Directed by
Tom McLoughlin |
Writing Credits (WGA)
Polly Bergen | ... | (story) |
Betty Goldberg | ... | (teleplay) |
Cast (in credits order) verified as complete
Brian Dennehy | ... | Sam | |
Jacqueline Bisset | ... | Nell | |
Blythe Danner | ... | Elisa | |
Polly Bergen | ... | Janet | |
Noelle Parker | ... | Zoey | |
Tim Lounibos | ... | David Sue | |
Jessica Walter | ... | Bess | |
Grayce Spence | ... | Phyllis | |
Michael Burgess | ... | Jerry | |
Tonea Stewart | ... | Cora Winsor | |
Tom Atwater | ... | Richard | |
Elizabeth Grillo Barbeau | ... | Nurse | |
James Burgess | ... | Young Man | |
Angelo Pope | ... | Kid | |
Susan Rohrer | ... | Woman | |
Muse Watson | ... | Guy |
Produced by
Joan Barnett | ... | executive producer |
Polly Bergen | ... | co-executive producer |
Don Goldman | ... | line producer |
Jack Grossbart | ... | executive producer |
Linda L. Kent | ... | co-producer |
Music by
Don Davis |
Cinematography by
Paul Elliott |
Editing by
Charles Bornstein |
Casting By
Gail Melnick |
Production Design by
Norm Baron |
Set Decoration by
Steven K. Barnett | ||
April Lawrence |
Costume Design by
Mary-Anne Aston |
Makeup Department
Rebecca Alling | ... | assistant hair stylist / assistant makeup artist |
John R. Bayless | ... | key makeup artist |
Geordie Sheffer | ... | key hair stylist |
Edward Ternes | ... | hair stylist: Ms. Bisset / makeup artist: Ms. Bisset |
Production Management
Don Goldman | ... | unit production manager |
Tom Proper | ... | post-production supervisor |
Second Unit Director or Assistant Director
Barbara D'Alessandro | ... | second assistant director |
Robert J. Wilson | ... | first assistant director |
Art Department
General Fermon Judd Jr. | ... | on-set dresser (as Ferman Judd) |
Paul Mancuso | ... | property assistant |
Kevin Milburn | ... | property master |
Richard Whitney | ... | scenic artist |
Sound Department
Wayne Artman | ... | re-recording mixer |
Charles R. Beith Jr. | ... | supervising sound editor |
Scott Edelson | ... | boom operator |
Dan Hilard | ... | re-recording mixer |
Michael Jiron | ... | re-recording mixer |
Thomas Varga | ... | sound mixer |
Special Effects by
Ray Bivins | ... | special effects coordinator |
Camera and Electrical Department
Alan Aldridge | ... | first assistant camera |
Stephen Brock | ... | best boy electric |
Louis DiCesare | ... | gaffer |
Donna Fewell | ... | second assistant camera |
Jeffrey L. Loy | ... | best boy grip |
Mark Smith | ... | key grip |
Bret Straughn | ... | dolly grip |
Casting Department
Sue Liberman | ... | extras casting |
Craig Fincannon | ... | location casting (uncredited) |
Costume and Wardrobe Department
Ann Miller | ... | set costumer |
Elizabeth Palmer | ... | costume consultant |
Pauline White-Kassulke | ... | costume supervisor (as Pauline White) |
Editorial Department
Nicole Kallis | ... | assistant editor |
Location Management
Doug Whitley | ... | location manager |
Music Department
Carl Swartz | ... | music editor |
Script and Continuity Department
Harriotte H. Aaron | ... | script supervisor |
Transportation Department
Tina Del Castillo | ... | driver |
Vince del Castillo | ... | transportation coordinator |
John H. Whisenant | ... | transportation captain |
Additional Crew
Gary J. Charlton | ... | production accountant |
Stephanie Cicero | ... | production coordinator |
Melissa Gleason | ... | assistant: Tom McLoughlin |
Mike Hoover | ... | assistant auditor |
Joseph Lawlor | ... | assistant: Jack Grossbart |
Janel S. Schuh | ... | assistant production coordinator |
Davis Solomon | ... | production assistant |
Tommy Faircloth | ... | production assistant (uncredited) |