Eggs & Cheese (The Good Cook Techniques & Recipes Series)
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--------------------THE GOOD COOK--------------------
TECHNI QUES & RECIPES
~ h s
BY
THE EDITORS OF TIME-LIFE BOOKS
--------TIME-L IFE BOOKS/ALEXANDRIA, VIRGINIA--------
Cover: Midway through the cooking process known os
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The upper Ioyer of while is still semiliquid; to cook it
through, the dish will go briefly into o hot oven.
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THE GOOD COOK
The original version of this book wos created in London lor
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CHIEF SERIES CONSULTANT
Richard Olney, on Ameri-
can, has lived and worked
for some three decodes in
France, where he is highly
regarded as on otthori ty
on food and wine. Author
of The French Menu Cook-
book and of the award-
winning Simple French
Food, he has also contrib-
uted to numerous gastro-
nomic magazines in
France and the United
Stoles, including the influential journals Cuisine et
Vins de France and La Revue du Vin de France. He
is o member of several distinguished gastronomic
societies, including L' Acodemie lnternotionole du
Vin, La Confrerie des Chevaliers du T ostevin and
La Commonderie du Bontemps de Medoc et des
Groves. Working in London with the series editori-
al staff, he has been basically responsible for the
planning of this volume, and has supervised the fi-
nal selection of recipes submitted by other consul-
tants. The United States edition of The Good Cook
has been revised by the Editors of Time-Life Books
to bring it into complete accord with American cus-
toms and usage.
CHIEF AMERICAN CONSULTANT
Carol Cutler i s the author of o number of cook-
books, including the award-winning The Six-Minute
Souffle and Other Culinary Delights. During the 12
years she lived in France, she studi ed at the Cor-
don Bleu and the tcole des Trois Gourmondes,
and with private chefs. She is a member of the
Cercle des Gourmettes, a long-established French
food society limited to just 50 members, and is also
a charter member of Les Domes d'Escoffier, Wash-
ington Chapter.
PHOTOGRAPHERS
John Elliott, based in London, trained at the Regent
Street Polytechnic. He has extensive experience in
photographing a wide range of subjects for adver-
tising and magazine assignments, but his special
interest is food photography.
Bob Komar is a Londoner who trained at both the
Hornsey and Manchester Schools of Art. He spe-
cializes in food photography and in portraiture.
Aida Tutino, a native of Italy, has worked in Milan,
New York City and Washington, D.C. He has won
a number of awards for his photographs from the
New York Advertising Club.
INTERNATIONAL CONSULTANTS
GREAT BRITAIN: Jone Grigson has written o number of
books about food and has been o cookery corre-
spondent for the London Observer since 1968. Alan
Davidson is the author of several cookbooks and
the founder of Prospect Books, which specializes
in scholarly publ ications about food and cookery.
Jean Reynolds, who prepared many of the dishes
for the photographs in this vol ume, is from Son
Francisco. She trained as a cook in the kitchens of
several of France's great restaurants. FRANCE: Michel
Lemonnier, the cofounder and vice president of Les
Amities Gostronomiques lnternotionales, is o fre-
quent lecturer on wine. GERMANY: Jochen Kuchen-
becker trained as o chef, but worked for 10 years
as o food photographer in several European coun-
tries before opening his own restaurant in Hom-
burg. Anne Brakemeier is the co-author of three
cookbooks. ITALY: Massimo Alberini is a well-known
food writer and journalist, with o particular interest
in culinary history. His many books include Storie
del Pranzo aff'ltaliana, 4000 Anni a Tavola and
100 Ricette Storiche. THE NETHERLANDS: Hugh Jans has
published cookbooks and his recipes a ppear in o
number of Dutch magazines. THE UNITED STATES: Julie
Dannenbaum, the director of o cooking school in
Philadelphia, Pennsylvania, also conducts cooking
classes at the Grilli Palace in Venice, Italy, and at
The Greenbrier in White Sulphur Springs, West Vi r-
ginia. She is the author of several cookbooks and
numerous magazine articles. Judith Olney, author
of Comforting Food and Summer Food, received her
culinary training in both England and France. In ad-
dition to conducting cooking classes, she regularly
writes for gastronomic magazines. Robert Shoffner,
wine and food editor of The Washingtonian maga-
zine for five years, has written many articles on
food and wine.
Correspondents: Elisabeth Kraemer (Bonn); Margot
Hopgood, Dorothy Bacon, Lesley Coleman (London);
Susan Jonas, Lucy T. Voulgoris (New York); Moria
Vincenzo Aloisi, Josephine du Brusle (Paris); Ann
Notonson (Rome).
Valuable assistance was also provided by: Jeanne Buys
(Amsterdam); Hans-Heinrich Wellmonn, Gerlroud Bellon
(Homburg); Judy Aspinall (London); Dione Asselin (Los
Angeles); Bono Schmid, Mario Teresa Morenco (Milan);
Carolyn T. Chubet, Miriam Hsio, Christina Lieberman
(New York); Michele le Boube (Paris); Mimi Murphy [Rome).
1980 Time- life International (Nederland) B.V.
1980 Time-life Books Inc. All rights reserved.
No port of this book moy be reproduced in ony form or by ony elec-
tronk: or mechanical means, including information storage and re-
trieval devices or systems, without prior written permission from the
publisher, except that brief passages moy be quoted for reviews.
Second printing. Revised 19B2.
Published simultaneously in Co node.
School end librooy distribution by Silver BurdeN Company,
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TIME-LIFE is o trademark of Time Incorporated U.S.A.
For information about ony Time-life book, please write:
Reeder Information, Time-life Books
541 North Fairbanks Court, Chicago, Illinois 60611
librooy of Congress CIP dolo, page 176.
-----------------------CONTENTS-----------------------
INTRODUCTION 5 A protean pair I Egg classes and grades I Buoyancy: A
measure of freshness I Making a fresh cheese at
home I A cheese buyer's primer /Tools for
handling cheese I An array of soft and semisoft
cheese I A sampling of firm and hard cheeses
WHOLE-EGG COOKERY 19 1 The basic methods I Frying: F ~ s t cooking in shallow ..
fat I Deep frying: A route to cnsped whites I Soft-boding: Two
approaches to tender whites I Firming whites for easy
peeling I Poaching: Gentle heat for the unprotected
egg I Steaming and baking: A reliance on integral garnishes
WHOLE-EGG PRESENTATIONS 31 2 The art of assembly /Garnishes that furnish body and
flavor I A trio of basic sauces I Assemblies: Combinations
without limit I Stuffing and dressing hard- boiled
eggs I Coating to counteract dryness I Soft-centered packages
with crunchy outer crusts I A gleaming aspic ring
BEATEN- EGG COOKERY 49 3 The many guises of scrambled eggs and omelets I An
American approach to scrambling I Gentle cooking for a
custardy result I Scrambling eggs in aromatic blends / The
classic omelet: A masterpiece in a moment I Flat omelets, thick
and thin I Separating yolks and whites for a souffle effect
CHEESE COOKERY 74 A range of roles I Baki ng molded custards I Quiche: Custard
in a case I Sturdy souffle puddings steeped in a
sauce I A souffle wrapping for a savory filling I Fondue:
Molten and mellow I A choice of pastry containers I Surprise
parcels with savory centers I Pancake packages
ANTHOLOGY ~ RECIPES 91 Fried eggs 92 I Poached and mallet eggs 94 I Hard-boi led eggs
100 I Baked eggs 106 I Scrambled eggs 115 I Omelets 119 I
Custards, puddings and souffles 133 I Pies and quiches 143 I
Fondues and rabbi ts 151 I Special cheese presentations
155 I Basic cheeses 162 I Standard preparations 164
RECIPE INDEX 168
GENERAL INDEX/GLOSSARY 171
RECIPE CREDITS 174
ACKNOWLEDGMENTS AND PICTURE CREDITS 176
4
----------INTRODUCTION----------
c..A Protean Pair
No foods excite more lavish praise than eggs and cheese. "All
cookery," effused the British author Henry Stacpoole, "rests on
the egg. The egg is the Atlas that supports the world of gastron-
omy." Cheese, according to the American essayist Clifton Fadi-
man, "is milk's leap toward immortality."
In terms of nutrition alone, their qualities are remarkable:
Both eggs and the milk from which all cheese is made are de-
signed by nature to be complete foods-egg for the unborn
chick, and milk for the infant mammal. And while each is held
in high esteem in its own right, eggs and cheese also make a
superb culinary pair. When used together they produce innu-
merable dishes indispensable to a cook's repertoire, from om-
elets to airy souffles like the one shown in preparation at left.
This book explores the multitudinous opportunities for sa-
vory egg and cheese cookery. A guide on pages 8-9 explains how
the size and freshness of eggs are gauged. Pages 10-11 show a
step-by-step demonstration of the home manufacture of a sim-
ple fresh cheese, one that can be served on its own or incorporat-
ed in such dishes as gratins and pies. The introductory section of
the book concludes with a primer for buying cheese and storing
it, and describes 52 of the world's best-known cheeses.
Following the introductory section, three chapters deal with
cooking eggs. Beginning with the basic methods of preparing
whole eggs by frying, poaching, boiling, steaming and baking,
these chapters go on to show how whole eggs may be used with
other ingredients to create assembled dishes, and then illus-
trate the arts of scrambling eggs and omelet making. A final
chapter features a range of dishes, from quiches to fondues , in
which cheese is a principal element-often with eggs as its
support. The second half of the book is an anthology of 220 egg
and cheese recipes, chosen from the world's cookery literature.
The marvelous egg
Eggs have been part of man's diet from earliest times. Wild
birds' eggs were no doubt a source of sustenance for primitive
man, as they are today for the last remaining hunter-gatherers.
As early as 2500 B.C. , however, the domestication offowl began
to ensure a more predictable egg supply, and since that time the
domestic hen has been carried to every corner of the globe.
Chickens are naturally prolific layers. Selective breeding has
helped to increase their individual output to 200 or more eggs in
a year (a goose, by contrast, lays only 15 to 30 eggs in the course
of a year) . Output has been boosted further by the battery-or
mass-production-farming methods that were developed in the
United States during the 1920s.
Traditionally, chickens were allowed to roam freely, existing
on a haphazard barnyard diet of grass, grain and insects. In the
modern battery system, however, large numbers of chickens-
as many as a million in some operations-are kept in indoor
cages so that all of the factors affecting egg production can be
carefully r egulated. Temperature and light are rigorously con-
trolled, and the birds are fed a diet of commercially produced
chicken feed, usually a blend of cereals and soy with added
vitamins, proteins and minerals. Because battery birds have
such a well-balanced diet, their eggs are generally higher in
quality than those that are produced by free-ranging birds.
No matter how it is produced, a top-grade, newly laid egg will
contain a firm, round yolk, surrounded by a viscous white-
technically known as albumen. Close to 90 per cent of the egg
white is water; t he rest consists of proteins. The proteins trap air
in a stable foam when the white is beaten-a quality exploited
to the full in souffles (pages 76-81).
Almost 20 per cent of the yolk is protein; the remainder is
composed of water, a plentiful supply offat, vitamins, minerals
and a fatlike substance known as cholesterol. High levels of
cholesterol in the blood are associated with an increased risk of
heart disease, and many doctors caution against eating large
quantities of eggs. However, the link between dietary intake or'
cholesterol and the amount in the bloodstream is still unclear,
especially because the body itself manufactures the substance.
