Instruction Manual

Basic guide Mastering the E-410 Improving your shooting skills k Shooting guides Shooting functions Playback functions
Customizing the settings/functions of your camera Printing Using the OLYMPUS Master software Getting to know your camera better Information Interchangeable lenses Others
INSTRUCTION MANUAL
We recommend that you take test shots to get accustomed to your camera before taking important photographs. The screen and camera illustrations shown in this manual were produced during the development stages and may differ from the actual product. The contents in this manual are based on firmware version 1.0 for this camera. If there are addition and/or modification of functions due to firmware update for the camera, the contents will differ. For the latest information, please visit the Olympus website.
Structure of this manual
Basic camera operation
Basic guide
This section explains the preparations and settings for the camera, and basic camera operation from easy techniques for shooting to playback and erase functions.
Attaching the strap ........................................... 3 Adjusting the viewfinders diopter .....................7 Preparing the battery........................................ 3 Setting the date/time.........................................8 Attaching a lens to the camera......................... 5 Shooting .........................................................10 Loading the card .............................................. 6 Playback/Erasing ............................................12 Power on .......................................................... 7
Mastering the E-410
P. 13
Read chapter 1 to master the basic camera operation before proceeding to use the various functions available on this camera. Operating the camera g Mastering the E-410 (P. 17) Learn how to use the functions in the shooting guides g Improving your shooting skills k Shooting guides (P. 24) Proceed to the pages on the various functions. Locating the information you need g Shooting tips and information (P. 90), Menu directory (P. 102), Names of parts (P. 108), Index (P. 130) Indications used in this manual Important information on factors which may lead to a malfunction or operational problems. Also warns of operations that should be absolutely avoided.
TIPS
g
Useful information and hints that will help you get the most out of your camera. Reference pages describing details or related information.
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Basic guide
Attaching the strap
Thread the strap as indicated by the arrows (1, 2). Lastly, pull the strap tight making sure that it is fastened securely (3). Attach the other end of the strap to the other eyelet in the same way.
Basic guide
1 2 3
Preparing the battery
Charging the battery

Lithium ion battery (BLS-1)
Charging indicator Red light: Charging in progress Green light: Charging completed (Charging time: Approx. 210 minutes)
1
Lithium ion charger (BCS-1)
2
AC cable AC wall outlet
EN
Loading the battery

Direction indicating mark Battery compartment lock
Battery compartment cover
1
3
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Basic guide
Close the battery compartment cover until a click is heard.
Unloading the battery Press the battery lock to unlock and remove the battery.
Battery lock
It is recommended to set aside a backup battery for prolonged shooting in case the battery in use drains.
Attaching a lens to the camera
Remove the body cap from the camera and the rear cap from the lens
Basic guide
2 1
Rear cap
2 1
Body cap
Attaching a lens to the camera

Align the lens attachment mark (red) on the camera with the alignment mark (red) on the lens, then insert the lens into the cameras body (1). Rotate the lens in the direction indicated by the arrow until you hear it click (2). Do not press the lens release button.
Lens attachment mark (Red) Alignment mark (Red)
Remove the lens cap
2 1
Lens cap
Removing the lens from the camera While pressing the lens release button (1), rotate the lens in the direction as indicated by (2).
Lens release button
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Loading the card

Open the card cover and insert the card CompactFlash/Microdrive
Insert the cards contact area into the slot as far as it can go. Mark
xD-Picture Card
Insert the card until it is locked into place. Card cover
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Basic guide
Card access lamp
CF card slot
xD-Picture Card slot
Removing the card Never open the card cover while the card access lamp is blinking. CompactFlash/Microdrive
Press the eject button all the way in and let it pop out, then press it all the way in again to eject the card. Pull out the card.
xD-Picture Card
Press the inserted card lightly and it will be ejected. Pull out the card.
Eject button
Power on
Set the cameras power switch to ON. To turn off the power, set the power switch to OFF.
Basic guide
Set the mode dial to AUTO.
SSWF indicator
LCD monitor
INFO button
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When the camera is turned on, the control panel screen is displayed on the monitor. If the control panel screen does not appear, press the INFO button.
Control panel screen
Dust reduction function operation The dust reduction function is automatically activated when the camera is turned on. Ultrasonic vibrations are used to remove dust and dirt from the image pickup devices filter surface. The SSWF (Super Sonic Wave Filter) indicator blinks while dust reduction is working.
Adjusting the viewfinders diopter

Adjust the viewfinders diopter in accordance with your vision. While looking through the viewfinder, rotate the diopter adjustment dial little by little. When you can see the AF frame clearly, adjustment is complete.
Diopter adjustment dial
Viewfinder
AF frame
EN
Setting the date/time

Date and time information is recorded on the card together with the images. The file name is also included with the date and time information. Be sure to set the correct date and time before using the camera.
1
Basic guide
Press the MENU button

CUSTOM RESET SETTING
MENU
Use ac to select [Z], then press d
a d c
Use ac to select [X], then press d
a d c
Y/M/D
Use ac to select the year [Y], then press d
a d c
Y/M/D
Repeat this procedure until the date and time are completely set
The time is displayed in the 24-hour format.
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a d c
Y/M/D
Use ac to select the date format
a c
Y/M/D
Basic guide
Press the i button
Press the MENU button to exit
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Shooting
1
Basic guide
Holding the camera

Keep your fingers and the strap away from the lens and the flash.
Horizontal grip
Vertical grip
2 3
Place the AF frame on the subject while viewing through the viewfinder Adjust the focus
Press the shutter button gently (halfway).
AF confirmation mark Aperture value Shutter button Halfway down
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Shutter speed Card access lamp
The focus is locked when a beep tone is output. The AF confirmation mark and the AF focusing frame light up in the viewfinder. The shutter speed and aperture value that have been set automatically by the camera are displayed. The control panel screen is not displayed when the shutter button is pressed.
Release the shutter

Press the shutter button all the way (fully). All the way down The shutter sounds and the picture is taken. The card access lamp blinks and the camera starts recording the picture. Never remove the battery or card while the card access lamp mark is blinking. Doing so could destroy stored pictures and prevent storage of pictures you have just taken.
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Taking a picture while viewing the monitor

It is possible to use the LCD monitor as a viewfinder and check the subjects composition, or shoot while viewing an enlarged display on the LCD monitor. g Live view (P. 22)
Press the u (live view) button

The subject is displayed on the LCD monitor.
Basic guide
u button
Press the shutter button all the way down

The picture is taken with the focus adjusted.
When the camera stops operating

If no operations are performed for approximately 8 seconds while the camera is on, the monitor backlight turns off to save battery power. If no operations are performed for approximately one minute thereafter, the camera enters the sleep mode (stand-by) and stops operating. The camera activates again when you touch any button (the shutter button, arrow pad, etc.). g Backlight timer (P. 75), Sleep timer (P. 75)
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Playback/Erasing
Playing back images
Pressing the q (playback) button displays the last picture taken.
q button
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Basic guide
Displays the previous frame
Displays the next frame
Arrow pad
Close-up playback
Each time you rotate the control dial towards U, the image is enlarged in steps of 2 - 14.
Control dial
Erasing images
Playback the image you want to erase and press the S (erase) button. Use ac to select [YES] and press the i button to erase.
S button
Table of Contents
1 Mastering the E-410 ................................................................................17
Describes the cameras functions and how to operate them.
How to use the mode dial ......................................................................................................17 Easy shooting modes...........................................................................................17 Advanced shooting modes...................................................................................17 How to set the functions ........................................................................................................18 How to make function settings .............................................................................18 Setting functions using the control panel screen..................................................18 Setting functions using direct buttons ..................................................................19 Setting on the menu .............................................................................................20 Descriptions in this manual ..................................................................................21 Live view................................................................................................................................22 Switching the information display.........................................................................22 Enlarged display operation...................................................................................23 Ruled lines display ...............................................................................................23
Improving your shooting skills k Shooting guides..................................24
Describes the shooting methods suitable for individual situation.
Basic function guides.............................................................................................................24 Focus: Operating the shutter button.....................................................................24 Brightness: Exposure compensation....................................................................24 Color: White balance............................................................................................25 A guide to functions for different subjects..............................................................................25 Taking landscape pictures ...................................................................................25 Taking flower pictures ..........................................................................................26 Taking night scene pictures .................................................................................28
Shooting functions ...................................................................................29
Categorizes and describes the shooting functions according to the shooting modes; shooting functions; focusing; exposure, color and image.
Selecting the appropriate mode for shooting conditions

Scene mode ..........................................................................................................................29 P: Program shooting .............................................................................................................30 A: Aperture priority shooting .................................................................................................31 S: Shutter priority shooting....................................................................................................32 M: Manual shooting...............................................................................................................33 Preview function ....................................................................................................................34
Various shooting functions
If correct focus cannot be obtained (Focus lock)...................................................................35 AE bracketing ........................................................................................................................35 Flash shooting .......................................................................................................................37 Flash mode ..........................................................................................................37 Manual flash.........................................................................................................38 Setting the flash mode .........................................................................................39 Using the built-in flash..........................................................................................40 Flash intensity control ..........................................................................................40 External electronic flashes (optional) ...................................................................41 Using the external electronic flash .......................................................................41 EN 13
Super FP flash ..................................................................................................... 42 Using commercially available flashes .................................................................. 42 Non-specified commercial flashes ....................................................................... 42 Sequential shooting/Self-timer/Remote control ..................................................................... 43 Setting the functions ............................................................................................ 43 Sequential shooting ............................................................................................. 43 Using the self-timer .............................................................................................. 43 Using the remote control...................................................................................... 44 Panorama shooting ............................................................................................................... 46
Focusing functions
AF frame selection ................................................................................................................ 47 Focus mode........................................................................................................................... 47 Simultaneous use of S-AF mode and MF mode (S-AF+MF) ............................... 49 Simultaneous use of C-AF mode and MF mode (C-AF+MF)............................... 49 AF illuminator ........................................................................................................................ 49
Exposure, image and color
Selecting the record mode .................................................................................................... 50 Types of record modes ........................................................................................ 50 RAW data............................................................................................................. 50 How to select the record mode ............................................................................ 51 SQ k Setting the number of pixels and compression rate.................................. 51 Metering mode k Changing the metering system................................................................ 52 Exposure compensation k Varying the image brightness ................................................... 53 AE lock k Locking the exposure .......................................................................................... 54 ISO k Setting the desired sensitivity to light ........................................................................ 54 White balance k Adjusting the color tone ............................................................................ 54 Setting the auto/preset/custom white balance ..................................................... 55 WB Compensation ............................................................................................... 56 Setting the one-touch white balance.................................................................... 57 Picture mode ......................................................................................................................... 58 Gradation............................................................................................................................... 59 Noise reduction ..................................................................................................................... 59 Noise filter k Setting the noise filter level............................................................................. 60 Color space ........................................................................................................................... 60 Anti-shock.............................................................................................................................. 60
Playback functions...................................................................................61
Describes the functions used when playing back images that have been taken.
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Single-frame/Close-up playback ........................................................................................... 61 Index display/Calendar display.............................................................................................. 62 Information display ................................................................................................................ 63 Slideshow .............................................................................................................................. 64 Rotating images .................................................................................................................... 64 Playback on TV ..................................................................................................................... 65 Editing still images................................................................................................................. 65 Copying images..................................................................................................................... 66 Copying all the frames ......................................................................................... 66 Copying selected frames ..................................................................................... 67 Single-frame copy ................................................................................................ 67 Protecting images k Preventing accidental erasure ............................................................ 67 Single-frame protect............................................................................................. 67 Protecting selected frames .................................................................................. 67 Canceling all protections...................................................................................... 68 Erasing images...................................................................................................................... 68
Single-frame erase...............................................................................................68 All-frame erase.....................................................................................................69 Erasing selected frames.......................................................................................69
Customizing the settings/functions of your camera .................................70
Describes the other different types of functions. The settings or functions can be changed to suit the environment in which the camera is used.
Custom reset setting..............................................................................................................70 AEL/AFL mode ......................................................................................................................72 Other function settings...........................................................................................................72 AEL/AFL memo....................................................................................................72 AEL metering .......................................................................................................73 Compensating all WB...........................................................................................73 Auto pop up..........................................................................................................73 7 FUNCTION......................................................................................................73 Live view boost ....................................................................................................74 File name .............................................................................................................74 Rec view k Checking the picture immediately after shooting.............................75 Setting the beep sound ........................................................................................75 Monitor brightness adjustment .............................................................................75 Sleep timer ...........................................................................................................75 Backlight timer......................................................................................................75 USB mode............................................................................................................76 Changing the display language............................................................................76 Selecting the video signal type before TV connection .........................................76 HI (Underwater mode) ..................................................................................77 Firmware ..............................................................................................................77
Printing ....................................................................................................78
Describes how to print images that have been taken.
Print reservation (DPOF) .......................................................................................................78 Print reservation ...................................................................................................78 Single-frame reservation ......................................................................................78 All-frame reservation ............................................................................................79 Resetting the print reservation data .....................................................................79 Direct printing (PictBridge).....................................................................................................80 Connecting the camera to a printer......................................................................81 Easy printing ........................................................................................................81 Custom printing ....................................................................................................82
Using the OLYMPUS Master software ....................................................84
Describes how to transfer and store the cameras images to your computer.
Flowchart ...............................................................................................................................84 Using the provided OLYMPUS Master software ...................................................................84 What is OLYMPUS Master?.................................................................................84 Connecting the camera to a computer ..................................................................................85 Start up the OLYMPUS Master software...............................................................................86 Displaying camera images on a computer ............................................................................86 Downloading and saving images .........................................................................86 Disconnecting the camera from your computer ...................................................87 Viewing still images ...............................................................................................................88
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To increase the number of languages ................................................................................... 88 Transferring images to your computer without using OLYMPUS Master .............................. 89
Getting to know your camera better ........................................................90
Reference for help or when you wish to know more about the camera.
Shooting tips and information ................................................................................................ 90 Tips before you start taking pictures .................................................................... 90 Shooting tips ........................................................................................................ 90 Additional shooting tips and information .............................................................. 93 Playback tips........................................................................................................ 95 Viewing pictures on a computer........................................................................... 95 When error messages are displayed..................................................................................... 96 Camera maintenance ............................................................................................................ 98 Cleaning and storing the camera ......................................................................... 98 Cleaning mode k Removing dust....................................................................... 99 Pixel mapping k Checking the image processing functions............................... 99
Information.............................................................................................100
Describes how to handle the cards and rechargeable battery, and contains a directory of the cameras functions and displays.
Card basics ......................................................................................................................... 100 Usable cards ...................................................................................................... 100 Formatting the card............................................................................................ 100 Battery and charger ............................................................................................................. 101 Using your charger abroad ................................................................................ 101 Menu directory..................................................................................................................... 102 Functions that can be set by shooting mode ....................................................................... 105 List of record modes ............................................................................................................ 107 Names of parts .................................................................................................................... 108 Camera .............................................................................................................. 108 Viewfinder indications ........................................................................................ 110 Control panel screen.......................................................................................... 111 LCD monitor indications (during live view)......................................................... 113 LCD monitor indications (during playback) ........................................................ 114 Glossary .............................................................................................................................. 115 Specifications ...................................................................................................................... 118
10 Interchangeable lenses .........................................................................121

Describes how to handle interchangeable lenses.
Lens..................................................................................................................................... 121 ZUIKO DIGITAL interchangeable lens ................................................................................ 121
11 Others....................................................................................................124
Describes precautions regarding the use of the camera and accessories.
SAFETY PRECAUTIONS ................................................................................................... 124 Index.................................................................................................................................... 130
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1 Mastering the E-410

How to use the mode dial
The mode dial allows you to change the camera settings easily according to the subject.
1
Mastering the E-410
Easy shooting modes

Select according to the shooting scene. The camera sets the appropriate shooting conditions automatically. When rotating the mode dial or turning off the power in the easy shooting modes, functions with changes made to their settings are restored to the factory default settings. AUTO i l & j / g AUTO PORTRAIT LANDSCAPE MACRO SPORT Allows you to shoot using an optimum aperture and shutter speed that the camera sets. The built-in flash pops up automatically in low-light conditions. Suitable for shooting a portrait-style image of a person. Suitable for shooting landscapes and other outdoor scenes. Suitable for taking close-up pictures (macro shooting). Suitable for capturing fast-moving action without blurring.
NIGHT+PORTRAIT Suitable for shooting both the main subject and background at night. Scene mode 20 different scene modes are available to suit a wide range of shooting situations. (gP. 29)
Advanced shooting modes

For more advanced shooting and greater creative control, you can set the aperture value and shutter speed. The settings made in the advanced shooting modes are retained even if the camera is turned off. P A S M Program shooting Aperture priority shooting Shutter priority shooting Manual shooting Allows you to shoot using an aperture and shutter speed that the camera sets. (gP. 30) Allows you to set the aperture manually. The camera sets the shutter speed automatically. (gP. 31) Allows you to set the shutter speed manually. The camera sets the aperture automatically. (gP. 32) Allows you to set the aperture and shutter speed manually. (gP. 33)
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How to set the functions

How to make function settings
There are three basic ways to make function settings with this camera.
Setting while looking at the control panel screen (See below) Setting using direct buttons (gP. 19) Setting on the menu (gP. 20)
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Mastering the E-410
Setting functions using the control panel screen

Select an item on the control panel screen and change the setting.
Control dial
When the power switch is set to ON, the control panel screen (shooting information and setting screen) is displayed on the LCD monitor.
The display changes each time the INFO button is pressed. You can also display the control panel screen and change the setting when using live view.
Control panel screen Power switch INFO button i button p Arrow pad
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Basic
Detailed
Display OFF
Press the i button.

The cursor (function being selected) on the control panel screen lights. e.g.) When setting Sequential/Self-timer/Remote control shooting
Cursor
Direct menu
3 4
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Use p to move the cursor to the function you want to set. Turn the control dial to change the setting.
Pressing the i button while the item is being selected displays the direct menu for that function. Turn the control dial to change the setting. If you press the i button or you do not operate the control dial within a few seconds, your setting will be confirmed and the control panel screen will be restored.
Functions on the control panel screen The functions that can be set on the basic display and detailed display vary.
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1 2 3 4 5
Basic
10 9 8
1 2 9
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Mastering the E-410
5 3,6,7,8 Detailed
No. 1 2 3 4 5 6 7 8 9 10 ISO WB
Items
Basic k k
Detailed
Ref. page P. 54 P. 55 P. 56 P. 52 P. 100 P. 50 P. 47 P. 47 P. 43 P. 39 P. 40 P. 58 P. 60 P. 58 P. 58 P. 58 P. 59
White balance compensation Metering mode Card Record mode AF frame Focus mode Sequential shooting/Self-timer/ Remote control Flash mode Flash intensity control Picture mode Color space Sharpness Contrast Saturation Gradation
11
: Can be set k: Cannot be set
Setting functions using direct buttons

This camera is equipped with direct buttons where functions have been assigned and can be set quickly.
Press the button for the function you want to set.

The direct menu is displayed. e.g.) Setting Sequential/Self-timer/ Remote control shooting
1 2 3 Direct menu EN 4 Control dial
19
Turn the control dial to change the setting.

Press the i button to confirm your setting. Or if you do not operate the control dial within a few seconds, your setting will be confirmed and the control panel screen will be restored.
List of direct buttons The functions assigned to buttons are as shown below.
No. Direct buttons </Y/j F u # Remote control/Self-timer/ Sequential shooting button Exposure compensation button Live view button Flash button Function Remote control/Self-timer/ Sequential shooting Exposure compensation Turns live view on or off Pops up the flash and sets flash mode Ref. page P. 43 P. 53 P. 22 P. 39
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Mastering the E-410
1 2 3 4
Setting on the menu
Press the MENU button.

The menu is displayed on the LCD monitor.
MENU button
p Arrow pad
i button
Operation guide is displayed at the bottom of the screen. CANCEL a : Press MENU to cancel the setting. SELECT / : Press dac to select the item. The illustration displayed corresponds to the arrow pad shown below. :a :c :d :b GO f : Press i to confirm your settings.
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Use p to set a function.

NOISE FILTER
STANDARD
NOISE REDUCT.
Tab
The current setting is displayed
Function
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Mastering the E-410
Moves to the functions under the tab you have selected.
Select a function and go to the setting screen.
Types of tabs W Sets shooting functions. X Sets shooting functions. q Sets playback functions. Y Customizes shooting functions. Z Sets functions that allow you to use the camera efficiently.
Press i repeatedly until the menu disappears.

The normal shooting screen is restored. For the menu lists, see Menu directory (g P. 102).
Descriptions in this manual

The operating instructions of the control panel screen, direct buttons and menu are described as follows in this manual.
NOISE FILTER
STANDARD
NOISE REDUCT.
Control panel setting screen
Direct buttons setting screen
Menu setting screen
Control panel screen e.g.: When setting Remote control/Self-timer/Sequential shooting ip: j/</Yi Direct buttons e.g.: When setting Remote control/Self-timer/Sequential shooting </Y/j Control dial Menu e.g.: When setting white balance MENU[W][WB]
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Live view
It is possible to use the LCD monitor as a viewfinder and check the subjects composition, or shoot while viewing an enlarged display on the LCD monitor.
Press the u button.

The subject is displayed on the LCD monitor.
Control dial AFL button
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Mastering the E-410
INFO button
u button
Press the shutter button all the way down to focus and shoot.
To focus in advance, hold down the AFL button and press the shutter button. The focus is locked when the AFL button is pressed. The image display on the monitor freezes as the mirror goes down during focusing. The picture you just took is briefly displayed on the monitor so you can check the picture.
To focus using MF
Set [AF MODE] to [MF].

g Focus mode (P. 47) Turn the focus ring and focus on the subject. For MF shooting method, refer to Focus mode (P. 47). You can also press the AFL button to activate auto focus.
Switching the information display

You can press the INFO button to switch the information displayed on the monitor.
Information display ON Information display ON + Ruled lines display *1 Information display ON + Histogram
Information display OFF

*1 *2
Enlarged display *2
Displayed when [FRAME ASSIST] is set. For operation in the enlarged display, refer to Enlarged display operation on the next page.
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Enlarged display operation

It is possible to enlarge the subject 7 or 10 times for display. Enlarging the image during MF makes focus confirmation and adjustment easier.
Use p to move the frame and press the i button.

Area inside the frame is enlarged and displayed. Press and hold the i button to return the shifted enlargement frame to the center.
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Mastering the E-410
Turn the control dial to change the magnification (7/10).

