Gary Provost
Born
in The United States
November 14, 1944
Died
May 10, 1995
Genre
100 Ways to Improve Your Writing: Proven Professional Techniques for Writing With Style and Power
18 editions
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published
1985
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Without Mercy: Obsession and Murder Under the Influence
7 editions
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published
1990
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Perfect Husband: The True Story of the Trusting Bride Who Discovered Her Husband Was a Coldblooded Killer
4 editions
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published
1991
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Fatal Dosage: The True Story of a Nurse on Trial for Murder
4 editions
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published
1985
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Make Every Word Count
9 editions
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published
1980
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Make Your Words Work
7 editions
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published
1990
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Across the Border: True Story of Satanic Cult Killings in Matamoros, Mexico
3 editions
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published
1989
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Beyond Style: Mastering the Finer Points of Writing
2 editions
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published
1988
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How to Write and Sell True Crime: How to Spot Local Stories and Turn Them into Gripping National Bestsellers
4 editions
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published
1991
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Into Their Own Hands: Shocking True Stories of Citizens Who Took the Law Into Their Own Hands
4 editions
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published
1994
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“This sentence has five words. Here are five more words. Five-word sentences are fine. But several together become monotonous. Listen to what is happening. The writing is getting boring. The sound of it drones. It’s like a stuck record. The ear demands some variety. Now listen. I vary the sentence length, and I create music. Music. The writing sings. It has a pleasant rhythm, a lilt, a harmony. I use short sentences. And I use sentences of medium length. And sometimes, when I am certain the reader is rested, I will engage him with a sentence of considerable length, a sentence that burns with energy and builds with all the impetus of a crescendo, the roll of the drums, the crash of the cymbals–sounds that say listen to this, it is important.”
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“This sentence has five words. Here are five more words. Five-word sentences are fine. But several together become monotonous. Listen to what is happening. The writing is getting boring. The sound of it drones. It's like a stuck record. The ear demands some variety. Now listen. I vary the sentence length, and I create music. Music. The writing sings. It has a pleasant rhythm, a lilt, a harmony. I use short sentences. And I use sentences of medium length. And sometimes, when I am certain the reader is rested, I will engage him with a sentence of considerable length, a sentence that burns with the energy and builds with all the impetus of a crescendo, the roll of the drums, the crash of the cymbals - sounds that say listen to this, it is important.”
― 100 Ways to Improve Your Writing: Proven Professional Techniques for Writing With Style and Power
― 100 Ways to Improve Your Writing: Proven Professional Techniques for Writing With Style and Power
“Hear how the use of the wrong word wakes you from your reading spell.”
― 100 Ways to Improve Your Writing: Proven Professional Techniques for Writing With Style and Power
― 100 Ways to Improve Your Writing: Proven Professional Techniques for Writing With Style and Power
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