The proteins of both white and yolk thicken and solidify when
heated-but each at a slightly different temperature. The
white begins to coagulate at about 140 F. [60 C.], whereas the
yolk remains liquid until about 150 F. [65 C.], and does not
become firm unt il 160 F. [70 C.] is reached. This small differ-
ence chiefly accounts for the astonishing variety of textures that
good cooks can obtain from eggs. The effects are most obvious in
whole-egg cookery, where the aim usually is to produce a firm
white surrounding a much softer yolk. But in beaten-egg cook-
ery, too, texture can be all-important. The textural range of a
single omelet, for example, might include a liquid center, a cus-
. tardy mantle around this core, and a crisp exterior.
Milk transformed
Bel Paese is smooth and buttery while feta is crumbly and
tangy; Cheshire is firm and piquant while Parmesan is granu-
lar and nutty flavored. But whatever its final texture or taste
might be, all cheese is composed of coagulated milk solids. As is
apparent by the rate at which fresh milk sours, coagulation can
be rapid; cheese making is a method of controlling and modify-
5
INTRODUCTION
ing the coagulation process to yield a product capable of matur-
ing instead of simply spoiling.
The nature of the milk begins the determination of a cheese's
taste and texture. While cow's milk is the most common source
of cheese, sheep's and goat's milk are also used. Sheep's milk
lends pungency to French Roquefort, for example; goat's milk
gives a tangy undercurrent to Greek feta and French bucheron.
In making cheese, any milk may be used whole or skimmed.
Whole milk produces cheeses with a creamy texture and a fat
content, measured as a percentage of the cheese solids, of about
45 per cent. Skim-milk cheeses have a lower fat content, but a
slightly rubbery texture. Other cheeses, such as the French dou-
ble and triple cremes, are made with cream-enriched milk; they
have a satiny texture and a fat content of 60 per cent or more.
All milk destined to become cheese must be curdled-broken
down into solid curds and fluid whey. The curds are made up of
coagulated casein, t he principal milk protein, together with the
fat that the casein enfolds. The whey includes proteins, sugar
and minerals, but it is more than 90 per cent water. Although a
few cheeses, such as Norwegian gjetost and some Italian ricot-
tas, are made by heating whey until its solid matter coagulates,
curds are the usual starting point.
Curdling occurs naturally if bacteria already present in raw
milk are allowed to flourish. As they grow in numbers, the bac-
teria produce lactic acid, which coagulates casein. However, to
kill potentially harmful organisms, much milk now used for
cheese making is first pasteurized-held briefly at a high tem-
perature. (A typical formula calls for the milk to be held at
. 161.6 F. [72 C.] for 16 seconds.) Since heating kills the useful
lactic-acid-producing bacteria, too, these have to be reintro-
duced by adding a bacterial culture, or "starter." Even so, cur-
dling can be a slow business, and another coagulating agent,
such as rennet, is frequently added to accelerate the process.
Rennet-an extract from the stomachs of unweaned calves-
speeds the separation of the curds and whey, and also converts
casein into an insoluble compound, thus yielding firmer curds.
Because of this latter property, practically all cheeses destined
for maturing are made with coagulating agents.
The traditional method of separating the curds from the
whey-and the method commonly used to produce fresh, home-
made cheese (pages 10-11) -is to allow the curds to rise natu-
rally to the surface of the whey, then to hang the partially
drained curds in a porous container so the remaining whey
drains off. Although a cloth or perforated-metal container is
normally used today, woven baskets were favored in classical
times, and these gave cheese its name in many languages. In
Greek, a basket isformos, which led t o the Frenchfromage and
the Italian formaggio. The Latin word for basket, cascus, be-
came the German kase, the Dutch kaas, the Spanish queso and
the English "cheese."
Drained curds, perhaps embellished with cream or other fla-
vorings, can be eaten immediately. Additional processing steps,
however , are required for cheeses that are to be aged. Even
before these cheeses are drained, the curds may be cut into even-
sized pieces to help expel more whey. The finer the pieces, the
more whey will be released. To produce a moist, soft cheese such
6
as Lieder kranz, the curd is typically cut at half-inch [1-cm.]
intervals. For a hard, granular cheese such as Parmesan, the
curd is reduced to minuscule pieces and t hen further dried by
heating and stirring it.
A number of cheeses-Cheddar, brick and Emmentaler,
among them- are put in presses to expel still more whey. Press-
ing establishes the shape of a cheese and its moisture content.
To develop its flavor and texture, a cheese then may be set aside
to mature for periods ranging from a few weeks to several years.
Under carefully controlled temperature and humidity levels,
various microorganisms act on the curds, breaking down fat,
proteins and other compounds to create a cheese's unique char-
acter. A blue cheese, for example, ripens from the inside out
as mold spreads throughout the porous curds, producing dis-
tinctive greenish blue veins. Cheese such as Camembert and
Brie are ripened from the surface inward by mold that forms
an edible velvety rind. Appenzeller, Port-Salut, brick and Oka
represent another variation on surface-ripened cheese; during
curing they are each washed at regular intervals with brine,
brandy or some other solution specially formulated to encour-
age a particular type of mold, yeast or bacteria to grow on the
ext erior of the cheese.
An art becomes science
The great range of cheeses developed over the centuries is large-
ly a result of customs and conditions prevailing at the local
level-the availability of particular types of milk in a district or
the presence of certain microorganisms. Roquefort cheese, for
example, acquires its blue veins by being ripened in limestone
caves harboring the mold that is now identified as Penicillium
Roqueforti. English Cheddar cheese owes its flaky texture in
part to a unique method-evolved in the village of Cheddar-
for stacking and turning the blocks of curds. Eventually, the
methods and microorganisms responsible for t he differences in
cheese were identified, and techniques were devised for apply-
ing molds and bacteria artificially to cheese. As a result, cheeses
that were once made in only one locale can now be produced
practically anywhere in the world.
Nonetheless, cheeses with the same name produced in differ-
ent places-perhaps according t o differ ent standards-may
vary widely in flavor and texture. To guard the reputation of
some of the finest cheeses, the world's cheese-making nations
signed an agreement in 1951 that allows certain names-in-
cluding Roquefort and Parmigiano Reggiano- to be used only
when the cheese is produced in the place where it originated.
Still other cheeses-including France's Brie, Italy's Provolone,
Holland's Edam and Gouda-may be replicated elsewhere, but
the label must specify the country in which the cheese is made.
Along with the internationalization of many varieties of nat-
ural cheese, technology has brought about the development
of processed cheeses. (These include the so-called American
cheeses.) Typically, these begin with one or more natural
cheeses that are pasteurized to lengthen their storage life, and
then combined with emulsifiers to produce a uniformly smooth
texture. Colorings and preservatives may be added, and the
products that are labeled cheese spreads or cheese foods also
may contain flavorings and liquid or dry milk products to in-
crease volume and create a moister, more spreadable product.
By United States government standards, only 51 per cent of the
finished weight need be the cheese ingredient. Processing yields
uniform cheeses that keep well, but they cannot duplicate the
strength of flavor and distinctive texture of natural cheeses,
which remain the best choice for cooking and eating.
Cooking with cheese
Delicious when eaten straight from the wheel or wrapper,
natural cheeses develop a creamy texture and a more intense
flavor as they are cooked. Cheddars liquefy to a golden mass as
they melt to form a Welsh rabbit. Grating cheeses-Parmesan
or Romano, for instance-disperse their pungence uniformly
when they are stirred into casseroles, or create a rich brown
gratin surface when sprinkled on top of foods and broiled or
baked. The soft cheeses, from Brie to farmer, amalgamate with
eggs and milk to produce the richest of custards.
The overriding rule when cooking cheeses is to heat them
briefly and gently. Overly high heat or prolonged cooking will
toughen proteins, making the cheese rubbery, and will also
draw out the fats in the cheese, making the finished dish oily.
Cheeses should be added to such dishes as omelets or sauces
close to the end of the cooking period. Cheese dishes that are
baked in the oven should be cooked at moderate tempera-
tures- 3250 to 375 F. [160 to 190 C.]. When broiling cheeses,
position the food about 3 inches [8 em.) from the heat source, and
be sure to watch it carefully to prevent excessive browning.
Serving wine with eggs and cheese
Although eggs are not normally regarded as suitable partners
for wine, the two can, in fact, go together very well. A rose or
light, dry white can be a pleasant companion for many egg
dishes-omelets or scrambled eggs among them. But the choice
of wine should not be automatic. Because eggs are often used as
a mild base to throw more assertive tastes into relief, the selec-
tion of wine may depend on the garnishes or flavorings used in
the finished dish. The logical accompaniment to poached eggs in
red wine sauce (recipe, page 95), for instance, is a red wine of
similar depth. A rich, creamy sauce is nicely offset by a Califor-
nia Chardonnay or perhaps a French white Burgundy; both are
dry white wines, but they have enough body so that they will not
seem thin when served with a thick sauce. In addition, these
wines generally have sufficient distinction to accompany a more
formal egg dish, such as eggs in aspic (pages 46-47).
By contrast, the gastronomic links between wine and cheese
have been, if anything, overstressed. These are not always t he
best of companions: The bouquet of a subtle wine may be killed
by a strong cheese, or the flavor of an indifferent wine may be
masked- a fact not lost on wine merchants who occasionally
offer such cheeses to prospective buyers before their less pre-
sentable vintages are tasted. For both wine and cheese to be
shown off to best advantage, they must be matched with care.
The mildest of cheeses, such as Muenster, Monterey Jack and
young brick, are best served with a correspondingly delicate
wine-a rose or a light red, such as Beaujolais-that will not
overshadow the cheese's flavor. Cheeses with a little more as-
sertiveness can stand up to wines of greater character. Port-
Salut or Brie, for example, pair nicely with an elegant red such
as a Bordeaux, as well as with a fruity white-including Cali-
fornia Chenin Blanc and French Vouvray. The creamy texture
of Brie is also nicely reinforced by the rich smoothness of one of
the fine whites from the Cote de Beaune region of France- a
Montrachet or Corton-Charlemagne, for example.
Strong-flavored cheeses need fairly robust wines. A zesty
California Zinfandel or an Italian Chianti is a good companion
for sharp Cheddar. The tanginess of Roquefort finds a nice con-
trast in the sweetness of white French dessert wines such as
Sauternes and Barsac; Stilton, the English blue cheese, is tradi-
tionally served with vintage port. Extremely strong-smelling
cheeses, such as Limburger and Liederkranz, are best with ale
or beer, since their aromas would overpower a wine's bouquet.
When wine is to be served with more than one cheese at a
t i m e w i t ~ a cheese platter, for example-your own palate is
the best guide, because the wine will take on a different charac-
t e ~ with each kind of cheese. The best strategy is to select the
wme first, then sample a variety of cheeses until you find those
most compatible with the wine. The process of discovery is likely
to be a long and happy one.
7
INTRODUCTION
Egg Classes and Grades
Mass production and distribution, along-
with uniform grading, take most of the
guesswork out of buying eggs. Almost all
of the eggs sold at retail are classed ac-
cording to size, and graded for quality
and freshness by virtually identical fed-
eral or state government standards.
Egg size, which increases with the age
of the hen, is gauged by an egg's weight;
the U.S. Department of Agriculture lists
six size categories (below). In cooking
whole eggs, the sizes can be used inter-
changeably. But with beaten eggs, the
quantities specified in recipes may call
for some adjustment, since most recipes
are predicated on large-sized eggs.
Quality is determined by checking the
shell for shape, cleanliness and smooth-
ness; and then examining its contents
through the shell with the aid of lighted,
automated racks. The interior quality is
judged by the thickness of the white, the
Buoyancy: A Measure of Freshness
A newly laid egg. To test the age of an
egg, place it in water. A newly laid egg has
only a tiny air pocket and is relatively
heavy; it sinks and lies fl at on the bottom.