Pressing i cancels enlarged display operation.
x Notes
If there is a high-intensity light source within the screen, the image may be displayed darker but will be recorded normally. If the live view function is used over a long period, the temperature of the image pickup device rises causing images with high ISO sensitivity to appear noisy and unevenly colored. Either lower the ISO sensitivity or turn off the camera for some time. Replacing the lens will cause live view to stop. The following functions are not available during live view. C-AF/AE lock/[AEL/AFL]
Ruled lines display

You can display the ruled lines on the LCD monitor as a guide when confirming the composition. MENU[Y][FRAME ASSIST] [OFF]/[GOLDEN SECTION]/[GRID]/[SCALE]
TIPS
Brightening the monitor to get a clear view of the subject:
Refer to Live view boost (P. 74)
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2 Improving your shooting skills k Shooting guides

Basic function guides
Take pictures frequently to familiarize yourself with the camera. You can start off by taking pictures of your surrounding subjects like children, flowers or pets. And from the poor quality pictures you have taken, try to figure out what went wrong. The problems can often be resolved just by being more observant during shooting.
Focus: Operating the shutter button
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Improving your shooting skills k Shooting guides
Out of focus seems to be the common cause when pictures taken do not turn out well. In many cases, instead of the intended focus on the subject, the back or front of the subject or other objects are focused. The shutter button can be half-pressed and full pressed. Once you are able to operate the half-press and full press effectively, you can even focus accurately on moving subjects. g Shooting (P. 10), If correct focus cannot be obtained (Focus lock) (P. 35) However, even if the subject is in focus, the picture can become blurred if the camera moves while the shutter button is being pressed. Make sure to hold the camera properly so that it does not shake. The camera is particularly subject to shaking when using live view to take pictures while viewing the subject on the monitor. In addition, it may be necessary to use a tripod to prevent camera shake even when you feel there is sufficient lighting. g Holding the camera (P. 10) Besides out of focus and camera shake problems, the motion of the subject will also cause the picture to blur. Ability to shoot at a shutter speed that matches the motion of the subject is essential. You can confirm the shutter speed and aperture on the displays of the viewfinder and monitor when taking pictures by pressing the shutter button halfway. Check out these displays during your shooting practices. g How to use the mode dial (P. 17), Preview function (P. 34), Live view (P. 22)
Halfway down: All the way down:
Brightness: Exposure compensation

The camera automatically determines the aperture value and shutter speed according to the brightness level. This is known as auto exposure. However, auto exposure alone may not result in pictures of your expectations. At times like this, you can adjust the exposure through increasing or decreasing the exposure value set by the cameras auto exposure during shooting. Increase the exposure when you want the dazzling sensation of the summer beach or the whiteness of the snow to stand out. And decrease the exposure when the area to be shot is smaller and brighter compared to its surrounding area. If you are unsure how much exposure compensation is required, it is better to take the picture with various settings. 24 EN g Exposure compensation k Varying the image brightness (P. 53)
Color: White balance

There are other sources of lighting like tungsten light and fluorescent light, besides the sunlight, illuminating the subject. Unlike the sunlight, these lights contain particular colors. Hence, the same white object shot under different lighting conditions turns out in different colors. Even for sunlight, the outcome differs depending on the sky conditions, shadow of trees or buildings etc. White balance automatically corrects the effects from these lighting and enables shooting with the right colors. Though the right colors can be obtained when the white balance is set to [AUTO], depending on the shooting situations, it may not be possible to get the intended colors. In such cases, change to an appropriate setting. g White balance k Adjusting the color tone (P. 54)
Fluorescent light Tungsten light Shade of tree
2
A guide to functions for different subjects

This section describes the functions suitable under different shooting conditions depending on the subject.
Taking landscape pictures

Outdoor scenes such as flower scenery and night scenery are landscape pictures. There are different things to take note of when taking different landscape pictures. This section describes taking outdoor scenery pictures such as forests and lakes in daylight. Changing shooting mode Outdoor scenery includes both motion and still sceneries. The shooting method changes accordingly in order to capture a realistic movement of the subject.
To take a picture that focuses on a certain point among a wider range of the image such as bringing out the depth of a forest, use A (Aperture priority shooting) mode and close the aperture (increase the aperture value) as much as possible. To capture the instant where waves smash against the seashore, use S (Shutter priority shooting) mode and select a fast shutter speed. To shoot a flowing waterfall or river, set a slow shutter speed to capture a scene different from the actual scene.
Exposure compensation can be used even under different shooting modes. Check the image that you have shot and use + or - to compensate.
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Using white balance The color of water is different depending on whether it is a lake surrounded by forests or a tropical sea. To capture the subtle difference in color, try changing the white balance setting. It may be difficult to use auto settings to capture the subtle colors of a lake reflecting the leafy green of the trees or a sea surrounded by corals. Try changing the settings for different situations such as 5300K for sunny days and 7500K for an outdoor shaded area during sunny days.
2
Changing metering mode Depending on the depth and the direction of the sun, the brightness of the sea differs significantly even in the same composition. There is also a difference in the brightness of forests depending on the way the trees overlap each other. If you know which are the areas to emphasize the compensation in the image composition, you can change the metering mode. The metering mode is set in ESP as long as the camera settings remain unchanged. The camera automatically assesses the brightness in the composition and the ESP determines the exposure. To emphasize on specific partial exposure in the composition, change to center weighted metering or spot metering, adjust the AF frame to the locations that you wish to adjust the exposure and measure the exposure. Changing saturation There may be times when you could not reproduce the same color as what you have seen even when you have used white balance or exposure compensation. You can set the saturation to achieve the color that you want. You can select high or low setting for saturation. When the setting is high, a vivid color will be used. However, as the image will be recorded with this setting during shooting, it is recommended to avoid over-setting. g A: Aperture priority shooting (P. 31), S: Shutter priority shooting (P. 32), Metering mode k Changing the metering system (P. 52), Exposure compensation k Varying the image brightness (P. 53), White balance k Adjusting the color tone (P. 54), [SATURATION] : Vividness of the color (P. 58)
Taking flower pictures

Flower scenery ranges from a bunch of flowers in the wild to a field of flowers. The way of shooting differs depending on how you wish to capture the image. Using white balance There are many colors of flowers ranging from light to vivid ones. Depending on the colors, subtle color shades may not be captured as seen. When beautiful color shades are not reproduced, check the light condition and change the white balance setting. The default setting of white balance is auto as long as the camera settings are not changed. Auto setting is fine but changing the settings for different situations such as 5300K for sunny days and 7500K for an outdoor shaded area during sunny days will bring out subtle color shades more effectively.
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Using exposure compensation When shooting a picture with background, select a background that will bring out the shape and color of the flower. A simple background will enhance the subject. When shooting bright and whitish flowers, adjust the exposure compensation toward (minus) so that the flower stands out from the dark background.
Changing shooting mode The method to capture a subject changes according to the type of subject you wish to emphasize, be it a field or a bunch of flowers. To change the focus area, set to A (aperture priority shooting) mode and select the aperture value.
When you open the aperture (decrease the aperture value), the camera will focus within a shorter range (shallow depth of field), producing an emphasized subject with a blurred background. When you close the aperture (increase the aperture value), the camera will focus over a wider range (more depth of field), producing a picture with clear focus.
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You can use the preview function to confirm the changes in the depth of field when the aperture is changed. Using live view When using a conventional single-lens reflex camera with interchangeable lens system, if you want to take pictures with different exposure compensation and white balance settings, you have to view the pictures later to check the results. With the live view function of this camera, you can use the monitor to display and check the subject you want to capture when taking the picture. Changing lenses When the blooming flowers are few and sparse, attach a telephoto lens to take the picture. A picture taken with a telephoto lens will appear as though the flowers are blooming thickly and the distance seen is closer. Using telescopic feature of the zoom lens also achieves the same effect but it is easier to achieve the effect when the focus distance is longer such as 150 mm or 200 mm, rather than 54 mm. g A: Aperture priority shooting (P. 31), Live view (P. 22), Preview function (P. 34), Exposure compensation k Varying the image brightness (P. 53), White balance k Adjusting the color tone (P. 54)
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Taking night scene pictures

There are different types of night scenes, ranging from the afterglow of a sunset to city lights at night. Sunset and fireworks sceneries are also a type of night scene. Using a tripod A tripod is a must when shooting night scenes as the shutter speed is slow due to the darkness. Even when a tripod is not available, you should also place the camera on a stable ground such that it does not shake. Even when the camera is secured, you may also move the camera when pressing the shutter button. Hence, use the remote control or self timer to activate the shutter as far as possible. Changing shooting mode When taking night scenes, the balance of the brightness in the composition is not uniform due to the intensity of brightness. As there are many dark areas, using P (program shooting) mode will take a whitish picture that is overexposed. First of all, use A (aperture priority shooting) mode to take the picture. Set the aperture to the medium setting (about F8 or F11) and leave the shutter speed to the camera. As it is common for the picture to turn out too bright, adjust the exposure compensation to -1 or -1.5. Check the aperture and exposure compensation in the [REC VIEW] image and change it if necessary. Noise may occur easily when shooting at slow shutter speeds. Set [NOISE REDUCT.] to [ON] to reduce the occurrence of noise. Using manual focus For cases when the subject is dark and you cannot focus using AF (auto focus) or when you cannot focus in time for pictures such as fireworks, set the focus mode to MF (manual focus) and focus manually. For night scenes, turn the focus ring of the lens and check whether you can see the street lights clearly. For fireworks, as long as the long focus lens is not used, it is okay to adjust to infinite. If you know the approximate distance, you can also focus on something that is found at the same distance in advance. g P: Program shooting (P. 30), A: Aperture priority shooting (P. 31), Sequential shooting/Self-timer/Remote control (P. 43), Focus mode (P. 47), Noise reduction (P. 59), Rec view k Checking the picture immediately after shooting (P. 75)
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3 Shooting functions
Scene mode
When you select a mode to suit the shooting situation, the camera optimizes the settings for the shooting conditions. Unlike the mode dials scene mode, most functions cannot be changed.
Selecting the appropria
1 2 3
Set the mode dial to g.

The scene menu is displayed.
1 PORTRAIT For taking a portrait-style shot.
Use ac to select the scene mode.

The sample image followed by a description of the selected mode is displayed.
Press the i button.

The camera enters the shooting stand-by mode. To change the setting, press the i button again. The scene menu is displayed.
3
Shooting functions k Selecting the appropriate mode for shooting conditions
Types of scene modes

Icon I L K G U G J H I q 1 2 3 4 5 6 7 8 9 10 PORTRAIT LANDSCAPE LANDSCAPE+PORTRAIT NIGHT SCENE NIGHT+PORTRAIT CHILDREN SPORT HIGH KEY LOW KEY DIS MODE Mode Icon J r & * ( @ s g I H 11 12 13 14 15 16 17 18 19 20 MACRO NATURE MACRO CANDLE SUNSET FIREWORKS DOCUMENTS PANORAMA BEACH & SNOW UNDER WATER WIDE UNDER WATER MACRO Mode
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P: Program shooting
The camera sets the optimum aperture value and shutter speed automatically according to the subject brightness. Set the mode dial to P.
When the shutter button is half-pressed, the shutter speed and aperture value are displayed on the viewfinder. Releasing the shutter button displays the shutter speed and aperture value on the control panel screen.
Aperture value
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Shutter speed
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AF confirmation mark
Viewfinder Control panel screen display Exposure mode
Aperture values and shutter speeds in the P mode In the P mode, the camera is programmed such that the aperture value and shutter speed are automatically selected according to the subjects brightness as shown below. The program line diagram varies with the type of lens mounted.
When using the 14 - 42 mm f3.5 - 5.6 zoom lens (focal length: 14 mm)
Program shift
Program shift (%) By turning the control dial in the P mode, you can change the combination of aperture and shutter speed as illustrated above while maintaining the optimum exposure. The program shift setting will not be canceled after shooting. To cancel program shift setting, turn the control dial so that the viewfinders or control panel screens exposure mode indication % changes to P or turn off the power. Program shift is not available when you are using a flash.
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A: Aperture priority shooting

The camera sets the optimum shutter speed automatically for the aperture value you have selected. When you open the aperture (decrease the aperture value), the camera will focus within a shorter range (shallow depth of field) and produce a picture with a blurred background. When you close the aperture (increase the aperture value), the camera will focus within a longer range. Use this mode when you wish to add changes to the background representation. Before shooting, you can use the preview function to check how the background will look in your picture. g Preview function (P. 34)
When the aperture value (f-number) is decreased When the aperture value (f-number) is increased
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Set the mode dial to A and turn the control dial to set the aperture value.
Open the aperture (f-number is decreased)
Close the aperture (f-number is increased)
Display in the viewfinder when the shutter button is pressed halfway

Shutter speed
Aperture value
Overexposed when the shutter speed indication is blinking. Increase the aperture value (f-number). Underexposed when the shutter speed indication is blinking. Decrease the aperture value (f-number).
AF confirmation mark Exposure mode Viewfinder
TIPS
The shutter speed indication does not stop blinking after the aperture value is changed:
If the shutter speed indication is blinking when set to a high speed, set the ISO sensitivity to a lower value or use a commercially available ND filter (for adjusting the amount of light). g ISO k Setting the desired sensitivity to light (P. 54) If the shutter speed indication is blinking when set to a lower speed, set the ISO sensitivity to a higher value. g ISO k Setting the desired sensitivity to light (P. 54)
To check the depth of field with the selected aperture value:

Refer to Preview function (P. 34).
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S: Shutter priority shooting

The camera sets the optimum aperture value automatically for the shutter speed you have selected. Set the shutter speed depending on the type of effect you want. A higher speed shutter allows you to capture a fast-moving subject without blur, and a slower shutter speed blurs a moving subject, creating a feeling of speed or motion.
A fast shutter speed can freeze a fast action scene without any blur. A slow shutter speed will blur a fast action scene. This blurring will give the impression of dynamic motion.
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Set the mode dial to S and turn the control dial to set the shutter speed.
Slower shutter speed
Faster shutter speed
Display in the viewfinder when the shutter button is pressed halfway

Shutter speed
Aperture value
AF confirmation mark Exposure mode Viewfinder
If the aperture value indication at the minimum value is blinking*, the correct exposure has not been attained (underexposed). Lower the shutter speed. If the aperture value indication at the maximum value is blinking*, the correct exposure has not been attained (overexposed). Raise the shutter speed.
* The aperture value at the moment when its indication blinks varies with the lens type and focal length of the lens.
TIPS
The picture looks blurred:
The possibility of camera shake spoiling your picture increases greatly during macro or ultratelephoto shooting. Raise the shutter speed or use a monopod or tripod to stabilize the camera.
The aperture value indication does not stop blinking after the shutter speed is changed:
If the aperture value indication at the maximum value is blinking, set the ISO sensitivity to a lower value or use a commercially available ND filter (for adjusting the amount of light). g ISO k Setting the desired sensitivity to light (P. 54) If the aperture value indication at the minimum value is blinking, set the ISO sensitivity to a higher 32 EN value. g ISO k Setting the desired sensitivity to light (P. 54)
M: Manual shooting
Allows you to set the aperture and shutter speed manually. You can check how much it differs from the appropriate exposure by using the exposure level indicator. This mode gives you more creative control, allowing you to make whatever settings you like, regardless of the correct exposure. Bulb shooting is also possible, allowing you to take astronomical or fireworks pictures. g Bulb shooting (P. 34) Set the mode dial to M and turn the control dial to set the value.
To set the shutter speed: Turn the control dial. To set the aperture value:Turn the control dial while holding down the F (exposure compensation) button. The range of aperture values available varies with the lens type. The shutter speed can be set to 1/4000 - 60" (sec.) or [BULB]. The aperture value and shutter speed change in 1/3 EV increments as the dial is turned.
F button Open the aperture (f-number is decreased) Slower shutter speed
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Close the aperture (f-number is increased)
Faster shutter speed
The exposure level indicator appears on the control panel screen, showing the difference (ranging from -3 EV to +3 EV) between the exposure value calculated by the currently selected aperture and shutter speed compared to the exposure value considered optimum by the camera.
Underexposure
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Overexposure Optimum exposure Exposure level indicator
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Noise in images
During shooting at slow shutter speeds, noise may appear on-screen. These phenomena are caused when current is generated in those sections of the image pickup device that are not normally exposed to light, resulting in a rise in temperature in the image pickup device or image pickup device drive circuit. This can also occur when shooting with a high ISO setting in an environment exposed to heat. To reduce this noise, the camera activates the noise reduction function. g Noise reduction (P. 59)
Bulb shooting
You can take a picture with a bulb exposure time in which the shutter stays open as long as you hold down the shutter button. Set the shutter speed to [BULB] in the M mode. Bulb shooting can also be done using an optional remote control (RM-1). g Bulb shooting on the remote control (P. 45)
TIPS
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The picture looks blurred:

The use of a monopod or tripod is recommended when taking a picture at slow shutter speed.
Preview function
The viewfinder shows the focused area (depth of field) with the selected aperture value. For the preview function to work by pressing the b button, it is necessary to set the function of the b button on the menu beforehand. g 7 FUNCTION (P. 73)
Press the b button to use the preview function.

When [7 FUNCTION] is assigned to [LIVE PREVIEW], pressing the b button automatically switches the camera to live view for a preview of the picture on the monitor.
b button
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Various shooting function
If correct focus cannot be obtained (Focus lock)

The cameras auto focus may not be able to focus on the subject in situations such as when the subject is not in the center of the frame. If this happens, the easiest solution is to use focus lock.
Adjust the AF frame with the subject to be focused and press the shutter button halfway until the AF confirmation mark lights up.
The focus is locked. The AF confirmation mark and the AF focusing frame light up in the viewfinder. If the AF confirmation mark blinks, press the shutter button halfway again. The control panel screen disappears.
Shutter button
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Shooting functions k Various shooting functions
Card access lamp AF frame
AF confirmation mark
While pressing the shutter button halfway, move to the desired composition and press the button all the way.
The card access lamp blinks while the picture is being stored on the card.
If the subject has lower contrast than its surroundings If the contrast of the subject is weak, such as when the lighting is insufficient or the subject cannot be seen clearly because of fog, the focus may not be achieved. Focus (focus lock) on a high-contrast object the same distance away as the intended subject, recompose your shot and then take the picture.
AE bracketing
The camera automatically shoots a number of pictures at different exposure values for each frame. Even in conditions where correct exposure is difficult to obtain (such as a backlit subject or a scene at dusk), you can pick the picture you prefer from a selected number of frames with a variety of different exposure settings (exposure and compensation values). The pictures are taken in the following order: Picture with optimum exposure, picture adjusted in direction, and picture adjusted in + direction.
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e.g.) When BKT is set to [3F 1.0EV]
-1.0EV
Compensation value: 0.3, 0.7 or 1.0 Number of frames: 3
+1.0EV
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Menu
MENU[X][AE BKT] [OFF]/[3F 0.3EV]/[3F 0.7EV]/[3F 1.0EV]
Start shooting.
The shooting method varies depending on the setting of single-frame or sequential shooting. g Sequential shooting (P. 43)
CANCEL
SELECT
GO
Single-frame shooting
Each time the shutter button is pressed fully, a picture is taken at a different exposure. The setting for the next shot is displayed in the viewfinder.
Exposure compensation value of the next shooting frame Viewfinder
Sequential shooting
Hold down the shutter button until the selected number of frames are taken. The camera shoots each frame at a different exposure. Releasing the shutter button stops auto bracketing shooting. When it stops, [BKT] on the control panel is displayed in blue.
How AE bracketing compensates exposure in each exposure mode Depending on the selected exposure mode, exposure is compensated in the following way: P mode A mode S mode M mode : : : : Aperture value and shutter speed Shutter speed Aperture value Shutter speed
TIPS
To apply AE bracketing to the exposure value you have compensated:
Compensate the exposure value, then use the AE bracketing feature. AE bracketing is applied to the exposure value you have compensated.
x Notes
During sequential shooting, if the battery check blinks due to low battery, the camera stops shooting and starts saving the pictures you have taken on the card. The camera may not save all of the pictures depending on how much battery power remains.
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Flash shooting
Flash mode
The camera sets the flash mode according to various factors such as firing pattern and flash timing. Available flash modes depend on the exposure mode. The flash modes are available to optional external flashes. Auto flash AUTO The flash fires automatically in low light or backlight conditions. To shoot a subject with backlighting, position the AF frame over the subject. Red-eye reduction flash ! In the red-eye reduction flash mode, a series of pre-flashes are emitted just before the regular flash fires. This helps accustom the subjects eyes to the bright light and minimizes the redeye phenomenon.
The subjects eyes appear red
3
x Notes
After the pre-flashes, it takes about 1 second before the shutter is released. Hold the camera firmly to avoid camera movement. Effectiveness may be limited if the subject is not looking directly at pre-flashes, or if the shooting range is too far. Individual physical characteristics may also limit effectiveness.
Slow synchronization (1st curtain) #SLOW The slow synchronization flash is designed for slow shutter speeds. Normally, when shooting with a flash, shutter speeds cannot go below a certain level to prevent camera movement. But when shooting a subject against a night scene, fast shutter speeds can make the background too dark. Slow synchronization allows you to capture both the background and the subject. Since the shutter speed is slow, be sure to stabilize the camera by using a tripod so as not to cause the picture to be blurred.
1st curtain Usually, the flash fires right after the shutter fully opens. This is called 1st curtain. Unless you change it, this is how the flash always fires. Slow synchronization (2nd curtain) #SLOW2 2nd curtain flash fires just before the shutter closes. Changing the flash timing can create interesting effects in your picture, such as expressing the movement of a car by showing the tail-lights streaming backwards. The slower the shutter speed, the better the effects turn out. The slowest possible shutter speed depends on the shooting mode.
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When the shutter speed is set to 2 sec.
2 seconds 2 seconds 1st curtain flash fires 2nd curtain flash fires Shutter closes Shutter fully opens
2nd curtain
1st curtain
Slow synchronization (1st curtain)/Red-eye reduction flash !SLOW
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While using slow synchronization with flash shooting, you can also use this function to achieve red-eye reduction. When shooting a subject against a night scene, this function allows you to reduce the red-eye phenomenon. As the time from emitting pre-flashes to shooting is long in 2nd curtain synchronization, it is difficult to achieve red-eye reduction. Hence, only 1st curtain synchronization setting is available. Fill-in flash # The flash fires regardless of the light conditions. This mode is useful for eliminating shadows on the subjects face (such as shadows from tree leaves), in a backlight situation, or for correcting the color shift produced by artificial lighting (especially fluorescent light). x Notes
When the flash fires, the shutter speed is set to 1/180 sec. or less. When shooting a subject against a bright background with the fill-in flash, the background may be overexposed. In this case, use the optional FL-50 or FL-36 external flash and shoot in the Super FP flash mode. g Super FP flash (P. 42)
Flash off $ The flash does not fire. Even in this mode, the flash can be used as an AF illuminator when it is raised. g AF illuminator (P. 49)
Manual flash
This allows the built-in flash to output a fixed amount of light. To shoot with manual flash, set the f value on the lens based on the distance to the subject.
Ratio of amount of light FULL (1/1) 1/4 1/16 1/64 GN: Guide number (Equivalent to ISO 100) 12 6 3 1.5
Calculate the f value on the lens using the following formula. Aperture (f value) =
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GN ISO sensitivity Distance to the subject (m)
ISO sensitivity ISO value ISO sensitivity 100 1.0 200 1.4 400 2.0 800 2.8 1600 4.0
Flash modes available in different exposure modes

Exposure mode Control panel screen display AUTO AUTO P A i & l /
*2
Flash mode Auto flash Auto flash (red-eye reduction) Fill-in flash Flash off Slow synchronization (red-eye reduction) Slow synchronization (1st curtain) Slow synchronization (2nd curtain) Manual flash (FULL) Manual flash (1/4) Manual flash (1/16) Manual flash (1/64) Fill-in flash Fill-in flash (red-eye reduction) Flash off Fill-in flash/Slow synchronization (2nd curtain) Manual flash (FULL) Manual flash (1/4) Manual flash (1/16) Manual flash (1/64)
Conditions to timing
Conditions to fire the flash Fires automatically in dark/backlit *1 conditions Always fires
Shutter speed restrictions 1/30 sec. 1/180 sec. 60 sec. 1/180 sec. k
! # $ !SLOW #SLOW #SLOW2 #FULL #1/4 #1/16 #1/64 # H $
1st curtain
k 1st curtain
3
Fires automatically in dark/backlit *1 conditions
1/30 sec. 1/180 sec.
2nd curtain
1st curtain
Always fires
60 sec. 1/180 sec.
k 2nd curtain
S M
#SLOW2 #FULL #1/4 #1/16 #1/64
Always fires 1st curtain
60 sec. 1/180 sec.
*1
When the flash is set to the Super FP mode, it detects backlight with longer duration than for normal flash before emitting light. g Super FP flash (P. 42) *2 AUTO, !, # cannot be set in NIGHT+PORTRAIT mode.
Setting the flash mode

Direct buttons
# Control dial

ip: FLASH MODEi
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Using the built-in flash

If you shoot a subject using a lens that is wider than 14 mm (equivalent to 28 mm on a 35 mm film camera), the light emitted by the flash may produce a vignette effect. Whether or not vignetting occurs also depends on lens type and shooting conditions (such as distance to the subject).
Press the # button to raise the builtin flash.

