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A Treacherous Curse: A Veronica Speedwell Mystery
A Treacherous Curse: A Veronica Speedwell Mystery
A Treacherous Curse: A Veronica Speedwell Mystery
Ebook369 pages5 hours

A Treacherous Curse: A Veronica Speedwell Mystery

Rating: 4 out of 5 stars

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  • Mystery

  • Egyptology

  • Friendship

  • Adventure

  • Investigation

  • Amateur Detective

  • Secret Identity

  • Forbidden Love

  • Strong Female Protagonist

  • Amateur Sleuth

  • Haunted Past

  • Hidden Treasure

  • Friends to Lovers

  • Loyal Friend

  • Slow Burn Romance

  • Family Dynamics

  • Deception

  • Family

  • Theft

  • Revenge

About this ebook

London, 1888. Victorian adventuress Veronica Speedwell can't resist the allure of an exotic mystery—particularly one involving her enigmatic colleague, Stoker. His former expedition partner has vanished from an archaeological dig with a priceless diadem unearthed from the newly discovered tomb of an Egyptian princess, just the latest in a string of unfortunate events that have plagued the controversial expedition. In London, rumours abound that the curse of the vengeful princess has been unleashed as the shadowy figure of Anubis himself stalks the streets.
Sordid details emerge from Stoker's past, and caught in a tangle of conspiracies and threats, Veronica must separate facts from fantasy to unravel a web of duplicity that threatens to cost Stoker everything…
LanguageEnglish
PublisherTitan Books
Release dateJan 9, 2018
ISBN9781785650536
A Treacherous Curse: A Veronica Speedwell Mystery
Author

Deanna Raybourn

New York Times bestselling author Deanna Raybourn graduated from the University of Texas at San Antonio with a double major in English and history and an emphasis on Shakespearean studies. She taught high school English for three years in San Antonio before leaving education to pursue a career as a novelist. Deanna makes her home in Virginia, where she lives with her husband and daughter and is hard at work on her next novel.

Read more from Deanna Raybourn

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Reviews for A Treacherous Curse

Rating: 4.05102037755102 out of 5 stars
4/5

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  • Rating: 4 out of 5 stars
    4/5
    I'm really enjoying this series, and this is a strong addition. I was worried that I might tire of Veronica's sometimes strident voice if I read too many in a row too quickly, but that has not been the case -- each book navigates the unfolding story and relationship between Speedwell and Stoker well. Their cases remain relevant and personal to them in a believable way (this one illuminates Stoker's past, (finally!)) and much is revealed. I also like seeing how their tender sides are coming out -- still mostly expressed at high volume and passionate debate, but a little bit more careful with each other as time goes on.
  • Rating: 4 out of 5 stars
    4/5
    Delightful distraction.
  • Rating: 4 out of 5 stars
    4/5
    1888 and an Egyptian expedition has returned to London. A cursed expedition. When Stoker's (Revelstoke Templeon-Vane) former friend and expedition companion goes missing with a priceless diadem it is the latest in a line of unusual events. Veronica and Stoker decide to investigate.
    A very enjoyable well-written mystery. With some interesting characters who I hope to read more about.
    Although this is the third in the series it can be read as a standalone book.
    A NetGalley Book
  • Rating: 4 out of 5 stars
    4/5
    I love Veronica Speedwell. Her character is almost everything I admire in a person, with the exceptions of her penchants for collecting butterflies, necessitating her killing them, and her need to verbalise her sexual liberty. This isn't hypocrisy on my part; I think it's distasteful when men make their sexual needs topics of casual conversation, and it's no less so when a woman does it. Boundaries. Good fences make good neighbours and all that.

    But these are very minor niggles. Everything else about Veronica is excellent and Stoker doesn't suck either. Raybourn has found that perfect balance of rawness, gentility, intelligence, anger, and grace in her hero (although I have to say, what's up with the eye patch? Is that really considered sexy? I see one and have to resist the urge to pull it and watch it snap back). The dialog between the two of them is snappy and sometimes electric. There's no doubt as to where these two are headed, but Raybourn is taking her time sending them there, and doing it well enough that I, for one, feel no impatience for them to get on with it already.

    The mystery plot is the only thing that held this book back a bit for me. It succeeded in terms of leaving me guessing until the very end, but honestly it was so convoluted that I stopped trying to figure it out about halfway through and just focused on the characters until the end. That's not necessarily a criticism; this is a strong book just on the merits of being an engrossing work of historical fiction. But my enjoyment came from the story first, with the mystery an afterthought.

    Sadly, I'm going to have to wait an entire year for the fourth book. But I'll be looking forward to it with anticipation.
  • Rating: 4 out of 5 stars
    4/5
    Stoker's (Revelstoke Templeton-Vane) former friend and expedition partner, John de Morgan, who had deserted him while stealing his wife away, has returned supposedly to London but has disappeared with the diadem found by his new partner, Sir Leicester Tiverton. Stoker must address his feelings for his former wife as well as determine what happened to de Morgan. Stoker and Veronica are enlisted to recover the diadem before the exhibition opening for the Tiverton expedition from Egypt. The twists and turns - lost hotel rooms, Anubis sightings - fill the story and carry the reader forward to an ending that is somewhat unexpected.

    The series' characters are continuing to evolve, can't wait for more!
  • Rating: 4 out of 5 stars
    4/5
    Synopsis: Veronica and Stoker are surprised when they are approached by Sir Hugo Montgomerie of Special Branch and asked to look into the disappearance of John de Morgan, the man who had once been Stoker’s closest friend. De Morgan was engaged as photographer for Sir Leicester Tiverton ‘s most recent expedition to Egypt, but departed unexpectedly and was accompanied back to England by his wife – whose very public divorce from Stoker some years earlier saw Stoker disgraced and vilified. Sir Hugo explains that the de Morgans stopped for the night in Dover, and in the morning, John de Morgan was discovered to have vanished, along with a priceless diadem from the tomb of Princess Ankheset. Making things even more intriguing is the fact that not only have man and artefact gone missing, but so has John de Morgan’s hotel room! Caroline de Morgan states that her husband’s room was blue with rose-print wallpaper – yet no such room exists, and according to the hotel proprietor, Mrs. de Morgan was travelling alone. Add to this the rumours of a curse affecting members of the dig and the sightings of the figure of Anubis (the Egyptian god of the dead) striding through the streets of London and the stage is set for an entertaining mystery in which our heroes must dispel a curse, fight for their lives, battle vicious rumour and find a murderer.
    Review: This one is not quite as good as the others, but it was still interesting and well written.
  • Rating: 4 out of 5 stars
    4/5
    Why did I wait so long to read this book? I have no excuses but now that I have finished the book, I know that putting it off for a year was a bad plan. I really enjoyed this installment in the series, probably even more than the previous book. Once I got into this book, I didn't want to put it down because I was completely pulled into the mystery.

