The Syllable (Term Paper)
The Syllable (Term Paper)
The Syllable (Term Paper)
An introductory remark
The syllable has constantly been in the centre of many phonological theories and has consequently received a lot of attention both phonetically and phonologically. This is so because of the pivotal role it plays in studying phonology in general and the suprasegmental features in particular. Being of such an importance, the syllable will be theoretically surveyed in this paper from different points of view both phonetic and phonological in order to have a clearer picture about the role it plays in phonology.
In chest pulse theory, the syllable is defined in relation to the way it is produced in the context of muscular activities and lung movements in the process of speech. Experiments have shown that the number of chest pulses, accompanied by increase of air pressure can determine the number of syllables produced, thus the number of syllables will be equal tothe number of chest pulses (Grimson, 1980: 56).
From an auditory perspective, nonetheless, attempts have been made to provide a sound definition of the syllable. In this regard, and according to the prominence theory, the number of syllables in a word is determined by the number of peaks of prominence. In the word enter-
taining /entten/ the peaks of prominence are represented by the vowels /e/, //, /e/, and //.
Another approach is presented by sonority theory according to which the pulses of pulmonic air stream in speech correspond to peaks in sonority. The sonority of a speech sound represents its relative loudness compared to other sounds and each syllable corresponds to a peak in the flow rate of pulmonic air (Giegerich, 1992: 132). Thus nuclear elements or
syllabic segments can be described as intrinsically more sonorous than marginal or non-syllabic elements.
Speech sounds can be ranked in terms of their intrinsic sonority according to a sonority scale. The sonority scale for English is given below, although in principle it is also valid for other languages. Voiced segments are more sonorous than voiceless ones and sonorants are more sonorous than obstruents; vowels are more sonorous than consonants, open vowels being more sonorous than close ones. The disyllabic word painting /pent/ has been plotted onto the sonority scale as an example. more sonorous Vowels Approximants Nasals Sonority scale Fricatives Affricates less sonorous Plosives
As can be seen from the chart, there are two peaks of sonority in the phoneme string /p-e-n-t--/, namely the vowels /e/ and / /. This is to indicate that the number of syllables is two as well.
The immediate constituents O, P, and Co can be further branched into their ultimate constituents, thus: O P R Co
nt
c p
v e
c n
c t
Closed syllables are those which have coda; open syllables are those which do not.
(CVCC), it also has (CVC) syllables and therefore also (CV) ones (Fry and Vijver, 2003: 6). Dealing with the syllable, the optimality theory proposes two syllable constraints that are specific to syllables. The first is called (Onset) and it can be violated by any syllable without onset) and the second is called (NoCoda) which can be violated when a segment is found in the coda (Fery and Vijver, 2003: 6). One could imagine a different set of constraints, put within an optimality theoretic framework, that would account for syllabification, but most work to date has assumed some version of these constraints, or constraint families (Goldsmith, 2009: 18). If faithfulness constraints (Dep) and (Max) are ranked lower than the syllable constraints. A language will, therefore use either epenthesis or deletion to ensure that surface forms are of the form CVCVCV. If Onset is ranked higher than the faithfulness constraints, which are in turn ranked higher than NoCoda, then some strategy, such as consonant epenthesis, will emerge to provide a consonant to precede any vowel that is not preceded by a consonant. If the faithfulness constraints outrank the syllable constraints, then codas, coda clusters, and onset clusters may emerge, if the lexicon and the morphology provide such circumstances (Fery and Vijver, 2003: 6).
Fry and Vijver (ibid: 7- 8) present several constraints rankings which stand for different types of languages in three tableaux. In the first Tableau (1), the Tableau 1: Onset, NoCoda >> Faith (No epenthesis, no deletion)
If Faith is ranked above NoCoda but below Onset, the language has the syllable types that win in Tableau (2). The ranking in that tableau allows both CV and CVC syllables.
In Tableau (3) the consequences of the ranking Faith >> Onset >> NoCoda are illustrated. This ranking allows the syllable types CV, CVC,V, and VC. Tableau 3: Faith >> Onset >> NoCoda
The Tableaux (1-3) illustrate that all languages, irrespective of their constraint ranking, allow CV syllables. More complex types of syllables, in contrast, are only allowed in some constraint rankings. The ability of OT to explain typological patterns as a result of the interaction of markedness and faithfulness constraints is the core of the theory, and it is to a great extent responsible for its success.
4. Coda
In 1968, Ernst Pulgram made a remark on the study of the syllable saying, conscience, courtesy, and caution require that anyone wishing to concern himself with the syllable read all, or at least most, of the enormous literature on it.Commenting on these words, Goldsmith (2009: 2) states that life is short, and space shorter still and so no one can actually fulfill this demand. Consequently, in this paper, I make no claim that I have surveyed ALL, or even MOST, of the literature on the syllable. I, however tried my best, considering the short span of time, to introduce LITTLE about the identification of the syllable, both phonetically and phonologically.