The built-in flash will pop up automatically and fire in low light conditions under the following modes. AUTO/i/&///I/U/G/J/r/g
# button
3
2 3
Press the shutter button halfway.

The # (flash stand-by) mark lights when the flash is ready to fire. If the mark is blinking, the flash is charging. Wait until charging is complete.
Flash stand-by mark
Press the shutter button all the way.
Viewfinder
TIPS
When you do not want the flash to pop up automatically:
Set [AUTO POP UP] on the menu to [OFF]. g Auto pop up (P. 73)
Flash intensity control

This adjusts the amount of light emitted by the flash. In some situations (e.g., when shooting small subjects, distant backgrounds, etc.), you may get better results by adjusting light emission. It is useful when you intend to increase the contrast (distinction between light and dark) of images to make the images more vivid. MENU[X][w] Use bd to set the compensation value.
TIPS
To call up the flash compensation screen quickly:
Hold down the # button and the F (exposure compensation) button at the same time until the w screen appears. Use the control dial to set.
x Notes
This does not work when the flash control mode on the electronic flash is set to MANUAL. If light emission is adjusted on the electronic flash, it will be combined with the cameras light emission setting. The amount of light emitted by the flash is interlocked with exposure compensation.
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External electronic flashes (optional)

In addition to the cameras built-in flash capabilities, you can use any of the external flash units specified for use with this camera. This enables you to take advantage of a wider variety of flash shooting techniques to suit different shooting conditions. The external flashes communicate with the camera, allowing you to control the cameras flash modes with various available flash control modes, such as TTL-AUTO and Super FP flash. The flash can be mounted on the camera by attaching it to the cameras hot shoe. Refer to the external flashs manual as well. Functions available with external flash units
Optional flash Flash control mode GN (Guide number) (ISO100) FL-50 FL-36 FL-20 TTL-AUTO, AUTO, MANUAL ) GN20 (35 mm*) RF-11 TF-22
TTL-AUTO, AUTO, MANUAL, FP TTL AUTO, FP MANUAL GN50 (85 GN28 (24 mm*) mm* ) GN36 (85 GN26 (24 mm*) mm*
TTL-AUTO, MANUAL GN11 GN22
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* The focal length of the lens that can be covered (Calculated based on 35 mm film camera)
x Notes
The FL-40 optional flash cannot be used.
Using the external electronic flash

Be sure to attach the flash to the camera before turning on the flashs power.
Remove the hot shoe cover by sliding it in the direction indicated by the arrow in the illustration.
Keep the shoe cover in a safe place to avoid losing it, and put it back on the camera after flash shooting.
Attach the electronic flash to the hot shoe on the camera.

If the lock pin is protruding, turn the shoe lock ring as far as it will go in the direction opposite to LOCK. This will pull the lock pin back inside.
3 4 5 6 7
Lock pin
Lock ring
Turn on the flash.

When the charge lamp on the flash lights up, charging is complete. The flash will be synchronized with the camera at a speed of 1/180 sec. or less.
Select a flash mode. Select the flash control mode.

TTL-AUTO is recommended for normal use.
Press the shutter button halfway.

Shooting information such as ISO sensitivity, aperture value, and shutter speed is communicated between the camera and flash.

x Notes
The built-in flash cannot be used when an external flash is attached to the hot shoe.
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Super FP flash
Super FP flash is available with the FL-50 or FL-36. Use the Super FP flash where normal flashes cannot be used with high shutter speed. Fill-in flash shooting with the aperture open (such as in outdoor portrait shooting) is also possible with Super FP flash. For details, refer to the external flashs manual.
Super FP flash
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Detailed display on the control panel
Using commercially available flashes
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Use the M shooting mode on the camera when using any commercially available flash except for the flashes specified for this camera. For details on non-specified commercial flashes, see Non-specified commercial flashes (g P. 42).
1 2
Remove the hot shoe cover to connect the flash unit to the camera. Set the shooting mode to M mode, then set the aperture value and shutter speed.
Set the shutter speed to 1/180 sec. or slower. If the shutter speed is faster than this, commercially available flashes cannot be used. A slower shutter speed may produce blurred images.
3 4
Turn on the flash.

Be sure to turn on the flash after attaching the flash unit to the camera.
Set the ISO value and aperture value on the camera to match the flash control mode on the flash.
Refer to the flashs manual for instructions on how to set its flash control mode.
x Notes
The flash fires each time the shutter is released. When you do not need to use the flash, turn off the flashs power. Check beforehand that the flash you are using is synchronized with the camera.
Non-specified commercial flashes

1) Exposures when using a flash require that adjustments be made on the flash. If a flash is used in the auto mode, match it with the f value and ISO sensitivity settings on the camera. 2) Even if the flash auto f value and ISO sensitivity are set the same as on the camera, the correct exposure may not be obtained depending on the shooting conditions. In such a case, adjust the auto f value or ISO on the flash or calculate the distance in the manual mode. 3) Use a flash with an illumination angle that matches the focal length of the lens. The focal length of the lens for 35 mm film is approximately twice as long as the focal length of the lenses designed for this camera. 4) Do not use a flash unit or other accessory TTL flash that has additional communication functions other than the specified flashes, since it may not only fail to function normally, but may also cause damage to the cameras circuitry.
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Sequential shooting/Self-timer/Remote control

Setting the functions
Direct buttons
</Y/jControl dial
</Y/j button Control dial

ip: j/</Yi When settings are made with the </Y/j button, the information is also displayed on the viewfinder.
Sequential shooting Self-timer Remote control i button
3
: Single-frame shooting : Sequential shooting
: 12-second self-timer : 2-second self-timer
: 0 second : 2 seconds
Sequential shooting
Single-frame shooting o Sequential shooting j 1 frame at a time when the shutter button is pressed (normal shooting mode). Shoots 7 frames or more at 3 frames/sec. for as long as the shutter button is pressed (during JPEG). Focus and exposure are locked at the first frame (during S-AF, MF).
Press the shutter button fully and keep it pressed. The camera will take pictures in sequence until you release the button.
x Notes
During sequential shooting, if the battery check blinks due to low battery, the camera stops shooting and starts saving the pictures you have taken on the card. The camera may not save all of the pictures depending on how much battery power remains.
Using the self-timer

This function lets you take pictures using the self-timer. You can set the camera to release the shutter after either 12 or 2 seconds. Fix the camera securely on a tripod for self-timer shooting.
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A picture is taken. When Y12s is selected: First, the self-timer lamp lights up for approximately 10 seconds, then it blinks for approximately 2 seconds and the picture is taken. When Y2s is selected: The self-timer lamp blinks for approximately 2 seconds, then the picture is taken. To cancel the activated self-timer, press the </Y/j button.
Self-timer lamp
x Notes
Do not press the shutter button while standing in front of the camera; this could result in the subject being out of focus since focusing is performed when the shutter button is pressed halfway.
3
Eyepiece cover When shooting without looking through the viewfinder, attach the eyepiece cover to the viewfinder so that light does not enter the viewfinder. Attach the eyepiece cover after removing the eyecup as illustrated. The same applies when replacing with an optional eyecup.
Eyecup Eyepiece cover
Using the remote control

By using the optional remote control (RM-1), you can take a picture with yourself in it or a night scene without touching the camera. The camera can be set to release the shutter either right away or 2 seconds after the shutter button on the remote control is pressed. Bulb shooting is also possible when using the optional remote control. Mount the camera securely on a tripod, point the remote control at the remote control receiver on the camera and press the shutter button on the remote control.
When <0s is selected: The focus and exposure are locked, the remote control lamp blinks and the picture is taken. When <2s is selected: The focus and exposure are locked, the remote control lamp blinks, then after approximately 2 seconds the picture is taken.
Remote control lamp Remote control receiver
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Transmitted signal effective area Point the remote control at the remote control receiver of the camera within the effective area as shown below. Powerful lighting such as direct sunlight, fluorescent light or devices emitting electrical or radio waves could narrow the effective area.
Remote control receiver
Remote control
3
TIPS
The remote control lamp does not blink after the shutter button on the remote control is pressed:
The transmitted signal may not be effective if the remote control receiver is exposed to powerful lighting. Move the remote control closer to the camera and press the shutter button on the remote control again. The transmitted signal may not be effective if the remote control is too far from the camera. Move the remote control closer to the camera and press the shutter button on the remote control again. There is signal interference. Change the channel as described in the remote controls manual.
To cancel the remote control shooting mode:
The remote control shooting mode will not be canceled after shooting. Press the </Y/j button to set to o (single-frame shooting) etc.
To use the shutter button on the camera in the remote control shooting mode:
The shutter button on the camera still works even in the remote control shooting mode.
x Notes
The shutter will not be released if the subject is not in focus. Under bright light conditions, the remote control lamp may be difficult to see, making it hard to determine whether or not the picture has been taken. Zoom is not available on the remote control.
Bulb shooting on the remote control Set the mode dial to M, then set the shutter speed to [BULB].
Press the W button on the remote control to open the shutter. If 8 minutes elapse after pressing the W button, the shutter closes automatically.
Press the T button to close the shutter.
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Panorama shooting
You can enjoy panorama shooting easily using the OLYMPUS xD-Picture Card. Using OLYMPUS Master (provided CD-ROM) to join a few images shot where the subjects edges overlap, you can create a single panorama composite image. Panorama shooting is possible up to a maximum of 10 images.
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Try your best to include the common parts of the overlapping images when shooting the subject.
1 2
Set the mode. g Scene mode (P. 29)

Live view is activated.
Use p to specify the direction for joining, then shoot the subject with the edges overlapping.
d : Joins the next image to the right. b : Joins the next image to the left. a : Joins the next image to the top. c : Joins the next image to the bottom. Shoot while changing the composition such that the subject overlaps. The focus, exposure, etc. will be determined in the first image. The g (warning) mark will be displayed after you have finished taking 10 shots. Pressing the i button before shooting the first frame returns to the scene mode selection menu. Pressing the i button in the midst of shooting ends the sequence of panorama shooting, and allows you to continue with the next one.
x Notes
Panorama shooting cannot be done if the OLYMPUS xD-Picture Card is not loaded in the camera. During panorama shooting, the image previously taken for position alignment will not be retained. With the frames or other markers for display in the images as a guide, set the composition such that the edges of the overlapping images overlap within the frames.
46 EN
Focusing functions
AF frame selection
Normally, the camera measures the distance to the subject using the 3 AF frames in the viewfinder and selects the most appropriate point. This function allows you to select only one AF frame.
[AUTO] or P (Auto) Focuses using the 3 AF frames. Q Focuses using the left AF frame. R Focuses using the center AF frame. S Focuses using the right AF frame.
Viewfinder Center AF frame
Left AF frame Right AF frame
3
Shooting functions k Focusing functions

ip: AF AREAi
Menu
MENU[X]P
MENU button
i button
Focus mode
The following three focus modes are available with this camera. You can take pictures by combining S-AF or C-AF mode with MF mode. g Simultaneous use of S-AF mode and MF mode (S-AF+MF) (P. 49), Simultaneous use of C-AF mode and MF mode (C-AF+MF) (P. 49) S-AF (single AF) Focusing is performed once when the shutter button is pressed halfway. If focusing fails, release your finger from the shutter button and press it halfway again. This mode is suitable for taking pictures of still subjects or subjects with limited movement. Press the shutter button halfway.
When the focus is locked, the AF confirmation mark lights up. A beep sound is output when the subject is in focus.
C-AF (continuous AF) The camera repeats focusing while the shutter button remains pressed halfway. When the subject is in motion, the camera focuses on the subject in anticipation of its movement (Predictive AF). Even if the subject moves or you change the composition of the picture, the camera continues trying to focus.
AF confirmation mark Viewfinder
EN
47
Press the shutter button halfway and keep it in this position.

When the subject is in focus and locked, the AF confirmation mark lights up. The AF frame does not light up, even when the subject is in focus. The camera repeats focusing. Even if the subject moves or even if you change the composition of the picture, focusing is tried continuously. A beep sound is output when the subject is in focus. The beep sound is not output after the third continuous AF operation, even when the subject is in focus.
MF (manual focus) This function allows you to manually focus on any subject while looking through the viewfinder. Adjust the focus using the focus ring.
Shutter button
3
Near
) Focus ring
Focus aid When you focus the lens on a subject manually (by turning the focus ring), the AF confirmation mark lights. When P is selected, the camera performs focusing in the center AF frame. Control panel screen
ip: AF MODEi [S-AF]/[C-AF]/[MF]/[S-AF+MF]/[C-AF+MF]
Menu
MENU[X][AF MODE]
MENU button i button
48 EN
Simultaneous use of S-AF mode and MF mode (S-AF+MF)

This function allows you to fine-adjust focus manually by turning the focus ring after AF is performed in the S-AF mode. When the shutter button is not pressed, MF operation is available.
You can fine-adjust the focus with the focus ring if you have pressed the shutter button halfway and AF is confirmed. You can also fine-adjust the focus with the focus ring when the shutter button is not pressed halfway.
Shutter button
Near
) Focus ring
3
x Notes
If the shutter button is pressed again after fine-adjusting focus with the focus ring, the AF is activated and your adjustments are canceled.
Simultaneous use of C-AF mode and MF mode (C-AF+MF)

Focus with the focus ring and press the shutter button halfway to activate C-AF mode.
While the shutter button is kept pressed, MF mode is not activated. When the shutter button is not pressed, MF mode is available.
TIPS
Another way to adjust focus manually in C-AF mode:
You can set the AEL/AFL button to operate C-AF with the AEL/AFL mode settings. g AEL/AFL mode (P. 72)
x Notes
If the shutter button is pressed again after fine-adjusting focus with the focus ring, the AF is activated and your adjustments are canceled.
AF illuminator
The built-in flash can function as an AF illuminator. This helps with focusing in low-light conditions in the AF mode. To use this function, raise the flash. MENU[Y][AF ILLUMINAT.]
AELMetering FUNCTION AF ILLUMINAT. LIVE VIEW BOOST 8
OFF ON
EN
49
Exposure, image and color
Selecting the record mode

You can select a record mode in which to take pictures. Choose the record mode thats best for your purpose (printing, editing on a PC, website editing, etc.). For details about record modes and number of pixels, refer to the table on List of record modes (g P. 107).
Types of record modes

Record mode allows you to select a combination of pixel count and compression rate for the images you record. An image consists of pixels (dots). When you enlarge an image with a low pixel count, it will be displayed as a mosaic. If an image has a high pixel count, the file size (amount of data) will be larger and the number of storable still pictures will be lower. The higher the compression, the smaller the file size. However, the image will have less clarity when played back.
Image with a high pixel count
3
Shooting functions k Exposure, image and color
Image with a low pixel count
Image becomes clearer

Quality (Compression)
Number of pixels increases
Application
Number of pixels
3648 2736
Low compression 1/2.7

SHQ
High High compression compression 1/4 1/8

k HQ
High compression 1/12

k
Select for the print size
3200 2400 2560 1920 1600 1200 1280 960 1024 768 640 480
SQ
For smallsized print and website
RAW data
This is unprocessed data that has not undergone changes in white balance, sharpness, contrast or color. To display as an image on the computer, use OLYMPUS Master. RAW data cannot be displayed on a different camera or by using common software, and it cannot be selected for print reservation. It is possible to edit images taken with the record mode set to RAW data using this camera. g Editing still images (P. 65)
50 EN
How to select the record mode

ip: Di
D
Menu
MENU[W][D] [HQ]/[SQ]/[RAW+SHQ]/[RAW+HQ]/ [RAW+SQ]/[RAW]/[SHQ]
3
SQ k Setting the number of pixels and compression rate

You can change the number of pixels and compression rate of [SQ]. This setting is reflected in the [D] setting. Menu
MENU[Y][SQ]
1) Use p to set the number of pixels.
[3200 2400]/[2560 1920]/[1600 1200]/ [1280 960]/[1024 768]/[640 480] [1/2.7]/[1/4]/[1/8]/[1/12]
2) Use p to set the compression rate.
EN
51
Metering mode k Changing the metering system

There are 5 ways to measure the subject brightness: Digital ESP metering, Center weighted averaging metering, and three types of spot metering. Select the most suitable mode for the shooting conditions. Control panel screen
ip: METERINGi [e]/[4]/[n]/[nHI]/[nSH]
: Center weighted averaging metering : Spot metering : Spot metering Highlight control : Spot metering Shadow control
3
Viewfinder
MENU button
i button
Menu
MENU[X][METERING]
e Digital ESP metering
The camera measures the light levels and calculates the light level differences in 49 separate areas of the image. This mode is recommended for general use. Setting the AF synchronized function to [ESP+AF] operates the metering area with the frame in focused in AF as the center.
4 Center weighted averaging metering

This metering mode provides the average metering between the subject and the background lighting, placing more weight on the subject at the center. Use this mode when you do not want the light level of the background to affect the exposure value.
Metering area
n Spot metering
The camera meters a very small area around the center of the subject, defined by the spot metering area mark in the viewfinder. Use this mode when there is very strong backlight.
Metering area
nHI Spot metering - highlight control

When the overall background is bright, white areas of the image will come out gray if you use the cameras automatic exposure. Using this mode enables the camera to shift to over-exposure, allowing accurate white reproduction. Metering area is the same as spot metering.
nSH Spot metering - shadow control

When the overall background is dark, black areas of the image will come out gray if you use the cameras automatic exposure. Using this mode enables the camera to shift to under-exposure, allowing accurate black reproduction. Metering area is the same as spot metering.
52 EN
Exposure compensation k Varying the image brightness

In some situations, you may get better results if you manually compensate (adjust) the exposure value set automatically by the camera. In many cases, bright subjects (such as snow) will turn out darker than their natural colors. Adjusting toward + makes these subjects closer to their real shades. For the same reason, adjust toward - when shooting dark subjects. The exposure can be adjusted in range of 5.0 EV.
-2.0EV
+2.0EV
Control dial Adjust toward Adjust toward +
While holding down the F (exposure compensation) button, use the control dial to set the compensation value.
EV step interval of 1/3 EV.
3
Exposure compensation value Viewfinder
F button
Exposure compensation indicator
2007.08.16
1/3 EV
If the exposure compensation value exceeds the scale of the exposure compensation indicator, red vw will be displayed on the left and right edges of the indicator. The exposure compensation indicator will not be displayed when the exposure is compensated by 0.
x Notes
Exposure compensation is not possible in M and g modes.
EN
53
AE lock k Locking the exposure

The metered exposure value can be locked with the AEL button (AE lock). Use AE lock when you want a different exposure setting from the one that would normally apply under the current shooting conditions. Normally, pressing the shutter button halfway locks both AF (auto focus) and AE (automatic exposure), but you can lock the exposure alone by pressing the AEL button. Press the AEL button at the position where you wish to lock the metering values and the exposure will be locked. As the exposure will be locked while the AEL button is being pressed, press the shutter button.
AEL button
3
Releasing the AEL button cancels AE lock. Using the custom menu, you can set AE lock so that it is not canceled when the AEL button is released. g AEL/AFL memo (P. 72)
AE lock
Viewfinder
ISO k Setting the desired sensitivity to light

The higher the ISO value, the greater the cameras light sensitivity and the better its ability to shoot in low light conditions. However, higher values may give pictures a grainy appearance. For [AUTO], sensitivity is set automatically according to the shooting conditions and is fixed to ISO100 when flash is not fired in S or M mode. Control panel screen
ip : ISOi [AUTO], [100] - [1600]
Menu
MENU[W][ISO]
White balance k Adjusting the color tone

Color reproduction differs depending on the light conditions. For instance, when daylight or tungsten lighting is reflected on white paper, the shade of white produced will be slightly different for each. With a digital camera, white color can be adjusted to reproduce more natural white with a digital processor. This mechanism is called white balance. There are 4 options for setting the WB with this camera.
54 EN
Auto white balance This function enables the camera to automatically detect white in images and adjust the color balance accordingly. Use this mode for general use. Preset white balance Seven different color temperatures are programmed on this camera covering a variety of indoor and outdoor lighting including fluorescent lights and light bulbs. For example, use preset WB when you want to reproduce more red in the picture of a sunset, or capture a warmer artistic effect under artificial lighting. Custom white balance You can change the color temperature of one of the preset WB settings to your liking. g Setting the auto/preset/custom white balance (P. 55) One-touch white balance You can set the optimum white balance for the shooting conditions by pointing the camera at a white object like a sheet of white paper. The white balance achieved with this setting is saved as one of the preset WB settings. g Setting the one-touch white balance (P. 57) Color temperature The spectral balance of different white light sources is rated numerically by color temperature concept of physics, expressed using the Kelvin (K) temperature scale. The higher the color temperature, the richer the light in bluish tones and the poorer in reddish; the lower the color temperature, the richer the light in reddish tones and the poorer in bluish. It follows, then, that the color temperatures The color temperatures for each light source of fluorescent lights make them unsuitable indicated in the above scale are approximate. as artificial light sources. There are gaps in the hues from the color temperatures of fluorescent light. If these differences in hue are small, they can be calculated with color temperature and this is called correlated color temperature. The 4000K, 4500K and 6600K preset settings in this camera are correlated color temperatures, and should not be considered strictly as color temperatures. Use these settings for shooting conditions under fluorescent lights.
3
Setting the auto/preset/custom white balance

You can adjust the white balance by selecting the appropriate color temperature for the light conditions. Control panel screen
ip: WBi [AUTO]/[5]/[2]/[3]/[1]/[w]/[x]/[y]/[V]/[CWB] CWB (Custom White Balance) is set by selecting [CWB] and turn the control dial while pressing down the F (Exposure Compensation) button.
MENU button i button
EN
55
Menu
MENU[W][WB]
Not displayed when WB is set to AUTO.
Viewfinder
3
WB mode AUTO 5 5300K 2 7500K 3 6000K 1 3000K w 4000K x 4500K y 6600K V CWB
Light conditions Used for most light conditions (when there is a white portion framed in the viewfinder). Use this mode for general use. For shooting outdoors on a clear day, or to capture the reds in a sunset or the colors in a fireworks display For shooting outdoors in the shadows on a clear day For shooting outdoors on a cloudy day For shooting under a tungsten light For shooting under white fluorescent lighting For shooting under a neutral white fluorescent lamp For shooting under a daylight fluorescent lamp Color temperature set by one-touch WB. g Setting the one-touch white balance (P. 57) Color temperature set in custom white balance menu. When the value has not been set, it is set to 3000K. The color temperature display changes according to your CWB setting.
TIPS
When subjects that are not white appear white:
In the auto WB setting, if there is no near-white color in the image framed in the screen, the white balance will not be correctly determined. In such a case, try preset WB or one-touch WB settings.
WB Compensation
This function lets you make fine changes to the auto WB and preset WB settings.
1 2
MENU[W][WB] Use p to select the white balance to adjust.
56 EN
Use p to select the color direction.