    The mystery in this book was solid. Veronica and Stoker are trying to find a missing man. A man who happens to be a big part of Stoker's past. This mystery reaches all the way to the caves in Egypt and is much more involved than originally thought. I was pulled in a lot of different directions and was completely stumped when it came to trying to figure out what really happened.

    One of the things that I love about this series is the characters. Veronica is very smart and able to think on her feet. She isn't like most women of her time and cares less about what is proper than what she wants. I knew that Stoker had a very interesting past and was thrilled to get some big pieces of it filled in during the course of this book. I think that the things that we learn about Stoker in this book really make it easier to understand him better. I love the relationship between Stoker and Veronica. They work so well together and make a great team. There is a part of me, okay a big part, that wants to see a romance develop between the pair but I am also okay with the sexual tension between them continuing to pop up and make things interesting.

    I would highly recommend this book to others. This is the third book in the Veronica Speedwell Mystery series which really should be read in order if at all possible since the relationships between the characters have built over the course of series. This book was filled with fantastic characters solving a very well done mystery and revealing a few secrets. I can't wait to get started on the newest book from this series very soon.

    I received a digital review copy of this book from Berkley Publishing Group via Edelweiss.
  • Rating: 4 out of 5 stars
    4/5
    This is the third book the late-Victorian Veronica Speedwell series. It features lepidopterist Veronica who is bold, unconventional, outspoken (to the point of being overbearing) and the handsome Revelstoke Templeton-Vane (Stoker). I read the first book in the series and loved everything about it except Veronica, so I decided to skip ahead in the series and see if she had mellowed any at all. She is still arrogant, superior, condescending and overbearing, but she’s not quite as bad as in the first book, so I’ll definitely try another one – hoping that she continues to mellow a bit. This author’s mysteries and writing are always top-notch, it is only the female lead for which I haven’t been able to work up any enthusiasm - I don't hate her, I just don't care for her very much and we'd never be good friends. I am excited to see where the series heads from here!

    I am not going to complain because I dearly wanted to learn more about Stoker’s past – and I was delighted to learn a lot more – but that knowledge did come at the expense of the mystery. The mystery was still excellent, just not as intricately complex as the others in the series. We didn’t learn all about Stoker, but we did learn a lot more than we knew before. We meet his ex-wife and find out some of what happened between them – and it wasn’t pretty.

    Veronica and Stoker are summoned to the sickbed of Sir Hugo Montgomerie of the Special Branch. Sir Hugo wants them to look into the disappearance of Stoker’s former best friend, John de Morgan. De Morgan had been working as a photographer on the Tiverton expedition in Egypt. The expedition made an extraordinary find and de Morgan disappeared with one of the priceless artifacts. Veronica and Stoker have to take on the investigation because of Stoker’s past with de Morgan – and it won’t be long before the newspapers track down that past and bring Stoker’s name into scandal again. Stoker might even be blamed for the disappearance and/or death of de Morgan.

    The mystery rocks on and I began to wonder if they would ever get the clue to solving the case, but when they get it, things just explode and it is non-stop action from there on out.

    I know I have said, repeatedly, that I don’t care for Veronica, but I do absolutely love how she protects and defends Stoker. No matter what she hears about him or from whom she hears it – she absolutely never doubts Stoker. She will look out for him even to her own detriment. (BTW – the author has really toned down the “Hey look at me I’m unconventional” rantings that were in the first book and I’m so very glad). Their relationship isn’t all one-sided though. Stoker is the same way about her.

    One thing I find very entertaining is the role reversal in this series. Veronica has had liaisons and is very free with admitting them, speaking about sex, etc. and isn’t the least bit embarrassed about it. Stoker, on the other hand, is almost prudish. Not that he hasn’t had liaisons, but it just isn’t something he speaks about with ladies and he embarrasses so easily. So, in this series – she is uninhibited and he is missish. They are two societal outcasts who are absolutely perfect for each other – can’t wait until they realize they love each other.

    I definitely recommend this author, this book and this series.
  • Rating: 5 out of 5 stars
    5/5
    Veronica and Stoker are doing at again. This time they investigate an Egyptian curse, which forces Stoker to face his past.

    Wonderfully written. Wonderful characters and a mystery story that has twists and turns and keeps you guessing until the end.
  • Rating: 4 out of 5 stars
    4/5
    Veronica Speedwell and Revelstoke Templeton-Vane--Stoker--are working away at their respective restoration and cataloging duties in the Belvedere, the future museum on the grounds of the home of the Earl of Rosemorran. It's the Earl's family collection of animals, insects, devices, and other oddities that they are cataloging.

    Then an expedition to Egypt returns, with treasures, a story of a curse killing members of the expedition, and the expedition photographer, John de Morgan, missing, along with a valuable diadem found in the tomb the Tivington expedition excavated on this trip.

    De Morgan was once Stoker's best friend. He's now married to Stoker's former wife, Caroline, who left Stoker apparently dying in the Amazon. Caroline returned to Britain and divorced him, claiming cruelty, and in the process destroying his reputation.

    De Morgan may be a thief, who has stolen the diadem to finance an escape from his tempestuous marriage. Or he may be dead, killed by the real thief. If de Morgan is dead, Stoker is the most likely suspect in his murder.

    Stoker and Veronica have to find him before what's left of Stoker's reputation is irretrievably gone, and he himself is perhaps convicted of murder.

    They meet Sir Leicester and Lady Tivington, Sir Leicester's daughter from his first marriage, Iphigenia, and his assistant, Patrick Fairbrother. They meet Sir Leicester's long-time friend and now rival, American millionaire Horace Stihl and his son, Henry.

    Veronica meets, and Stoker has to meet again, his beautiful ex-wife, Caroline de Morgan.

    Looked at one way, no one has a motive. Looked at another way, it's possible everyone does. But who really does?

    Raybourn gets the content and rhythm of late Victorian conversation right, and Veronica, Stoker, and the other regulars are great characters that it's fun to continue to learn more about. The pacing is very good. The only thing I'm not wholly satisfied with is Veronica's relationship with her father, which I really can't say any more about. Hopefully that's another thing that will continue to develop over future books.

    Recommended.

    I received a free electronic galley of this book from the publisher via NetGalley.
  • Rating: 3 out of 5 stars
    3/5
    The third Veronica Speedwell novel sees Veronica and Stoker digging into the disappearance of the current husband of Stoker's ex-wife. Recently returned from an expedition in Egypt, there are the rumours of a mummy's curse clouding the waters of the disappearance. As Veronica and Stoker work to determine what actually happened, Veronica will also gain whole new insights into her investigative partner.

