Barbara

Safran de Niverville 1 BIBLIOGRAPHY SEMESTER 2 Adams, W. M. No Land Apart: Nature, Culture, Landscape. Ed. Sarah Pilgrim and Jules Pretty. Nature and Culture. New York, NY: Earthscan, 2010. 65 82. Print. Amagasaki, Akira. Art Outside Life and Art as Life. Asian Aesthetics. Ed. Ken-ichi Sasaki. Singapore: NUS Press, National University of Singapore. 2010. 30 53. Print. Arnheim, Rudolf. Entropy and Art: An Essay on Disorder and Order. Berkley: University of California Press. 1971. Print. Bedell, Rebecca. The Anatomy of Nature. Princeton, NJ: Princeton U Press, 2001. 47 84. Print. Betancourt, Michael. "Intellectual Process, Visceral Result: Human Agency And The Production Of Artworks Via Automated Technology." Journal Of Visual Art Practice 7.1 (2008): 11-18. Art Full Text (H.W. Wilson). Web. 18 Sept. 2012. Bois, Yve-Alain and Rosalind Krauss. A Users Guide to Entropy.October , Vol. 78, (Autumn, 1996), pp. 38-88. Jstor. Web. 16 Oct. 2012. Byrd, Max. "Man As Machine." Wilson Quarterly 36.1 (2012): 30-34. Art Full Text (H.W. Wilson). Web. 18 Sept. 2012. Carroll, Noel. Nightmare and the Horror Film: The Symbolic Biology of Fantastic Beings. Film Quarterly , Vol. 34, No. 3 (Spring, 1981), pp. 16-25. Web. 26 Sept. 2012. University of California Press

Didakis, Stavros. "The Myth Of Symbiosis, Psychotropy And Transparency Within The Built Environment." Technoetic Arts: A Journal Of Speculative Research 9.2/3 (2011): 307-313. Art Full Text (H.W. Wilson). Web. 26 Sept. 2012.

Barbara Safran de Niverville 2 Doig, Peter. Peter Doig: works on paper. Art Gallery of Ontario. New York: Windsor Press. 2005. Print. Erzen, Jale. Aesthetics: Counter-Nature or Second-Nature? Svobodov, Hana, ed. Cultural Aspects of Landscape. Wageningen, Netherlands: Pudoc,1990. 95-100. Print. Gandy, Matthew. Cyborg Urbanization: Complexity and Monstrosity in the Contemporary City. International Journal of Urban and Regional Research. Vol. 29.1 March 2005: 2649. Web. 26 Sept. 2012. Haraway, Donna. A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century. Simians, Cyborgs and Women: The Reinvention of Nature. New York: Routledge:1991. pp. 149 181. Web.17 Sept. 2012. <http://www.egs.edu/faculty/donna-haraway/articles/donna-haraway-a-cyborgmanifesto/> Hawkinson, Tim. berorgan. 2000. MASS MoCA Tim Hawkinson: Uberorgan. Getty Center 2007. Web. 25 Oct. 2012. ---. Spin Sink (1 Rev./100 Years). 1995. Private Collection. Tim Hawkinson. Lawrence Rinder. New York: Whitney Museum of American Art. 2004. Pages104-05.Print. Hoover, Thomas. Chapter 9: Zen and the Ink Landscape. Zen Culture. Random House. 1978. Web. 14 Nov. 2012. <http://www.booktrope.com/chapter/zen-culturechapter-9-zen-and-the-ink-landscape/> Johnson, Charles. "The Dharma And The Artist's Eye." International Review Of African American Art 21.3 (2006): 3-10. Art Full Text (H.W. Wilson). Web. 26 Oct. 2012. Judd, Donald. Untitled 1993. Copper with purple plexiglass. 9-7/8" x 39-3/8" x 30-1/2" Boston Museum of Fine Arts.