R-B RedkBlue G-M GreenkMagenta You can set both color directions.
Adjusting the white balance in the R-B direction

Depending on the original WB conditions, the image will become redder each time you press a, and bluer each time you press c.
Adjusting the white balance in the G-M direction

Depending on the original WB conditions, the image will become greener each time you press a, and more magenta each time you press c. The white balance can be adjusted in 7 increments in each direction (R, B, G and M).
Press the i button.

Your adjustment is saved.
TIPS
Checking the white balance you have adjusted:
After performing Step 3, point the camera at the subject to take test shots. When the AEL button is pressed, sample images that have been taken with the current WB settings are displayed.
3
Adjusting all WB mode settings at once:

Refer to Compensating all WB (P. 73).
Setting the one-touch white balance

This function is useful when you need a more precise white balance than preset WB can provide. Point the camera at a sheet of white paper under the light source you want to use to determine the white balance. The optimum white balance for the current shooting conditions can be saved in the camera. This is useful when shooting a subject under natural light, as well as under various light sources with different color temperatures. Set [7 FUNCTION] to [V] beforehand. (gP. 73)
1 2 3
Point the camera at a sheet of white paper.

Position the paper so that it fills the viewfinder. Make sure there are no shadows.
While holding down the b button, press the shutter button.

The one-touch white balance screen appears.
b button
Select [YES] and press the i button.

The white balance is registered. The registered white balance will be stored in the camera as a preset WB setting. Turning the power off does not erase the data.
TIPS
After pressing the shutter button, [WB NG RETRY] is displayed:
When there is not enough white in the image, or when the image is too bright, too dark or the colors look unnatural, you cannot register the white balance. Change the aperture and shutter speed settings, then repeat the procedure from Step 1.
EN
57
Picture mode
You can select image tone to create unique image effects. You can also fine-adjust image parameters such as contrast and sharpness for each mode. MENU[W][PICTURE MODE] The adjustable parameters are classified according to the condition of the picture. Contrast/Sharpness/Saturation
[hVIVID] [iNATURAL] [jMUTED] [MONOTONE] : Produces vivid colors. : Produces natural colors. : Produces flat tones. : Produces black and white tone.
Contrast/Sharpness/B&W Filter/Pict. tone
3
The individual parameters are as follows.

[CONTRAST] [SHARPNESS] [SATURATION] [B&W FILTER] Distinction between light and dark Sharpness of the image Vividness of the color Creates a black and white image. The filter color is brightened and the complementary color is darkened. [N: NEUTRAL] : Creates a normal black and white image. [Ye: YELLOW] : Reproduces clearly defined white cloud with natural blue sky. [Or: ORANGE] : Slightly emphasizes colors in blue skies and sunsets. [R: RED] : Strongly emphasizes colors in blue skies and brightness of crimson foliage. [G: GREEN] : Strongly emphasizes colors in red lips and green leaves. : : : :
CONTRAST
[PICT. TONE] : Colors the black and white image. [N: NEUTRAL] : Creates a normal black and white image. [S: SEPIA] : Sepia [B: BLUE] : Bluish [P: PURPLE] : Purplish [G: GREEN] : Greenish The adjusted parameters are recorded in each picture effect mode. You can select the picture effect modes on the control panel.
58 EN
Gradation
In addition to the [NORMAL] gradation setting, you can select from two other gradation settings.
HIGH KEY (H) LOW KEY (L) NORMAL : Extended bright gradations. : Extended dark gradations. : Use [NORMAL] mode for general uses.
HIGH KEY Suitable for a subject that is mostly highlighted.
LOW KEY Suitable for a subject that is mostly shadowed.
3
MENU[W][GRADATION] x Notes
Contrast adjustment does not work when set to [HIGH KEY] or [LOW KEY].
Noise reduction
This function reduces the noise that is generated during long exposures. When shooting night scenes, shutter speeds are slower and noise tends to appear in images. When the shutter speed is slow, noise reduction is activated and the camera automatically reduces noise to produce clearer images. However, shooting time is approximately twice as long as usual.
OFF
ON
MENU[W][NOISE REDUCT.] [OFF]/[ON]

The noise-reduction process is activated after shooting. The card access lamp blinks during the noise-reduction process. You cannot take more pictures until the card access lamp goes out. [busy] is displayed on the viewfinder while noise reduction is operating.
x Notes
When the g mode is set to (, [NOISE REDUCT.] is fixed to [ON]. When [j] (Sequential shooting) is set, [NOISE REDUCT.] is [OFF] automatically. This function may not work effectively with some shooting conditions or subjects.
EN
59
Noise filter k Setting the noise filter level

You can select the noise processing level. Use [STANDARD] for general use. [HIGH] is recommended during high sensitivity shooting. MENU[W][NOISE FILTER] [OFF]/[LOW]/[STANDARD]/[HIGH] x Notes
When [NOISE FILTER] is set to [HIGH], sequential shooting is not available.
3
Color space
This function lets you select how colors are reproduced on the monitor or printer. The first character in image file names indicates the current color space. g File name (P. 74)
[sRGB] Pmdd0000.jpg [Adobe RGB] P : sRGB _ : Adobe RGB

MENU[Z][COLOR SPACE]
Standardized color space for Windows. Color space that can be set by Adobe Photoshop.
Anti-shock
This diminishes camera shake caused by vibrations when the mirror moves. You can select the interval from the time the mirror is raised until the shutter is released. This feature can be useful in astrophotography and microscope photography or other photographic situations where a very slow shutter speed is used, and camera vibration needs to be kept to a minimum. MENU[X][ANTI-SHOCK] [OFF]/[1SEC]-[30SEC]
60 EN
4 Playback functions
Single-frame/Close-up playback
The basic procedure for viewing pictures are as shown below. However, before using any of these functions, follow Step 1 below.
Press the q (playback) button. (Singleframe playback)

The last recorded image appears. The LCD monitor turns off after more than 1 minute if no operations are performed. The camera will turn off automatically if there is no operation after 4 hours. Turn on the camera again.
q button
Control dial
Use p to select images you want to view. You can also turn the control dial to switch to U for close-up playback.
INFO button
4
Playback functions
(Single-frame playback) (Close-up playback) Press p to change the close-up position.
Press the INFO button
a c d b
: Displays the frame that is stored 10 frames back : Displays the frame that is stored 10 frames ahead : Displays the next frame : Displays the previous frame
(Close-up position playback) Press p to move the display of the close-up position. Press the INFO button (Close-up playback) Press p to view frame-by-frame closeups.
To exit the playback mode, press the q button. Pressing the shutter button halfway resumes the shooting mode.
EN
61
Index display/Calendar display

This function lets you show several images on the monitor at the same time. This is useful when you want to quickly search a number of pictures to find a particular image. During single-frame playback, each time you turn the control dial toward G, the number of images shown changes from 4 to 9 to 16 to 25. b : Moves to the previous frame d : Moves to the next frame a : Moves to the upper frame c : Moves to the lower frame
To return to single-frame playback, turn the control dial to U.
Control dial
4
Playback functions
(9-frame index display)
(Single-frame playback)
(Calendar display)
Calendar display With the calendar, you can display images recorded on the card by date. If more than one image was taken on a single date, the image shot first on that date is displayed. Use p to select a date and press the i button to play back images for the selected date in one frame.
62 EN
Information display
This allows you to display detailed information about the image. Luminance information can also be displayed with histogram and highlight graphs. Press the INFO button repeatedly until the desired information is displayed.
This setting is stored and will be shown the next time the information display is called up.
INFO button Only image Information 1 Information 2
4
Displays the frame number, print reservation, protect, record mode and file number
Playback functions
Displays the frame number, print reservation, protect, record mode, number of pixels, compression rate, date and time and file number
Highlight display
Shooting information
*Histogram
If the bars in the histogram are higher on the right, the image may be too bright. If the bars are higher on the left, the image may be too dark. Compensate the exposure or shoot again.
Histogram*
Overall information
Shadow display The underexposed (shadowed) parts of the recorded image blink. Record mode is also displayed
Highlight display The overexposed (highlighted) parts of the recorded image blink. Record mode is also displayed
Histogram display Distribution of the brightness of the recorded image is displayed in a histogram (brightness component graph). Record mode is also displayed
EN
63
Slideshow
This function displays images stored on the card one after another. Images are displayed one by one for about 5 seconds starting from the currently displayed image. Slideshow can be performed using index display. You can select the number of frames displayed during slideshow from 1, 4, 9, 16 or 25.
1 2 3 4
MENU[q][m] Use p to set.

[K] 1-frame display/ [L] 4-frame display/ [M] 9-frame display/ [N] 16-frame display/ [O] 25-frame display
Press the i button to start the slideshow. Press the i button to stop the slideshow.
When selecting L
4
Playback functions
x Notes
If the slideshow is left running for about 30 minutes, the camera will turn off automatically.
Rotating images
This function lets you rotate images and display them vertically on the monitor during singleframe playback. This is useful when taking pictures with the camera held vertically. The images will automatically be displayed in the correct direction even if the camera is rotated. MENU[q][y] [OFF]/[ON]
When set to [ON], images shot vertically will be automatically rotated and displayed during playback. You can also press the F button to rotate and display the image. The rotated image will be recorded on the card.
F button
Original image before rotating
64 EN
Playback on TV
Use the video cable provided with the camera to play back recorded images on your TV.
1 2 3
Turn the camera and TV off, and connect the video cable as illustrated. Turn on the TV and set it to the video input mode. For details on switching to the video input mode, refer to the TVs manual. Turn the camera on and press the q (playback) button.
q button Multi-connector Video cable
4
Playback functions
Video input terminal
x Notes
To connect the camera to a TV, use the provided video cable. Make sure that the cameras video output signal type is the same as the TVs video signal type. g Selecting the video signal type before TV connection (P. 76) The cameras monitor turns off automatically when the video cable is connected to the camera. The image may appear off-center depending on the TV screen.
Editing still images

Recorded images can be edited and saved as new images. Available editing functions depend on the image format (image record mode). A JPEG file can be printed as is without modification. A RAW file, on the other hand cannot be printed as is. To print a RAW file, use the RAW edit function to convert the RAW data format to JPEG. Editing images recorded in RAW data format The camera performs image processing (such as white balance and sharpness adjustment) on images in the RAW data format, then saves the data to a new file in the JPEG format. While checking recorded images, you can edit them to your liking. Image processing is performed based on the current camera settings. Change the camera settings to suit your preferences before editing. Editing images recorded in JPEG data format [BLACK & WHITE] Creates black and white images. [SEPIA] Creates sepia-toned images. [REDEYE FIX] Reduces red-eye phenomenon during flash shooting. [SATURATION] Sets the color depth. [Q] Converts the image file size to 1280 960, 640 480 or 320 240.
EN
65
1 2
MENU[q][EDIT] Use bd to select images you want to view. Press the i button.
The camera recognizes the image data format. When editing other images, use bd to select the image. For images recorded in RAW+JPEG, a selection screen will appear, asking you to edit the appropriate data. To exit the edit mode, press the MENU button.
Confirm the data format from here. RAW or SHQ, HQ, SQ (=JPEG)
The setting screen varies with the image data format. Select the data you want to edit and do the following steps depending on the image data format.
4
Playback functions
When editing JPEG image [BLACK & WHITE]/[SEPIA]/[REDEYE FIX]/ [SATURATION]/[Q] When editing RAW image RAW editing is based on the cameras current settings. Set the camera to suit your preferences before shooting.
The edited image is saved as another image, apart from the original image.
x Notes
Red-eye correction may not work depending on the image. Red-eye correction may affect other parts of the image, as well as the eyes. Resizing is not possible in the following cases: When an image is recorded in RAW, when an image is processed on a PC, when there is not enough space in the card memory, when an image is recorded on another camera When resizing ([Q]) an image, you cannot select a larger number of pixels than was originally recorded.
Copying images
This function lets you copy images to and from the xD-Picture Card and CompactFlash or Microdrive. This menu can be selected if both cards are inserted. The selected card is the copying source. g [CF/xD] (P. 101)
Copying all the frames
1 2 3 4
66 EN
MENU[q][COPY ALL] Press d. Use ac to select [YES]. Press i.
Copying selected frames
1 2 3 4
Display the images you want to copy and press the i button.
The selected images will be shown with red frames. To cancel your selection, press the i button again.
COPY/< button
Press p to display the next images you want to copy and press the i button. After you have selected the images to copy, press the COPY/< (copy) button. Use ac to select [YES], then press i.
It is possible to copy selected frames during index display.
4
Playback functions
Single-frame copy
1 2
Select the desired frame and press the COPY/< (copy) button. Use ac to select [YES], then press i.
Protecting images k Preventing accidental erasure

Protect images you do not want to erase. Protected images cannot be erased by the singleframe or all-frame erase function.
Single-frame protect
Play back the image you want to protect and press the 0 (protect) button.
0 button
9 (protect mark) is displayed on the top right corner of the screen.
To cancel the protection Display the images that are protected and press the 0 button.
Protecting selected frames
i button
This function lets you protect selected images at one time during single-frame playback or index display.
Display the images you want to protect and press the i button.
The selected images will be shown with red frames. To cancel your selection, press the i button again. During index display, press p to select the images you want to protect and press the i button.
EN
67
2 3
Press p to display the next images you want to protect and press the i button. After you have selected the images to protect, press the 0 (protect) button.
Canceling all protections

This function lets you cancel the protection of several images at one time.
1 2
MENU[q][RESET PROTECT] Use ac to select [YES], then press i.

x Notes
Formatting the card erases all images even if they have been protected. (gP. 100) Protected images cannot be rotated.
4
Playback functions
Erasing images
Lets you erase recorded images. You can select single-frame erase, which erases only the currently displayed image; all-frame erase, which erases all the images stored on the card; or selected frame erase, which erases only the frames selected. x Notes
For image file types recorded using RAW+JPEG, single-frame erase erases only the JPEG images while the RAW data is retained. For all-frame and selected frame erase, both the RAW and JPEG images are erased. Protected images cannot be erased. Cancel protected images, then erase them. Once erased, images cannot be restored. g Protecting images k Preventing accidental erasure (P. 67)
Single-frame erase
1 2 3
Play back the image you want to erase. Press the S (erase) button. Use ac to select [YES], then press i.
S button
68 EN
All-frame erase
1 2
MENU[W][CARD SETUP] Use ac to select [ALL ERASE], then press i.
Use ac to select [YES], then press i.

All frames will be erased.
Erasing selected frames

This function lets you erase selected images at one time during single-frame playback or index display.
4
Playback functions
1 2 3 4
Display the images you want to erase and press the i button.
The selected images will be shown with red frames. To cancel your selection, press the i button again. During index display, press p to select the images you want to erase and press the i button.
Press p to display the next images you want to erase and press the i button. After you have selected the images to erase, press the S (erase) button. Use ac to select [YES], then press i.
EN
69
5 Customizing the settings/functions of your camera

Custom reset setting
Normally, current camera settings (including any changes you have made) are retained when the power is turned off. However, this camera features [RESET] that restores the factory default settings and [RESET 1] and [RESET 2] that restores settings registered in advance. The camera settings at that time are registered in [RESET 1] and [RESET 2]. MENU[W][CUSTOM RESET SETTING] [RESET]/[RESET1]/[RESET2]
If settings have already been registered, [SET] is displayed next to the [RESET1]/[RESET2] option.
Registering reset settings
1 2
Select either [RESET1]/[RESET2] to register and press the d button. Select [SET] and press the i button.
To cancel the registration, select [RESET].
5
Customizing the settings/functions of your camera
Using reset settings You can reset the camera to [RESET1] or [RESET2] setting or restore the factory default settings. [RESET]: Resets to the factory default settings. [RESET1]/[RESET2]: Resets to the registered settings.
1 2
Select either [RESET]/[RESET1]/[RESET2] and press the i button. Use ac to select [YES], then press i.
70 EN
Functions that can be registered in CUSTOM RESET SETTING & functions that reset to factory default settings
Function
PICTURE MODE GRADATION D F NOISE FILTER NOISE REDUCT. WB ISO METERING FLASH MODE w j/</Y AF MODE P AE BKT ANTI-SHOCK Playback mode ALL> SQ AUTO POP UP AEL/AFL AEL/AFL MEMO AELMetering 7 FUNCTION AF ILLUMINAT. LIVE VIEW BOOST FRAME ASSIST X CF/xD FILE NAME s W (Language selection) VIDEO OUT 8 REC VIEW SLEEP BACKLIT LCD USB MODE COLOR SPACE PIXEL MAPPING CLEANING MODE JU/HI FIRMWARE
Factory default setting

NATURAL NORMAL HQ 0 STANDARD ON AUTO AUTO e Auto flash*1 0 o S-AF AUTO OFF OFF Single-frame playback (with no information) 0 1280 960, 1/8 ON mode1*2 OFF Synchronized with metering mode. OFF ON OFF OFF 2007.01.01 00:00 CF AUTO 0
*3 *3
Custom reset setting registration

k k k k k k k k k k k k
5
ON 5SEC 1MIN 8SEC AUTO sRGB k k DIALJU k
: *1 : *2 : *3 :
Can be registered. k : Cannot be registered. Depending on the selected exposure mode, the factory default setting changes. Depending on the selected focus mode, the factory default setting changes. The factory default setting varies depending on the area where you purchased this camera.
EN
71
AEL/AFL mode
You can use the AEL button to perform AF or metering operations instead of using the shutter button. You can use the button in the following ways.
When you want to focus on a subject and then change the composition of the photo. When you want to set the exposure by metering an area different from where the camera is focused.
Select the function of the button to match the operation when the shutter button is pressed. Select [mode1] or [mode2] in the respective focus mode. MENU[Y][AEL/AFL] [S-AF]/[C-AF]/[MF] Modes available in the S-AF mode
Shutter button function Mode
Half-press Focus Exposure Locked Locked Full press Focus k k Exposure k k
AEL button function

When holding down AEL Focus k Locked Exposure Locked k
5
mode1 mode2
Locked k
Modes available in the C-AF mode

Half-press Focus Exposure k Locked Full press Focus Locked Locked Exposure Locked k
AEL button function

When holding down AEL Focus k Focusing starts Exposure Locked k
mode1 mode2
Focusing starts k
Modes available in the MF mode

k k Half-press Focus Exposure Locked Locked Full press Focus k k Exposure k k
AEL button function

When holding down AEL Focus k S-AF Exposure Locked k
mode1 mode2
Other function settings