    Yet another solid mystery in this series with a fun Victorian Egyptological element. As always, it's just as entertaining to watch the relationship between Veronica and Stoker grow and I look forward to developments on that front in the next book. My only quibble is Veronica had almost no friendly interactions with other female characters in this book, which was disappointing this time around. While she is atypical for the period and often ostracized for her differences, she does have female friends in previous volumes who are completely absent for this outing. Hopefully they'll be back next time around.
  • Rating: 3 out of 5 stars
    3/5
    Veronica and Stoker remain interesting in this trite and rather tedious story about intrigue among the mummies.
  • Rating: 4 out of 5 stars
    4/5
    This was a thrilling and delightful read, set back in 1888 London, with a spirited and feisty heroine, Veronica Speedwell. Although this book was the third installment in the Veronica Speedwell Mystery series, it did not leave me in the dark and reqretting not having read the series in order. The character development continues to be rich and rewarding throughout the tale. Veronica's colleague, Revelstoke Templeton-Vane, "Stoker", was often portrayed as dark, brooding, prickly and enigmatic. But the cat and mouse chemistry between the two was charming and witty in and of itself.

    Our two protagonists are quietly called to assist on a missing person case; someone who had been part of an Egyptian expedition to gather antiquities for study. Given the day, undoubtedly it was for exploitation too. Presumably, this person had abandoned his wife and run off with a priceless treasure from the expedition. He also happened to be Stoker's former best friend and the guy who ran off with Stoker's wife. Hmmmm, this surely is a sticky one.

    Well off the two go, tracking down clues, trying to flesh out what's real, what's a smoke screen and how not to throttle one another. (That's part of that cat and mouse thing.) It truly was an amusing and most enjoyable read. I look forward to catching up on the earlier installments and pursuing the subsequent ones as they are released.

    I am grateful to Berkley Publishing and Goodreads First Reads for having provided a free Advanced Reader copy of this book. Their generosity, however, has not influenced this review - the words of which are mine alone.

    Synopsis (from book's back cover):
    London, 1888. As colorful and unfettered as the butterflies she collects, Victorian adventuress Veronica Speedwell can’t resist the allure of an exotic mystery—particularly one involving her enigmatic colleague, Stoker.
    His former expedition partner has vanished from an archaeological dig with a priceless diadem unearthed from the newly discovered tomb of an Egyptian princess. This disappearance is just the latest in a string of unfortunate events that have plagued the controversial expedition, and rumors abound that the curse of the vengeful princess has been unleashed as the shadowy figure of Anubis himself stalks the streets of London.
    But the perils of an ancient curse are not the only challenges Veronica must face as sordid details and malevolent enemies emerge from Stoker’s past.
    Caught in a tangle of conspiracies and threats—and thrust into the public eye by an enterprising new foe—Veronica must separate facts from fantasy to unravel a web of duplicity that threatens to cost Stoker everything. . . .
  • Rating: 4 out of 5 stars
    4/5
    Veronica and Stoker are involved in finding out what happened to his longtime friend, John DeMorgan . We learn that Stoker was married and his wife left him to marry DeMorgan who she was in love with all along. Supposedly DeMorgan has abandoned his wife and stolen a valuable ancient Egyptian diadem. After interviewing Caroline DeMorgan, Veronica hates her, distrusts her and doesn’t believe her.

    During their investigation, Veronica and Stoker travel to Devon where she has to rescue him from a burning building, there’s also a silly mummy’s curse, an infatuated teenage girl with Stoker much to Veronica’s annoyance.
  • Rating: 1 out of 5 stars
    1/5
    Why how verra, verra cleva... Not!

    John de Morgan has disappeared; just like in the story "At Bertram's Hotel".. he & his wife checked in to separate rooms, in the morning when they were suppose to leave together, he was gone. When she called the police she found that the entire decor of the room was completely not what it was the night before.

    Miss Veronica Speedwell & Mr. Revelstoke "Stoker" Templeton-Vane work together as scientists, adventurers, and Private Detectives.

    They are invited by Scotland Yard to investigate the disappearance of John de Morgan and a diadem that was to have been found in the tomb of an Egyptian Princess.

    Stoker has a past with the de Morgans; John was his best friend until he abandoned Stoker in the Brazilian jungle & took off w/ Caroline Templeton-Vane, now Mrs. de Morgan.

    A wild goose chase the likes of one that surpasses the imagination, except for that of the author, ensues. Missing people, an Egyptian adventure, a mummy's curse... too many unlikeable characters.

    I disliked this book, stopped reading & began skimming 2 chapters in because I wanted to know what happened to the missing man.

    The characters are nothing more than stilted caricatures, whom I disliked immediately. The dialog is oh so cleverly affected and phony...

    I'd say it was a waste of my time, but at least I now know not to read another.
  • Rating: 5 out of 5 stars
    5/5
    Veronica Speedwell is one of the most intriguing characters I have encountered, and I was anxiously awaiting her newest adventure. I was not disappointed in this third installment. Deanna Raybourn again has constructed a mystery that draws you in, both with an intricate (but not too convoluted) plot and complex characters. The relationships among characters are a highlight of this book, especially the complicated alliance between Veronica and Stoker, her partner in her investigations. Raybourn's characters usually speak their minds in fascinating dialogue, and this book is no exception.

    I loved the author's Lady Julia mysteries, but I felt that the books that followed that series went a bit off track. It is good to see that this series is living up to its potential. I'm already anticipating Veronica's next adventure.

  • Rating: 5 out of 5 stars
    5/5
    I knew when I read the opening chapter about phalluses that this book was going to be good! Lol : ) I think it's the best out of the three actually.

    I loved the Egyptology and archaeology storyline. It reminded me a little of one of my all-time favorite series, the Amelia Peabody series by Elizabeth Peters. Oh how I miss you E.P....

    Of course, Veronica was in rare form as usual. She cracks me up! She put several people in their well-deserved place, including Stoker. I wish they would just get together already! ...but unfortunately it was not to be. After reading the suggestive ending though, I am hopeful.
  • Rating: 5 out of 5 stars
    5/5
    A Treacherous Curse, from Deanna Raybourn, is the first book in the Veronica Speedwell series that I have read and I enjoyed it quite a bit. It was easy to read it as a standalone while also creating the desire to go back and read the earlier volumes.

    I can't speak to how this compares to the other volumes but I can say that Veronica and Stoker are fun and interesting characters, ones I would want to read more about, both their adventures and their lives. This, I think, is the core of any good series.

