post (In), sends the GK sound and preamp response to the Direct Out jack. This gives you complete control over the Direct Outs tone and volume. In addition, a Ground (Gnd) Lift switch is included to remove hum and buzz when connecting to equipment powered by a different ground system.
Contour:
Increasing the Contour level will scoop out mid-range frequencies while boosting the highs and lows. The sound, once again, is unique to GK and unavailable on any other Bass amp. Lower contour settings are recommended for midrange clarity at higher playing levels. For 800RB voicing, set the contour knob either on 0 or 10 .
Overdrive:
The Overdrive channel allows you to create entirely new bass sounds. Modern bass players are just beginning to experiment with distortion and now you can too. Turning the gain control within its range will give you everything from a funky blues sound all the way to full saturation and sustain.
Boost/Master:
Turning up the Boost control, will add a little growl to your tone. This is an unmistakable GK trademark sound, that you will grow to appreciate. Raising the Boost while lowering the Master will add more growl while keeping the sound level the same. Growl is actually a small amount of even order harmonic distortion, that sounds great through a woofer. For most playing situations, the Master is set between 12 & 3 oclock. The cleanest sound is obtained by setting the Master at 12 oclock, and going above 3 oclock for maximum power situations.
Sound Tips
Backline Series
Front Panel Controls
1-Input: 15-Footswitch /A/B:
A standard " input jack and input attenuator button. The button is generally left out, except in rare cases when the clip LED flashes or distortion occurs at low volume settings.
2-Tuning Mute Button:
" jack for a standard single pole latching foot switch. It Switches from channel A to B. The A/B switch must be off for this function to operate.
16-Balanced Direct Out:
Set this switch to On when tuning up. No signal will be sent to the speakers, or the P.A. system.
3-Gain:
An electronically balanced output, that you can run to your P.A. system.
17-Pre/Post EQ Button:
Selects the direct out signal from before or after the EQ.
18-Power/Protect LED:
Controls the amount of overdrive in the B channel. At low settings it provides a smooth distorted sound. At high levels it will provide full saturation with long sustain.
4-Level-B:
The LED turns red at turn-on for five seconds while the amp powers up. The LED turns green when the amp is ready. Should the amp experience a fault (over heat, over current) the amp will mute and this LED will go red until the condition is corrected.
19-Power Switch:
Sets preamp gain after the input stage. It is used in conjunction with the input pad, to optimize the amplifiers headroom.
6-Contour:
Turns the amplifier on or off. Should a problem occur during operation press this switch out first. This turns the amp off, but does not completely disconnect the power from the AC mains. The power LED should be off at this point.
Boost and cut at 7kHz+14dB shelving type. Add or remove edge and definition.
8-High Mid:
Boost and cut at 1 kHz +6dB -10dB, Q Optimized, band pass type. Works on lower string harmonics, and effects the punch of your sound.
9-Low Mid:
175W power output. It delivers 175 watts into 4 ohms, 115 watts into 8 ohms.
For Backline 600 and Backline 210 :
Boost and cut at 250Hz +6dB -10dB, Q Optimized, band pass type. Works on the main body of your sound.
10-Bass:
Boost and cut at 60Hz +10dB, shelving type. Controls low end push.
Outputs: 11-Boost:
300W power output. It delivers 300 watts into 4 ohms, 180 watts into 8 ohms. For Backline 250: 125W Power output into an 8 Ohm load. Lower impedances should not be used such as 2 ohms and below. Higher impedances such as 16 Ohms or No Load are acceptable. No damage will result from operating the amplifier with the speakers disconnected. Note: The Backline 210 and 115 internal speakers are running at 8 ohm load. DO NOT use an external speaker cabinet with impedance lower than 8 ohm with the internal speakers connected.
A post EQ gain stage using GIVE technology which adds growl as it is turned up.
12-Master: Controls output level of the amplifier. 13-Effects Loop:
Send and return jacks provided for the insertion of effects after the EQ, but before the boost section. Some effect units have gain, turning the BOOST down, will compensate for this.
14-Tuner Output:
Output to tuner.
Backline Series
Front Panel
Rear Panel
Backline Series
. . . . . .
Cleaning:
When the unit gets dirty, clean only with a dry cloth. Never use benzene, thinner, alcohol, or other volatile cleaning agents. Do not use abrasive cleaners, as they may damage the finish of metal parts. Avoid spraying insecticides near the unit.
To insure proper operation and to avoid potential safety hazards, place the unit on a firm, level surface. When installing the unit in a rack, be sure the mounting hardware can support the amplifiers weight. To save space in your rack, the Backlines feet can be removed using a Philips head screwdriver. Make certain that proper space is provided for ventilation(at least one inch above). If the amplifier will be installed in a rack or other enclosed area, make sure that there is sufficient air movement within the enclosure to allow proper cooling. Consult your dealer for more information. For combos, make sure there is three feet of clearance around the sides, top, back and front, of the unit for maximum ventalation. Avoid installation in extremely hot or cold locations, and areas that are exposed to direct sunlight, or near heating equipment. Avoid moist or humid locations. Remember, power amplifiers generate heat. The heat sink fins and ventilation slots that form part of the enclosure are specially designed to remove this heat. Placing other electronic equipment near these heatdissipation systems may possibly affect the long-term reliability of both your amplifier and the other equipment.
Maintenance:
Your new amplifier is rugged. It was built to give you years of trouble-free operation, if it is operated in accordance with the instructions contained in this manual. The only maintenance required is cleaning. If you are going to move your amplifier around frequently, we recommend a road case to protect it from scratches and road wear.
Positioning:
The Backline combo series should always be used as a floor standing unit. These combos are not intended for stacking or table-top placement.