AEL/AFL memo You can lock and maintain the exposure by pressing the AEL (AE lock) button. MENU[Y][AEL/AFL MEMO] [ON] : Press the AEL button to lock and maintain the exposure. Press again to cancel the maintaining of the exposure. [OFF] : The exposure will be locked only while the AEL button is pressed.
72 EN
AEL metering Sets the metering mode for when pressing the AEL (AE lock) button to lock the exposure. MENU[Y][AELMetering] [AUTO]/[4]/[n]/[nHI]/[nSH]
[AUTO] performs metering in the mode selected under [METERING] mode.
Compensating all WB This lets you apply the same compensation value to all the white balance modes at once. MENU[Y][ALL>] [ALL SET] : The same compensation value applies to all WB modes. [ALL RESET] : The WB compensation value settings applied to each WB mode are all cleared at once. If you select [ALL SET] 1) Use bd to select the color direction. 2) Use ac to set compensate value. WB Compensation (g P. 56)
You can check the white balance you have adjusted. R-B RedkBlue/G-M GreenkMagenta
If you select [ALL RESET] 1) Use ac to select [YES]. Auto pop up The built-in flash pops up automatically in low light or backlight conditions while in the AUTO or scene mode. This allows you to stop the built-in flash from popping up automatically. MENU[Y][AUTO POP UP] [ON] : The built-in flash pops up automatically. [OFF] : The built-in flash will not pop up automatically. 7 FUNCTION This lets you assign a function to the b button. MENU[Y][7 FUNCTION] [OFF] Does not allow function allocation. [V] Press the b button to acquire the WB value. g Setting the one-touch white balance (P. 57) [TEST PICTURE] Pressing the shutter button while pressing the b button enables you to check the picture you have just taken on the monitor without having to record the picture to the card. This is useful when you want to see how a picture turned out without saving it. [PREVIEW]/[LIVE PREVIEW] (electronic) While holding down the b button, you can use the preview function. g Preview function (P. 34)
5
EN
73
Live view boost During live view shooting, you can brighten the monitor for easier confirmation on the subject. MENU[Y][LIVE VIEW BOOST] [OFF] The subject is displayed on the monitor with the brightness level that is adjusted according to the exposure being set. You can shoot while confirming through the monitor in advance to get a picture that is to your liking. [ON] The camera automatically adjusts the brightness level and displays the subject on the monitor for easier confirmation. The effect of the white balance and exposure compensation adjustments will not be reflected on the monitor. File name When you take a picture, the camera assigns it a unique file name and saves it in a folder. The folder and file name can later be used for file handling on a computer. File names are assigned as shown in the illustration below.
5
MENU[Z][FILE NAME] [AUTO] Even when a new card is inserted, the folder numbers are retained from the previous card. If the new card contains an image file whose file number coincides with one saved on the previous card, the new cards file numbers start at the number following the highest number on the previous card. [RESET] When a new card is inserted, folder numbers start at 100 and file numbers start at 0001. If a card containing images is inserted, the file numbers start at the number following the highest file number on the card.
When both the Folder and File No. reach their respective maximum number (999/9999), it is not possible to store additional pictures even if the card is not full. No more pictures can be taken. Replace the card with a new one.
74 EN
Rec view k Checking the picture immediately after shooting This allows you to display the picture you have just taken on the monitor while it is being recorded to the card, and to select how long the picture is displayed. This is useful for making a brief check of the picture you have just taken. Pressing the shutter button halfway while checking the picture lets you resume shooting immediately. MENU[Z][REC VIEW] [OFF] The picture being recorded to the card is not displayed. [1SEC] - [20SEC] Selects the number of seconds to display each picture. Can be set in units of 1 second. Setting the beep sound The camera beeps when buttons are pressed. You can turn the beep sound on or off with this function. MENU[Y][8] [OFF]/[ON] Monitor brightness adjustment This allows you to adjust the brightness of the monitor for optimal viewing. MENU[Z][s] Use bd to adjust the brightness. Sleep timer After a specified period of time elapses with no operations being performed, the camera enters the sleep mode (stand-by) to save battery power. After the control panel is displayed for a specified period of time, the backlight turns off. After a specific period of time has further passed, the camera enters sleep mode. [SLEEP] lets you select sleep timer. [OFF] cancels the sleep mode. The camera activates again as soon as you touch any button (the shutter button, arrow pad, etc.). MENU[Z][SLEEP] [OFF]/[1MIN]/[3MIN]/[5MIN]/[10MIN] Backlight timer To save battery power, after the control panel is displayed for a specified period of time, the monitor backlight turns off and the monitor darkens. [HOLD] sets the backlight to stay on. The monitor backlight turns on again as soon as you touch any button (the shutter button, arrow pad, etc.). MENU[Z][BACKLIT LCD] [8SEC]/[30SEC]/[1MIN]/[HOLD]
5
EN
75
USB mode You can connect the camera directly to a computer or printer with the provided USB cable. If you specify the device you are connecting to beforehand, you can skip the USB connection setting procedure normally required every time you connect the cable to the camera. For details on how to connect the camera to either device, refer to Connecting the camera to a printer (g P. 81) and Connecting the camera to a computer (g P. 85). MENU[Z][USB MODE] [AUTO]
The selection screen for the USB connection will be displayed every time you connect the cable to a computer or printer.
[STORAGE]
Allows you to transfer images to a computer. Also, select to use the OLYMPUS Master software via PC connection.
[MTP]
Allows you to transfer images to a computer running Windows Vista without using the OLYMPUS Master software.
[CONTROL] [<EASY]
Allows you to control the camera from a PC using the optional OLYMPUS Studio. Can be set when connecting the camera to a PictBridge-compatible printer. Pictures can be printed directly without using a PC. g Connecting the camera to a printer (P. 81) Can be set when connecting the camera to a PictBridge-compatible printer. You can print out pictures with set number of prints, print paper and other settings. g Connecting the camera to a printer (P. 81)
5
[<CUSTOM]
Changing the display language You can change the language used for the on-screen display and error messages from ENGLISH to another language. MENU[Z][W] Use ac to select the language you want to use.
You can add another language to your camera with the provided OLYMPUS Master software. For details, refer to Help in OLYMPUS Master software. (gP. 84)
Selecting the video signal type before TV connection This lets you select NTSC or PAL according to your TVs video signal type. You will need to set this when you want to connect the camera to a TV and play back images in a foreign country. Make sure the correct video signal type is selected before connecting the video cable. If you use the wrong video signal type, recorded pictures will not play back properly on your TV. MENU[Z][VIDEO OUT] [NTSC]/[PAL] TV video signal types in major countries and regions Check the video signal type before connecting the camera to your TV. NTSC PAL North America, Japan, Taiwan, Korea European countries, China
76 EN
HI (Underwater mode) It is possible to switch [J] (SPORT) and [U] (NIGHT+PORTRAIT) on the mode dial to [H] (UNDER WATER MACRO) and [I] (UNDER WATER WIDE). Use an optional underwater protector for underwater shooting. MENU[Y][JU/HI] [DIALJU]/[DIALHI] Firmware Your products firmware version will be displayed. When you make inquiries about your camera or accessories or when you want to download software, you will need to state which version of each of the products you are using. MENU[Z][FIRMWARE] Press d. Your products firmware version will be displayed. Press the i button to return to the previous screen.
5
EN
77
6 Printing
Print reservation (DPOF)
Print reservation
Print reservation allows you to save printing data (the number of prints and the date/time information) with the pictures stored on the card. Insert the card that contains the recorded pictures into the camera. Pictures set with print reservation can be printed using the following methods. Printing using a DPOF-compatible photo lab You can print the pictures using the print reservation data. Printing using a DPOF-compatible printer Pictures can be printed directly from a dedicated printer without using a PC. For more details, refer to the printers manual. A PC card adapter may also be necessary. x Notes
DPOF reservations set by another device cannot be changed by this camera. Make changes using the original device. Moreover, setting new DPOF reservations using this camera will erase the previous reservations set by another device. Not all functions may be available on all printers or at all photo labs. RAW data are not printable.
6
Printing
Single-frame reservation
Follow the operation guide to set print reservation for a picture.
MENU[q][<]
Operation guide
Select [<] and press the i button.
Press bd to select the frame that you want to set as print reservation, then press ca to set the number of prints.
To set print reservation for several pictures, repeat this step.
78 EN
4 5
Press the i button when you have finished.

The menu screen for single-frame reservation appears.
Use i to select the date and time format.

[NO] The pictures are printed without the date and time. [DATE] The pictures are printed with the shooting date. [TIME] The pictures are printed with the shooting time.
Select [SET] and press the i button.
All-frame reservation
Applies print reservation to all the pictures stored in the card. The number of prints is fixed at 1.
1 2 3 4
MENU[q][<] Select [U] and press the i button. Use i to select the date and time format.
[NO] The pictures are printed without the date and time. [DATE] The pictures are printed with the shooting date. [TIME] The pictures are printed with the shooting time.
6
Printing
Resetting the print reservation data

You can reset all print reservation data or just the data for selected pictures.
1 2 3
MENU[q][<] Select [<] or [U] and press the i button. Select [RESET] and press the i button.
Resetting the print reservation data for all pictures
EN
79
Resetting the print reservation data for a selected picture
2 3 4 5 6 7
Select [<] and press the i button. Select [KEEP] and press the i button. Use bd to select the frame with print reservation data you want to reset, then press c to set the number of prints to 0. Press the i button when you have finished. Use i to select the date and time format.
This setting is applied to all frames with print reservation data.
Direct printing (PictBridge)

By connecting the camera to a PictBridge-compatible printer with the USB cable, you can print out recorded pictures directly. To find out if your printer is compatible with PictBridge, refer to the printers manual. PictBridge The standard that enables digital cameras and printers made by different manufacturers to be connected, and also allows pictures to be printed directly from the camera.
6
Printing
STANDARD All printers that support PictBridge have standard print settings. By selecting [STANDARD] on the settings screens (gP. 82), you can print pictures according to these settings. For details on your printers standard settings, refer to the printers manual or contact the printer manufacturer.
The available print modes and settings such as paper size vary with the type of printer. For details, refer to the printers manual. For details on printing paper types, ink cassettes, etc., refer to the printers manual.
x Notes
Use a fully charged battery for printing. Images recorded in RAW data cannot be printed. The camera will not enter sleep mode while it is connected to the USB cable.
80 EN
Connecting the camera to a printer

Use the provided USB cable to connect the camera to a PictBridge-compatible printer.
Turn the printer on and connect the cameras multi-connector to the printers USB port with the USB cable
For details on how to turn the printer on and the position of the USB port, refer to the printers manual.
USB cable
Multi-connector
2 3
Turn on the camera.

The selection screen for the USB connection is displayed.
Use p to select [EASY PRINT] or [CUSTOM PRINT].

If you select [EASY PRINT]
Go to Easy printing (P. 81).
STORAGE CONTROL EASY PRINT
6
Printing
If you select [CUSTOM PRINT]

[ONE MOMENT] is displayed and the camera and printer are connected. Go to Custom printing (P. 82).
x Notes
If the screen is not displayed after a few minutes, disconnect the USB Cable and start again from Step 1.
Easy printing
1 2
Use bd to display the pictures you want to print on the camera.

Display the image you want to print on the camera and connect the camera with a printer using a USB cable. The screen on the right appears shortly.
Press the < (print) button.

The picture selection screen appears when printing is completed. To print another picture, use bd to select the image and press the < button. To exit, unplug the USB cable from the camera while the picture selection screen is displayed.
EN
81
Custom printing
Follow the operation guide to set a print option.
Follow the operation guide displayed here.
Selecting the print mode Select the type of printing (print mode). The available print modes are as shown below.
[PRINT] [ALL PRINT] [MULTI PRINT] [ALL INDEX] [PRINT ORDER] Prints selected pictures. Prints all the pictures stored in the card and makes one print for each picture. Prints multiple copies of one image in separate frames on a single sheet. Prints an index of all the pictures stored in the card. Prints according to the print reservation you made. If there is no picture with print reservation, this is not available. (gP. 78)
6
Printing
Setting the print paper items This setting varies with the type of printer. If only the printers STANDARD setting is available, you cannot change the setting.
[SIZE] [BORDERLESS] Sets the paper size that the printer supports. Selects whether the picture is printed on the entire page or inside a blank frame.
[PICS/SHEET]
Selects the number of pictures per sheet. Displayed when you have selected [MULTI PRINT].
82 EN
Selecting pictures you want to print Select pictures you want to print. The selected pictures can be printed later (single-frame reservation) or the picture you are displaying can be printed right away.
[PRINT](f) Prints the currently displayed picture. If there is a picture that [SINGLE PRINT] reservation has already been applied to, only that reserved picture will be printed. Applies print reservation to the currently displayed picture. If you want to apply reservation to other pictures after applying [SINGLE PRINT], use bd to select them. Sets the number of prints and other items for the currently displayed picture, and whether or not to print it. g Setting printing data (P. 83)
[SINGLE PRINT](
[MORE](
Setting printing data Select whether to print printing data such as the date and time or file name on the picture when printing.
[<] [DATE] [FILE NAME] Sets the number of prints. Prints the date and time recorded on the picture. Prints the file name recorded on the picture.
6
Printing
Once you have set the pictures for printing and printing data, select [PRINT], then press the i.
Transfers images you print to the printer. Resets the settings. All print reservation data will be lost. If you want to keep the print reservation data and make other settings, press b. This returns you to the previous setting.
[PRINT] [CANCEL]
PRINT
To stop and cancel printing, press the i button. [CONTINUE] [CANCEL] Continues printing. Cancels printing. All print reservation data will be lost.
EN
83
7 Using the OLYMPUS Master software

Flowchart
Just connect the camera to a computer with the USB cable and you can easily transfer images stored on the card to the computer with the provided OLYMPUS Master software. Things to prepare
OLYMPUS Master 2 CD-ROM USB cable Computer equipped with USB port
Installing OLYMPUS Master (Refer to the installation guide included with the OLYMPUS Master) Connecting the camera with your computer using the provided USB cable Starting OLYMPUS Master Saving pictures to your computer Disconnecting the camera from your computer (gP. 85) (gP. 86) (gP. 86) (gP. 87)
Using the provided OLYMPUS Master software
7
Using the OLYMPUS Master software
What is OLYMPUS Master?

OLYMPUS Master is an image management program with viewing and editing features for pictures taken with your digital camera. Once installed on your computer, you can take advantage of the following.
Transferring images from the camera or removable media to your computer Viewing images
You can also enjoy slideshows and sound playback.
Correcting images using filter and correction functions Editing images

You can rotate, trim or change the image size.
Grouping and organizing images

You can organize images into albums or folders. Transferred images are automatically organized by shooting date, allowing you to quickly find the particular images you want.
A variety of printing formats

You can easily make prints of your pictures.
Creating panorama images

You can make a panorama from the photos you have taken using the panorama function.
Updating the camera firmware
For information about OLYMPUS Masters other features, as well as for details on how to use the software, refer to Help in OLYMPUS Master software.
84 EN
Connecting the camera to a computer

Connect the camera to your computer with the provided USB cable.
Use the provided USB cable to connect the computers USB port to the cameras multi-connector.
The location of the USB port varies with the computer. For details, refer to your computers manual.
Multi-connector Smaller terminal
Look for this mark.
USB cable USB port Terminal
2 3 4
Set the cameras power switch to ON.

The selection screen for the USB connection is displayed.
STORAGE CONTROL EASY PRINT
7
Press ac to select [STORAGE]. Press the i button. The computer recognizes the camera as a new device.
Windows When you connect the camera to the computer for the first time, the computer automatically recognizes the camera. Click OK when the message saying that the installation is completed appears. The computer recognizes the camera as a Removable Disk . Macintosh iPhoto is the default image management application for Mac OS. When you connect your Olympus digital camera for the first time, iPhoto will start up automatically. Close iPhoto and start OLYMPUS Master.
x Notes
When the camera is connected to the computer, none of the camera buttons are functional.
EN
85
Start up the OLYMPUS Master software

Windows
1 1
Double-click the OLYMPUS Master 2 icon Double-click the OLYMPUS Master 2 icon Master 2 folder.
on the desktop. in the OLYMPUS
Macintosh
The browse window is displayed. When OLYMPUS Master is started up for the first time after installation, the OLYMPUS Master initial setting screen and user registration screen are displayed before the browse window. Follow the on-screen instructions.
To exit OLYMPUS Master
Click Exit
on any window.
OLYMPUS Master is exited.
Displaying camera images on a computer

Downloading and saving images
Click Transfer Images on the browse window, and then click From Camera .
The window for selecting the pictures you want to transfer from the camera is displayed. All the images in the camera are displayed.
7
2 3
Select New Album and enter an album name. Select the image files and click Transfer Images.
A window indicating that the download is complete is displayed.
Click Browse images now.

The downloaded images are displayed in the browse window.
86 EN
Disconnecting the camera from your computer
Make sure that the card access lamp has stopped blinking.
Card access lamp
Prepare to remove the USB cable.

.
Windows 1) In the system tray, click the Unplug or Eject Hardware icon 2) Click on the pop-up message.
3) Click OK on the Safe to Remove Hardware window.
Macintosh 1) The trash icon changes to the eject icon when the Untitled or NO_NAME icon on the desktop is dragged. Drag and drop it on the eject icon.
7
Unplug the USB cable from the camera.

x Notes
For Windows users: When you click Unplug or Eject Hardware, a warning message may be displayed. In such case, make sure that no image data is being downloaded from the camera, and that there are no applications open that were accessing the camera image files. Close any such applications and click Unplug or Eject Hardware again and then remove the cable.
EN
87
Viewing still images
1 2
Click the Album tab on the browse window and select the album that you want to view.
The selected album image is displayed in the thumbnail area.
Thumbnail
Double-click the still picture thumbnail that you want to view.

OLYMPUS Master switches to the image edit window and the picture is enlarged. Click Back to return to the browse window.
To increase the number of languages

Please take care that your battery is fully charged!
7
1 2 3 4 5 6 7
Make sure that your computer is connected to the Internet. Plug the USB cable into the USB port on the computer. Plug the other end of the USB cable into the cameras USB connector.
The camera turns on automatically. The monitor turns on and the selection screen for the USB connection is displayed.
Select [STORAGE], and press i. In the browse window, select Camera, then Update Camera/Add Display Language.
The confirmation window for updating is displayed.
Click OK.
The updating the camera window is displayed.
Click Add Language in the updating camera display.

The Add Display Language of Camera window is displayed.
8 9
88 EN
Click
and select a language.
Click Add.
The new language is downloaded to your camera. Please do not remove any cable or the battery while the camera is processing.
10 After the download procedure the camera display will show OK. You
can remove the cables and turn power off. After restarting the camera you will be able to choose the new language from [W].
Transferring images to your computer without using OLYMPUS Master

Your camera supports the USB Mass Storage Class. You can transfer images to a computer by connecting the camera to the computer with the provided USB cable. This can be done even without using OLYMPUS Master. The following operating systems are compatible with the USB connection: Windows : Windows 98SE/Me/2000 Professional/XP Home Edition/XP Professional/Vista Macintosh : Mac OS 9.0-9.2/X x Notes
If your computer is running Windows 98SE, you will need to install the USB driver. Before connecting the camera to your computer with the USB cable, double-click the files from the following folders on the provided OLYMPUS Master CD-ROM. (Drive name): \win98usb\INSTALL.EXE If your computer is running Windows Vista, select [MTP] in Step 3 on page 83 to use Windows Photo Gallery. Data transfer is not guaranteed in the following environments, even if your computer is equipped with a USB port. Windows 95/98/NT 4.0 Windows 98SE upgrades from Windows 95/98 Mac OS 8.6 or earlier Computers with a USB port added by means of an extension card, etc. Computers without a factory-installed OS and home-built computers
7
EN
89
8 Getting to know your camera better

Shooting tips and information
Tips before you start taking pictures
The camera does not turn on even when a battery is loaded The battery is not fully charged
Charge the battery with the charger.
The battery is temporarily unable to function because of the cold

Battery performance declines in low temperatures, and the charge may not be sufficient to turn on the camera. Remove the battery and warm it by putting it in your pocket for a while.
No picture is taken when the shutter button is pressed The camera has turned off automatically
To save battery power, if there is no operation even while the camera is on (monitor is lit), the camera goes into sleep mode after a fixed period of time and the camera stops operating. When this happens, the LCD monitors light will go off. The camera will turn off automatically if there is no further operation for 4 hours. The camera will not work until it is turned back on. g Sleep timer (P. 75)
The flash is charging
When the flash is activated and the # symbol in the control panel or the viewfinder is blinking, this indicates that the flash is charging. Wait for the blinking to stop, then press the shutter button. When the AF confirmation mark in the viewfinder is blinking, it indicates that the camera is unable to focus using AF. Press the shutter button again.
Unable to focus
8
Getting to know your camera better
Noise reduction is activated

When shooting night scenes, shutter speeds are slower and noise tends to appear in images. The camera activates the noise-reduction process after shooting at slow shutter speeds. During which, shooting is not allowed. You can set [NOISE REDUCT.] to [OFF]. g Noise reduction (P. 59)
The date and time has not been set The camera is used with the settings at the time of purchase
The date and time of the camera is not set when purchased. Set the date and time before using the camera. g Setting the date/time (P. 8)
The battery has been removed from the camera

The date and time settings will be returned to the factory default settings if the camera is left without the battery for approximately 1 day. The settings will be canceled more quickly if the battery was only loaded in the camera for a short time before being removed. Before taking important pictures, check that the date and time settings are correct.
Shooting tips
Focusing on the subject There are several ways to focus, depending on the subject. AF frame is not focused on the subject
Use focus lock to focus the AF frame on the subject. g If correct focus cannot be obtained (Focus lock) (P. 35)
90 EN
Other things instead of the subject are focused on the respective AF frames
Set P (AF frame selection) to R and focus on the center of the image. g AF frame selection (P. 47)
The subject is moving quickly

Focus the camera on a point roughly the same distance away as the subject you want to shoot (by pressing the shutter button halfway), and then recompose your picture and wait for the subject to enter the frame.
Close up on the subject using macro lens

When using macro lens to close up on the subject, it is difficult to focus with AF when the enlargement ratio of the subject is bigger. Set to manual focus (MF), rotate the focus ring and focus manually. g MF (manual focus) (P. 48)
Taking pictures in low light conditions