    I would highly recommend this to anyone who enjoys a nice mystery, fun character interaction and a glimpse at Victorian England as well. The plot moves steadily along while the characters endear themselves to the reader. All in all a fun read.

    Reviewed from a copy made available through Goodreads First Reads.
  • Rating: 5 out of 5 stars
    5/5
    Veronica and Stoker are some of my favorite characters. She's a spunky woman in the late 1800's who doesn't care what people think about her. She will go out in public in pants, will tell people what she thinks and will have sex outside of a marriage. this is another great murder mystery to the series. Lots of twists and guessing going on. Definitely recommend this entire series.
  • Rating: 4 out of 5 stars
    4/5
    Veronica Speedwell is back with Revelstoke Templeton-Vane in 1888 London to investigate the disappearance and presumed death of John de Morgan, Stoker’s former friend. Years earlier, de Morgan ran away with Stoker’s wife and left him for dead in the Amazon. A member of Sir Leicester Tiverton’s Egyptian expedition, de Morgan is suspected of looting a crown from the dig and escaping back to England with his wife. However, when she wakes up the next morning, there is no sign of her husband or the crown, and the room he was staying in has been remodeled as if he never arrived in England. As Stoker appears to be the only enemy of de Morgan, Veronica and Stoker must investigate to clear his name from being dragged through the press, and possibly arrested for murder. To do so, they must get close to the members of the Tiverton expedition, which is said to be under a mummy’s curse, and Stoker’s former wife, Carolyn de Morgan, who is pregnant with de Morgan’s child.

    A Treacherous Curse is the third and latest book in Deanna Raybourn’s Veronica Speedwell series. Veronica, an independent woman, who is the illegitimate daughter of the Prince of Wales, is a natural historian and lepidopterist. She and Revelstoke Templeton-Vane, another natural historian, work for Lord Rosemorran, cataloging his eclectic collection for the purpose of opening a museum on the grounds of the Rosemorran estate, Belvedere.

    Although this is set in Victorian times and is for the most part historically accurate, Veronica is not a typical Victorian woman. She is very brazen and forward and does not disguise the fact that she has had many lovers, although none on English soil. There is nothing demure about Veronica as she matter-of-factly and scientifically goes on her way, making for some very humorous moments. In addition to being friends, there is an unresolved sexual tension that runs between Veronica and Stoker.

    I have read both of the previous books in the series, and I enjoy the humor. The mystery is well-plotted, and all the clues are there. The book is an easy and fun read and not to be taken too seriously. The opening sentence gives a hint of the humor to come.

    ”I assure you, I am perfectly capable of identifying a phallus when I see one,” Stoker informed me, clipping the words sharply. “And that is no such thing.”

    I look forward to reading more of this delightful series.
  • Rating: 5 out of 5 stars
    5/5
    This book is a real page turner. I was hooked since the beginning and kept on reading til the end.
    It is funny, entertaining and quite hard to classify as it is not the classical historical mystery neither historical fiction or humorous fiction. It is a mix of all these things.
    There is a sound plot, a very interesting unconventional and strong female heroine and an interesting main male character.
    It is highly recommended.
    Many thanks to Edelweiss and Berkley for this ARC
  • Rating: 4 out of 5 stars
    4/5
    John de Morgan has disappeared, along with a priceless artifact from the Tiverton expedition's Egyptological dig. Has he simply absconded and abandoned his beautiful but shrewish wife, or is something more sinister afoot? Revelstoke Templeton-Vane (Stoker) and Veronica Speedwell need to find the answer before the police, the press, and the public ask too many questions about Stoker's connection to Mr. and Mrs. de Morgan.

    A Treacherous Curse is the third book in the Veronica Speedwell series, but it isn't necessary to have read the previous books. It works quite well as a complete, stand-alone mystery. Having said that, however, if you are like me, finding a series with characters intriguing enough to make you want more is a great joy, and Veronica Speedwell is such a series!

    Veronica is intelligent, capable, and unconventional. Stoker is mysterious, interesting, and hurls insults and epithets while remaining a gentleman. Being privy to their partnership is a treat.

    Will Veronica and Stoker ever confess their feelings for each other, let alone act on them? Will Veronica ever meet her father? When will Lady Cordy return? Are we going to learn more of Lady Wellie? When he has fully recovered, will Lord Rosemorran undertake that South Seas expedition along with Stoker and Veronica?

    I would like to thank NetGalley and Berkley Publishing for a copy of A Treacherous Curse; however, my review and opinions are my own and were not influenced by them.
  • Rating: 4 out of 5 stars
    4/5
    This is the third book in this series. The first book took me a bit to warm up to the characters and the story. Yet, with this book I was able to jump right in and thoroughly enjoyed myself. Speedwell and Stoker make a great team. They are different from each other but that is what makes them work well together. Stoker is a bit more formal and Speedwell is more adventurous. Again, this is where they balance each other out like ying and yang.

    The history and mystery surrounding Egyptian history was fun. Kind of like the first Mummy movie with a dash of Scooby Do. When the gang found themselves tangling with a mummy. Yet, this book is more studious and not as light hearted as Scooby Do. What I will say is that the adventure and pace did not pick up until about a third of the way into the story but then it was smooth reading all the way until the ending.
  • Rating: 5 out of 5 stars
    5/5
    “I assure you, I am perfectly capable of identifying a phallus when I see one” .. How more enticing of a first line can you get? Veronica and Stoker unpack a crate of artifacts sent to a museum they are charged with the organization of and allowed to live in. The collection of ... enticements were a gift from a previous case the duo solved, saving an innocent man from a prison continuance.
    It is 1888 in London. Both yearn for a new expedition to take them from their tedious doldrums, but what they get in lieu is less adventure and more necessity. A once partner, now nemesis of Stoker has come up missing, along with an extremely valuable diadem unearthed on a recent archeological dig and believed to be in his possession. Their history sets Stoker as suspect in the sudden disappearance, so he and Veronica set off to find the hidden and reclaim the stolen. Clearing Stoker’s good name will be but another line in their curriculum vitae.
    This is the 3rd in the Victoria Speedwell adventure series. Each gives our heroine a most forward thinking flair for the joie de vivre she is accustomed to enjoying.
    Being a steadfast Will & Grace fan, I readily admit to delighting in the snarky quips on our stateside politics and flippant opinions on our materialistic, boastful rich. We are a tacky lot, for sure.
    Quite capable in most situations, and the pair do find themselves in a comical array of such, they work in near perfect synchronized tandem. Aristocracy abounds in this cast of characters, all with a smudge of scandal to keep them interesting.
    Writing of and speaking in the era, I find it causes my own grammar to improve and saddens me how far from it we have drifted.
    As an added bonus, I learned the eloquent term for a delectable confection, pets de nonnes, or “nun’s farts”, as well as the reference to the “iliac furrows” .. of which I beseech you to look up, should you not already know.
  • Rating: 5 out of 5 stars
    5/5
    I love Veronica and Stoker. These stories wouldn’t be as good if Stoker was gone. Veronica must solve these conspiracies and threats against Stoker to save him. She must also figure out what happened to Stokers former partner in archeology. This has a few twists and turns and kept me reading to find out the culprits. I received a copy of this book through Firsttoread for a fair and honest opinion that I gave of my own free will.
  • Rating: 5 out of 5 stars
    5/5
    A Treacherous Curse
    By
    Deanna Raybourn



    What it's all about...