Barbara Safran de Niverville 3 Lasserre, Grgory and Anas met den Ancxt. Akousmaflore Sensitive and Interactive Musical Plants. 2007. Installation. Art Gallery of Nova Scotia. 03 Dec. 2010 26 Apr. 2011.Video and text. Web. 27 Oct. 2012. <http://www.scenocosme.com/akousmaflore_en.htm> ---. Akousmaflore Sensitive and interactive musical plants. 2007. Video. Web. 30 Oct. 2012. <http://www.youtube.com/watch?v=cY_m87XowUA> Lee, Felicia R., His Brothers Keeper and Art Guardian. New York Times. 23 Oct. 2012. Web. 24 Oct. 2012. Marti, Patrizia. "Perceiving While Being Perceived." International Journal Of Design 4.2 (2010): 27-38. Art Full Text (H.W. Wilson). Web. 18 Sept. 2012. MASS Moca. Tim Hawkinson: Uberorgan. 2000. Web. 26 Oct. 2012. <http://www.massmoca.org/event_details.php?id=63> McElheny, Josiah. Endlessly Repeating Twentieth-Century Modernism. Blown glass, mirrored glass, metal, wood, electric lighting. Boston Museum of Fine Arts.2007. Web. 26 Oct. 2012. Museum of Fine Arts, Boston. Endlessly Repeating Twentieth-Century Modernism. 2007. Text. Web. 29 Oct. 2012. Moran, Emilio F. People and Nature. Malden, MA: Blackwell Publishing, 2006. 55 73. Print. National Gallery Of Canada. Exhibitions: Roxy Paine. Painting Manufacturing Unit. 12 Feb. to 27 Mar. 2011. Web. 30 Sept. 2012. Nave, Rod. Hyperphysics Concepts. Georgia State University. 2012. Web site. <http://hyperphysics.phyastr.gsu.edu/hbase/heacon.html#heacon> Nesbitt, Judith, ed. Peter Doig. London and New York: Tate Publishing. 2008. Print.

Barbara Safran de Niverville 4 Okakura, Kakuzo. The Book of Tea. New York: Dover Publications. 1964. Print. Oh, Kwangmyung, and Myungsuk Kim. "Social Attributes Of Robotic Products: Observations Of Child-Robot Interactions In A School Environment." International Journal Of Design 4.1 (2010): 45-55. Art Full Text (H.W. Wilson). Web. 18 Sept. 2012. OReilly, Adam. The Last Frontier: Natural Histories. Canadian Art. 2011/01/13. <http://www.canadianart.ca/reviews/2011/01/13/the_last_frontier/> Paine, Roxy. Distillation.Man of Steels Industrial Web, Mirroring Nature. Hillary Sheets. New York Times. Oct. 13, 2010. Web. 26 Sept. 2012. ---. Dendroids. 2010-2011. New York Times. ---.PMU No. 6. 2001. James Cohan Gallery. Web. 27 Sept. 2012. <http://www.jamescohan.com/artists/roxy-paine/> ---. PMU No. 17. 2005. James Cohan Gallery. ---. Scumak 2. 2001. James Cohan Gallery. ---. Bad Lawn. 1998. James Cohan Gallery. Plinthos Pavilion. Mabarchitects. November 22, 2010. You Tube. 3:08 min. Web. 18 Sept. 2012. <http://www.youtube.com/watch?v=aPyqYuJp29A> Reid, Alex. Fingering Prefingering. Electronic Book Review. 02 May 2004. Web. 1 Oct. 2012. <http://www.electronicbookreview.com/thread/criticalecologies/tempered> Reynolds, Ann. Robert Smithson: Learning from New Jersey and Elsewhere. Cambridge, MA: MIT Press. 2003. Print. Ribeiro, Clarissa, and Gilbertto Prado. "Complex Installations: Sharing Consciousness In A Cybernetic Ballet." Technoetic Arts 8.2 (2010): 159-165. Art Full Text (H.W. Wilson). Web. 18 Sept. 2012.