The built-in flash can be set to function as an AF illuminator. The flash helps to focus in low-light conditions in the AF mode when raised. g Using the built-in flash (P. 40)
Subjects that are difficult to focus on It may be difficult to focus with auto focus in the following situations.
AF confirmation mark is blinking These subjects are not focused. Subject with low contrast AF confirmation mark lights up but the subject is not focused. Excessively bright light in center of frame Subject with repeated patterns
Subjects at different distances
Fast-moving subject
Subject not inside AF frame
8
In any situation, focus on something with high contrast that is at the same distance as the subject, determine the composition and shoot the picture. Taking pictures without blurring There are several factors that can cause the picture to blur. The subject is too dark
Change the shutter speed to match the brightness of the subject. If the shutter speed is set low to shoot a dark subject, blurring is likely to occur if the subject moves. In addition, when the flash is turned off in g (Scene mode), the shutter speed becomes slower. Mount the camera on a tripod. Using the remote control (optional) to close the shutter is also effective for reducing blurring. There are also ways to shoot with [q] (DIS MODE) under g (Scene mode). As the ISO sensitivity increases automatically, you can hand hold the camera and take pictures in low light situations with the flash off.
The camera or your hand moves when pressing the shutter button.
Press the shutter button gently or hold the camera securely with both hands.
Taking pictures with less flash The flash will light up automatically when it is not bright enough. If the subject is too far away, the flash may have no effect. Here is how to take pictures without the flash in this type of situation.
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Set g (Scene mode) to [q] (DIS MODE) Increase the [ISO] setting
As the ISO sensitivity increases automatically, you can hand hold the camera and take pictures in low light situations with the flash off. Increase the value of the [ISO] setting. The image may become grainy. g ISO k Setting the desired sensitivity to light (P. 54)
The picture is too grainy There are several factors that can cause the picture to appear grainy. Increasing the ISO sensitivity
When you increase the [ISO] setting, noise, which appears as spots of unwanted color or unevenness in the color, can be introduced and give the picture a grainy appearance. This camera is equipped with a function to allow shooting at high sensitivity while suppressing noise; however, increasing the ISO sensitivity creates grainier pictures than when using a lower sensitivity. g ISO k Setting the desired sensitivity to light (P. 54)
Image taken appears whitish This may occur when the picture is taken in backlight or semi-backlight conditions. This is due to a phenomenon called flare or ghost. As far as possible, consider a composition where strong light source is not taken in the picture. Flare may occur even when a light source is not present in the picture. Use a lens hood to shade the lens from the light source. If a lens hood does not have effect, use your hand to shade the lens from the light. Taking pictures with the correct color The reason why there are differences between the colors in a picture and the actual colors taken and the actual color is the light source illuminating the subject. [WB] is the function that allows the camera to determine the correct colors. Normally, the [AUTO] setting provides the optimal white balance, but depending on the subject, it may be better to experiment with changing the [WB] setting.
When the subject is in the shade on a sunny day When the subject is illuminated by both natural light and indoor lighting, such as when near a window When there is no white in the frame g White balance k Adjusting the color tone (P. 54)
8
Taking pictures of a white beach or snow scene In normal cases, white subjects such as snow will appear darker than usual when the picture is taken. There are several ways to capture the whiteness.
Adjust the exposure compensation toward [+]. g Exposure compensation k Varying the image brightness (P. 53) Use [g] (BEACH & SNOW) in g (Scene mode) to take the picture. It is most suitable for taking pictures of the sea in a sunny day or snow-capped mountains. g Scene mode (P. 29) Use [nHI] (Highlight control). Press the shutter button halfway at the center of the viewfinder where you wish to highlight the whiteness. The metered part at the center will be set to appear whiter. g Metering mode k Changing the metering system (P. 52) Use the auto bracketing function to take the picture. If you do not know the amount of exposure compensation, try using auto bracketing. The compensation value changes a little every time you press the shutter button. If you set a larger exposure compensation, you can change the compensation value either upwards or downwards based on that value and shoot the picture. g AE bracketing (P. 35)
92 EN
Taking pictures of a subject against backlight If the background is too bright compared to the subject, the exposure will be affected at the bright parts and the subject will appear darker. This is because the camera determines the exposure from the brightness of the whole screen.
Set [METERING] to [n] (spot metering) to measure the exposure of the subject in the center of the picture. To change the composition, place the subject in the center of the picture. While holding down the AFL button, change the composition and press the shutter button. g Metering mode k Changing the metering system (P. 52) Activate the flash, set the flash mode to [#] (fill-in flash) and shoot the picture. You can shoot a subject against backlight without the face of the subject appearing dark. [#] (fill-in flash) is used for shooting against backlight and under fluorescent and other artificial lighting. g Setting the flash mode (P. 39)
Image turns out too bright or too dark When taking pictures in S mode or A mode, the shutter speed or aperture setting displayed in the control panel screen or viewfinder may blink. A red display means that the correct exposure cannot be obtained. If you take the picture as is, the picture will appear too bright or too dark. If that happens, change the aperture setting or shutter speed. g A: Aperture priority shooting (P. 31), S: Shutter priority shooting (P. 32) Unknown bright dot(s) appear on the subject in the picture taken This may be due to stuck pixel(s) on the image pickup device. Perform [PIXEL MAPPING]. If the problem persists, repeat pixel mapping a few times. g Pixel mapping k Checking the image processing functions (P. 99)
Additional shooting tips and information

Increasing the number of pictures that can be taken The captured image will be recorded on the card. The following ways describe how to record more images.
Change the record mode. The size of an image varies with the record mode. When you are not sure of the available card capacity, change the image mode and shoot the picture. The smaller the [PIXEL COUNT] and the bigger the [COMPRESSION], the smaller the size of the image becomes. You can select both in [SQ] of the record mode. g Selecting the record mode (P. 50) Use a card with large capacity. The number of recordable images varies with the capacity of the card. Use a card with large capacity.
8
Using a new card If you use a non-Olympus card or a card used for another application, such as for a computer, the message [CARD ERROR] is displayed. To use this card with this camera, use the [FORMAT] function to format the card. g Formatting the card (P. 100) Extending the useful life of the battery Performing any of the following operations when not actually taking pictures can deplete the battery power.
Repeatedly pressing the shutter button halfway Repeatedly playing back the captured images over a long period of time Using the live view function over a long period
To save battery power, turn off the camera whenever it is not in use.
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Functions that cannot be selected from menus Some items may not be selectable from the menus when using the arrow pad.
Items that cannot be set with the current shooting mode Items that cannot be set because of an item that has already been set: Combination of [j] and [NOISE REDUCT.], etc.
Selecting the optimal record mode Record modes are divided into 2 main types: RAW and JPEG. RAW records without reflecting the settings for exposure compensation, white balance, etc. on the images themselves. JPEG records as images that reflect these settings. JPEG also compresses images to reduce the file size when recording them. JPEG is divided into [SHQ], [HQ] and [SQ] types based on the image size (pixel count) or compression rate. The higher the compression rate, the grainier the image will appear when enlarged during display. A rough guide for selection is shown below. Make fine-adjustments of the shooting settings on the computer
[RAW]
To print large images on A3/A4 paper/To edit and process images on a computer
[SHQ][HQ] with a large pixel count
To print postcard-size images

[SQ] with a large pixel count
To send as an e-mail attachment or post on a web site

[SQ] with a small pixel count
g List of record modes (P. 107) To restore functions to their settings at the time of purchase The settings are saved even when the power is switched off. When power is switched on in Easy shooting modes (P. 17), it changes to specific settings. To return to the factory default settings, set [RESET] under [CUSTOM RESET SETTING]. You can select up to 2 types of settings for reset. Set various functions of the camera and register using [RESET1] or [RESET2] under [CUSTOM RESET SETTING]. g Custom reset setting (P. 70) Confirming the exposure when it is difficult to view the monitor outdoors The monitor may be difficult to view and the exposure difficult to confirm when shooting outdoors. During live view, press the INFO button repeatedly to display the histogram. The following shows you how to read the histogram display easily.
How to read the histogram 1 If the graph has many peaks around here, the image will appear mostly black. 2 If the graph has many peaks around here, the image will appear mostly white. 3 The part indicated in green in the histogram shows the luminance distribution within the AF frame. g Live view (P. 22)
8
1 2 3
94 EN
Playback tips
Understanding the settings and other information of pictures taken Play back a picture, and press the INFO button. Press the button repeatedly to change the amount of information displayed. g Information display (P. 63)
Viewing pictures on a computer

Viewing the entire picture on a computer screen The size of the picture displayed on a computer screen changes depending on the computer settings. When the monitor setting is 1024 768 and you are using Internet Explorer to view a picture with an image size of 2048 1536 at 100 %, the entire picture cannot be viewed without scrolling. There are several ways you can view the entire picture on the computer screen. View the picture using image browsing software
Install the OLYMPUS Master software from the provided CD-ROM.
Change the monitor setting

The icons on the computer desktop may be rearranged. For details of changing the settings on your computer, refer to the computers manual.
To view recorded images in RAW

Install the OLYMPUS Master software from the provided CD-ROM. You can use the RAW development function in OLYMPUS Master to set the image to the setting during shooting and change detailed settings of exposure compensation and white balance.
8
EN
95
When error messages are displayed

Viewfinder indications Normal indication NO CARD Monitor indication Possible cause The card is not inserted, or it cannot be recognized. There is a problem with the card. CARD ERROR Writing to the card is prohibited. WRITE PROTECT The card is full. No more pictures can be taken or no more information such as print reservation can be recorded. CARD FULL There is no space in the card and print reservation or new images cannot be recorded. There are no pictures on the card. NO PICTURE The selected picture cannot be displayed for playback due to a problem with this picture. Or the picture cannot be used for playback on this camera. Pictures taken with another camera cannot be edited on this camera. Corrective action Insert a card or insert a different card.
Insert the card again. If the problem persists, format the card. If the card cannot be formatted, it cannot be used. The card has been set to read-only setting with the computer. Reset the card with the computer. Replace the card or erase unwanted pictures. Before erasing, download important images to a PC. Replace the card or erase unwanted pictures. Before erasing, download important images to a PC. The card contains no pictures. Record pictures and play back. Use image processing software to view the picture on a PC. If that cannot be done, the image file is damaged.
No indication
8
No indication
No indication PICTURE ERROR
No indication
THE IMAGE CANNOT BE EDITED
Use image processing software to edit the picture.
96 EN
Viewfinder indications
Monitor indication
Possible cause Extended use of live view or sequential shooting has increased the internal temperature of the camera.
Corrective action Wait a moment for the camera to turn off automatically. Allow the internal temperature of the camera to cool before resuming operations. Close the card cover.
No indication
Internal camera temperature is too high. Please wait for cooling before camera use.
The card cover is open. CARD-COVER OPEN The battery is drained. No indication BATTERY EMPTY The camera is not connected to the computer or printer correctly. There is no paper in the printer. NO PAPER The printer has run out of ink. No indication NO INK The paper is jammed. No indication JAMMED The printers paper cassette has been removed or the printer has been manipulated while making settings on the camera. There is a problem with the printer and/or camera. PRINT ERROR Pictures recorded on other cameras may not be printed on this camera.
Charge the battery.
No indication NO CONNECTION
Disconnect the camera and connect it again correctly. Load some paper in the printer.
No indication
Replace the ink cartridge in the printer.
8
Remove the jammed paper.
No indication
SETTINGS CHANGED
Do not manipulate the printer while making settings on the camera.
No indication
Turn off camera and printer. Check the printer and remedy any problems before turning the power on again. Use a personal computer to print.
No indication CANNOT PRINT
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Camera maintenance
Cleaning and storing the camera
Cleaning the camera Turn off the camera and remove the battery before cleaning the camera. Exterior:
Wipe gently with a soft cloth. If the camera is very dirty, soak the cloth in mild soapy water and wring well. Wipe the camera with the damp cloth and then dry it with a dry cloth. If you have used the camera at the beach, use a cloth soaked in clean water and well wrung.
Monitor and viewfinder:

Wipe gently with a soft cloth.
Lens, mirror and focusing screen:

Blow dust off the lens, mirror and focusing screen with a commercially available blower. For the lens, wipe gently with a lens cleaning paper.
Storage
When not using the camera for a prolonged period, remove the battery and card. Store the camera in a cool, dry place that is well ventilated. Insert the battery periodically and test the cameras functions.
8
Cleaning and checking the image pickup device This camera incorporates a dust reduction function to keep dust from getting on the image pickup device and to remove any dust or dirt from the image pickup device surface with ultrasonic vibrations. Dust reduction works when the power switch is set to ON. The dust reduction function operates at the same time as the pixel mapping, which checks the image pickup device and image processing circuitry. Since dust reduction is activated every time the cameras power is turned on, the camera should be held upright for the dust reduction function to be effective. The SSWF indicator blinks while dust reduction is working. g SSWF indicator (P. 7) x Notes
Do not use strong solvents such as benzene or alcohol, or a chemically treated cloth. Avoid storing the camera in places where chemicals are treated, in order to protect the camera from corrosion. Mold may form on the lens surface if the lens is left dirty. Check each part of the camera before use if it has not been used for a long time. Before taking important pictures, be sure to take a test shot and check that the camera works properly.
98 EN
Cleaning mode k Removing dust

If dust or dirt gets on the image pickup device, black dots may appear in the picture. Contact your Olympus Authorized Service Center to have the image pickup device physically cleaned. The image pickup device is a precision device and is easily damaged. When cleaning the image pickup device yourself, be sure to follow the instructions below. If power runs out during cleaning, the shutter will close, which may cause the shutter curtain and mirror to break. Keep an eye on the remaining battery power.
1 2 3 4 5 6
Remove the lens from the camera, and set the power switch to ON. MENU[Z][CLEANING MODE] Press d, then press the i button.
The camera enters the cleaning mode.

The mirror goes up and the shutter curtain opens.
Clean the image pickup device.

Carefully blow off any dust on the surface of the image pickup device by using a mechanical blower (commercially available).
Be careful not to catch the mechanical blower in the shutter curtain when turning the power off to finish cleaning.
If the camera turns off, the shutter curtain closes, causing the mirror to fall.
x Notes
Be careful not to let the mechanical blower (commercially available) touch the image pickup device. If the blower touches the image pickup device, the image pickup device will be damaged. Never put the mechanical blower behind the lens mount. If the power turns off, the shutter closes, breaking the shutter curtain. Do not use anything other than the mechanical blower. If high-pressure gas is sprayed onto the image pickup device, it will freeze on the image pickup devices surface, damaging the image pickup device.
8
Pixel mapping k Checking the image processing functions

The pixel mapping feature allows the camera to check and adjust the image pickup device and image processing functions. After using the monitor or taking continuous shots, wait for at least one minute before using the pixel mapping function to ensure that it operates correctly.
1 2
MENU[Z][PIXEL MAPPING] Press d, then press the i button.

The [BUSY] bar is displayed when pixel mapping is in progress. When pixel mapping is finished, the menu is restored.
x Notes
If you accidentally turn the camera off during pixel mapping, start again from Step 1.
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99
9 Information
Card basics
Usable cards
Card in this manual refers to a recording medium. This camera can use CompactFlash, Microdrive or xD-Picture Card (optional). CompactFlash
A CompactFlash is a largecapacity solid state flash memory card. You can use commercially available cards.
Microdrive
A Microdrive is a medium that uses a large-capacity compact hard disk drive. You can use a Microdrive that supports CF+Type II (CompactFlash extension standard).
xD-Picture Card
An xD-Picture Card is a recording medium used mainly in compact cameras.
Precautions when using a Microdrive

A Microdrive is a medium that uses a compact hard disk drive. Because the disk drive rotates, a Microdrive is not as resistant to vibration or impact as other cards. Special care is needed when using a Microdrive (especially during recording and playback) to make sure the camera is not subjected to shock or vibrations. Be sure to read the following precautions before using a Microdrive. Also, refer to the manuals provided with your Microdrive. Be very careful when putting the camera down during recording. Place it gently on a firm surface. Do not use the camera in places subject to vibrations or excessive shock, such as at a construction site or in a car while driving along a bumpy road. Do not take a Microdrive close to areas where it may be exposed to strong magnetism.
9
Information
x Notes
The data in the card will not be erased completely even after formatting the card or deleting the data. When discarding, destroy the card to prevent leakage of personal information.
Formatting the card

Non-Olympus cards or cards formatted on a computer must be formatted with the camera before they can be used. All data stored on the card, including protected images, is erased when the card is formatted. When formatting a used card, confirm there are no images that you still want to keep on the card.
1 2 3
100 EN
MENU[W][CARD SETUP] Use ac to select [FORMAT], then press the i button. Use ac to select [YES], then press the i button.
Formatting is performed.
TIPS
When inserting cards into the two card slots:
Select the card to be used in [CF/xD] of MENU.
MENU[Z][CF/xD] [CF]/[xD]
Battery and charger

Use the single Olympus lithium-ion battery (BLS-1). Other batteries cannot be used. The cameras power consumption varies widely with usage and other conditions. As the following consume a lot of power even without shooting, the battery will be drained quickly. Pressing the shutter button halfway in shooting mode, performing auto focus repeatedly. Using live view. Displaying images on the LCD monitor for a prolonged period. When connected to a computer or printer. When using a drained battery, the camera may turn off without the low battery warning being displayed. The battery will not be fully charged at the time of purchase. Charge the battery using the designated charger (BCS-1) before use. The normal charging time of the provided charger is approximately 210 minutes (estimated). Do not use chargers other than the one designated.
Using your charger abroad

The charger can be used in most home electrical sources within the range of 100 V to 240 V AC (50/60Hz) around the world. However, depending on the country or area you are in, the AC wall outlet may be shaped differently and the charger may require a plug adapter to match the wall outlet. For details, ask at your local electrical shop or travel agent. Do not use commercially available travel adaptors as the charger may malfunction.
9
Information
EN
101
Menu directory
Shooting Menu
Tab Function CARD SETUP CUSTOM RESET SETTING PICTURE MODE GRADATION D ALL ERASE/FORMAT RESET RESET1 RESET2 SET/RESET SET/RESET P. 58 P. 59 P. 50 P. 70 Setting Ref. page P. 69 P. 100
hVIVID/iNATURAL*/jMUTED/MONOTONE HIGH KEY/NORMAL*/LOW KEY RAW/SHQ/HQ*/SQ/RAW+SHQ/RAW+HQ/RAW+SQ AUTO* 5 5300K 2 7500K 3 6000K 1 3000K w 4000K x 4500K y 6600K V CWB R-7 - +7, G-7 - +7 R-7 - +7, G-7 - +7 R-7 - +7, G-7 - +7 R-7 - +7, G-7 - +7 R-7 - +7, G-7 - +7 R-7 - +7, G-7 - +7 R-7 - +7, G-7 - +7 R-7 - +7, G-7 - +7 R-7 - +7, G-7 - +7 2000K - 14000K
WB
P. 55
ISO NOISE FILTER NOISE REDUCT.
AUTO*/100 - 1600 OFF/LOW/STANDARD*/HIGH OFF/ON* e* 4 ESP+AF*/ESP
P. 54 P. 60 P. 59
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METERING
n nHI nSH
P. 52
102 EN
Information
w AF MODE P AE BKT ANTI-SHOCK

*
-2.0 - 0.0 * - +2.0 S-AF*/C-AF/MF/S-AF+MF/C-AF+MF AUTO*/Q/R/S OFF*/3F 0.3EV/3F 0.7EV/3F 1.0EV OFF*/1SEC - 30SEC
P. 40 P. 47 P. 47 P. 35 P. 60
Playback menu
Tab q m y EDIT < COPY ALL RESET PROTECT
*
Function OFF/ON* RAW DATA EDIT JPEG EDIT </U YES/NO YES/NO
Setting K*/L/M/N/O
Ref. page P. 64 P. 64
BLACK & WHITE/SEPIA/ REDEYE FIX/SATURATION/Q
P. 65 P. 78 P. 66 P. 68
Custom menu
Tab Function ALL SET ALL RESET SQ AUTO POP UP AEL/AFL AEL/AFL MEMO AELMetering 7 FUNCTION AF ILLUMINAT. LIVE VIEW BOOST 8 FRAME ASSIST JU/HI
*
Setting R-7 - +7 G-7 - +7 YES/NO
Ref. page P. 73
ALL>
PIXEL COUNT COMPRESSION OFF/ON* S-AF* C-AF MF OFF*/ON
32002400/25601920/ 16001200/1280960*/1024768/ P. 51 640480 1/2.7,1/4,1/8*,1/12 P. 73 mode1*/mode2 mode1*/mode2 mode1*/mode2 P. 72 P. 73 P. 49 P. 74 P. 75 P. 23 P. 77 P. 72
AUTO*/4/n/nHI/nSH OFF/ON* OFF*/ON OFF/ON* OFF*/GOLDEN SECTION/GRID/SCALE DIALJU*/DIALHI
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Information
OFF*/V/TEST PICTURE/PREVIEW/LIVE PREVIEW P. 73
EN
103
Setup menu
Tab X CF/xD FILE NAME s W VIDEO OUT REC VIEW SLEEP BACKLIT LCD USB MODE COLOR SPACE PIXEL MAPPING CLEANING MODE FIRMWARE
* Factory *1
Function CF*/xD AUTO*/RESET Lo -7 - 0* - Hi +7

*1 *1
Setting k
Ref. page P. 8 P. 101 P. 74 P. 75 P. 76 P. 76 P. 75 P. 75 P. 75 P. 76 P. 60
OFF/1SEC - 20SEC (5 seconds*) OFF/1MIN*/3MIN/5MIN/10MIN 8SEC*/30SEC/1MIN/HOLD AUTO*/STORAGE/MTP/CONTROL/ <EASY/<CUSTOM sRGB*/Adobe RGB k k k
P. 99 P. 99 P. 77
default setting Settings differ depending on the region where the camera is purchased.
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Information
104 EN
Functions that can be set by shooting mode

AUTO Function Aperture value Shutter speed Bulb shooting F D Flash shooting AUTO ! Flash mode !SLOW #SLOW H #SLOW2 # $ CUSTOM RESET SETTING PICTURE MODE GRADATION NOISE REDUCT. NOISE FILTER > ISO WB w METERING j (Sequential Shooting) Y (Self-timer) < (Remote control) AF MODE P AE BKT ANTI-SHOCK ALL> SQ : Can be set k: Cannot be set
*1:
A k
S k
M k
il& j/ k k k
k k
k k k k k k k k k k k k
k
k k k k
(Cannot be selected in U mode)
(Cannot be selected in U mode) k G, J, g can be set
k (Cannot be selected in ( mode) k k k k k k k*1
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Information
k (Cannot be selected in ( mode) k k k
EN
105
AUTO
Function AUTO POP UP AEL/AFL AEL/AFL MEMO AELMetering 7 FUNCTION FRAME ASSIST X CF/xD FILE NAME s W VIDEO OUT 8 REC VIEW SLEEP BACKLIT LCD USB MODE COLOR SPACE AF ILLUMINAT. LIVE VIEW BOOST PIXEL MAPPING
il& j/
k k k k (Cannot be selected in s mode)
k k
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Information
CLEANING MODE : Can be set k: Cannot be set
106 EN
List of record modes

The file size in the table is approximate. Record mode RAW SHQ HQ 3648 2736 Number of pixels Compression Loss-less compression 1/2.7 1/8 1/2.7 1/4 1/8 1/12 1/2.7 1/4 1/8 1/12 1/2.7 1/4 1/8 1/12 1/2.7 1/4 1/8 1/12 1/2.7 1/4 1/8 1/12 1/2.7 1/4 1/8 1/12 File format ORF File size (MB) Approx. 11 Approx. 6.8 Approx. 2.2 Approx. 5.3 Approx. 3.7 Approx. 1.7 Approx. 1.1 Approx. 3.6 Approx. 2.2 Approx. 1.1 Approx. 0.7 Approx. 1.3 Approx. 0.8 Approx. 0.5 Approx. 0.3 Approx. 0.8 Approx. 0.5 Approx. 0.3 Approx. 0.2 Approx. 0.5 Approx. 0.4 Approx. 0.2 Approx. 0.1 Approx. 0.2 Approx. 0.2 Approx. 0.1 Approx. 0.1
3200 2400
2560 1920
1600 1200 SQ 1280 960
JPEG
1024 768
640 480
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Information
x Notes
The number of remaining pictures may change according to the subject or factors like whether print reservations have been made or not. In certain instances, the number of remaining pictures displayed on the viewfinder or the LCD monitor does not change even when you take pictures or stored images are erased. The actual file size varies according to the subject.
EN
107
Names of parts
Camera
Eyecup gP. 44 Viewfinder gP. 110 LCD monitor gP. 114 q (Playback) button gP. 61 S (Erase) button gP. 68 MENU button gP. 20 INFO (Information display) button gP. 63 Diopter adjustment dial gP. 7 AEL/AFL button gP. 54, 72 0 (Protect) button gP. 67 u (Live view) button gP. 22 Power switch gP. 7 Arrow pad gP. 20
i button gP. 20
Tripod socket
Battery compartment lock gP. 4 Battery compartment cover gP. 4
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Information
Connector cover Multi-connector gP. 81, 85 Card cover gP. 6 CF card slot gP. 6 xD-Picture Card slot gP. 6
Eject button gP. 6
108 EN
Mode dial gP. 17 Control dial gP. 18, 19 Shutter button gP. 10 F (Exposure compensation) button gP. 53
Built-in flash gP. 40 Hot shoe gP. 41 # (flash) button gP. 39 </Y/j (Remote control/Self-timer/ Sequential shooting) button gP. 43 COPY/< (Copy/Print) button gP. 66
Strap eyelet gP. 3
Self-timer/Remote control lamp/ Remote control receiver gP. 43, 44 Lens attachment mark gP. 5 Lens release button gP. 5 Lens lock pin Mount (Attach the lens after removing the body cap from the camera to prevent dust and dirt from entering the camera body.) Mirror
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Information
EN
109
Viewfinder indications
No. 1 2 3 4 5 6 7 AF frame Aperture value Shutter speed
Items
Indication examples
Ref. page P. 35, 47 P. 30 - 33 P. 30 - 33
AF confirmation mark Flash White balance AE lock Exposure compensation value Metering mode Battery check Exposure mode
( # (blinks: charging in progress, lights up: charging completed) U V 9, : (ready for use), (charging required) P, %, A, S, M
P. 35 P. 40 P. 55 P. 54 P. 53 P. 52 k P. 30 - 33
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Information
8 9 10 11
110 EN