A week-old egg. The air pocket, which
forms in the broad, rounded end, expands
and gives the egg buoyancy. The egg tilts
in the water with its brood end uppermost.
Egg sizes. The six official classifications for eggs, shown at
right in actual average size, ore determined by the minimum
weight allowed per dozen. Jumbo eggs must weigh at least
30 ounces [850 g.] per dozen, extra-large eggs 27 ounces [7 65
g.], Iorge eggs 24 ounces [680 g.], medium eggs 21 ounces
[595 g.], small eggs 18 ounces [510 g.] and peewee eggs 15
ounces [425 g.]. The weights of the eggs within a dozen con
vary by as much as 5 per cent, so that the smallest egg
allowed in one classification may be the some size as the
largest egg allowed in the classification below it.
8
Jumbo
compactness of the yolk and the amount
of air in the egg. In a newly laid egg, the
white is surrounded by a pair of mem-
branes that cling to each other and the
shell. As the egg ages, carbon dioxide and
water evaporate through the shell pores;
at the same time, air is absorbed, produc-
ing a visible pocket between the mem-
branes at the egg's broad end.
The best, freshest eggs with the firm-
est yolks and smallest air pockets are
A three-week-old egg. As the egg ages,
the air pocket continues to expand
until the egg becomes buoyant enough to
stand upright in the water.
Extra Iorge
graded AA; slightly older eggs are grad-
ed A. Grade B eggs, only rarely available
to the consumer, have thin whites and
enlarged yolks and sometimes stained
shells. Except for these, shell color is un-
related to quality; it is determined by the
breed of hen that laid the egg. Brown or
white specks on shells are the harmless
result of uneven pigmentation or water
molecules trapped in the pores.
Once sized, graded and packed, eggs
generally reach the supermarket within
four or five days. The grading date ap-
pears on the carton as a number: 048, for
example, means they were graded on
February 17, the 48th day of the year.
You also can judge an egg's freshness
by the tests shown below. The buoyancy
test measures the size of the egg's air
pocket, hence its age. The dispersion test
reflects chemical changes in the egg that
govern its suitability for various cooking
Dispersion: A Manifestation of Age
A newly laid egg. The yolk of the egg is
compact and rounded. It is held near the
egg's center by a dense, cohesive layer of
white surrounded by a small, fluid outer layer.
A week-old egg. The dense layer of
whi te becomes progressively more fluid,
mergi ng into the thinner white. The yolk
moves away from the center of the white.
Large
Medium Small
methods. The firm, round yolks and cohe-
sive whites of newly laid eggs are impor-
tant in poaching and frying. Older eggs
are best for boiling and peeling; the con-
tents of newly laid eggs cling so closely to
the shell membranes that the eggs are
hard to peel. Though eggs are edible until
about five weeks of age, those more than
two weeks old are best used where ap-
pearance is not a factor-for scrambling,
omelet making, baking or in sauces.
A three-week-old egg. The yolk
spreads out and flattens. The egg' s white
thins to a uniform watery consistency.
9
INTRODUCTION
Making a Fresh Cheese at Home
The basic principles of cheese making ap-
ply alike to the simplest fresh cheeses-
farmer, cottage, ricotta arid cream cheese
(recipes, pages 162-164) - and to the var-
ied matured cheeses illustrated on pages
14-17. By producing the farmer cheese
shown here, you will gain an understand-
ing of the essential techniques.
The first step in making any cheese is
to curdle milk-separate it into coagu-
lated curds and liquid whey. Bacteria
that produce lactic acid do this naturally
with raw milk, but almost all milk sold in
America is pasteurized-heated to kill
bacteria, including those that manufac-
ture lactic acid from the milk's sugar.
In order to make cheese from pasteur-
ized milk-whether whole milk, skim
milk or milk enriched with cream-you
must add a so-called starter. Here the
starter is buttermilk, which contains an
active bacterial culture. When added to
milk, the bacteria will multiply rapidly
and within a day or less will produce
enough lactic acid to coagulate the milk.
An alternative way. of coagulating milk
is to use a food acid, such as lemon j uice or
vinegar, but this yields a blander cheese
than one made with buttermilk.
To speed coagulation, the starter is of-
ten mixed with rennet, a substance taken
from the stomachs of unweaned calves
and sold in tablet form at supermarkets
and pharmacies. Before the starter and
rennet are added, the milk must be heat-
ed to so F. [27 C.], a temperature high
enough to promote coagulation, but not
so hot that it kills the bacteria. Use a
dairy thermometer or a rapid-response
type to test the temperature.
Once the milk coagulates, the mixture
must be drained of whey. First, the curds
are put in a piece of muslin or cheesecloth
and left in a colander. After most of the
whey has dripped through, the cloth is
tied up into a bag and suspended, so that
the curds drain under their own weight.
As soon as they acquire a firm consis-
tency, the curds can be used in any recipe
calling for farmer cheese. Or they may be
served as a table cheese, either as is or
with various enrichments and flavorings
- cream, salt and pepper, a tangy blend
of herbs such as chives, burnet and basil,
or a sweetening of grated chocolate or
chopped fruits and cinnamon.
10
l
Heati ng t he mi lk. Set a wire rock in a
pot half-filled with water and heat to 90
F.[32 C. ] on a thermometer - a dairy
thermometer is shown. Immediately
remove the pot from the heat. Pour milk
into a nonol uminum pan - aluminum
may affect flavor - and set the pan on
the rock in the water. When the milk
reaches so F. [2?- C.] stir in buttermilk.
6
Completing the draining. Tie the
string to a support - a ceiling hook, for
example - so that the bog hongs free
above the bowl, whi ch will collect the
dripping whey. Allow the bog to drain
for six to 1 0 hours. Take it down two or
three times to check the cheese; if the
texture seems uneven, scrape the outside
cheese into the center.
2
Test ing the consistency. Cover
the pan of milk tightly. Leave the milk at
room temperature - between 65
and 70 F. [18 to 21 C.] - for up to 24
hours, or until the curds form a solid
layer above the whey. When a knife
inserted into the curds comes out
clean, the curds are fi rm enough.
7
Unwrapping the cheese. When
the curds are firm, toke down the bag,
untie it and peel the cloth away from
the moss of cheese (above). Invert the
cheese onto a dish and refrigerate it,
covered, unless it is to be served
immediately. You con drink the whey
ei ther lightly salted or sweetened and
mixed with fruit juice.
3
8
Ladling out the curd. Place muslin or
cheesecloth in a colander set in a sink
and pour boiling water over the cloth to
sterilize it. With tongs, fold the cloth
double and use it to line the col ander.
Place the lined colander over a deep
bowl. Carefully ladle in the curds: Gentle
treatment at this stage ensures that
the cheese will drain evenly.
Serving the cheese. Serve the
cheese unseasoned, or break it up with a
fork (right) and incorporate salt and
pepper and any additional fl avorings. If
unsalted, the cheese should be used
on the day it is made. If it is salted, it can
be refrigerated for two or three days.
4
Scraping the cloth. Cover the
curds wi th a pan lid or a piece of sterile
cloth. Let the curds drain for about five
hours, until the surface begins to dry out.
With a spoon, scrape the dry curds at
the sides of the liner onto the damper
curds at the center of the mass.
5
Tying up the cloth. With the
colander still set in the bowl, pull together
the corners of the cloth to form a bag
that encloses the curds completely. Tie
the bag with string, leaving one end of
string long enough to hang up the bag.
11
INTRODUCTION
A Cheese Buyer's Primer
Curdled milk drained of its liquid whey is
the basis of almost all cheese. Served
fresh, the curds become simple cottage
cheese or farmer cheese (pages 10-11) .
But the curds may also be heated or
pressed to expel more whey, packed into
molds and ripened in various ways to
make any of 800 different cheeses. Are-
presentative sampling of them appears
on the following pages. For convenience,
this selection is divided between soft and
firm cheeses, but each category includes
a range of textures. Soft cheeses can be as
creamy as Brie or as crumbly as feta; firm
cheeses vary in texture from supple Gou-
da to granular sapsago.
The taste of a cheese varies according
to the milk it is made from, the way it is
made and the time it is aged. Goat's-milk
cheeses have a strong, musky taste quite
distinct from those made of cow's milk.
Blue cheeses-those treated with molds
that form blue or green veins throughout
the cheese-also tend to be strong tast-
ing .. Aging intensifies a cheese' s taste: A
young Cheddar is mild; one aged for a
year will be quite sharp.
All these cheeses and many more are
described in detail in the glossary on t he
pages that follow. Remember, however,
12
Tools for Handling Cheese
Shredding in a processor. Use the
shredding disk of a processor, and put the
semisoft or firm cheese chunks -
Emmentoler, here - in the tube; press wi th the
pusher as the machine runs. Hard cheese
con be grated wi th the processor's steel blade.
that the descriptions are general guide-
lines: The way to determine whether a
cheese satisfies you is to taste it, and this
is best done before you buy.
How to shop: Cheeses develop at different
rates, but all are continuously ripening
and changing in character, and all are
perishable. Any cheese for sale should be
kept under refrigeration; cold retards de-
velopment. A supermarket is a reliable
source for fresh cheeses such as cottage
and cream cheese or its skim-milk coun-
terpart Neufchatel, because the stock
sells rapidly and a cheese is unlikely to
linger too long on the shelf. However, for
ripened cheese-particularly the rarer
imported types and delicate soft cheeses
enriched with cream-the best source is
a cheese shop or specialty market whose
staff is likely to be knowledgeable about
selecting and caring for cheese.
The better shops stock their cheeses in
large wheels, blocks or cylinders, cutting
off portions to order. This storage method
has several advantages over prepackag-
ing. First, it helps preserve the cheese: A
cut cheese dries out more quickly than
one left whole. It allows you to buy the
exact amount of cheese you need. Final-
ly, when cheese is cut from a large block
or wheel you have an opportunity to ex-
Cutting with a wire. To cut wedges or
slices, stretch a cheese wire tout and pass it
through the cheese. The wire con cut all but
the hardest cheeses, and is excellent for
crumbly cheeses - blue, in this case - that
tend to stick to o knife blade.
amine and taste a sample before making
your purchase.
When examining any cheese, begin
by smelling it-any hint of ammonia
means the cheese is overaged and will
be unpleasant tasting. Look at the rind:
On a cheese with a soft rind such as
Pont l'Eveque, it should be evenly col-
ored and somewhat moist. On a firm-
rinded cheese such as Emmentaler, it
should be free of cracks or bulges, which
indicate improper ripening.
You cannot see the rind on wax-coated
cheeses such as Gouda, of course, but you
can press the cheese, as you should any
other, to see how it responds. Good Gouda
feels elastic, as do most firm cheeses, ex-
cept lengthily aged ones such as Parme-
san, which will feel quite hard. Do not
buy a firm cheese in which you can feel
any soft spots. Soft cheeses such as Brie
or Camembert should feel supple and
slightly soft, but not at all liquid.
When the cheese is sliced, you will be
able to observe the interior. With the
exception of blue cheeses, which should
be well veined, the cheese should be even
in color. White spots within a yellow
cheese are a sign of inferior quality. A
gray line under the rind of a Brie means
~
Slicing with a double wire. A fairly firm
cheese, such as this Gouda, con be sliced with
a double-wi re cutter. The cutter rod runs
along the cheese surface, acting as a guide.