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Backline Series
Backline Combos
Speaker Configurations:
Backline 210: Two 16 Ohm 10" speaker
Backline Combos
Backline 115:
The Backline 210 combo electronics are identical to the Backline 600 head and are rated for the same maximum power output and speaker load (300W into 4 Ohms). To drive an external cabinet, the combos internal speaker can be disconnected by unplugging the speaker cable connected to the combos back panel.
The Backline 115 combo electronics are identical to the Backline 350 head and are rated for the same maximum power output and speaker load (175W into 4 Ohms). To drive an external cabinet, the combos internal speaker can be disconnected by unplugging the speaker cable connected to the combos back panel.
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Backline Combos
Speaker Configurations:
Backline Series
Tech Talk
Current Output & Bass Response:
When a power amplifier is pushing several speaker cones and a high-power transient, like when a string slap comes along, the amp has to tap into a large power reserve to maintain cone control. If the amplifier doesnt have this ability, the sound is unresponsive and less out front. The amp loses its punch and feel at higher playing levels. Instead of responding to your every command, the amplifier simply cuts those transients off, leaving you with the feeling that something is missing in your sound. Since most amplifiers have limited output current capacity, they need current limiting circuits to protect against self-destruction. High-power transients trigger these circuits, which rob the amplifier of its ability to control speaker cones. This creates a mushy, unresponsive feel to your sound. The Backline 350/210 has an extremely high current capacity, over fifty amps, so it doesnt need current limiting circuits for overload protection. There is nothing in the Backline 350/210 power amps to come between you and your sound except faithful, raw power.
Contour:
Contour is used to completely revoice the amplifier. The Contour control tunes between two different shaping circuits, with greatly different response. With the control all the way up, the low end is slightly boosted, the mids are dropped and the high end is pushed up. This is only found in GK amplifiers.
Tech Talk
G.I.V.E. Technology:
As in all GK pre-amps, the Backline Series pre-amp incorporates what we call G.I.V.E (Gate Induced Valve Effect) Technology. We use field effect devices with the gate biased in a way that emphasizes the optimum harmonic content of the signal.
Overdrive:
The Overdrive channel in your Backline unit provides truly distinct distortion and sustain sounds. It is not a simple clipping circuit but utilizes FETs connected in our exclusive G.I.V.E. configuration. This is an added flexibility unheard of in this class of product.
Equalization:
Standard tone controls and graphic equalizers give you plenty of variation, but they dont provide what the instrument really needs. The fact is, graphic equalizers are intended for room equalization. The equalization in Gallien-Krueger amplifiers reflects 30 years of continuous development and refinement. The GK equalizer is unique to the industry, its not just a normal four band equalizer, each section is a special circuit optimized to perform a Bass specific job in its range of operation. These sections are wired in series, so they add to one another creating a tremendously flexible equalizer, that doesnt sound weird at any setting. Now it is possible to obtain the sound you desire.
In Closing:
You should now have a thorough understanding of how your new Backline unit works and what advantages it can offer you in getting your sound. We thank you for reading the Owners Manual and wish you the best of times! Please send us your comments via www.gallienkrueger.com or email us at [email protected].
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Backline Series
Block Diagram
0.6V Rms 1.6V Rms 1M Ohm 220 Ohm 60k Ohm 10k Ohm 1000 Ohms +10db @ 60Hz +6db/-10dB @ 250Hz +6db/-10dB @ 1kHz +14db @ 7kHz +2db@50Hz/ -10db@500Hz/ +3db@7kHz -90db referenced to 175W, A weighted Full short circuit, thermal,& RF protection. Stable into reactive and mismatched loads. Five second muted warm-up.
Europe
Japan
Dimensions(HxWxD): Backline 350: 17.5"W x 3.5"H x 8"D (2 Rack Spaces) 19.5W x 22.3Hx18.6D
Backline 115:
Noise
Amplifier Protection:
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Specifications
Backline Series
Block Diagram
Specifications
Backline 600/210 Specifications:
Backline 600/210 Output Power: 300W @ 4 Ohms 180W @ 8 Ohms Power Requirements: U.S.A./Canada Input Section: Maximum Input Level With -10dB pad Input Impedance Send output impedance Return input impedance Tuner Output Impedance Direct Output Impedance Equalizer: Bass Lo-Mid Hi-Mid Treble Contour 0.6V Rms 1.6V Rms 1M Ohm 220 Ohm 60k Ohm 10k Ohm 1000 Ohms +10db @ 60Hz +6db/-10dB @ 250Hz +6db/-10dB @ 1kHz +14db @ 7kHz +2db@50Hz/ -10db@500Hz/ +3db@7kHz -90db referenced to 300W, A weighted Full short circuit, thermal,& RF protection. Stable into reactive and mismatched loads. Five second muted warm-up. 120V/60Hz 570W (at fullpower) 210W (at average power) 230V/50Hz 570W (at fullpower) 210W (at average power) 100V/50Hz 570W (at fullpower) 210W (at average power) Europe Japan Dimensions(HxWxD): Backline 600: 17.5"W x 3.5"H x 8"D (2 Rack Spaces) 23W x 19Hx16D Backline 210: Noise Weight: Backline 600: Backline 210: 15lbs 65lbs Amplifier Protection:
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Backline Series
Block Diagram
Specifications
Europe
Japan
Noise
+10db @ 60Hz +6db/-10dB @ 250Hz +6db/-10dB @ 1kHz +14db @ 7kHz +2db@50Hz/ -10db@500Hz/ +3db@7kHz -90db referenced to 125W, A weighted Full short circuit, thermal,& RF protection. Stable into reactive and mismatched loads. Five second muted warm-up.
Dimensions(HxWxD):
Weight:
Amplifier Protection:
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