VALUTAZIONE IMDb
6,1/10
1251
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaDark, romantic, complicated drama about a rowdy merchant mariner and sophisticated librarian who clash over their lifestyles and values - and then fall in love.Dark, romantic, complicated drama about a rowdy merchant mariner and sophisticated librarian who clash over their lifestyles and values - and then fall in love.Dark, romantic, complicated drama about a rowdy merchant mariner and sophisticated librarian who clash over their lifestyles and values - and then fall in love.
Stanley Andrews
- Bit Part
- (partecipazione non confermata)
Florence Auer
- Landlady
- (partecipazione non confermata)
Pedro de Cordoba
- Felipe
- (partecipazione non confermata)
Rex Ingram
- Preacher
- (partecipazione non confermata)
Garry Owen
- Jabbo
- (partecipazione non confermata)
Harry Wilson
- Big Mug
- (partecipazione non confermata)
Richard Abbott
- Clerk
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizReports of this film's failure are false. Variety (January 8, 1947) listed it as the #7 box office hit of 1946 (it was released December 28, 1945). The film earned more than $6M worldwide and earned a profit for MGM.
- BlooperWhen the Buckley's drive away from Emily's house in the country, a clear reflection of the boom microphone can be seen on the right rear passenger window and other areas of the highly-polished car as it drives off.
- Citazioni
Harry Patterson: There ain't a dame I can't forget in six months.
- ConnessioniFeatured in Clark Gable: Tall, Dark and Handsome (1996)
- Colonne sonoreDown in the Valley
(a.k.a. "Birmingham Jail")(uncredited)
Recensione in evidenza
Adventure (1945)
Surely the title is a huge pun, or a huge mistake. This is an adventure of a man who is no longer looking for the high seas and wartime survival, but the adventure of love with a woman who is not, at fist his type. It's not as bad as some of the reviews suggest, but there is something steady and normal and incipient about it all.
While featuring Clark Gable in the lead, and with the same director as Gone with the Wind a few years earlier, there is something stiff about it all, even the humor and fun. Greer Garson is the "serious" woman, someone who has to force herself to have fun, and Joan Blondell is the racy one, out for fun above all else. And if Gable seems suited to the crazy woman, he's clearly also set to be tamed by the other.
That's pretty much the adventure, after a few wild scenes from kicking down the door in Chile to getting torpedoed by the Japanese.
Garson can be impressive in her cultured way, but here she is hot and cold, on and off. It's partly her speeches are more words than meaning. There's nothing more boring than people talking about being exciting. If in one scene you'll be laughing as Gable and Garson trap some chickens, in the next you'll be forced to think deep thoughts about true adventure and true meaning—when in fact the meaning was in the chicken scene.
Blondell never quite gets her due in many of her movies because she plays against (or in contrast to) the leading female who is more grand, or more beautiful, or just more star powered than she is. Too bad. She's fun but she also has fabulous screen presence. That, to me, is what matters most (often) in this era.
The movie is too long in parts, and the theme wears thin after while. In the end it's about a sailor's life or the landlubber's, the first filled with freedom, the second with a home and a family. It's 1945, the soldiers are coming home—guess which side wins?
Surely the title is a huge pun, or a huge mistake. This is an adventure of a man who is no longer looking for the high seas and wartime survival, but the adventure of love with a woman who is not, at fist his type. It's not as bad as some of the reviews suggest, but there is something steady and normal and incipient about it all.
While featuring Clark Gable in the lead, and with the same director as Gone with the Wind a few years earlier, there is something stiff about it all, even the humor and fun. Greer Garson is the "serious" woman, someone who has to force herself to have fun, and Joan Blondell is the racy one, out for fun above all else. And if Gable seems suited to the crazy woman, he's clearly also set to be tamed by the other.
That's pretty much the adventure, after a few wild scenes from kicking down the door in Chile to getting torpedoed by the Japanese.
Garson can be impressive in her cultured way, but here she is hot and cold, on and off. It's partly her speeches are more words than meaning. There's nothing more boring than people talking about being exciting. If in one scene you'll be laughing as Gable and Garson trap some chickens, in the next you'll be forced to think deep thoughts about true adventure and true meaning—when in fact the meaning was in the chicken scene.
Blondell never quite gets her due in many of her movies because she plays against (or in contrast to) the leading female who is more grand, or more beautiful, or just more star powered than she is. Too bad. She's fun but she also has fabulous screen presence. That, to me, is what matters most (often) in this era.
The movie is too long in parts, and the theme wears thin after while. In the end it's about a sailor's life or the landlubber's, the first filled with freedom, the second with a home and a family. It's 1945, the soldiers are coming home—guess which side wins?
- secondtake
- 3 giu 2014
- Permalink
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Dettagli
Botteghino
- Budget
- 3.500.000 USD (previsto)
- Tempo di esecuzione2 ore 5 minuti
- Colore
- Proporzioni
- 1.37 : 1
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Divario superiore
By what name was Avventura (1945) officially released in Canada in English?
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