1 5 7 8 9 13 2 3 4 6
2007.08.16
1 24 19 5 7 8 20
6 3 21 10 22
2007.08.16
10 11 12
14
15 16 17
Basic
18
14
Detailed
23
18
No. 1 2 3 4 5 6 Battery check Shutter speed
Items
Indication examples (ready for use), (charging required) 1/250
Ref. page k P. 30 - 33 P. 53 P. 33 P. 40
Exposure compensation indicator Exposure level indicator Flash intensity level indicator Aperture value Exposure mode Exposure compensation value Date Auto bracketing Noise reduction Flash stand-by, flash charging Internal temperature warning ISO White balance Picture mode Flash mode Sequential shooting/Self-timer/ Remote control Metering mode Card Record mode AF frame AF mode Number of storable still pictures Super FP flash F5.6 P, A, S, M, i, l, &, j, / +2.0 2007.08.16 0 O # m AUTO, 100, 200, 400 1, 5 iNATURAL H, # j, Y2s, <0s e, 4, n, nHI, nSH 4, CF HQ P S-AF 32 1
P. 30 - 33 P. 17, P. 29 - 33 P. 53 P. 8 P. 35 P. 59 P. 40 P. 97 P. 54 P. 55 P. 58 P. 39 P. 43 P. 52 P. 100 P. 51 P. 47 P. 47 k P. 42
8 9 10 11 12 13 14 15 16 17 18 19
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Information
EN
111
No. Flash mode
Items H # +2.0 Flash intensity control Metering mode
Indication examples
Ref. page P. 39 P. 40 P. 52 P. 47 P. 47 P. 43 P. 55 P. 56 P. 60 P. 58 P. 58 P. 58 P. 59 P. 51 P. 49
e, 4, n S-AF P j, Y2s, <0s 1, 5 R+3, G-2 sRGB, Adobe RGB N +2 J +2 T +2 z, zH, zL HQ 3648 2736 T
20
AF mode AF frame Sequential shooting/Self-timer/ Remote control
21
White balance White balance compensation Color space Sharpness
22
Contrast Saturation Gradation Record mode Pixel count AF illuminator
23 24
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Information
112 EN
LCD monitor indications (during live view)

1 2 19 18 17 16 15 14
No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 Battery check Exposure mode Shutter speed Aperture value Exposure compensation value Flash AF confirmation mark Flash mode White balance Metering mode Number of storable still pictures Card AF frame Record mode Picture mode AF mode Sequential shooting ISO Internal temperature warning Items
C/F C/ C/F
5 6 7 8 9 10 11
13 12
Indication examples (ready for use), (charging required) P, A, S, M, i, l, &, j, / 1/250 F5.6 +2.0 # (blinks: charging in progress, lights up: charging completed) ( H, # 1, 5 e, 4, n, HIn, SHn 38 4, CF k RAW+SHQ i S-AFb j ISO AUTO, ISO100, ISO200, ISO400 m Ref. page k P. 17, P. 29 - 33 P. 30 - 33 P. 30 - 33 P. 53 P. 40 k P. 39 P. 55 P. 52 k P. 100 P. 47 P. 51 P. 58 P. 47 P. 43 P. 54 P. 97
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Information
EN
113
LCD monitor indications (during playback)

You can switch the monitor display using the INFO (information display) button. g Information display (P. 63)
1 5
4 5
10
11 12 13 14 15 16 17 18 19
6 7 21
Single-frame playback information
20
Shooting information
No. 1 2 3 4 5 6 7 Battery check Card
Items
Indication examples (ready for use), (charging required) [CF], [xD] < 10 9 RAW, SHQ, HQ, SQ 07.08.16 21:56 y 100-0015 15 +2.0 1/250 F5.6 P, A, S, M, i, l, &, j, / 45 mm ISO 100, ISO 200, ISO 400 e, 4, n, nHI, nSH w 0.0 R: 0, G: 0 iNATURAL sRGB, Adobe RGB WB:AUTO k
Ref. page k P. 100 P. 78 P. 67 P. 51 P. 8 P. 63 P. 47 P. 53 P. 30 - 33 P. 30 - 33 P. 17, P. 29 - 33 P. 122 P. 54 P. 52 P. 40 P. 56 P. 58 P. 60 P. 55 P. 63
Print reservation Number of prints Protect Record mode Date and time File number Frame number AF frame Exposure compensation Shutter speed Aperture value Exposure mode Focal distance* ISO Metering mode Flash intensity control White balance compensation Picture mode Color space White balance Histogram
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* The focal distance is displayed in 1 mm units.
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Glossary
A (Aperture Priority) Mode You set the aperture yourself and the camera automatically varies the shutter speed so that the picture is taken with the correct exposure. AE (Automatic Exposure) The cameras built-in exposure meter automatically sets the exposure. The 3 AE modes available on this camera are P mode, in which the camera selects both the aperture and shutter speed, A mode, in which the user selects the aperture and the camera sets the shutter speed, and S mode, in which the user selects the shutter speed and the camera sets the aperture. In M mode, the user selects both the aperture and the shutter speed. Aperture The adjustable lens opening which controls the amount of light that enters the camera. The larger the aperture, the shorter the depth of field and the fuzzier the background. The smaller the aperture, the greater the depth of field and the sharper the background. Aperture is measured in f/stops. Larger aperture values indicate smaller apertures, and smaller aperture values indicate larger apertures. AUTO mode Program AE mode (see P (Program) Mode). In addition, this mode features automatic flash pop up when shooting in low-light conditions. Center weighted averaging metering A light metering mode or technique that uses an average of the center and periphery of the image area but is biased toward the information at the center of the image area. This method is best used when the brightness of the center and periphery of the image area does not vary greatly. See also digital ESP metering and spot metering. Color space A model that describes colors using more than three coordinates. Color spaces such as sRGB, Adobe RGB are occasionally used for encoding/reproducing colors. Color temperature The spectral balance of different white light sources is rated numerically by color temperature k a concept of theoretical physics that, with incandescent lighting, corresponds roughly to the absolute lamp filament temperature, expressed on the Kelvin (K) temperature scale. The higher the color temperature, the richer the light in bluish tones and the poorer in reddish; the lower the color temperature, the richer the light in reddish tones and the poorer in bluish. You may encounter difficulties with color reproduction when shooting indoors under fluorescent lighting, or where sunlight and fluorescent lighting are both present. Your camera is provided with a white balance adjustment feature that you can use to compensate for the odd effects of combinations of color you may occasionally see in your pictures. Compression rate Compression is a method of reducing file size by abbreviating some contents of data, and compression rate denotes the amount of compression. The actual effect of the selected compression rate could vary with the content of the image. The numbers for the compression rate selected with this camera provide only a general scale for reference and are not precise measurements. DCF (Design rule for Camera File system) A standard for image files by the Japan Electronics and Information Technology Industries Association (JEITA). Depth of Field Depth of Field refers to the distance from the nearest to the furthest point of perceived sharp focus in a picture.
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Digital ESP (Electro-Selective Pattern) Light Metering This determines the exposure by splitting the image into 49 areas and metering and calculating the light levels in each area. DPOF (Digital Print Order Format) This is for saving desired print settings on digital cameras. By entering which images to print and the number of copies of each, the user can easily have the desired images printed by a printer or print lab that supports the DPOF format. Eclipsing (Vignetting) This refers to when an object obscures part of the field of view so that the whole subject is not photographed. Vignetting also refers to when the image seen through the viewfinder does not exactly match the image shot through the objective lens, so the photographed image includes objects not seen through the viewfinder. In addition, vignetting can occur when an incorrect lens hood is used, causing shadowing to appear in the corners of the image. EV (Exposure Value) A system for measuring exposure. EV0 is when the aperture is at F1 and the shutter speed is 1 second. The EV then increases by 1 each time the aperture increases by one F stop or the shutter speed increases by one increment. EV can also be used to indicate brightness and ISO settings. Exposure The amount of light used to capture an image. The exposure is determined by the length of time the shutter is open (shutter speed) and the amount of light that passes through the lens (aperture). Image pickup device This converts light passing through the lens into electrical signals. On this camera, light is picked up and converted into RGB signals to build a single image. ISO International abbreviation for International Organization for Standardization. The sensitivity setting used in digital cameras is based on the same ISO standard used for film sensitivity. The sensitivity is denoted as shown in ISO 100. Higher ISO values indicate greater sensitivity to light, so images can be exposed even in low-light conditions.
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JPEG (Joint Photographic Experts Group) A compression format for color still images. Photographs (images) shot using this camera are recorded onto the card in JPEG format when the Record mode is set to SHQ, HQ, SQ. By downloading these images to a personal computer, users can edit them using graphics application software or view the images using an Internet web browser. M (Manual) Mode The user sets both the aperture and shutter speed. NTSC (National Television Systems Committee) / PAL (Phase Alternating Line) Television formats. NTSC is mainly used in Japan, North America and Korea. PAL is mainly used in Europe and China. Number of Pixels (PIXEL COUNT) The number of dots (pixels) used to create an image denotes the image size. For instance, an image in 640 480 pixel count is the same size as the computer screen if the monitor setting is also 640 480. If the monitor setting is 1024 768, the image only takes up part of the screen. P (Program) Mode Also called Program AE mode. The camera automatically sets the best shutter speed and aperture for the shot. PictBridge A standard that enables digital cameras and printers made by different manufacturers to be connected, and also allows pictures to be printed directly from the camera.
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Pixels A pixel is the smallest unit (dot) used to make up an image. Clear large-sized printed images require millions of pixels. RAW Refers to raw data, data which has not been enhanced with a camera option like white balance, sharpness, contrast, etc. This file format is for viewing and processing with our own software. You may not be able to open or process these files with other graphics software applications, and these files cannot be selected for DPOF printing. RAW files are assigned an orf file extension (*.orf). S (Shutter Priority) Mode Also called Shutter Priority AE mode. The user selects the shutter speed and the camera automatically varies the aperture so that the picture is taken with the best exposure. Single-lens reflex camera A camera that uses the reflective mirror to bend the light entering from the shooting lens and uses the viewfinder to check. There is no difference between the composition to be captured and the composition viewed on the viewfinder. Sleep Mode A mode designed to save battery life. The camera automatically enters the sleep mode if you do not operate it for a certain time. To get out of the sleep mode, use any button on the camera (shutter button, menu button, etc.). Spot metering The meter reading is taken from a very small area around the center of the subject, defined by the spot metering area mark in the viewfinder. Spot metering is ideal for use in difficult light conditions, or when the important element of the picture (subjects face) is small. Use spot metering for backlit subjects, or sports and stage performers. See also digital ESP metering and center weighted averaging metering. TFT (Thin-Film Transistor) Color Monitor A color monitor constructed using thin-film technology. TTL phase-contrast detection system This is used to measure the distance to the subject. The camera determines if the image is focused by the detected phase contrast. TTL (Through-The-Lens) System To help adjust exposure, a light receptor built into the camera directly measures the light passing through the lens.
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Specifications
Camera specifications
Product type
Product type Lens Lens mount Equivalent focal length on a 35 mm film camera : Single-lens reflex digital camera with interchangeable lens system : Zuiko Digital, Four Thirds System Lens : Four Thirds mount : Approx. twice the focal length of the lens : : : : : : : : : : : : : : 4/3" Live MOS sensor Approx. 11,800,000 pixels Approx. 10,000,000 pixels 17.3 mm (H) 13.0 mm (V) (0.7" 0.5") 1.33 (4:3) Eye-level single-lens reflex viewfinder Approx. 95 % (for field of view on recorded images) Approx. 0.92x (-1 m -1, 50 mm lens, infinity) 14 mm (0.6") from the cover glass (-1 m -1) -3.0 - +1.0 m -1 Quick return half mirror Can be checked with the b button (when PREVIEW registered) Fixed Interchangeable
Image pickup device

Product type No. of total pixels No. of effective pixels Screen size Aspect ratio
Viewfinder
Product type Field of view Viewfinder magnification Eye point Diopter adjustment range Optical path fraction Depth of field Focusing screen Eyecup
Live view
: Uses Live MOS sensor for shooting : Field of view of 100%
LCD monitor
Product type Total no. of pixels : 2.5" TFT color LCD (HyperCrystal LCD) : Approx. 230,000 pixels : Computerized focal-plane shutter : 1/4000 - 60 sec., Bulb shooting : : : : : TTL phase-contrast detection system 3-point multiple AF (left, center, right) EV 0 - EV 19 Auto, Optional The built-in flash provides light.
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Shutter
Product type Shutter
Auto focus
Product type Focusing point AF luminance range Selection of focusing point AF illuminator
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Exposure control
Metering system : TTL full-aperture metering system (1) Digital ESP metering (2) Center weighted averaging metering (3) Spot metering (approx. 2 % for the viewfinder screen) : EV 1 - 20 (Digital ESP metering, Center weighted average metering, Spot metering) (At normal temperature, 50 mm F2, ISO 100) : (1) AUTO : Fully automatic (2) P : Program AE (Program shift can be performed) (3) A : Aperture priority AE (4) S : Shutter priority AE (5) M : Manual : 100 - 1600 : 5 EV (1/3 EV step) : Image pickup device : Auto, Preset WB (7 settings), Customized WB, One-touch WB : CF card (Compatible with Type I and II) Microdrive (Compatible with FAT 16/32) xD-Picture Card : Digital recording, JPEG (in accordance with Design rule for Camera File system (DCF)), RAW Data : Exif 2.2, Digital Print Order Format (DPOF), PRINT Image Matching III, PictBridge : Single-frame playback, Close-up playback, Index display, Image rotation, Slideshow, Calendar display : Information display, Histogram display : Single-frame shooting, Sequential shooting, Self-timer, Remote control : 3 frames/sec. (Max. no. of storable sequential pictures: 6 frames in RAW) : Operation time: 12 sec., 2 sec. : Operation time: 2 sec., 0 sec. (instantaneous shooting) (RM-1 Remote Control (optional)) : Synchronized with the camera at 1/180 sec. or less : TTL-AUTO (TTL pre-flash mode), AUTO, MANUAL : Hot shoe
Metering range Exposure mode
ISO sensitivity Exposure compensation
White balance
Product type Mode setting
Recording
Memory Recording system Applicable standards
Playback
Playback mode Information display
Drive
Drive mode Sequential shooting Self-timer Optical remote control
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Flash
Synchronization Flash control mode External flash attachment
External connector
USB connector/VIDEO OUT connector (Multi-connector)
Power supply
Battery : Li-ion Battery (BLS-1) 1 : 129.5 mm (W) 91 mm (H) 53 mm (D) (5.1" 3.6" 2.1") (excluding protrusions) : Approx. 375 g (0.8 Ib.) (without battery) : 0 m - 40 m (32 n - 104 n) (operation)/ -20 m - 60 m (-4 n - 140 n) (storage) : 30 - 90 % (operation)/10 - 90 % (storage)
Dimensions/weight
Dimensions Weight Temperature Humidity
Operating environment
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Battery/charger specifications
BLS-1 Lithium ion battery
MODEL NO. Product type Nominal voltage Nominal capacity No. of charge and discharge times Ambient temperature Dimensions Weight : : : : PS-BLS1 Rechargeable Lithium ion battery DC 7.2 V 1150 mAh
: Approx. 500 times (vary with usage conditions) : 0 m - 40 m (32 n - 104 n) (charging) -10 m - 60 m (14 n - 140 n) (operation) -20 m - 35 m (-4 n - 95 n) (storage) : Approx. 35.5 mm (W) 55 mm (D) 12.8 mm (H) (1.4" 2.2" 0.5") : Approx. 46 g (0.1 Ib.)
BCS-1 Lithium ion charger

MODEL NO. Rated input Rated output Charging time Ambient temperature Dimensions Weight : PS-BCS1 : U.S.A CANADA AC 120V (60 Hz) Other countries AC 100 V - 240 V (50/60 Hz) : DC 8.35 V. 400 mA : Approx. 210 min. (room temperature: if using BLS-1) : 0 m - 40 m (32 n - 104 n) (operation)/ -20 m - 60 m (-4 n - 140 n) (storage) : Approx. 62 mm (W) 83 mm (D) 38 mm (H) (2.4" 3.3" 1.5") : Approx. 72 g (0.2 Ib.) (without AC cable)
SPECIFICATIONS ARE SUBJECT TO CHANGE WITHOUT ANY NOTICE OR OBLIGATION ON THE PART OF THE MANUFACTURER.
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10 Interchangeable lenses
Lens
Usable lenses Select the lens that you want to shoot with. Use a specified Four Thirds lens (Four Thirds mount). When a non-specified lens is used, AF (auto focus) and light metering will not function correctly. In some cases, other functions may not work either. Four Thirds mount
Developed by Olympus as the lens mount standard for the Four Thirds system. These all-new interchangeable lenses featuring the Four Thirds mount were developed from the ground up based on optic engineering exclusively for digital cameras.
ZUIKO DIGITAL interchangeable lens Four Thirds system interchangeable lens designed to withstand rigorous professional use. The Four Thirds system makes it possible for a fast lens to be compact and lightweight as well. x Notes
When you attach or remove the body cap and lens from the camera, keep the lens mount on the camera pointed downward. This helps prevent dust and other foreign matter from getting inside the camera. Do not remove the body cap or attach the lens in dusty places. Do not point the lens attached to the camera toward the sun. This may cause the camera to malfunction or even ignite due to the magnifying effect of sunlight focusing through the lens. Be careful not to lose the body cap and rear cap. Attach the body cap to the camera to prevent dust from getting inside when no lens is attached.
ZUIKO DIGITAL interchangeable lens

Names of parts 1 Hood mount section 2 Filter mount thread 3 Zoom ring 4 Focus ring 5 Mount index 6 Electrical contacts 7 Front cap 8 Rear cap 9 Lens hood
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Interchangeable lenses
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Attaching the hood
Storing the hood
Use the hood when shooting a backlit subject. For 17.5-45 mm lens, the lens hood is not provided.
Main Specifications
Items Mount Focal distance Max. aperture Image angle Lens configuration Iris control Shooting range Focus adjustment Weight (excluding hood and cap) Dimensions (Max. diameter overall length) Lens hood mount Filter mount thread diameter 210 g l71 70 mm k 52 mm 17.5 - 45 mm f3.5 - 5.6 63 o - 27 o 7 groups, 7 lenses f3.5 - 22 0.28 m - ) 17.5-45 mm 14-42 mm FOUR THIRDS mount 14 - 42 mm f3.5 - 5.6 75 o - 29 o 8 groups, 10 lenses f3.5 - 22 0.25 m - ) AF/MF switching 190 g l65.5 61 mm Bayonet 58 mm 220 g l65.5 72 mm 40 - 150 mm f4 - 5.6 30 o - 8.2 o 9 groups, 12 lenses f4 - 22 0.9 m - ) 40-150 mm
Multilayer film coating (partially single layered)
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Can be used with the optional EX-25 extension tube under the following conditions. The focus adjustment when EX-25 is used will be MF.
Lens, focal distance 17.5 mm 17.5-45 mm 28 mm 45 mm 14 mm 14-42 mm 25 mm 42 mm 40 mm 40-150 mm 80 mm 150 mm Shooting range Magnification (): Calculated based on 35 mm film camera
Shooting is not possible since subjects cannot be brought into focus at this focal length. 15.1 cm - 15.9 cm 18.4 cm - 22.4 cm 0.89 - 1.16 (1.78 - 2.32) 0.57 - 0.91 (1.14 - 1.82)
Shooting is not possible since subjects cannot be brought into focus at this focal length. 13.3 cm 16.2 cm - 17.3 cm 19.0 cm - 20.4 cm 28.0 cm - 40.6 cm 48.0 cm - 118.8 cm 1.02 (2.04) 0.61 - 0.69 (1.22 - 1.38) 0.61 - 0.70 (1.22 - 1.40) 0.32 - 0.48 (0.64 - 0.96) 0.17 - 0.39 (0.34 - 0.78)
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Storage Precautions Clean and keep the lens after use. Remove dust and dirt on the surface of the lens with a blower brush or brush. Use commercially available lens cleaning paper to remove the dirt on the lens. Always cap the lens and store it when it is not used. Do not use organic solvents. x Notes on Shooting
Edges of pictures may be cut off if more than one filter is used or if a thick filter is used.
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SAFETY PRECAUTIONS
CAUTION
RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION: TO REDUCE THE RISK OF ELECTRICAL SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED OLYMPUS SERVICE PERSONNEL.
An exclamation mark enclosed in a triangle alerts you to important operating and maintenance instructions in the documentation provided with the product. DANGER WARNING If the product is used without observing the information given under this symbol, serious injury or death may result. If the product is used without observing the information given under this symbol, injury or death may result. If the product is used without observing the information given under this symbol, minor personal injury, damage to the equipment, or loss of valuable data may result.
CAUTION
WARNING! TO AVOID THE RISK OF FIRE OR ELECTRICAL SHOCK, NEVER DISASSEMBLE, EXPOSE THIS PRODUCT TO WATER OR OPERATE IN A HIGH HUMIDITY ENVIRONMENT.
General Precautions
Read All Instructions Before you use the product, read all operating instructions. Save all manuals and documentation for future reference. Cleaning Always unplug this product from the wall outlet before cleaning. Use only a damp cloth for cleaning. Never use any type of liquid or aerosol cleaner, or any type of organic solvent to clean this product. Attachments For your safety, and to avoid damaging the product, use only accessories recommended by Olympus. Water and Moisture For precautions on products with weatherproof designs, read the weatherproofing sections. Location To avoid damage to the product, mount the product securely on a stable tripod, stand, or bracket. Power Source Connect this product only to the power source described on the product label. Foreign Objects To avoid personal injury, never insert a metal object into the product. Heat Never use or store this product near any heat source such as a radiator, heat register, stove, or any type of equipment or appliance that generates heat, including stereo amplifiers.
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Product Handling Precautions