Taut wires on each side of the rod allow you
to make sli ces of two different thicknesses.
that it is old, while a white line through
the center of this type of cheese means
that it has not yet fully ripened.
Brie, Camembert and certain other
cheeses described in the glossary are
sometimes made from raw rather than
pasteurized milk. As a result, season-
ality may be a factor in buying them.
Cheeses made from pasteurized milk are
fairly uniform in quality throughout the
year, but raw-milk cheeses are best made
from spring and summer or fall milk,
taken when the cows graze in pastures
rather than feeding on grain or hay, as
they do in winter. The optimal time to
purchase a raw-milk cheese depends on
its ripening period. Reblochon, which is
aged only briefly, is made in the summer
and tastes best in late fall and winter; a
Livarot made at the same time may not
reach its peak until the following spring.
How to store: The prime rules for storing
any cheese are that it should be well cov-
ered to prevent it from drying, and that it
should be refrigerated to slow down its
inevitable development.
Soft, fresh cheeses such as cottage or
farmer's cheese are best kept in plastic or
wax-coated containers. Protect the ex-
Shaving with a plane. This slicer -
consisting of a sharp-edged slit set into a
spatula-like blade - is pulled across the
surface of cheese to make paper-thin slices. It
con be used wi th semisoft or firm cheeses; a
caraway-studded Danbo is shown.
posed surfaces of all other cheeses by
sealing the cheeses in aluminum foil or
plastic wrap. All strong-smelling cheeses
such as Limburger should also be stored
in tightly covered containers; otherwise,
their odors may permeate other foods in
the refrigerator.
No matter how carefully cheeses are
treated, they will continue to ripen-to
the point of overripeness or spoiling-in
the refrigerator. As a general rule, un-
cured and soft cheeses are the most per-
ishable: They usually should be eaten
within a week of purchase. Firmer, drier
cheeses-Cheddars and Swiss cheeses,
for instance-may last several months.
Very dry, aged cheeses such as Parmesan
will keep almost indefinitely.
Even properly stored cheese may de-
velop surface molds. These may simply
be sliced off; cut inch [1 em.] below the
mold to make sure you have removed it
all. Dried-out bits of cheese may be sal-
vaged too; shred or grate the cheese, store
it in a tightly covered container, and
use it in cooked dishes as soon as possible.
How to use: If the cheese will be eaten as
is, bring it to room temperature so that
its flavor-muted by refrigeration-can
develop. Small cheeses need about an
hour's warming; large wheels or blocks
Shredding with a flat grater. Use a
grater wi th small or large holes, depending on
the fineness needed. Broce it over a plate.
Rub sections of cheese - Cheddar is shown -
down against the holes. All but very soft or
crumbly cheeses may be shredded this way.
may require as much as two hours' , de-
pending on the temperature of the room.
Cheeses to be used in cooked dishes
(pages 70-90) do not need to be warmed;
when chilled, in fact, they are most easily
sliced, shredded or grated for incorpora-
tion into other ingredients. Some of the
implements suited to these tasks and the
types of cheeses appropriate for each are
described below.
Cheeses can enhance an immense vari-
ety of dishes. Soft cheeses, for example,
lend body and delicate taste to assem-
blies such as tarts and cheese pancakes.
The firmer cheeses are typically used
in baked meat or vegetable dishes or
to enliven souffies, omelets or sauces.
Hard cheeses provide flavorful toppings
for soups or baked dishes.
As the descriptions on the following
pages suggest, many cheeses are so simi-
lar in flavor and texture that they can be
used interchangeably. A Colby or a Gou-
da can be substituted for Cheddar, for in-
stance; Jarlsberg or Gruyere can replace
Emmentaler; Romano or Asiago can sub-
stitute for Parmesan. In cooking with
cheese-as in buying it-adventurous
experimentation is the rule: The result
can be the most delightful of surprises.
Using a rotary grater. For hard cheese -
Parmesan, in this demonstration - fit a
rotary grater with a fine-holed drum; use a
drum with larger holes for softer cheeses.
Place cheese pieces in the receptacle, squeeze
the pressure plate and turn the drum.
13
INTRODUCTI ON
An Array of Soft and Semisoft Cheeses
Pyramide
Oka
Feta
As an aid to selecting natural cheeses, a
sampling of 52 of the most common kinds
is shown here and on the following pages.
The cheeses are grouped by texture: Soft
and semisoft cheeses appear above, hard
and firm cheeses on pages 16-17.
Each entry in the glossary includes the
cheese's country of origin, shape, texture
and flavor. Unless otherwise noted, the
cheese is made from pasteurized whole or
partly skimmed cow's milk and has a but-
terfat content, measured as a percentage
of cheese solids, of about 40 to 50 per cent.
When the use of skim milk or cream al-
ters the fat content-and therefore the
richness-of a cheese, it is noted in the
glossary entry.
Raw-milk cheeses, which can vary in
quality through the year, are identified
and their peak seasons listed. Entries
also tell whether a cheese is made from
sheep's or goat's milk, since these cheeses
have flavors quite distinct from those
14
Boursault
Creom havarti r
made of cow's milk. Finally, entries indi-
cate cases in which different degrees of
aging affect taste or texture.
Austrian Monastery: Austria. Wheel
shaped. Buttery, semisoft; mild flavor.
Banon: France. Raw goat's milk; best
from late spring to early fall. Dis k
shaped, sometimes wrapped in chestnut
leaves. Soft texture; mild, lemony taste.
Bel Paese: Italy and elsewhere. Wheel
shaped. Semisoft; mild, buttery flavor.
Bleu de Bresse: France. Whole cow's or
goat's milk. Wheel shaped. Soft, creamy-
textured, blue-veined cheese; milder fla-
vor than most blues.
Boursault: France. Cream-enriched;
75 per cent fat. Wrapped in paper; boxed.
Soft, smooth texture; buttery taste.
Brick: United States. Brick shaped.
Semisoft, elastic texture; flavor is mildly
sweet when aged two to three months,
more pungent with longer aging.
Brie: France and elsewhere. Pasteur-
Livarot
ized or r aw, whole or skimmed cow's
milk. (Raw-milk versions best in fall,
winter and spring. ) Disk shaped. Soft,
creamy texture; buttery flavor.
Bucheron: France. Raw goat's milk;
best in spring and summer. Log shaped.
Soft, creamy; slightly tangy flavor.
Camembert: France and elsewhere.
Raw or past eurized whole cow's milk.
(Raw-milk versions best from October to
May.) Disk shaped. Soft, creamy texture;
slightly tangy taste.
Cream havarti: Denmark and else-
where. Cream-enriched; 60 per cent fat.
Loaf or wheel shaped. Semisoft; buttery,
often enlivened with caraway seeds.
Feta: Greece and elsewhere. Sheep's,
goat's or cow's milk. Rectangular. Soft,
crumbly; tangy, salty flavor. '
Gorgonzola: Italy. Whole cow's and/or
goat's milk. Wheel shaped. Semisoft blue
Brick
Mozzarella
-
Roquefort
cheese; a piquant flavor after aging for
three months, more pungent when aged
up to a year.
Liederkranz: United States. Rectangu-
lar; boxed. Soft, smooth texture, assert-
ive flavor and strong aroma.
Limburger: Belgium and elsewhere.
Rectangular. Soft texture; very strong
taste and aroma.
Livarot: France. Raw, partly skimmed
cow's milk; best in winter and spring.
Disk shaped. Soft; similar to Camembert
but spicier and stronger in aroma.
Monterey Jack: United States. Wheel
shaped. Semisoft texture and mild flavor
when aged three to six weeks; hard grat-
ing texture and zestier taste when aged
up to six months.
Montrachet: France. Raw goat's milk;
best in spring and early summer. Log
shaped. Soft, creamy texture; relative-
Bel Paese
ly mild flavor for a goat's-milk cheese.
Mozzarella: Italy and elsewhere.
Whole or skimmed cow's milk. Irregular
spherical shape. Fresh varieties found in
Italian markets have a tender, spongy
texture and mild flavor; cheeses aged up
to two months are drier and more elastic.
Muenster: Germany and elsewhere.
Wheel or block shaped. Semisoft. Ameri-
can brands, aged from six to eight weeks,
are mild and usually have light orange
rinds; rindless European varieties, cured
up to three months, are more, pungent.
Oka: Canada. Wheel shaped. Semisoft
texture; similar to French Port-Salut but
with a more tangy, fruity flavor.
Pipo Crem': France. Cream-enriched;
60 per cent fat. Log shaped. Soft, smooth-
textured blue cheese with a flavor simi-
lar to that of bleu de Bresse.
Pont l'Eveque: France. Raw milk; best
in fall and winter. Boxed; square. Soft
and supple; piquant taste, strong aroma.
Port-Salut: France. Wheel shaped.
Smooth texture and buttery flavor simi-
lar to Oka or Austrian Monastery.
Pyramide: France. Raw goat's milk;
best in the spring and summer. Pyrami-
dal. Soft texture; tangy taste. Sometimes
called V alenc;ay.
Reblochon: France. Raw whole cow's
milk; best in late fall and early winter.
Disk shaped. Soft texture; mild flavor.
Roquefort: France. Raw sheep's milk;
best from June to October. Cylindrical.
Semisoft blue-veined cheese with sharp-
er flavor than most blues.
Taleggio: Italy. Raw milk; best in sum-
mer and fall. Squarish shape. Semisoft
texture; creamy flavor.
Tomme de Savoie: France. Raw milk;
best from late spring to fall; 20 to 40 per
cent fat. Disk shaped. Semisoft, supple
texture; nutty taste and earthy smell.
15
INTRODUCTION
A Sampling of Firm and Hard Cheeses
Unlike the soft cheeses shown on the pre-
vious pages, the firm and hard natural
cheeses presented here all have a fairly
low moisture content. During processing,
whey is expelled by such methods as close
cutting of the curd, heating and pressing.
Lengthy aging also increases a cheese's
dryness and, therefore, its hardness.
Appenzeller: Switzerland. Raw milk;
_ best in summer and fall. Wheel shaped.
Firm texture; fruity taste from wine or
- cider wash during curing.
Asiago: Italy and elsewhere. Partly
- skimmed milk; 30 to 40 per cent fat. Cy-
lindrical. Semisoft and mild when aged
two months; firm texture, zesty flavor
when aged a year and marked "old."
Caerphilly: Wales. Raw milk; best in
16
late summer. Wheel shaped. Firm, flaky
texture; slightly salty flavor.
Cantal: France. Raw milk; best in sum-
mer and fall. Cloth-covered; cylindrical.
Firm supple texture; piquant nutty taste.
Cheddar: England and elsewhere.
Wheel shaped. Firm; mild when aged
two months, sharp when aged 12 months.
Cheshire: England. Cylindrical. Firm
texture. Mellow, Cheddar taste if white
or orange, piquant if blue-veined.
Danbo: Denmark and elsewhere.
Wheel shaped. Firm; mild Emmentaler-
like flavor enlivened with caraway seeds.
Edam: Holland and elsewhere. Whole
or part-skim milk; minimum 40 per cent
fat. Loaf or sphere shape; typically en-
cased in red wax. Firm; mild when aged
two months, tangy when aged longer.
Emmentaler: Switzerland. Part-skim
raw or pasteurized milk. Wheel shaped.
Firm texture; cherry-sized holes; mild,
nutlike flavor. Similar so-called Swiss
cheeses produced worldwide.
Fontina: Italy and elsewhere. Whole
cow's or sheep's milk. Wheel shaped.
Firm; nutty flavor, distinct odor.