    This is the third book in a series about Veronica Speedwell and her companion Stoker. Both have a questionable past...both are unique...both are united in the quests they engage in and the mysteries they solve. Miss Speedwell wears trousers, is sexually active and loves loves butterflies while Stoker is more of a troubled historian/taxidermist/explorer. In this particular book they are engaged in finding the husband of Stoker’s ex-wife. This husband has run off with a valuable artifact...they think.

    Why I wanted to read it...

    I read and loved the first book. Miss Speedwell has an interesting heritage and Stoker is damaged enough to literally lose it any time he is provoked. Stoker is also big and muscled and handsome...in spite of any scars he might have. As I read the book I kept thinking that he resembled Aquaman...from the Marvel movie I had just seen. Yum!

    What made me truly enjoy this book...

    This author writes beautifully...I always feel as though I am in the midst of the 1800’s when I read these books. Her vocabulary is amazing...thank goodness I read this on my Kindle Oasis. I was able to look up terms, words and places in a snap. Again...the characters are what makes this series so appealing to me.

    Why you should read it, too...

    While not quite a cozy mystery I think most mystery lovers will enjoy this book, these characters and their adventures. While reading this I realized I missed the second book so I quickly bought that to read later. This book absorbed me from beginning to end!

    “I received an advance reader’s copy from the publisher and NetGalley to read and review if I choose to.”
  • Rating: 4 out of 5 stars
    4/5
    This is a fun series! Victorian mysteries with a heroine who is the illegitimate daughter of the Prince of Wales. And maybe due to the fact that she has such an interesting bloodline, she doesn't feel bound to the rules of Victorian society and is pretty outrageous in her actions. The mysteries are fine, but to be honest, they aren't the real draw of these stories for me. I love the interaction between Veronica Speedwell and the rest of the world, whether it's her flirtations with Stoker, or the way she ignores social conventions. Laugh out loud funny!
  • Rating: 4 out of 5 stars
    4/5
    Veronica Speedwell ranks at the top of my favorite female protagonist list with Maggie Hope and Ruby Proulx. Veronica is witty, brilliant, likeable and outspoken, and Stoker is the perfect sidekick for her. A Treacherous Curse focuses more on Stoker and his dark and mysterious past, and Veronica and Stoker tackle a mystery that is interesting but a little drawn out. While I really enjoyed A Treacherous Curse, my favorite in the series is still A Perilous Undertakling. The series is a ton of fun, and I cannot wait for the next one. Thanks to Berkley for an ARC; all opinions are my own.
  • Rating: 4 out of 5 stars
    4/5
    Another rollicking good time in this the 3rd book in series. Veronica and Stoker are such great characters and play off each other so well. This time an archaeology expedition to Egypt brings back more than just a mummy and some artifacts. Can Veronica and Stoker avoid the curse and solve the mystery? Will they ever get together as a romantic couple? Would you really want me to tell you and spoil the fun of finding out for yourself? I didn't think so.

Book preview

A Treacherous Curse - Deanna Raybourn

ONE

LONDON, 1888

I ASSURE YOU, I AM perfectly capable of identifying a phallus when I see one, Stoker informed me, clipping the words sharply. And that is no such thing.

He pointed to the artifact I had just extracted from a packing crate. It was perhaps three feet in length, carved of some sort of exotic hardwood, and buffed to a smooth sheen. Bits of excelsior dangled from it like so much whimsical decoration. It was oddly festive.

Of course it is, I said. I brandished the item in question at him. Just look at the knobby bit on the end.

Stoker folded his arms over the breadth of his chest and looked down his nose at me.

"Consider, if you will, the length. Improbable, you must admit. Most improbable." He was doing his best to avoid the appearance of embarrassment, but a touch of rose still bloomed in his cheeks. I found it winsome that such a hardened man of the world could have gained so much experience as scientist, explorer, natural historian, naval surgeon, and taxidermist and still manage a maidenly blush when confronted with a fertility icon.

Stoker, I said patiently, both male and female genitalia have been celebrated in ritualized art since the beginning of time. And frequently their proportions are exaggerated in order to convey their importance to the peoples in question.

He curled a handsome lip. Do not invoke ethnography, Veronica. You know how I feel about the social sciences.

I shrugged. There are those who maintain the study of culture is just as important as the examination of a bit of bone or a fossilized snail. And do not pretend that you are immune to the seductive siren call of the humanities. I have seen you mooning over journal articles about the role of religious ritual in the decreasing populations of certain South Sea turtles.

I do not moon, he retorted. And furthermore, those journal entries—

He proceeded to lecture me for the next quarter of an hour, about what I cannot say, for I turned my attention to the contents of the packing crate. I had long since discovered upon my travels that men are largely the same no matter where one encounters them. And if one is prepared to let them discourse on their pet topics of conversation, one can generally get on with things quite handily without any interference.

The packing crate was the newest arrival at the Belvedere, the budding museum Stoker and I had been commissioned to organize under the aegis of our friend and benefactor, the Earl of Rosemorran. Situated on the grounds of his lordship’s Marylebone estate, Bishop’s Folly, the Belvedere was either a glorious trove of undiscovered treasures or the storehouse of a family of madmen, depending upon one’s perspective. The earls of Rosemorran had been an acquisitive lot, haring around Europe to amass a collection of art, artifacts, zoological specimens, books, manuscripts, jewels, armor, and a thousand other things that defied description. How we came to live amongst such treasures is a story that merits its own volume.¹

To investigate one murder is a curiosity. To investigate two is a habit. Stoker and I had fallen into the practice of murder when our mutual friend, the Baron von Stauffenbach, had been slain the previous summer. We had uncovered some difficult truths and made a cautious alliance with Sir Hugo Montgomerie, the head of Special Branch, Scotland Yard’s most prestigious division. When, at the end of that investigation, Fate had proven to be an unkind hussy and left us without home or employment, the current Lord Rosemorran had graciously invited Stoker and me to work for him, living on the grounds of Bishop’s Folly and cataloging his collection with an eye to one day opening the Belvedere as a public museum. It was arduous work, consisting of unpacking, inspecting, reviewing provenance, cleaning, and registering each item—the beetles alone could take years—but it was enchanting. Every day offered its own surprises, and as word spread of our undertaking, donations to the collection began to arrive. It seemed that Lord Rosemorran’s project was the perfect opportunity for his friends to rid themselves of items they no longer wanted. They would never send anything truly valuable—the English aristocracy are nothing if not sharply attentive to financial advantage—so we received instead a steady stream of decrepit hunting trophies and wretched oil paintings. They were of no use to us, so Stoker regularly burnt the moth-eaten trophies in the garden whilst I arranged the portraits into a grim sort of family, giving each a pet name and taking particular delight in each baleful new addition.