WARNING
( Do not use the camera near flammable or explosive gases. ( Do not use the flash and LED on people (infants, small children, etc.) at close range. You must be at least 1 m (3 ft.) away from the faces of your subjects. Firing the flash too close to the subjects eyes could cause a momentary loss of vision. ( Keep young children and infants away from the camera. Always use and store the camera out of the reach of young children and infants to prevent the following dangerous situations which could cause serious injury: Becoming entangled in the camera strap, causing strangulation. Accidentally swallowing the battery, cards or other small parts. Accidentally firing the flash into their own eyes or those of another child. Accidentally being injured by the moving parts of the camera. ( Do not look at the sun or strong lights with the camera. ( Do not use or store the camera in dusty or humid places. ( Do not cover the flash with a hand while firing.
CAUTION
( Stop using the camera immediately if you notice any unusual odors, noise, or smoke around it. Never remove the batteries with bare hands, which may cause a fire or burn your hands. ( Never hold or operate the camera with wet hands. ( Do not leave the camera in places where it may be subject to extremely high temperatures. Doing so may cause parts to deteriorate and, in some circumstances, cause the camera to catch fire. Do not use the charger if it is covered (such as a blanket). This could cause overheating, resulting in fire. ( Handle the camera with care to avoid getting a low-temperature burn. When the camera contains metal parts, overheating can result in a low-temperature burn. Pay attention to the following: When used for a long period, the camera will get hot. If you hold on to the camera in this state, a lowtemperature burn may be caused. In places subject to extremely cold temperatures, the temperature of the cameras body may be lower than the environmental temperature. If possible, wear gloves when handling the camera in cold temperatures. ( Be careful with the strap. Be careful with the strap when you carry the camera. It could easily catch on stray objects - and cause serious damage.
Battery Handling Precautions

Follow these important guidelines to prevent batteries from leaking, overheating, burning, exploding, or causing electrical shocks or burns.
DANGER
The camera uses a lithium ion battery specified by Olympus. Charge the battery with the specified charger. Do not use any other chargers. Never heat or incinerate batteries. Take precautions when carrying or storing batteries to prevent them from coming into contact with any metal objects such as jewelry, pins, fasteners, etc. Never store batteries where they will be exposed to direct sunlight, or subjected to high temperatures in a hot vehicle, near a heat source, etc. To prevent causing battery leaks or damaging their terminals, carefully follow all instructions regarding the use of batteries. Never attempt to disassemble a battery or modify it in any way, by soldering, etc. If battery fluid gets into your eyes, flush your eyes immediately with clear, cold running water and seek medical attention immediately. Always store batteries out of the reach of small children. If a child accidentally swallows a battery, seek medical attention immediately.
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WARNING
Keep batteries dry at all times. To prevent batteries from leaking, overheating, or causing a fire or explosion, use only batteries recommended for use with this product. Insert the battery carefully as described in the operating instructions. EN
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If rechargeable batteries have not been recharged within the specified time, stop charging them and do not use them. Do not use a battery if it is cracked or broken. If a battery leaks, becomes discolored or deformed, or becomes abnormal in any other way during operation, stop using the camera. If a battery leaks fluid onto your clothing or skin, remove the clothing and flush the affected area with clean, running cold water immediately. If the fluid burns your skin, seek medical attention immediately. Never subject batteries to strong shocks or continuous vibration.
CAUTION
Before loading, always inspect the battery carefully for leaks, discoloration, warping, or any other abnormality. The battery may become hot during prolonged use. To avoid minor burns, do not remove it immediately after using the camera. Always unload the battery from the camera before storing the camera for a long period. This camera uses a lithium ion battery specified by Olympus. Do not use any other type of battery. For safe and proper use, read the batterys instruction manual carefully before using it. If the batterys terminals get wet or greasy, camera contact failure may result. Wipe the battery well with a dry cloth before use. Always charge a battery when using it for the first time, or if it has not been used for a long period. When operating the camera with battery power at low temperatures, try to keep the camera and spare battery as warm as possible. A battery that has run down at low temperatures may be restored after it is warmed at room temperature. The number of pictures you can take may vary depending on the shooting conditions or battery. Before going on a long trip, and especially before traveling abroad, purchase extra batteries. A recommended battery may be difficult to obtain while traveling. Please recycle batteries to help save our planets resources. When you throw away dead batteries, be sure to cover their terminals and always observe local laws and regulations.
Caution for Usage Environment

To protect the high-precision technology contained in this product, never leave the camera in the places listed below, no matter if in use or storage: Places where temperatures and/or humidity are high or go through extreme changes. Direct sunlight, beaches, locked cars, or near other heat sources (stove, radiator, etc.) or humidifiers. In sandy or dusty environments. Near flammable items or explosives. In wet places, such as bathrooms or in the rain. When using products with weatherproof designs, read their manuals as well. In places prone to strong vibrations. Never drop the camera or subject it to severe shocks or vibrations. When mounted on a tripod, adjust the position of the camera with the tripod head. Do not twist the camera. Do not leave the camera pointed directly at the sun. This may cause lens or shutter curtain damage, color failure, ghosting on the image pickup device, or may possibly cause fires. Do not touch electric contacts on cameras and interchangeable lenses. Remember to attach the body cap when removing the lens. Before storing the camera for a long period, remove the battery. Select a cool, dry location for storage to prevent condensation or mold from forming inside the camera. After storage, test the camera by turning it on and pressing the shutter release button to make sure that it is operating normally. Always observe the operating environment restrictions described in the cameras manual.
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LCD Monitor
Do not push the monitor forcibly; otherwise the image may become vague, resulting in a playback mode failure or damage to the monitor. A strip of light may appear on the top/bottom of the monitor, but this is not a malfunction. When a subject is viewed diagonally in the camera, the edges may appear zigzagged on the monitor. This is not a malfunction; it will be less noticeable in playback mode. In places subject to low temperatures, the LCD monitor may take a long time to turn on or its color may change temporarily. When using the camera in extremely cold places, it is a good idea to occasionally place it in a warm place. An LCD monitor exhibiting poor performance due to low temperatures will recover in normal temperatures. The LCD used for the monitor is made with high-precision technology. However, black spots or bright spots of light may appear constantly on the LCD Monitor. Due to its characteristics or the angle at which you are viewing the monitor, the spot may not be uniform in color and brightness. This is not a malfunction.
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Lens
Do not immerse in water or splash with water. Do not drop or exert strong force on the lens. Do not hold at the moving part of the lens. Do not touch the lens surface directly. Do not touch the contact points directly. Do not subject to abrupt temperature changes. Do observe the operating temperature limit.
Legal and Other Notices

Olympus makes no representations or warranties regarding any damages, or benefit expected by using this unit lawfully, or any request from a third person, which are caused by the inappropriate use of this product. Olympus makes no representations or warranties regarding any damages or any benefit expected by using this unit lawfully which are caused by erasing picture data.
Disclaimer of Warranty
Olympus makes no representations or warranties, either expressed or implied, by or concerning any content of these written materials or software, and in no event shall be liable for any implied warranty of merchantability or fitness for any particular purpose or for any consequential, incidental or indirect damages (including but not limited to damages for loss of business profits, business interruption and loss of business information) arising from the use or inability to use these written materials or software or equipment. Some countries do not allow the exclusion or limitation of liability for consequential or incidental damages, so the above limitations may not apply to you. Olympus reserves all rights to this manual.
Warning
Unauthorized photographing or use of copyrighted material may violate applicable copyright laws. Olympus assumes no responsibility for unauthorized photographing, use or other acts that infringe upon the rights of copyright owners.
Copyright Notice
All rights reserved. No part of these written materials or this software may be reproduced or used in any form or by any means, electronic or mechanical, including photocopying and recording or the use of any type of information storage and retrieval system, without the prior written permission of Olympus. No liability is assumed with respect to the use of the information contained in these written materials or software, or for damages resulting from the use of the information contained therein. Olympus reserves the right to alter the features and contents of this publication or software without obligation or advance notice.
FCC Notice
Radio and Television Interference Changes or modifications not expressly approved by the manufacturer may void the users authority to operate this equipment. This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures: - Adjust or relocate the receiving antenna. - Increase the distance between the camera and receiver. - Connect the equipment to an outlet on a circuit different from that to which the receiver is connected. - Consult your dealer or an experienced radio/TV technician for help. Only the OLYMPUS-supplied USB cable should be used to connect the camera to USB enabled personal computers (PC).
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Any unauthorized changes or modifications to this equipment would void the users authority to operate it.
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For customers in North and South America

For customers in USA
Declaration of Conformity Model Number : E-410 Trade Name : OLYMPUS Responsible Party : Address : 3500 Corporate Parkway, P.O. Box 610, Center Valley, PA 18034-0610, U.S.A. Telephone Number : 484-896-5000 Tested To Comply With FCC Standards FOR HOME OR OFFICE USE This device complies with Part 15 of the FCC rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference. (2) This device must accept any interference received, including interference that may cause undesired operation.
For customers in Canada

This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.
For customers in Europe

CE mark indicates that this product complies with the European requirements for safety, health, environment and customer protection. CE mark cameras are intended for sales in Europe.
This symbol [crossed-out wheeled bin WEEE Annex IV] indicates separate collection of waste electrical and electronic equipment in the EU countries. Please do not throw the equipment into the domestic refuse. Please use the return and collection systems available in your country for the disposal of this product.
Use Only Dedicated Rechargeable Battery and Battery Charger
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We strongly recommend that you use only the genuine Olympus dedicated rechargeable battery and battery charger with this camera. Using a non-genuine rechargeable battery and/or battery charger may result in fire or personal injury due to leakage, heating, ignition or damage to the battery. Olympus does not assume any liability for accidents or damage that may result from the use of a battery and/or battery charger that are not genuine Olympus accessories.
Provisions of warranty
1. If this product proves to be defective, although it has been used properly (in accordance with the written Handling Care and Operating instructions supplied with it), during a period of two years from the date of purchase from an authorized Olympus distributor within the business area of Olympus Imaging Europa GmbH as stipulated on the website: http://www.olympus.com this product will be repaired, or at Olympuss option replaced, free of charge. To claim under this warranty the customer must take the product and this Warranty Certificate before the end of the two year warranty period to the dealer where the product was purchased or any other Olympus service station within the business area of Olympus Imaging Europa GmbH as stipulated on the website: http://www.olympus.com. During the one year period of the World Wide Warranty the customer may turn the product in at any Olympus service station. Please notice that not in all countries such Olympus service station exists. 2. The customer shall transport the product to the dealer or Olympus authorized service station at his own risk and shall be responsible for any costs incurred in transporting the product. 3. This warranty does not cover the following and the customer will be required to pay repair charge, even for defects occurring within the warranty period referred to above.
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(a) Any defect that occurs due to mishandling (such as an operation performed that is not mentioned in the Handling Care or other sections of the instructions, etc.) (b) Any defect that occurs due to repair, modification, cleaning, etc. performed by anyone other than Olympus or an Olympus authorized service station. (c) Any defect or damage that occurs due to transport, a fall, shock, etc. after purchase of the product. (d) Any defect or damage that occurs due to fire, earthquake, flood damage, thunderbolt, other natural disasters, environmental pollution and irregular voltage sources. (e) Any defect that occurs due to careless or improper storage (such as keeping the product under conditions of high temperature and humidity, near insect repellents such as naphthalene or harmful drugs, etc.), improper maintenance, etc. (f) Any defect that occurs due to exhausted batteries, etc. (g) Any defect that occurs due to sand, mud, etc. entering the inside of the product casing. (h) When this Warranty Certificate is not returned with the product. (i) When any alterations whatsoever are made to the Warranty Certificate regarding the year, month and date of purchase, the customers name, the dealers name, and the serial number. (j) When proof of purchase is not presented with this Warranty Certificate. 4. This Warranty applies to the product only; the Warranty does not apply to any other accessory equipment, such as the case, strap, lens cap and batteries. 5. Olympuss sole liability under this warranty shall be limited to repairing or replacing the product. Any liability for indirect or consequential loss or damage of any kind incurred or suffered by the customer due to a defect of the product, and in particular any loss or damage caused to any lenses, films, other equipment or accessories used with the product or for any loss resulting from a delay in repair or loss of data, is excluded. Compelling regulations by law remain unaffected by this.
Notes regarding warranty maintenance

1. This warranty will only be valid if the Warranty Certificate is duly completed by Olympus or an authorized dealer or other documents contain sufficient proof. Therefore, please make sure that your name, the name of the dealer, the serial number and the year, month and date of purchase are all completed or the original invoice or the sales receipt (indicating the dealers name, the date of purchase and product type) is attached to this Warranty Certificate. Olympus reserves the right to refuse free-of-charge service if neither Warranty Certificate is completed nor the above document is attached or if the information contained in it is incomplete or illegible. 2. Since this Warranty Certificate will not be re-issued, keep it in a safe place. Please refer to the list on the web site: http://www.olympus.com for the authorized international Olympus service network.
Trademarks
IBM is a registered trademark of International Business Machines Corporation. Microsoft and Windows are registered trademarks of Microsoft Corporation. Macintosh is a trademark of Apple Inc. xD-Picture Card is a trademark. All other company and product names are registered trademarks and/or trademarks of their respective owners. The standards for camera file systems referred to in this manual are the Design Rule for Camera File System/DCF standards stipulated by the Japan Electronics and Information Technology Industries Association (JEITA).
11
Others
EN
129
Index
Symbols
F (Exposure compensation) ...............................53 W (Language selection) .................................76 0 (Protect) ........................................................67 </Y/j (Remote control/Self-timer/Sequential shooting) ..................................................43 H/I (Underwater mode) .................................77 WB(White balance) .............................................55 4 Center weighted averaging metering ............52 < CUSTOM ........................................................76 Y Custom menu .................................................103 e Digital ESP metering ....................................52 < EASY ..............................................................76 7 FUNCTION .....................................................73 j MUTED ...........................................................58 i NATURAL .......................................................58 q Playback menu ............................................103 Z Setup menu ...................................................104 W/X Shooting Menu ..........................................102 # SLOW ..............................................................37 n Spot metering ................................................52 nHI Spot metering - highlight control ...............52 nSH Spot metering - shadow control ...............52 h VIVID ..............................................................58 CANDLE & ........................................................ 29 CARD SETUP .............................................69, 100 Cards .............................................................6, 100 CF/xD ................................................................ 101 CHILDREN G ..................................................... 29 CLEANING MODE .............................................. 99 Close-up playback U .......................................... 61 COLOR SPACE ................................................... 60 Color temperature ........................................55, 115 CompactFlash ...............................................6, 100 Compression rate ........................................51, 115 Continuous AF (C-AF) ......................................... 47 CONTRAST ......................................................... 58 Control panel ...............................................18, 111 COPY ALL ........................................................... 66 Custom printing ................................................... 82 CUSTOM RESET SETTING ............................... 70 Custom white balance CWB ............................... 55
D
Date/time setting X ............................................. 8 Diopter adjustment ................................................ 7 Direct buttons ...................................................... 19 Direct print ........................................................... 80 DIS MODE q .................................................... 29 DOCUMENTS @ ................................................ 29 DPOF ................................................................... 78 Dust reduction .................................................7, 98
A
Adobe RGB ..........................................................60 AE (Automatic Exposure) ..................................115 AE BKT ................................................................36 AE lock .................................................................54 AEL/AFL ..............................................................72 AEL/AFL MEMO ..................................................72 AELMetering ........................................................73 AF frame ..............................................................47 AF ILLUMINAT. ...................................................49 AF MODE ............................................................48 ALL > .............................................................73 ALL ERASE .........................................................69 ANTI-SHOCK .......................................................60 Aperture priority shooting A ................................31 Aperture value .....................................................30 Auto flash .............................................................37 Auto focus ......................................................35, 91 AUTO POP UP ..............................................40, 73 Auto white balance ..............................................55
E
Easy printing ........................................................ 81 Easy shooting modes .......................................... 17 Exposure compensation F ................................. 53 Eyepiece cover .................................................... 44
F
FILE NAME .......................................................... 74 Fill-in flash # ....................................................... 38 FIREWORKS ( ................................................. 29 FIRMWARE ......................................................... 77 Flash intensity control w .................................... 40 Flash mode .......................................................... 37 Flash off $ ......................................................... 38 Focus aid ............................................................. 48 Focus lock ........................................................... 35 FORMAT ........................................................... 100 FRAME ASSIST .................................................. 23
B
B&W FILTER .......................................................58 Backlight timer ...............................................11, 75 BACKLIT LCD ......................................................75 Battery ...........................................................3, 101 BEACH&SNOW g ............................................29 BEEP sound 8 ...................................................75 BLACK & WHITE .................................................65 Bulb shooting .................................................34, 45
G
GRADATION ....................................................... 59
H
HIGH KEY ........................................................... 59 Histogram ......................................................63, 94 How to use the mode dial .................................... 17 HQ .................................................................50, 94
130 EN
C-AF (continuous AF) ..........................................47 C-AF+MF .............................................................49 Calendar display ..................................................62
I
Index display G ................................................. 62 Information display ........................................22, 63
ISO .......................................................................54
J
JPEG editing ........................................................65
L
LANDSCAPE L ..................................................29 LANDSCAPE+PORTRAIT K ..............................29 Lens .............................................................. 5, 121 Lithium ion battery ......................................... 3, 101 Lithium ion charger ....................................... 3, 101 LIVE PREVIEW ............................................. 34, 73 Live view ..............................................................22 LIVE VIEW BOOST .............................................74 LOW KEY .............................................................59
Record mode D ................................... 50, 51, 107 REDEYE FIX .......................................................65 Red-eye reduction flash ! ...............................37 Remote control < .................................................44 RESET PROTECT ...............................................68 Resizing Q ........................................................65 Rotating images y ..............................................64
S
S-AF (single AF) ..................................................47 S-AF+MF .............................................................49 SATURATION ................................................58, 65 Scene mode g ..............................................29 Self-timer Y ........................................................43 SEPIA ..................................................................65 Sequential shooting j ......................................43 SHARPNESS .......................................................58 SHQ ...............................................................50, 94 Shutter priority shooting S ...................................32 Shutter speed ......................................................30 Single AF (S-AF) ..................................................47 Single-frame copy ................................................67 Single-frame erase S ..........................................68 Single-frame playback .........................................61 Single-frame protect ............................................67 Single-frame shooting o ...................................43 Sleep timer .....................................................11, 75 Slideshow m ......................................................64 SPORT J ...........................................................29 SQ .......................................................... 50, 51, 94 sRGB ...................................................................60 STORAGE .....................................................76, 85 Strap ......................................................................3 SUNSET * .........................................................29 Super FP flash 1 .........................................42
M
MACRO J ..........................................................29 Manual flash .........................................................38 Manual focus (MF) ...............................................48 Manual shooting M ..............................................33 Menu ....................................................................20 METERING ..........................................................52 MF (manual focus) ...............................................48 Microdrive ..................................................... 6, 100 Monitor adjustment s .......................................75 MONOTONE ........................................................58 MTP .............................................................. 76, 89
N
NATURE MACRO r ..........................................29 NIGHT SCENE G ..............................................29 NIGHT+PORTRAIT U .......................................29 NOISE FILTER ....................................................60 NOISE REDUCT. .................................................59 NTSC ...................................................................76 Number of pixels ......................................... 51, 116
T
TEST PICTURE ...................................................73
O
OLYMPUS Master ...............................................84 One-touch white balance V ....................... 55, 57
U
UNDER WATER MACRO H .............................29 UNDER WATER WIDE I .................................29 USB MODE ..........................................................76
P
PAL ......................................................................76 PANORAMA s ..................................................46 PICT. TONE .........................................................58 PictBridge .............................................................80 PICTURE MODE .................................................58 PIXEL MAPPING .................................................99 PORTRAIT I .....................................................29 Preset white balance ............................................55 Preventing accidental erasure 0 ......................67 PREVIEW ............................................................73 Preview function ...................................................34 Print mode ............................................................82 Print reservation ...................................................78 Program shift % .................................................30 Program shooting P .............................................30
V
VIDEO OUT .........................................................76 Viewfinder ......................................................7, 110
W
WB .......................................................................55 WB Compensation ...............................................56 White balance WB ...............................................54
X
xD-Picture Card .............................................6, 100
Z
ZUIKO DIGITAL interchangeable lens ...............121
R
RAW .....................................................................50 RAW editing .........................................................65 REC VIEW ...........................................................75
EN
131
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Basic guide Mastering the E-410 Improving your shooting skills k Shooting guides Shooting functions Playback functions

Structure of this manual

Basic camera operation

Mastering the E-410

Preparing the battery

Charging the battery

Loading the battery

Battery compartment cover

Close the battery compartment cover until a click is heard.

Attaching a lens to the camera

Attaching a lens to the camera

Lens attachment mark (Red) Alignment mark (Red)

Remove the lens cap

Lens release button

Loading the card

Card access lamp

xD-Picture Card slot

Set the mode dial to AUTO.

Control panel screen

Adjusting the viewfinders diopter

Setting the date/time

Press the MENU button

Use ac to select [Z], then press d

Use ac to select [X], then press d

Use ac to select the year [Y], then press d

Use ac to select the date format

Press the i button

Press the MENU button to exit

Holding the camera

Shutter speed Card access lamp

Release the shutter

Taking a picture while viewing the monitor

Press the u (live view) button

Press the shutter button all the way down

When the camera stops operating

Displays the previous frame

Displays the next frame

Improving your shooting skills k Shooting guides..................................24

Describes the shooting methods suitable for individual situation.

Shooting functions ...................................................................................29

Selecting the appropriate mode for shooting conditions

Various shooting functions

Exposure, image and color

Customizing the settings/functions of your camera .................................70

Describes how to print images that have been taken.

Using the OLYMPUS Master software ....................................................84

Getting to know your camera better ........................................................90

10 Interchangeable lenses .........................................................................121

Lens..................................................................................................................................... 121 ZUIKO DIGITAL interchangeable lens ................................................................................ 121

SAFETY PRECAUTIONS ................................................................................................... 124 Index.................................................................................................................................... 130

1 Mastering the E-410

Easy shooting modes

Advanced shooting modes

How to set the functions

Setting functions using the control panel screen

Press the i button.

Ref. page P. 54 P. 55 P. 56 P. 52 P. 100 P. 50 P. 47 P. 47 P. 43 P. 39 P. 40 P. 58 P. 60 P. 58 P. 58 P. 58 P. 59