Gjetost: Norway. Whey of cow's and
goat's milk; 33 per cent fat. Loaf or small
foil-wrapped cube shape. Firm texture;
brown color and sweetish flavor from
milk sugar caramelizing during boiling.
Gouda: Holland and elsewhere. Wheel
- -
Pecorino Romano
Cheshire
Sage Derby
shaped, usually wax-coated. Firm; mild,
nutty taste when aged two to six months
and tangy when cured longer.
Gruyere: Switzerland and elsewhere.
Large wheel shape. Firm texture; small,
widely dispersed holes; nutty flavor.
Jarlsberg: Norway. Wheel shaped.
Firm, buttery texture; tingly taste, simi-
lar to Emmentaler and Gruyere.
Mimolette: France. Flattened ball. Re-
silient, firm; mild Cheddar flavor.
Noekkelost: Norway and United
States. Part-skim milk. Norwegian ver-
sions as low as 20 per cent fat; whole-
milk domestic versions are 50 per cent
fat . Loaf and cylindrical. Firm; spicy
from added cumin, cloves and caraway.
Parmesan: Italy and elsewhere. Those
labeled Parmigiano Reggiano (shown be-
low) are made only in Italy. Part-skim
milk; 32 to 38 per cent fat. Cylindrical.
Hard, dry, granular; sharp, nutty flavor.
Pecorino Romano: Italy. Sheep's milk;
38 per cent fat . Cylindrical. Hard; ex-
tremely sharp flavor . The goat's-milk
version, caprino Romano, has a similar
flavor; cow's-milk vacchino Romano is
comparatively mild. Cow's-milk Romano
made in the United States is even milder.
Provolone: Italy and elsewhere. Usu-
ally smoked. Pear, sausage and other
shapes, often wax-coated and bound with
cord. Firm, elastic; mild after six months'
Parmesan
aging, piquant if aged up to 14 months.
Raclette: Switzerland. Wheel shaped.
Firm texture; mellow flavor.
Ricotta Salata: Italy. Sheep's milk.
Wheel shaped. Semisoft when aged two
months, hard if aged longer; pungent.
Sage Derby: England. Wheel shaped.
Firm; Cheddar flavor enlivened by sage
leaves. American version called sage.
Sapsago: Switzerland. A mixture of
whey, skim milk and buttermilk; 5 to 9
per cent fat. Small cone shape. Hard,
granular texture; piquant flavor enliv-
ened by powdered clover leaves.
Stilton: England. Cylindrical. Firm,
slightly crumbly-textured blue cheese;
milder than Roquefort or Gorgonzola.
Swiss: See Emmentaler.
17
-----------1----
Cookery
The GJ3asic
Perfect fried eggs
The double cooking of shirred eggs
The unique effects of deep frying
Soft-boiling to serve from the shell
A range of firmness for peeled eggs
Neat results from poaching
The benefits of baking
Tossed from its pan with a sweeping
motion of the arm, a fried egg turns in
mid-air to bring the top into contact with
the hot pan. Once turned, the egg will
need only a few seconds' additional
frying to firm the white around the yolk.
Whether fried, boiled, poached, baked or steamed, eggs that are cooked
whole, without stirring or beating, share a need for gentle heat to keep
whites tender and yolks moist. Aside from this constraint , the methods
have little in common; each makes different demands on the cook.
When eggs are fried in a shallow layer of butter or oil, for example,
the temperature must be set low to prevent the undersides from burning
while the tops cook. For eggs that are to be served sunny-side up, the tops
can be firmed quickly by covering the pan with a lid that will reflect heat
down ward (page 21) . AI ternati vely, the eggs can be turned, either with a
spatula or by tossing them (opposite) . A variation of shallow frying is to
shirr eggs by setting the undersides in melted butter on the stove top,
and finishing the eggs in the oven (page 21) .
Deep frying an egg helps to solve the problem of uneven cooking by
applying all-around heat. However, to preserve the egg's tenderness, the
temperature of the oil or fat must be markedly lower than is the case
when deep frying most foods, and the white must be neatly and quickly
folded around the yolk to protect it from overcooking.
Shells protect eggs cooked intact in water, a process called boiling,
although, in fact, the water must be at a simmer to avoid toughening the
whites. Because the cooking is concealed, accurate timing is essential: It
may vary from three minutes for an egg to be eaten from the shell (page
23) to 10 minutes for an egg that is to be peeled (page 25) .
For poaching-immersing eggs in hot liquid without the protection
of their shells-the temperature should be below a simmer: Bubbling
liquid would break up the whites. The best way to control the tempera-
ture is to bring the liquid to a boil, then turn off the heat before adding
the eggs. Covered with a lid, the pan and its contents stay warm enough
to cook the eggs in a few minutes (pages 26-27). Only the freshest eggs
should be poached; their firm whites will cling to well-centered yolks.
Shaping is no problem when eggs are cooked in containers by baking
or steaming. The use of containers also makes it possible for other ingre-
dients, such as vegetable purees, t o be cooked along with t he eggs. Bak-
ing is most commonly done in an oven preheated to about 350 F. [180
C.]. Steaming is done in a covered water bath, placed eit her in the oven or
on the stove top (page 29).
19
WHOLE-EGG COOKERY
Frying: Fast Cooking in Shallow Fat
When eggs are cooked in a thin layer of
fat, heat is directed at them only from
below. If the eggs are served sunny-side
up, the cook's task is to ensure that the
tops of the eggs cook at the same time the
bottoms do, so that the thick rings of
white surrounding the yolks set before
the undersides burn. Basting the eggs by
spooning fat over them will help cook the
tops. In addition, you can cover the skil-
let with a lid to reflect heat downward, as
shown in the top demonstration at right.
Alternatively, you can turn eggs over
midway through frying, so that both the
tops and the bottoms are brought into
contact with the heated surface of the
pan (right, bottom). You will find it easi-
est to reverse eggs with the aid of a spat-
ula (Step 2, bottom), but some virtuosos
prefer to flip eggs by tossing them, as
shown on page 18. Because of the diffi-
culty of flipping eggs simultaneously, or
of turning several in one pan, both of
these techniques work best with one or at
most two eggs.
Whichever frying method you choose,
you should add the eggs to the skillet as
soon as the fat is hot to prevent it from
burning and spoiling the taste of the fin-
ished dish. The fresh flavor of melted but-
ter marries well with eggs; so does the
fruity tang of olive oil.
Most cooks break the eggs directly into
the fat, but some prefer to crack eggs onto
a plate and then slide them into the pan
so that if a shell accidentally crumbles,
the fragments can be easily removed. Af-
ter cooking the eggs, you can mix a little
vinegar or lemon juice with additional
melted butter in the pan to make a sim-
ple sauce (Step4, opposite page, bottom).
Shirring eggs is an extension of the
pan-frying technique: The eggs start to
cook on top of the stove, and are then
placed in an oven or under a broiler to set
the whites (box, opposite). Gratin dishes
just large enough for one or two eggs are
traditionally used for this method. For
the second stage of cooking, cream may
be added to the eggs to enrich their flavor
and give them a melting smoothness.
20
Reflecting Heat with a Pan Lid
1
Breaking the eggs. In a skillet
over low to medium heat, warm sufficient
butter to cover the bottom of the pan
generously. As soon as the butter foams,
break as many eggs into the skillet as
it will hold easi ly - up to four eggs in a
pan 12 inches [30 em.] in diameter.
Turned Eggs with a Simple Sauce
1
Adding the egg to the pan. Melt
butter over low heat until it starts to foam.
Break an egg into the hot butter (Step
I , top) . Alternatively, break the egg onto
a small dish or saucer and slide it into
the skillet(obove). Cook the egg until the
underside sets - about one minute.
2
2
Basting the eggs. Once all of the
eggs hove been added, tilt the skillet and
use a spoon to collect the butter on the
lower side. Baste the eggs with the hot
butter two or three times so that the
tops start cooking. If the ski llet is fil led
with eggs, it may be difficult to collect
the fat; in that case, melt some butter in a
separate pan and use it for basting.
Turning the egg over. Slide a spatula
far enough underneath the egg
to support the yolk and as much of the
white as possible. Raise the spatula a
little, then turn it sideways so the egg
slips bock into the skill et, yol k side down.
3
3
Covering the pan. To set the thick
layer of white surrounding each yolk,
cover the skillet with a lid to reflect heat
onto the tops of the eggs. After obout
one minute, remove the lid. The eggs are
ready as soon as the whites set; the yolks
should be soft and glistening.
Tipping out the egg. Turn off the
burner and allow the heat of the pan
to cook the egg for a few seconds
more to set the white surrounding the
yolk. Then tilt the pan to slide the egg
out onto a warmed plate.
4
Serving the eggs. Take the skillet
off the heat. Gently shake the pan to free
the eggs, then carefully tilt it to
slide the eggs onto a warmed serving
plate. Season to taste with salt and
pepper, and serve the eggs at once.
4
Making a pan-juice sauce. Using
the same ski llet, mel t a littl e more butter
over medium heat; when it foams, add a
dash of vinegar. Sti r the butter-and-
vinegar mixture for a few seconds, then
pour it over the egg. Serve at once.
An Oven Finish
l
Adding cream. Melt butter in a
small gratin dish over medium heat,
using a heat-diffusing pad if the dish
is ceramic. Break in eggs, cook them
about a minute, until the undersides
set, then take the dish off the heat.
Pour cream over the eggs (above).
2
Serving the eggs. Place the
dish in a preheated 350 F. [180 C.]
oven and bake for four or five
minutes, until the whites set
uniformly. Serve the eggs in the
gratin dish, set on a plate to protect
the table from its heat.
21
WHOLE-EGG COOKERY
Deep Frying: A Route to Crisped Whites
Deep frying is a cooking method not often
associated with eggs-and in fact the
usual deep-frying temperatures of 350
to 375 F. [180 to 190 C.] would burn
eggs and make them rubbery. But if the
oil or fat is kept at about 250 F. [120 C.],
the eggs become crisp and brown outside
while remaining soft and moist within.
The cooking process is rapid-it takes
about a minute-and calls for some dex-
terity. To prevent overcooking, the white
must be folded around the yolk as soon as
the egg is immersed. Any white not sub-
merged must be basted constantly to
cook evenly. So delicate is this procedure
that only one egg can be cooked at a time.
The choice of oil or fat is a matter of
taste. Neutral-tasting peanut or corn oil
will leave the eggs' flavor unchanged. 01-
1
ive oil will impart a fruity savor, and lard
will lend a faint sweetness.
Heat the oil or fat to the proper tem-
perature before adding the egg. Test it
with a rapid-response thermometer or
drop in a stale bread cube-the oil or fat
should sizzle but not brown the bread.
2
22
Draining the egg. When the white
appears fi rm and starts to brown, lift the
egg out of the oil with a perforated
spoon. Let excess oil drip back into the
pan, then set the egg on paper towels
to drain. Use more towels to blot any
remaining oil from the top of the egg.
3
Setting the white. In a fryi ng pan, heat Y2 to 1 inch [1 to
2 Y2 em.) of oil until it is sizzling hot. Break an egg into the oil, then
immediately tilt the pan to form a wel l of oil deep enough to
immerse the egg. Wi th a spoon, ease the exposed white away from
the base of the pan (above, left) . Gently fold the white over the
yolk to enclose it. The doubled layers of white(right) will protect the
yol k from the heat and prevent it from overcooking.
Serving the egg. Season the egg to taste and serve at
once- in this case, on a slice of bread that has been buttered on
one side and crisped for 5 minutes in a preheated 400F.