But the shipment that arrived that morning had been the most peculiar yet. The large packing crate had been stuffed with excelsior to cradle an array of phalluses, each more impressive than the last. Clay, leather, marble, wood—the materials were nearly as varied as the objects themselves, and the assortment of sizes was frankly extraordinary. From a modest little fellow about the width of my handspan to the enormity I brought to Stoker’s attention, they represented a thorough study of that particular piece of anatomy. At the bottom of the crate nestled a leather box with a piece of card affixed to the lid.

Personal gift to Miss Veronica Speedwell. I have not forgot my obligation. With my compliments and heartfelt gratitude. Miles Ramsforth

Suddenly, the mysterious collection made perfect sense. Our second investigation² had saved Miles Ramsforth from the hangman’s noose, and I was not surprised he had chosen to repay the debt with part of his extraordinary array of erotic art.

Understandably, Ramsforth had quitted England immediately upon his release from prison and we had never met in person, but he had sent an effusive letter of thanks with a splendid silver watch chain for Stoker and a promise to remember me with something even more noteworthy.

My curiosity piqued, I extracted the box carefully and opened it with a rush of anticipation. I was not disappointed. Wrapped lovingly in cotton wool was yet another phallus, this one a masterpiece of the Venetian glassmaker’s art. Of clear blown glass, it was striped with luscious violet color that gleamed like a boiled sweet as I held it to the light. I remembered it well. I had admired it when Stoker and I first studied the collection, although how Ramsforth happened to know of my appreciation was a mystery. It was a testimony to both his gratitude and his puckish sense of humor that he would present me with the costliest specimen from such a deliciously lurid collection.

I brandished it at Stoker. I was quite right about the hardwood piece, I told him. This was at the bottom of the crate. It is the doing of Miles Ramsforth. A personal gift, I added with a waggle of my brows.

Stoker blushed furiously. For the love of God, put that thing away.

"I cannot imagine why you are so bashful on the subject of the male genitalia of Homo sapiens when you are the only one of us who can boast of owning it," I muttered as I replaced the offending item carefully into its box with a mental note to examine it more thoroughly in private.

I heard that, he said as he returned to the task at hand— hollowing out the remains of a badly mounted platypus. The task was messy but not arduous, so he had kept on his shirt, a rare occurrence given his penchant for working stripped to the waist. I regretted the fact that he was fully clothed, but I contented myself with the occasional appreciative glance at his muscular forearms, bared to the elbow. His shirt was open at the neck, and he seldom wore a waistcoat and never a coat if he could help it. His hair, black and waving and badly in need of a barber’s attentions, was punctuated by a slender streak of silvery white, a souvenir of our most recent foray into detective pursuits. It had ended when he had been shot in the temple in a ridiculous attempt to shield me from a murderer, and the result was a single snowy lock where the bullet had struck him. Gold rings glinted at his earlobes, and one of his many tattoos, relics of his days as a surgeon’s mate in Her Majesty’s Navy, peeped from the edge of his rolled sleeve. He wore a patch over his left eye, a habit since an accident in the Amazon had nearly taken it from him, leaving him with slim pale ribbons of scars that marked him from brow to collarbone and beyond. He looked like precisely what he was: a man in his prime with a good deal of experience and precious little regard for Society’s expectations.

Stop scrutinizing me as if I were one of your damned butterflies, he said in a conversational tone.

I sighed. It has been a year since my last indulgence in physical congress, I reminded him in a wistful tone. Admiring your physique is my only consolation.

He snorted by way of reply. I had made no secret of my perfectly sensible approach to relationships between the sexes—namely that marriage was a ridiculously outmoded institution and that sexual exercise was both health-giving and revivifying to the spirits. In the interest of respectability, I never indulged whilst in England, preferring to satisfy my urges during my trips abroad, a discreet and wholly efficient arrangement. The fact that it had been more than a year since my last expedition had begun to try my resolve. Stoker did not judge my predilections any more than I judged him for living as chastely as any medieval monk. A brief and hellish marriage followed by a period of Bacchanalian overindulgence had soured him on romance, although I regularly recommended to him a restorative bout of coitus, preferably with a strapping dairymaid—a course he had yet to embrace.

I considered the various phalluses, uncertain of where to begin. Ought I to arrange them by size? Or shall they be grouped according to geographical region of origin? Or material? I asked. Stoker and I frequently quarreled about various methods of organization within the collection. I preferred a chronological approach whilst he maintained a firm preference for theme.

This time he merely flapped a hand, clearly finished with the subject of phalluses. I hefted the largest, the hardwood piece from the Pacific, scrutinizing it with a practiced eye. You know, I am rather reminded of a charming American fellow I met in Costa Rica, I said with a nostalgic sigh. I made a point of never keeping in contact with my paramours once I had finished with them, but I had very nearly made an exception for the American . . .

I did not pursue the conversation. Stoker was in a good mood for once, something that had been sorely lacking of late. February had been thoroughly nasty, with snowfall of apocalyptic proportions and temperatures that would have caused a polar bear to shiver. We had made the best of the situation, applying ourselves diligently to our work, but both of us had suffered bouts of ennui, longing for balmy climes and sea-scented winds. Our planned expedition with Lord Rosemorran to the South Pacific to search for new specimens had been thwarted by accident—namely his lordship’s unfortunate collision with his Galápagos tortoise, Patricia. She lumbered around the estate with all the grace and speed of a boulder, so how the earl managed to fall over her was a matter never fully explained to my satisfaction. But the result had been a broken femur and months of recuperation. We sympathized with his lordship and told him we did not mind in the least, but I drank a significant amount of strong spirits as I unpacked my bag, and I suspected Stoker sniffed back a manful tear or two as he put away his maps and charts.