Barbara Safran de Niverville 5 Rinder, Lawrence, ed. Tim Hawkinson. Whitney Museum of Art. New York: Harry N. Abrams. 2005. Print. Saito, Yuriko . The Japanese Aesthetics of Imperfection and Insufficiency. Journal of Aesthetics and Art Criticism 55.4 (Fall 1997): 377385. Art full Text. Web. 14 Nov. 2012 Sheets, Hilarie M. Man of Steels Industrial Web, Mirroring Nature. New York Times. October 13, 2010. ---. Riffing on Forefathers and Mothers. New York Times. 26 October, 2012. Web. 26 Oct. 2012. Smart, Tom. Tom Forrestall: painting, drawings, writings. Toronto: Key Porter Books. 2008. Print. Smith, Roberta. Connecting Kindred Spirits. New York Times. 25 October, 2012. Web. 26 Oct. 2012. Smithson, Robert. Entropy and the New Monuments. Ed. Jack Flam. Robert Smithson: The Collected Writings. Berkley: U of California P, 1996. 10-23. Print. ---. A Tour of the Monuments of Passaic, New Jersey. 68 -74. ---. The Spiral Jetty. 143-153. ---. Cultural Confinement. 154-156. ---. Frederic Law Olmstead and the Dialectical Landscape. 157-171. ---. Art Through the Cameras Eye. 371-375. ---. Entropy Made Visible. Interview with Alison Sky. 1973. Web 29 Oct. 2012. http://www.robertsmithson.com/essays/entropy.htm ---. Entropy and the New Monuments. 1966. Web. 29 Oct. 2012.

Barbara Safran de Niverville 6 <http://www.robertsmithson.com/essays/entropy_and.htm> ---. The Crystal Land. 1966. Web. 29 Oct. 2012. <http://www.robertsmithson.com/essays/crystal.htm> ---. Plunge. 1966. Painted steel. Denver Art Museum. Web. 29 Oct. 2012. <http://www.robertsmithson.com/sculpture/plunge_280.htm> ---. Alagon #2. 1966. Painted steel. Museum of Modern Art, New York. <http://www.robertsmithson.com/sculpture/plunge_280.htm> Soper, Kate. What is Nature? Cambridge, MA: Blackwell Publishing, 1995. Print. Steir, Pat. Dazzling Water, Dazzling Light. Seattle: University of Washington Press. 2000. Print. Suzuki, Shunryu. Zen Mind, Beginners Mind. Boston, MA: Shambhala Publications, Inc. 2006. Print. Thess, Andr. The Entropy Principle: Thermodynamics for the Unsatisfied. Berlin: SpringerVerlag. 2011. Print. Tresilian, Nicholas. "Consciousness Reframed 13: TECHNOETIC TELOS - Art, Myth And Media, Part One: Scaling Up The Telos." Technoetic Arts: A Journal Of Speculative Research 9.2/3 (2011): 105-111. Art Full Text (H.W. Wilson). Web. 26 Oct. 2012. Volk, Gregory. Roxy Paine. Art In America. October 10, 2010. Web. 18 Sept. 2012. <http://www.artinamericamagazine.com/features/roxy-paine/> Yarowsky, Anne, ed. Jennifer Bartlett In The Garden. New York, NY: Harry N. Abrams, Inc.1982. Print.

TELEVISION DOCUMENTARIES Art:21: Art in the Twenty-First Century

Barbara Safran de Niverville 7 Season Two: Stories. Kara Walker. Kiki Smith. Do-Ho Suh. Susan Sollins, prod. PBS Home Video. United States. 2003. Time. Tim Hawkinson. Susan Sollins, prod. PBS Home Video. United States. 2003. Art in Progress Sister Gertrude Morgan: Tools of her Ministry. Gail Levin. prod. United States. 2004. The Smithsonian Channel Freuds Naked Truths: Lucien Freud. Randall Wright, dir. Blakeway Productions and SNI/SI Networks L.L.C. United Kingdom. 2012 A Look Inside the Peacock Room: James McNeill Whistler. Maia Samuel, prod. United States. 2009. George Bellows, Part 1 & 2. National Gallery of Art, Washington. United States. 2012. PUBLICATIONS Artforum Summer 2012 Vol.50 no. 10 ---. September Vol. 51 no. 1, ---. October Vol. 51 no. 2 ---. November Vol.51 no. 3 ---. December Vol. 51 no. 4 Art in America June/ July 2012 No. 6 ---. December 2012 Art News December 2012 Vol. 111 no. 11 Border Crossings Vol. 31 No. 3 Issue no. 123 Canadian Art Summer 2012 and Fall 2012

Barbara Safran de Niverville 8 Sculpture November 2012 Vol. 31 no. 9 Vie des arts t (Summer) 2012 No. 227