[200C.) oven. If you li ke, garnish the egg with parsley, fried for a
few seconds in the hot oil and drained on paper towels.
Soft-boiling: Two Approaches toT ender Whites
The simplest way to cook an egg is to im-
merse it, shell and all, in hot water. If the
egg is intended to be eaten from its shell,
its white must be kept tender. The quick-
est method for accomplishing this, as
shown at right, is to bring a saucepan of
water to a gentle bubble, plunge in t he
egg, and let it simmer uncovered over low
heat. Vigorous boiling would overcook
the outside of the white, making it tough
and leathery.
The timing depends on the degree of
doneness you want as well as on the size
of t he egg and its freshness. If the egg is
medium-sized, allow three minutes for a
barely congealed white (Step 3, right) ,
five minutes for a firm white. A large egg
will be ready in four to six minutes. How-
ever, add another minute to times if the
egg is newly laid; its compact white will
take longer to set than the thinner, more
alkaline white of an older egg.
An even gentler, if slower, method for
soft-boiling an egg is coddling it. For this
method, the water is brought to a boil,
then removed from the heat before t he
egg is immersed. Covered with a lid, the
water will cook a medium-sized egg in six
to 10 minutes and a large egg in eight to
12 minutes-according to how firm you
want the white.
With either method, the egg must be
brought to room temperature before it
can be immersed; otherwise, the sudden
change in temperature is likely to crack
the shell. To warm the egg quickly, let it
stand in a bowl of tepid water until it no
longer feels cool to the touch.
If you are soft-boiling or coddling sev-
eral eggs at once, you can synchronize
t he moment at which they start cooking
by lowering them into the water in a wire
basket. Then, if you do not wish to cook
all of the eggs for t he same length of time,
remove them individually with a slotted
spoon as they become ready.
Soft-boiled or coddled eggs should be
opened as soon as possible, lest the inter-
nal heat continue to cook them. They
may be served just as they are in eggcups,
or scooped from their shells into cups or
bowls, to which butter and herbs may be
added according to taste.
l
Boiling the eggs. Let the eggs
warm to room temperature. Bring a
saucepan of water to a simmer.
Reduce the heat, if necessary, so that the
water barely bubbles. Place the
eggs in a wire basket and lower them into
the water. Time the cooking from the
moment the eggs enter the water.
2
3
Opening the eggs. When they
have cooked for the time required,
remove the eggs from the water with a
slotted spoon or in the basket. Set each
one in an eggcup. Holding the egg,
slice through the top by striking it with a
knife at the point where it widens
enough to admit a small spoon (above).
Or crack the top with a teaspoon,
then use the spoon to open the egg.
Serving the eggs. Lift the top off
the egg and cl ear away any pieces of
shell that may have fal len into it.
Season with salt and pepper. If you like,
add a dab of butter. The egg may now
be eaten with a small spoon or by
dippi ng strips of bread or toast into it.
23
WHOLE-EGG COOKERY
Firming Whites for Easy Peeling
Eggs that are boiled and then peeled may
serve as garnishes, as elements in assem-
bled dishes, or they may be eaten as they
are. Whether the eggs are cooked for four
minutes or 10 (box, below), the whites
must be firm enough to remain intact af-
ter the shells are pulled away. But the
whites must also stay tender, even if the
eggs are reheated (pages 40-45) .
The best eggs for peeling after boiling
are those about a week old- eggs that
have developed the large air pockets that
simplify the peeling process. To firm the
whites during boiling, the eggs are start-
ed in cold water, which is t hen brought
almost-but not quite-to a boil over
moderately high heat and kept just be-
low boiling temperature during cooking.
High heat will toughen the whites and
accelerate a chemical reaction between
the iron of the yolk and the sulfur com-
pounds of the white that results in green
discoloration on the yolks.
Because the water in which they are
immersed is cold, eggs can be used direct-
ly from the refrigerator without danger
of cracking dur ing boiling. However, the
cooking period during which t he water
heats should not be counted as part of t he
boiling time: Timing begins when the
water first starts to bubble. The heavi-
ness of your pan, the amount of water you
use and the number of eggs you cook will
influence the time required. The times
shown in the box at right are averages for
eggs classed as "large." For bigger eggs,
add a minute to each time; for smaller
ones, subtract a minute.
After boiling the eggs, plunge t hem
into cold water to arrest their cooking
and to cool them for easy handling. Peel-
ing, although not difficult, requires a
light touch- particularly for a mollet
egg (near right), a liquid-yolked, four-
minute version that is easily damaged. It
is best to peel eggs just before using
them. The shells protect the whites from
drying out and preserve flavor so effec-
tively that whole boiled eggs can be kept
in the refrigerator for up to a week.
24
1
Cooking the eggs. Arrange the eggs in one Ioyer in a
saucepan. Pour in enough cold water to cover the eggs by at
least 1 inch [2% em.], and place the uncovered pan over
medium-high heat (above, left). Time the eggs from the moment
that a few Iorge bubbles begin to rise from the bottom of the pan
(right). Reduce the heat to keep the water below the boiling point.
When the eggs hove cooked for the time required, remove them
from the pan individually with a perforated spoon and plunge them
into cold water to stop further cooking.
From Soft-boiled to Overboiled
' 1 lrJ
A four-minute egg. The white is only
portly set and the yolk is still liquid. This is the
mallet egg of French cooking. Because it stays
soft inside but still holds its form, it is used
whole in assembled dishes (pages 38-39) .
A six-minute egg. The white is firmly set,
as is most of the yolk, although the center is still
soft and dark yellow. This egg is easier to
handle and to shell than the mallet egg. It con
be used whole or halved in assemblies
calli ng for a hard-boiled egg; in fact, some
cooks prefer its moister consistency.
2
Cracking the eggs. Crack the shell of each egg by grasping
the egg in one hand and gently tapping it all over with the back of a
spoon or the handle of a knife (obove). Alternatively, hold the
egg under your palm and roll it back and forth on a smooth surface
3
Removing the shell. Gently strip the shell away from the
white of the egg, peeling clinging membrane at the same time.
Rinse off any remaining shell fragments by dipping the egg in
water. If the peeled eggs are not required immediately, store them
in a bowl of cold water to keep them from drying. They can be
safely kept in the water for two or three hours, if necessary.
until the shell becomes marbled with cracks.
An eight-minute egg. Both the yolk and
white are firmly set, although the center of the
yolk remains tender. This egg can be cut into
halves or quarters, sliced or chopped, but it
keeps enough natural moisture so that it can be
briefly reheated as part of an assembled dish.
A 10-minute egg. Yolk and white are
firmly set and the yolk is pale yellow. This is the
classic hard-boiled egg used for stuffing
(poge 40) and as a garnish in salads and other
cold dishes. Halved or quartered, sliced or
chopped, it can be reheated in sauce or turned
into a gratin (poges 42-43).
An overcooked egg. When cooked for
much more than 10 minutes or boiled over high
heat, the white of the egg turns rubbery and
the yolk becomes dry and crumbly. Chemical
reactions between the yolk and white may
produce a green layer around the outer surface
of the yolk and a strong, sulfurous smell.
25
WHOLE-EGG COOKERY
Poaching: Gentle Heat for the Unprotected Egg
Freshness is a prerequisite in eggs for
successful poaching. Immersed in hot liq-
uid, the whites of newly laid eggs cling
compactly to the yolks and poach neatly.
The whites of eggs more than a week old,
however, spread out and overcook.
No special equipment is needed for
poaching other than a heavy saute pan or
skillet with a lid. Most so-called poaching
pans, built with small cups to contain the
eggs, do not actually poach: The eggs are
cooked by steaming (pages 28-29) rather
than by immersion.
The poaching liquid should be at least
2 inches [5 em.] deep to immerse the
eggs, and it should be preheated so that
the eggs begin cooking as soon as they
are added. Since the temperature of the
liquid will drop when the eggs are broken
into it, choose the most capacious pan you
own to minimize heat loss-and never
poach more than four eggs at a time.
The usual liquid is water. However,
eggs can also be poached in milk, stock or
wine, some of which may then be thick-
ened with butter and flour and made into
a sauce for the eggs. Whatever the liquid,
it should be kept below a simmer while
the eggs cook; stronger heat would turn
the whites rubbery. An easy way to con-
trol temperature is to bring the liquid to
a boil, turn off the heat, add the eggs, and
cover the pan to keep the liquid warm.
Many cooks stir the liquid to create a
miniature whirlpool before breaking an
egg into the pan; the swirling water helps
to compact the egg. Other cooks lift t he
white over the yolk as soon as the egg
is immersed. Neither method should be
necessary for fresh eggs, but both are
useful to keep older eggs from spreading.
As soon as the eggs are done, diP. them
in cold water to prevent further cooking.
Since even the freshest egg has a thin
outer ring of white that may spread a lit-
tle, the cooked egg will inevitably have a
straggly outline: Trim off loose strands of
white for a neat shape.
The eggs can be served at once-ac-
companied, if you wish, by an herb-and-
butter sauce (demonstration, bottom; rec-
ipe, page 95). Otherwise, you can place
the trimmed eggs in cold water to keep
t hem moist; they can be refrigerated for
up to 24 hours. Just before use, reheat the
eggs by dipping them in hot water.
26
Ensuring a Compact Shape
l
Breaking the eggs. In a shallow
saute pan, bring 2 to 3 inches [5 to 8 em.]
of plain or lightly salted water to a
boil. Turn off the heat and add the eggs
at once. To minimize the spreading
of the whites, break the eggs directly into
the water: Open the shells carefully
at the water's surface, so that the eggs
sl ide into the water compactly.
An Herb and Butter Finish
l
Reheating the eggs. Melt some
butter in a shall ow skil let. When the butter
begins to foam, turn down the heat
and gently lower the poached eggs into
the pan. It is best to use your hands
to transfer the eggs to the pan: A spatula
might break the fragile yolks.
2
2
Poaching the eggs. Cover the
pan with a tight- fitting lid in order to
retain the heat. Allow the eggs to
cook undisturbed for about three
minutes, then lift off the lid. When the
whites are opaque and the yolks are
covered with a thin, translucent layer
of white, the eggs are ready.
Adding herbs. Sprinkle freshly
chopped herbs - in this case,
tarragon - over the eggs. Baste the
eggs with the hot butter several times to
warm their tops, then leave them for a
few moments to heat through.
3
Lifting out the eggs. Remove the
eggs from the pan with a perforated
spatula and immediately place them
in a shallow dish filled with cold water to
arrest their cooking. Repeat Steps 1
and 2 as often as needed. The dish
chosen for cooling the eggs should
hold all of them without crowding.
Serving the eggs. When the eggs
are hot, add a squeeze of lemon juice to
accentuate the flavor of the sauce
(above). Then lift the pan off the heat and
tilt it over a wormed serving plate to
pour out the sauce. Use a spoon to help
slide the eggs onto the plate (right).
Draining and trimming. Lift the eggs out of the water and
drain them on a dampened kitchen towel. Using a small knife, trim
- the eggs by cutting away the thin outer ring of white around the
edges. If you do not intend to use the trimmed eggs immediately,
transfer them to a second dish of cold water to keep them moist.
. .
:;s;*'
Tp \
. ,
27
WHOLE-EGG COOKERY
Steaming and Baking: A Reliance on Integral Garnishes
Though steaming cooks with moist heat
and baking with dry heat, both methods
envelop the foods in a constant, uniform
warmth. Both are appropriate for whole
eggs but, to keep their surfaces tender ,
the eggs must be swathed in protective
coatings: cream, stock or sauce.