Saving Miles Ramsforth from the noose had been a diverting occupation, but a Christmas spent with Lord Rosemorran’s unruly brood of children underfoot and the rigors of a perilously long winter had nearly undone us both. Stoker had amused himself by unearthing the most ludicrous of the taxidermy mounts while I had taken to reading sensationalist newspapers. One, The Daily Harbinger, had proven useful during the Ramsforth case, and I had resorted to bribing the hall boy, George, to bring me the copy each morning before his lordship had a chance to read it.

This morning he skipped in, bearing the newspaper and the first post, whistling a merry tune. George broke off as he caught sight of the object in my hand, his eyes round with interest and his errand forgotten.

Here, now, miss, that looks like—

We know what it looks like, Stoker cut in ruthlessly.

George peered into the packing crate. Where are these from, miss?

All around the world, I told him. They were amassed by a gentleman named Miles Ramsforth, a famous patron of the arts and a suspected murderer.

He blinked. Imagine that.

I put out my hand. "Harbinger, please."

He gave me the newspaper before wandering to where Stoker was bent over his trophy. That’s a funny old stoat.

It isn’t a stoat, Stoker corrected. It is a platypus.

Why has it got a duck on its face? George put out a tentative finger and Stoker flicked it aside.

"This is Ornithorhynchus anatinus, the duck-billed platypus, native to Australia."

But why has it got a duck on its face? George persisted.

It hasn’t got a duck on its face. That is just its face.

Are you taking the duck off its face?

Stoker’s nostrils flared slightly and I knew he was about to say something unpleasant.

George, I called as I skimmed the front page of the newspaper. What is the latest news of the Tiverton Expedition?

George trotted over, his face bright with interest. He had a penchant for the most outrageous stories in the Harbinger— and the Harbinger’s stories were already more outrageous than most. But he was a good lad and took great pride in his budding literacy, so I encouraged him.

Oh, miss, you ought to read it. They say the expedition is cursed, he said with an unholy gleam in his eye.

From behind his platypus, Stoker gave a snort.

You don’t believe in curses, sir? the boy asked.

Stoker opened his mouth—no doubt to hold forth on the subject of superstition—but I anticipated him. Curses are not rational, George. There is no scientific basis for them. However, there is good reason to think that the belief itself in a curse can create deleterious effects.

Dele—what? the boy asked.

Deleterious. It means bad. I was saying that the mere belief in a curse can give it power.

Hogwash, Stoker said succinctly.

It most certainly is not. There are well-documented cases of individuals—

Exactly that. Individuals. There has been no empirical study done on the subject.

And how, precisely, would one conduct such a study? I asked in an acid tone. He did not bother to reply, and I turned back to George. Tell me about the curse.

George and I had become fascinated by the exploits of the Tiverton Expedition in Egypt. Led by Sir Leicester Tiverton, an excitable baronet of middle years, the group had found a cache from the Eighteenth Dynasty. The burial was incomplete, but the sarcophagus of a princess and an assortment of grave goods were enough to ignite a furor of international interest. Sir Leicester had become something of an instant celebrity. A series of calamities had forced the early return of the expedition, and stories of their misfortunes had kept the reading public enthralled.

It is said that the site of the dig was visited by one of the Egyptian gods. Can’t remember his name, but he wears a dog on his head, George said, gesturing to the lurid illustration in the newspaper. I skimmed the article quickly.

Anubis, I told him. God of the underworld, and that is not a dog on his head. It is a jackal.

I pointed him to the Greco-Roman sarcophagus Stoker and I used as a sideboard for our meals. Incised on its side was a parade of ancient gods. George had little trouble spotting Anubis.

Is this cursed too? he asked.

I doubt it. The thing is a late Greco-Roman copy of a much older piece.

Is there a mummy inside?

I’m afraid not, I said absently as I studied the drawings in the newspaper. Just a collection of early prosthetics.

Pros—what’s that, miss?

Prosthetics, George. Fake arms and legs meant to replace those that have been lopped off.

Blimey! But no mummy?

No mummy, I assured him. And don’t say ‘blimey.’ It’s common.

I’m common, miss, he returned cheerfully.

Of that I had no doubt. For all I knew, Lord Rosemorran’s butler, Lumley, had found him squatting in a gutter under a cabbage leaf. But the boy was bright, nimble in understanding, and blessed with a solid ear and a head for figures. If he could curb his tendency to slang and the dropping of ‘h’s,’ he might well make something of himself.

George turned back to the illustration. They say that this Anubis fellow came into the workers’ camp at night, looking for a soul to take.

Rubbish, Stoker said succinctly.

No, sir, it’s true, George maintained stubbornly.

I held up a hand. The boy is right. The director of the excavation died a few weeks ago, and now the expedition photographer has disappeared along with a diadem belonging to the mummified princess. Apparently, the Egyptian workers blamed their troubles on a curse inscribed on the princess’ sarcophagus.

Horsefeathers, Stoker replied.

George, you’d better get on before you learn any new words of which Mr. Lumley wouldn’t approve, I told the boy. He grinned and went on his way as I finished the article.

You oughtn’t to encourage him, Stoker said as he returned to his platypus. The boy already has a febrile imagination.

No more than this reporter, I said absently. I do not recall seeing his name before, but J. J. Butterworth has made quite a reputation for himself writing about the Tiverton Expedition.

‘Our man in Cairo’? Stoker asked.

More like ‘our man in London.’ This was filed here in town. Apparently the Tivertons have returned to England after John de Morgan’s disappearance. I would have said more, but I broke off as soon as I caught sight of Stoker’s face. Still bent over his platypus, his features had frozen into an expression so thoroughly devoid of emotion, it was impossible to interpret. His complexion had gone perfectly white, then flushed a quick and violent red. I feared he was well on his way to an apoplexy. Stoker, what is it?

Nothing, he answered after a long moment and a visible effort. Afraid I was woolgathering. What did you say?

I pressed my lips together, holding back the question that rose to them. Whatever had caused him to react so strongly, he had no wish to share it, and I had no wish to pry.

(I have pledged myself to honesty in these pages, gentle reader, so I will admit that in point of fact I had a rather ferocious wish to pry, but I had learnt through painful experience that Stoker responded far better to the oblique approach than to more direct methods. Considering my extensive experience in hunting butterflies—notoriously skittish and elusive creatures—Stoker was less trouble than a Chimaera Birdwing.)

I went on. I said that the Tivertons, Sir Leicester and Lady Tiverton, have returned to England. The death of their excavation director loaned credence to the idea of the curse. The local workers have refused to reenter the tomb, and the director of antiquities in Egypt has agreed that it is best they seal it back up and leave things to settle until next season.

