IMDb RATING
5.9/10
2.2K
YOUR RATING
In Paris, an artist hires portrait models, and after he finishes their portraits, he strangles them.In Paris, an artist hires portrait models, and after he finishes their portraits, he strangles them.In Paris, an artist hires portrait models, and after he finishes their portraits, he strangles them.
Ludwig Stössel
- Jean Lamarte
- (as Ludwig Stossel)
Harry Cording
- Policeman
- (uncredited)
Frank Darien
- Inquiry Judge
- (uncredited)
Bess Flowers
- Courtroom Spectator
- (uncredited)
Mabel Forrest
- Woman
- (unconfirmed)
- (uncredited)
Eddie Hall
- Paul
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaFeatures John Carradine's own favorite performance.
- GoofsWhen the artist is going to paint the model "unobserved", it's done so by arranging mirrors so he can see her but she supposedly can't see him. In reality, however, no matter how many mirrors you use or how you arrange them, if you can see another person in the reflection(s), they can see you.
- Quotes
Gaston Morrell: Lucille, I want to tell you something no other living person knows...
- ConnectionsFeatured in Creature Features: The Mummy/Bluebeard (1971)
- SoundtracksFaust
(1859) (uncredited)
Written by Charles Gounod
Excerpts played and sung in English at the marionette show
Excerpts played often in the score
Featured review
John Carradine plays Blubeard--he paints women and then strangles them to death. He doesn't want to do it but is compelled to (we find out why at the end). Then he falls in love with beautiful Lucille (Jean Parker) and tries to fight his desire...
John Carradine said this was his best performance--he's right! He's dead on target in the title role. He shows that Bluebeard is not evil and driven by impulses beyond his control. He uses body language and facial expressions perfectly. Also director Edgar G. Ulmer directs this beautifully with strange camera angles and lots of shadows making this very atmospheric. Also there are some beautifully done background paintings.
But this was done over at PRC--a poverty row studio. Unfortunately it shows. The furnishings and costumes look pretty tacky and it just FEELS low budget. Also the biggest problem is constant background music. It's ALWAYS playing and very annoying. Half the time the music doesn't even match the mood of what's being acted! These prevent the film from becoming a true classic.
As it stands I'm giving it an 8 for Carradine and Ulmer. It should be seen just for them. Also this is one of the few films that prove what a good actor Carradine actually was.
John Carradine said this was his best performance--he's right! He's dead on target in the title role. He shows that Bluebeard is not evil and driven by impulses beyond his control. He uses body language and facial expressions perfectly. Also director Edgar G. Ulmer directs this beautifully with strange camera angles and lots of shadows making this very atmospheric. Also there are some beautifully done background paintings.
But this was done over at PRC--a poverty row studio. Unfortunately it shows. The furnishings and costumes look pretty tacky and it just FEELS low budget. Also the biggest problem is constant background music. It's ALWAYS playing and very annoying. Half the time the music doesn't even match the mood of what's being acted! These prevent the film from becoming a true classic.
As it stands I'm giving it an 8 for Carradine and Ulmer. It should be seen just for them. Also this is one of the few films that prove what a good actor Carradine actually was.
- How long is Bluebeard?Powered by Alexa
Details
- Runtime1 hour 12 minutes
- Color
- Aspect ratio
- 1.37 : 1
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