In the top demonstration at right, eggs
are broken into small baking dishes, or
ramekins, covered with a shielding layer
of cream, and steamed in a water bath.
The water is kept at a bare simmer to
ensure gentle cooking, and t he pan is
kept covered to trap the steam and sur-
round the eggs with heat. The water bath
can be placed in the oven or, as here, kept
on top of the stove.
Preheat the cream before you pour it
into t he dishes: The warmth will start
cooking the eggs immediately, thus re-
ducing the time required. You could add
herbs or grated cheese to the ramekins,
or r eplace t he cream with butter, a spoon-
ful of meat stock or tomato sauce.
In the bottom demonstration, eggs are
baked, uncovered, on a bed of chopped
spinach mixed with cream. The flavoring
elements themselves provide protection
against t he oven's enveloping heat: The
eggs are placed in depressions in t he bed
of spinach and are partly submerged by
a sauce of heavy cream. Pureed peas,
mushrooms or tomatoes would also make
a suitable base for the eggs. In this dem-
onstration, several eggs are baked to-
gether in one large dish; you could just as
well bake the eggs on a vegetable base in
individual serving dishes.
28
A Bath of Butter and Cream
l
Preparing ramekins. Lightly
butter several romekins. Worm some
cream in a saucepan over medium
heat. When the cream is hot but not
boi ling, spoon a little into each
romekin. Break an egg into the cream
in each of the dishes (above).
A Creamy Bed of Spinach
l
Preparing a spinach base. Stem
spinach leaves and wash them wel l in
several changes of water to remove
grit. Parboil the leaves for two minutes,
then drain off the hot water. Run cold
water over the leaves to cool them,
squeeze out excess moisture, and
chop the leaves. Melt butter in a pan
and add the spinach (above).
2
2
Adding butter. Place a smal l piece of
butter on top of each yolk. Do not
season the eggs at this stage;
because salt on the yolks will mar their
smooth finish and pepper may
develop an acri d taste, the eggs should
be seasoned just before serving.
Adding cream. Tass the spi nach in
the butter over low heat, then pour cream
over the spinach. Stir the spinach and
cream together. Season to taste with salt,
pepper and a pinch of nutmeg.
Transfer the creamed spinach to a
buttered gratin dish.
3
3
Preparing the water bath. Place
the romekins on a wire rock in a Iorge,
shallow pan. Pour enough boiling
water into the pan to come two thirds of
the way up the sides of the romekins.
Set the pan over low heat; the water
should simmer gently. Cover the pan.
Adding the eggs. With the bock of a
spoon, form shallow, evenly
spaced pockets in the spinach. Break
on egg into each depression.
4
Steaming the eggs. The eggs will
toke about five minutes to cook. They ore
done when the whites hove set but the
yolks remain moist. Lift the romekins out
with a spatula and serve the eggs
immediately, still in the romekins.
4
Topping with cream. When all of
the eggs ore in place, spoon a
tablespoon [15 mi.] of heavy cream
over each of the tops. Set the dish in on
oven preheated to 350 F. [180o C.].
5
Serving. After about eight minutes,
check to see if the eggs hove cooked; if
the whites hove not set, bake the eggs
for a few minutes more. Serve the eggs
on worm plates os soon os they ore
cooked, presenting each egg on a bose
of spinach (above). Season to taste.
29
A selection of garnishes
Classic sauces
Little tarts and other shells
A guide to composition
Shaping and cooking croquettes
Working with aspic
A mollet egg in a jacket of shimmering
aspic is lifted from a serving dish. To
produce the aspic, a clear, gelatinous
meat stock was allowed to set in a mold
around the eggs and watercress
leaves. The jelly was then turned out and
garnished with more watercress.
. ,
Cif>resentattons
The Art of Assembly
The basic methods of egg cookery are few in number, but egg dishes by
the thousands are created by combining cooked eggs with garnishes,
t hen swathing them in sauces. Mollet eggs- those boiled for only four
minutes (page 24) -or poached eggs are most often the centers of such
assemblies; their moistness guarantees dishes of surpassing luxury. But
egg compositions may also be based on deep-fried eggs (page 22) or on
hard-boiled eggs whose yolks have been scooped out, moistened with
butter or sauce and returned to the whites (pages 40-41) . Among these
choices, poached or boiled eggs may be prepared a day in advance; deep-
fried eggs must be cooked just before a dish is arranged (pages 24 and 26) .
The list of possible garnishes and sauces (pages 32-35) is long indeed.
Cured meats or fish such as Canadian bacon or smoked salmon will add
body to an egg dish while providing an emphatic contrast to the eggs'
bland taste. Chopped or pureed vegetables can offer subtler flavor con-
trasts and, if arranged as a bed for the eggs, will help anchor them in
place; smooth and slippery poached or mollet eggs particularly need a
steady foundation. Sauces serve double duty too: Besides adding richness
and flavor, they prevent an egg from drying out if the dish is baked.
A solitary egg, garnished and sauced, becomes a beguiling individual
package if it rests on an edible platform or is encased in an edible con-
tainer. For instance, eggs Benedict is a marriage of poached eggs, ham or
Canadian bacon, and hollandaise sauce (recipe, page 166), presented on
an English muffin. More elaborate effects can be achieved by encasing an
egg composition in pastry or in hollowed-out vegetables such as arti-
choke bottoms or baked potatoes (page 36) .
Egg assemblies need not always follow the tradit ional pattern of egg,
garnish, sauce and case. For an equally attractive cold presentat ion,
mollet eggs and t heir garnish frequently are suspended in a glist ening
mold of aspic (opposite and pages 46-47) . And hard-boiled eggs lend
t hemselves to still other presentations. The firm yolks and whites may,
for instance, be chopped, combined with flour, milk and butter , and
formed into croquettes for frying (pages 44-45) . Or t he chopped eggs may
be coated with sauce and gratineed (pages 42-43) . Such dishes, although
perhaps less seductive in appearance t han single-egg presentations, are
no less a delight to a diner, and no less worthy of the cook' s attention.
31
WHOLE-EGG PRESENTATI ONS
Garnishes That Furnish Body and Flavor
Whether the garnish for an egg dish
serves as a bed or a covering, it should
be prepared so that it will complement,
not mask, the eggs' delicate texture and
taste. Meats, and fish such as smoked
salmon, should be sliced paper-thin or
slivered; tiny fish such as salt anchovies
may simply be split into fillets (opposite,
bottom right). Vegetables, the most com-
monly used garnishes, should be pureed
or sliced thin.
Slicing is the best treatment for par-
ticularly fibrous vegetables-for exam-
ple, green beans or asparagus (opposite,
center) . The vegetable is usually cut up
when it is raw; then the slices are briefly
parboiled to tenderize them and quickly
sauteed in butter to add fl avor.
Dried morels (opposite, bottom left), a
delicious type of wild mushroom sold at
specialty markets, also call for slicing-
not because offibrousness but to preserve
their fine texture. The morels are first
soaked in water to rehydrate them, then
they are halved and thoroughly washed.
The slices need no parboiling but should,
like other sliced vegetables, be quick-
ly heated in butter-or better still, in
cream-to bring out their earthy taste.
Vegetables can be reduced to a puree in
several ways, depending on t heir age and
tenderness. In the case of young and
tender leaves of spinach or sorrel ( oppo-
site, top), you need only strip away t he
A Butter-enriched Puree of Mushrooms
32
l
Pureeing mushrooms. Trim the
earthy bases and wipe the mushrooms
wi th a damp towel. Then force them
through the medium disk of a food mil l.
Peas Sieved Twice for Smoothness
l
Preparing peas. Cook fresh peas
in salted, boiling water for five minutes, or
until tender. Drain the peas and puree
them through a strainer or a food mill.
Sauteing mushrooms. Squeeze
a little lemon juice over the pureed
mushrooms to prevent darkening.
Melt butter in a pan and stir in the puree.
2
Removing skins. Press the peas
through a drum sieve by spoonfuls.
Scrape the flesh from the underside
into the bowl. Discard the skins.
stems, shred the leaves and stew them
in butter: The shreds will soften into a
puree. Other vegetables must be pureed
t hrough a sieve or in a food mill or a
food processor.
Mushrooms are tender enough to be
pureed raw (below, top), but almost all
other vegetables must be softened be-
forehand by parboiling. Vegetabl es with
skins, such as lima beans or peas, must
be cooked, pureed, then forced through a
fine-meshed sieve to remove any skins,
ensuring a smooth puree (below, bottom).
All vegetable purees benefi t from an
enrichment of cream or butter before
they are paired with eggs.
3
Finishing the puree. Stirri ng
continuously, cook the puree over fairly
high heat for three or four minutes, or
until most of the juices evaporate.
3
Binding the puree. Stir the puree
over high heat for two or three minutes.
Remove from the heat and beat in a
generous amount of butter or cream.
A Creamy Reduction of Sorrel
l
Shredding sorrel. Fold the leaves
lengthwise and strip off the stems. Roll
several leaves into a tight bundle.
Slice the bundle into shreds with a knife.
Tender Pieces of Asparagus
l
Peeling stalks. Trim off the woody
bose of each asparagus. Cutting toward
the tip, pare the tough skin from the
lower part of the stalk.
2
Stewing sorrel. Melt butter over
low heat in a heavy pot; do not use
aluminum or cost iron, which would
affect the sorrel's flavor. Stir in the sorrel.
2
Slicing stalks. With a sharp knife,
cut the stalks diagonally into thin sl ices.
Plunge the slices into salted, boiling
water for a few seconds to soften them.
A Del icate Fusion of Morels and Cream
l
"
Mea.
Preparing morels. Soak dried
morels in cold water for at least an hour.
Trim the stem ends, cut the morels in
half and wash them under running water.
2
Stewing. Cook the morels in butter
over low heat for three or four minutes.
Sti r in heavy cream. Simmer gently for
two or three minutes more.
3
Thickening with cream. Stirring
occasionally, simmer for 10 minutes until
a puree is formed. Stir in heavy cream,
then reduce as desired.
\
3
Finishing the cooking. Drain the
slices in a colander (above). Then saute
them in melted butter over high heat
for a few seconds until glossy.
A Salty Savor of Anchovy
Boning anchovies. Soak salt
anchovies in water to remove excess sal t.
With your fingers, pry the fillets away
from the backbone of each anchovy.
33
WHOLE-EGG PRESENTATIONS
AT rio of Basic Sauces
Eggs can be partnered by many diverse
sauces, from creamy emulsions that ac-
cent the eggs' own flavor to spicy blends
that provide a piquant contrast. Here,
three classic preparations-white sauce,
hollandaise and tomato sauce-repre-
sent the spectrum of possibilities. The
white sauce (right, top; recipe, page 165)
is based on a roux-a paste made by
cooking flour with butter -thinned with
milk. Hollandaise (right, bottom; recipe,
page 165) is an emulsion made by beat-
ing butter into warmed egg yolks. The
tomato sauce (far right; recipe, page 166)
is a flavored puree that is prepared by
cooking tomatoes until they t urn soft,
then sieving them.
All of these sauces benefit from gentle
cooking. In the case of the white sauce,
lengthy simmering removes the taste of
raw flour. You can use the white sauce as
is or enrich the completed mixture by
stirring into it as much as half its volume
of heavy cream. A white sauce may also
act as a base for flavorings, stirred in just
before serving. Add grated Parmesan or
shredded Cheddar or Gruyere, for exam-
ple, to make a cheese sauce.
