Un poliziotto che indaga su crimini temporali deve catturare l'unico criminale che è riuscito a sfuggirgli per tutta la carriera, un misterioso folle che compie attentati dinamitardi.Un poliziotto che indaga su crimini temporali deve catturare l'unico criminale che è riuscito a sfuggirgli per tutta la carriera, un misterioso folle che compie attentati dinamitardi.Un poliziotto che indaga su crimini temporali deve catturare l'unico criminale che è riuscito a sfuggirgli per tutta la carriera, un misterioso folle che compie attentati dinamitardi.
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- QuizWhen the barkeep sits down at the typewriter for the first time, there is a copy of "Stranger in a Strange Land" by Robert A. Heinlein next to the typewriter. Heinlein is the author of the short story "All You Zombies" on which the movie is based.
- BlooperThe movie is set in an alternative universe where space travel in the 1960s was more advanced than in our world, and where New York was subject to a wave of terror attacks in the 1970s. There are agents patrolling the timeline, and may have left something behind. Most apparent anachronisms and factual errors can be excused by this notion.
- Citazioni
[first lines]
The Bartender: What if I could put him in front of you? The man that ruined your life. If I could guarantee that you'd get away with it, would you kill him?
- ConnessioniFeatured in All You Zombies: Bringing 'Predestination' to Life (2015)
- Colonne sonore1970 (I Feel Alright)
Composed by Scott Asheton, Ron Asheton (as Ronald Asheton), Iggy Pop (as James Osterberg) and David Alexander
Performed by The Stooges
© 1970 Warner-Tamerlane Publishing Corp., Stooge Staffel Music
By Kind Permission of Warner/Chappell Music Australia Pty Ltd; and Bug Music (BMI)
Administered by BMG Rights Management (US) LLC
Licensed Courtesy of Warner Music Australia Pty Ltd
Recensione in evidenza
Out of Australia, Predestination is directed by Michael Spierig and Peter Spierig (who also scores the music). The Spierig's also adapt the screenplay from Robert A. Heinlein's story "All You Zombies". It stars Ethan Hawke, Sarah Snook, Noah Taylor, Christopher Kirby and Madeleine West. Ben Nott is the cinematographer.
If we throw up a simple synopsis for this pic, it's about a time travelling agent who goes back in time to stop a killer known as "The Fizzle Bomber" - whilst helping a trans-gender man who has just told him a fascinating and emotionally wrought story. But simple is not a word readily associated with the Spierig's deliriously complicated mind meld of a movie.
The first half of film is the story being relayed by Snook to Hawke, and then the film spirals into a world of temporal loops and frazzled paradoxes. This demands the utmost attention from the viewer, a piece guaranteed to have you asking tricky questions, and also likely to have you rewinding some scenes for clarity - like I did!
This is not an actioner, this is very cerebral and sedate in tone, adult science fiction that's as audacious as it is clever. Snook is quite simply outstanding, the various layers she gives to her characterisations grip with intensity and emotional heart tugs. Hawke once again is reassuringly great - in that how he doesn't need to overact, he recognises the tone needed here, whilst knowing it's wise to let his co-star take the main stage.
Thematically the story blends its dizzying thoughts about time and its impact on the human race, with that of our basic human condition, that of identity. This is a very rewarding production for those who wont be popping off to make a cup of coffee during the viewing, it's hoped that in time this will garner more fans and be seen as something of a sci-fi gem. 8/10
If we throw up a simple synopsis for this pic, it's about a time travelling agent who goes back in time to stop a killer known as "The Fizzle Bomber" - whilst helping a trans-gender man who has just told him a fascinating and emotionally wrought story. But simple is not a word readily associated with the Spierig's deliriously complicated mind meld of a movie.
The first half of film is the story being relayed by Snook to Hawke, and then the film spirals into a world of temporal loops and frazzled paradoxes. This demands the utmost attention from the viewer, a piece guaranteed to have you asking tricky questions, and also likely to have you rewinding some scenes for clarity - like I did!
This is not an actioner, this is very cerebral and sedate in tone, adult science fiction that's as audacious as it is clever. Snook is quite simply outstanding, the various layers she gives to her characterisations grip with intensity and emotional heart tugs. Hawke once again is reassuringly great - in that how he doesn't need to overact, he recognises the tone needed here, whilst knowing it's wise to let his co-star take the main stage.
Thematically the story blends its dizzying thoughts about time and its impact on the human race, with that of our basic human condition, that of identity. This is a very rewarding production for those who wont be popping off to make a cup of coffee during the viewing, it's hoped that in time this will garner more fans and be seen as something of a sci-fi gem. 8/10
- hitchcockthelegend
- 13 mag 2016
- Permalink
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Predestinación
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 5.100.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 68.372 USD
- Fine settimana di apertura Stati Uniti e Canada
- 44.028 USD
- 11 gen 2015
- Lordo in tutto il mondo
- 4.942.449 USD
- Tempo di esecuzione1 ora 37 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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