Empty Hands
Empty Hands
Empty Hands
NOVEMBER 2012
SANDAN THESIS
by Gerry Ansell
Lee Valley Shotokan Karate Club
Karate-do is an empty
handed art of self defence in
which the arms and legs are
systematically trained and an
enemy attacking by surprise
can be controlled by a
demonstration of strength
like that of using actual
weapons.
Nakayama 1987
Empty Hands?
Karate and the Use of Weapons
Empty Hands?............................................................................................................................ 3
Karate and the Use of Weapons................................................................................................ 3
Introduction............................................................................................................................... 5
Karate-Do and Okinawan Kobudo ............................................................................................. 6
A Personal Note on Karate-Do .................................................................................................. 6
Weapons.................................................................................................................................... 7
1. The Bo................................................................................................................................ 7
2. The Sai............................................................................................................................... 8
3. Kama (Sickle) ..................................................................................................................... 8
4. Tonfa (Side Handle Baton)................................................................................................. 9
The Karate Kata ....................................................................................................................... 10
Weapons Bunkai.................................................................................................................. 10
Kata Examples ..................................................................................................................... 10
Modern Day Weapons............................................................................................................. 13
Conclusion ............................................................................................................................... 14
References and Resources ...................................................................................................... 15
Introduction
When I was thinking about what subject to pick for this work I remembered
that there are katas where there are moves which simulate using a weapon,
for example, catching and striking with a bo in Jitte. I also thought about
various open days where I had been involved in chair and knife defence, and
where martial arts weapons such as the sai have been demonstrated.
What I could not escape was the fact that karate literally means empty hand,
a distinction introduced by the founder of modern karate Sensei Gichin
Funakoshi. This inquiry does not challenge that; it seeks to understand from a
personal standpoint how weapons fighting systems relate to karate as an
unarmed martial art.
I then read that our leading karate sensei Hirokazu Kanazawa is known to
have had a keen interest in Okinawan weapons methods (known as kobudo).
He states:
.I believe that people should train in both kobudo and karate.
Many weapons are part of the karate family. In the old days, people
studied bo, sai, nunchaku, jo, kama, tonfa and other weapons as part
of karate training. Now they are seen as separate, but it should not be
like this. I think that karate-ka should be familiar with many weapons. I
believe that this is part of karate. (Shotokan Karate Magazine, 1988)
My jaw dropped.
It dropped a little further when it also became clear that Sensei Funakoshi
also had an interest in weapons. This is evident from these images:
Weapons
1. The Bo
History: The bo derives from an everyday utility called a tenbin. This is a
wooden support which is held across the shoulders and used to suspend
items such as buckets of water, food or other packed items.
Form and Methods of Use: It is usually made of Oak and the standard length
of 6 feet gives it its Japanese name of rokushaku bo. The most common bo
type today is round with tapered ends. Its solid form and length made it
extremely effective against swordsmen. The bo can be used jabbing at either
end or striking in a swinging motion. It can also be used defensively parrying,
blocking or trapping.
2. The Sai
History: The sai while normally associated with the island Okinawa, is thought
to be of Chinese origin. It is believed to have evolved from a pitch fork for
carrying bales of hay. There are variations of this weapon that seem to have
been used much like a police truncheon. Indeed, it was used as such in the
17th Century Okinawa.
Form and Methods of Use: It is usually metal in construction. Its points are
dulled and can be used for prodding. It was used to stab, block, trap and
punch. Practitioners often carried a sai in each hand, and a "spare"' at the
belt. The weapon could also be thrown. The shorter side prongs made it
effective for catching and trappping long reach weapons such as the sword
and bo. The sai tends to be used in pairs which means that practitioners must
be effective in its use for both left and right hands.
3. Kama (Sickle)
History: The kama is a harvesting tool used for cutting and collecting grass
and rice. Being a bladed instrument it is not difficult to imagine this being a
quite deadly weapon.
Form and Methods of Use: Like the sai, the kama is most often used in pairs
cutting from side to side, from underneath, or from above. Its handle is most
often made of wood which makes it a much lighter weapon than a sai. In close
range fighting, the sickle could be used to trap an opponent's weapon, or for
striking. Techniques include circular movements which involve blocking and
countering.
Kata Examples
Below are some visual examples of moves and the kata they are most closely
related to.
1. The bo utilising one of the key moves in Meikyo
10
2. Here is a tonfa, kama and sai in some the characteristic moves of Sochin
11
3. The following picture shows the signature move of Kanku Sho with the sai
4. Here Heian Yondan and Kanku Dai moves also with tonfa
12
I look at this as thinking with a karate mind. By applying your self defence
knowledge imaginatively and creatively - who knows? It could get you out of a
tight spot one day or just keep you amused in thought as you pass the time.
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Conclusion
In a way I have set myself up to face the following criticism:
Why discuss weapons when karate is an unarmed martial art?
In true karate style I have defended my position with examples from masters
past and present; drawing parallels with karate and kobudo; and a discussion
of weapons bunkai with karate kata.
For me the circle is completed by the suggestion that karate-do and kobudo
(although distinct disciplines) can be seen as a defensive state of mind where,
by using your imagination, everyday items can become weapons whether
this is just your hands or feet or an item you might use in your daily life.
Gerry Ansell
Lee Valley Shotokan Karate Club
November 2012
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