Hollandaise cooks more quickly than
white sauce, but requires more care: Too
much heat will cause the emulsion to sep-
arate. Rather than risk problems by pre-
paring the sauce over direct heat, cook
the hollandaise in a pan set in a large pot
of simmering water. As an additional
precaution, mix a little water into the
egg yolks before heating them to help
keep them fluid.
Because tomatoes have a high water
content, they need no additional liquid to
form a sauce. After about 20 minutes of
simmering-in a pan made of material
other than aluminum, which would in-
teract with the tomatoes to produce an off
taste-their flesh will be soft enough for
sieving. The sauce should then be re-
turned to the heat and simmered, uncov-
ered, for up to 15 minutes to reduce it to
the consistency required. After only two
or three minutes it will be thick enough
to serve on its own. If reduced further, the
puree can be added to other sauces to pro-
vide extra flavor and color; for example,
2 or 3 tablespoons [30 or 45 ml.) will give
a white sauce a delicate tomato taste and
a rose-pink hue.
34
White Sauce: Simmering for a Smooth Flavor
l
Making the roux. Heat the butter
in o heavy saucepan set over low heat.
As soon as the butter melts, odd the
flour, distributing it evenly in the pan.
2
Whisking the roux. Using o whisk
oro wooden spoon, immediately stir the
flour into the butter to form a smooth
paste. Cook this raux gently for two or
three minutes, stirring it constantly,
until the mixture has o granular texture.
Hollandaise: An Emulsion of Egg Yolks and Butter
l
Preparing a water bath. Set o
trivet or wire rack in o Iorge pot. Half-fill
the pot with hot water. Bring the water
to a boil, then reduce the heat to keep it
just below the simmering point. Put
egg yolks into a pan small enough to fit
inside the pot; odd a tablespoonful
[ 15 mi.] of cold water to the yolks.
2
Whisking the yolks. Stand the
pan on the trivet; the water should reach
two thirds of the way up the sides of
the pan. With a whisk, beat the egg yolks
to combine them with the water.
Continue to whisk until the mixture
becomes smooth and creamy.
3
Adding milk. Pour all of the milk
into the roux at once, whisking the
mixture to blend it smoothly. Increase
the heat to medium. While the sauce is
coming to a boil, continue whisking to
prevent any lumps from forming.
3
Forming the sauce. Add a handful
of butter cubes to the pan, and whisk until
the butter is absorbed into the egg
mixture. Add the remaining cubes in
batches, a few at a time; whisk in each
batch before adding more butter.
4
4
Simmering the sauce. Turn the
heat very low so that the sauce cooks
at a bare simmer. Let it simmer
uncovered for 30 to 40 minutes, sti rring it
occasionally, until the sauce clings to
the whisk in a thick layer (above). Before
serving, season with salt, pepper and,
if you like, grated nutmeg.
Finishing the sauce. Continue
whisking until the sauce is thick and
creamy - about 10 minutes. Season
to taste with white pepper, cayenne
pepper and salt. Finish oH the sauce
by adding a few drops of lemon juice. If
the sauce is too thick to pour easily,
whisk in some lukewarm water to thin it.
A Fragrant Tomato Puree
l
Starting the sauce. Saute
chopped onion in olive oil until soft.
Add garlic, herbs, seasonings,
sugar and quartered tomatoes.
2
Sieving the sauce. Simmer for
20 to 30 minutes, until the tomatoes
soften to a pulp. Then use a pestle
to force the mixture through a sieve.
3
Reducing the sauce. Return
the sauce to medium heat. Simmer it,
stirring occasionally, unti l it
reaches the desired consistency.
35
WHOLE- EGG PRESENTATIONS
A Multiplicity of Edible Cases
Edible cases just the right size to hold an
egg, its garnish and its sauce can be
formed from bread, pastry or vegetables.
The shape, texture and taste of each type
of case play a large part in determining
the nature of the assembled dish.
Hearty egg assemblies, for instance,
might well begin with baked potatoes
whose tops have been sliced off. The flesh
can be scooped out, pureed and used to
line the cases (top) . To prepare the pota-
toes for baking, simply scrub their skins
and pierce them to allow steam to escape.
Medium-sized potatoes will take about
an hour to cook in a preheated 375 F.
[190 C.] oven. The scooped-out flesh of
the potato can be mashed with butter and
seasonings, as shown here, or mixed with
a pureed vegetable (pages 32-33). Use
the back of a spoon to pack the flesh back
into the potatoes.
For a lighter dish, vegetable cases can
be fashioned from hollowed-out tomato
halves or from boiled artichoke bottoms
(right, bottom). Raw artichokes call for
special measures to prevent discolora-
tion. Use a stainless-steel knife for trim-
ming and rub cut surfaces with lemon. As
soon as you have trimmed the artichokes,
put them into water mixed with lemon
juice until you are ready to cook them-
in an enameled, stainless-steel or tin-
lined pan. After cooking, the inedible
chokes-clusters of fine fibers in their
centers-can be removed easily. For fla-
vor and gloss, saute the bottoms with
the bases downward for two or three min-
utes, spooning melted butter into the hol-
low interiors; then turn them over to
warm the tops.
To provide a contrast in texture to soft,
cooked eggs, bread cases (opposite page,
top) are made from firm, homemade-type
bread that is slightly stale so that it can
be shaped easily. Painted with melted
butter , then baked, the bread crisps and
turns deep gold.
By lining small tart pans with short-
crust dough (recipe, page 167), you can
make shallow, individual pastry cases.
Stack the lined pans to prevent the dough
from bubbling (opposite page, bottom) ,
and bake them in a 425 F. [220 C.] oven.
Separate the pans and spread them out
for the last five minutes of cooking to
crisp the pastry.
36
Hollowing Baked Potatoes
l
Scooping out the flesh. Bake
potatoes in a hot oven unti l they are soft.
Slice the top off each potato; scoop
out the fl esh and put it in a sieve.
Turning Artichoke Bottoms
l
----...,
Removing outer leaves. Break
the stem off each artichoke. Snap off the
tough outer leaves. Rub the cut
surfaces with a lemon half.
3
Paring the bottom. Starting at the
stem, pare away the dark green exterior
of the ariichoke bottom. Put the bottom
into acidulated water to await cooking.
2
Lining the potato cases. With a
pestle, push the flesh through the sieve.
Add butter and seasonings to taste.
Li ne the cases with the puree.
2
Topping the artichoke. Grasp
the arti choke fi rmly. Using a stainless-
steel knife, cut off the leafy tops at the
4
point where the leaves are indented.
Removing the chokes. Boi l the
bottoms unti l tender - about 20
minutes- then drain them on a towel.
Scrape out the chokes (above) .
Sculpting Bread Rounds
l
Shaping the cases. Cut a round
from a l-inch [2Y2-cm.] slice of bread.
Cut a circle Y2 inch [1 em. ] inside the
edge, down to Y2 inch from the bose.
Shaping Pastry Shells
l
4
Combining butter and flour. Put
flour into a bowl with a little salt. Add cold
butter, cut into cubes. Use two knives
to cut the butter into the flour(above).
Rolling out the dough. Put the
chilled dough on a cold, fl oured surface.
Flatten the dough a little, then turn it to
flour the other side. Roll it out thin.
2
Hollowing the interior. Insert a knife
horizontally Y2 inch [ 1 em.] above the
bose of the bread round. Swivel the
blade to free the central disk of bread.
2
Adding water. When the butter
pieces ore thoroughly coated with flour,
pour in a little cold water and work it
into the dough with a fork (above).
5
Lining tins. Invert tort pons over the
dough. Cut around each pan, allowing a
l-inch [2 Y2 -em.] border. Line the
pons; trim the edges with your thumb.
3
Baking the cases. Lift out the
centers and point each case inside and
out with melted butter. Bake at 325 F.
[ 160 C.] for 25 minutes, unti l crisp.
3
Gathering the dough. Knead the
dough briefly until you con gather it into a
boll; then enclose it in plastic wrap
and refrigerate it for at least one hour.
6
Baking. Stock the pons on a baking
sheet; top with on empty pan. Bake for 15
minutes; unstock the pons (above)
and bake for five minutes more.
37
WHOLE-EGG PRESENTATIONS
Assemblies: Combinations without Limit
The choice of the garnishes, sauces and
cases (pages 32-37) that are combined
with cooked eggs naturally depends on
personal taste and on what is available.
But in selecting elements and in assem-
bling them, it is important to consider
how the eggs are cooked.
Poached, soft-boiled mollet and deep-
fried eggs can all be used in such assem-
blages. Of these choices, a deep-fried egg
blends particularly well with robust gar-
nishes and sauces because of its own
hearty flavor. The bread-case assembly
shown on the opposite page (far right, be-
low), for example, combines a deep-fried
egg with chopped spinach and salt ancho-
vies. The golden tint of a deep-fried egg
should not be masked by a sauce; instead,
surround the assembly with a border of
sauce-in this instance, a spicy toma-
to preparation.
Both the flavor and the appearance
of poached or mollet eggs are enhanced
by covering the eggs with mild-flavored
sauces or purees. Then, if you like, the
surface may be gratineed to give the
sauce or puree a brown top. For such a
finish, sprinkle buttered bread crumbs
over the assembly and bake it for a few
minutes in a 425 F. [220 C.] oven, or
run it under a broiler. The sauce will pre-
vent the eggs from overcooking while the
crumbs brown and crisp. Choose a white
sauce-perhaps adding cheese, cream,
or a spinach or tomato puree-for a gra-
tin; a delicate sauce such as hollandaise
would curdle in the high heat.
Alternatively, you can top the gratin
with cheese instead of bread crumbs; the
brief cooking process melts the cheese
and gives the sauce a pale golden surface.
The cheese should be a strongly flavored
variety that is hard enough to grate-
Parmesan or aged Cheddar, for example.
Whatever assembly you choose to pre-
pare, plan the cooking of the different
A pink-hued sauce. Make o
38
white sauce (poge 34-35) . Heat
creamed morels (poge 33) with
slivers of hom. Fill preboked pastry
cases (poge 37) with the morel
mixture; top wi th poached eggs. Stir
tomato puree into the sauce;
pour it over the cases.
elements so t hat all are warm when the
time comes to combine them. Make roux-
based sauces first , so that they can sim-
mer while you ready other ingredients.
An emulsion type of sauce such as hollan-
daise is best made immediately before
use but, if necessary, it will keep for up to
half an hour if you stand the saucepan in
hot water. Warm any precooked puree or
garnish over low heat, stirring it fre-
quently while it reheats to prevent it
from sticking. Heat prepared pastry and
vegetable cases in a slow oven.
Poached eggs should be trimmed after
cooking and stored in cold water to keep
them moist . Just before use, dip them
briefly in hot water to warm them, then
drain them on towels. Mollet eggs can be
treated the same way. However, deep-
fried eggs will not keep well and should
be cooked immediately before composing
any assemblage that includes them.
A hollandaise coating. Make
o hollandaise sauce (poge 34-35)
and prepare bread coses(poge 37) .
Worm slivers of prosciutto in butter
and pile them into the baked bread
cases. Top with poached eggs. Pour
the sauce over the cases and serve.
A prosciutto topping. Make
a mushroom puree and a tomato
sauce (pages 32 and 35). Fill
artichoke bottoms( page 36) with the
mushroom puree and set them on
a plate. Top the artichokes wi th
mallet eggs, cover with the
tomato sauce and garnish with
slivers of prosciutto.
An asparagus fill ing. Make
a cream-enriched white sauce
(pages 34-35) . Prepare on
asparagus garnish (page 33). Fill
pastry cases (page 37) with the
asparagus. Top with poached eggs.
Place on ovenproof dishes.