And there is no sign of the photographer?

John de Morgan? No. Apparently he disappeared from the dig site with his wife. At the same time, the jewel of Sir Leicester’s find, a diadem belonging to the dead Princess Ankheset, went missing, and no one knows if de Morgan and his wife stole it or if they met with foul play.

Stoker said nothing. His color slowly returned to normal, and his hands resumed their work. I turned to the post, sorting the various envelopes into pigeonholes. Bills to Pay. Bills to Pretend I Have Not Received. Letters to Answer. Letters to Ignore. Letters from Tedious People. The rest I consigned to the wastepaper basket.

But the last demanded my immediate attention. I will admit to a small groan as I recognized the imperious hand of our sometime friend and occasional sparring partner at Scotland Yard.

Sir Hugo? Stoker guessed as I took up the lion’s tooth I used as a paper knife.

Sir Hugo, I confirmed. How did you guess?

He is the only person of our acquaintance who could excite such a reaction. We are invited to call?

I skimmed the brief message. We are not invited. We are instructed. He wishes to see us, but he is ill at home, and he summons us to his sickbed. Gird yourself, Stoker. We are about to meet Sir Hugo in his nightshirt.

¹ A Curious Beginning

² A Perilous Undertaking

TWO

SIR H UGO M ONTGOMERIE, HEAD of Special Branch, loyal watchdog of the royal family, and our sometime ally, was tucked up in bed when we arrived. His house stood in one of the quieter, leafier corners of Belgravia, so elegantly nondescript that one might easily pass it by without a second glance. I suspected that was a deliberate choice on Sir Hugo’s part. Whenever possible, he opted for understatement, and I was not surprised when the door was answered by a very correct parlormaid rather than a butler.

Miss Speedwell and Mr. Templeton-Vane to see Sir Hugo, I told her. We are expected.

She did not wait for a calling card. Cap ribbons starched and snapping, she led us to the stairs, past the public rooms, and up two flights, going directly into Sir Hugo’s bedchamber without pausing. The room was well proportioned and tastefully furnished with Regency fruitwood pieces and a very fine Aubusson. The draperies were the color of crushed mint leaves, and the counterpane a darker green. Against the soft apricot walls, the result was soothing elegance, but the effect was slightly ruined by the tropical temperature. The windows had been firmly sealed and the fire stoked high, so that the entire room was hot as Satan’s boudoir. A pair of small tables stood next to the bed and were crowded with bottles and bowls, various medicaments, stacks of handkerchiefs, and a spirit lamp. The smell of camphor hung heavily in the warm, damp air.

Sir Hugo was sitting up in bed, surrounded by newspapers and holding a handkerchief to his streaming nose. Atop his head perched a nightcap with a lavish tassel of blue silk.

Mith Thpeedwell, Templeton-Vane, he said with a brusque nod. (For the duration of our visit, he proceeded to lisp as he breathed stentoriously through his mouth, but I will make no attempt to reproduce the ghastly noises he made.) He waved us to a pair of chairs next to the bed as the parlormaid waited at the door.

What is it, Carter? Sir Hugo demanded.

Time for your tonic, sir. Lady Montgomerie is most particular, she told him.

He pulled a face. Lady Montgomerie is not my mother. Get out, he grumbled.

The maid grinned as she left, and I suspected she was as amused by Sir Hugo’s pettishness as we were. I could feel Stoker suppressing a laugh as he stared in rapt fascination at the tasseled nightcap.

We are very sorry to find you unwell, I told Sir Hugo.

At least you have some sympathy, he said sullenly. My wife fusses, the maid bullies, and Mornaday gloats. I’ll wager a guinea the little flea is sitting in my chair right now.

The fact that Inspector Mornaday longed for his superior’s job was one of the worst-kept secrets at Scotland Yard. No doubt he was relishing every moment of freedom from Sir Hugo’s watchful eye. But it would not do to upset the patient any more than necessary, I decided, so I ignored the mention of Mornaday altogether.

We should not keep you longer than necessary, I said, setting a bright smile on my lips. You need your rest.

I need occupation, he retorted, stabbing at the newspapers. Do you know what is happening in my city? Murder! Mayhem! Misanthropy! And where am I? Stuck in bed waiting for Helen to dose me with Dr. Brightlung’s Pulmonary Tonic and force-feed me a blancmange.

Heaven forbid we stand between a man and his wife’s blancmange, Stoker murmured.

Sir Hugo reached for a pillow to heave at him, but I lifted a hand. Do not distress yourself, Sir Hugo. Stoker is merely teasing. I will drop something into his tea later to revenge you.

Make it arsenic. Sir Hugo fell to coughing then, a hideous bout that left him gasping for breath. Without a word, Stoker went to the windows and wrenched one open just a little. Fresh cold air rushed into the room, lightening the heavy atmosphere. While Sir Hugo regained his composure, Stoker busied himself with the spirit lamp and various bottles. After a few moments, he approached the bed, carrying a steaming bowl and a towel.

What’s that? Sir Hugo demanded.

A remedy, Stoker said. He put the bowl onto a bed tray and set the whole affair onto Sir Hugo’s lap. He draped the towel over the ailing man’s head. Now, slow deep breaths and hold the steam in your lungs for as long as you can.

I sniffed the air. Sage?

And thyme with a little peppermint oil. I would have preferred white eucalyptus, but the stuff is devilishly hard to find outside of Australia.

We chatted for a few minutes, comparing herbal remedies we had collected on our travels, until Sir Hugo emerged, snuffling and red of face, but with markedly easier breathing.

That works, he said in some astonishment.

Stoker sighed. "I am a surgeon," he reminded Sir Hugo.

Yes, I just didn’t know you were a good one. Sir Hugo settled back against his pillows, still wreathed in fragrant steam. Ah, that is better. He drew in a deep breath and let it out again. I haven’t been able to do that for almost a fortnight.

A little fresh air and regular herbal steam baths, Stoker instructed. And pour out that tonic. It’s poisonous stuff.

I will, Sir Hugo promised, clearly in better spirits. He looked to me. You may be wondering why I asked you to call today.

We are entirely at a loss, I told him truthfully. We haven’t meddled in so much as the theft of a tea towel since last autumn. Our amateur investigative efforts were a thorn in Sir Hugo’s side. He veered between reluctant tolerance and frothy rage when we found ourselves at the business end of a murder. I could not resist the urge to tweak Sir Hugo’s nose a bit. I presume it has something to do with my unwelcome connection to the royal family? I suggested. My status as a semilegitimate member of that august group both rankled Sir Hugo and elicited his most protective instincts. Is this my periodic harangue that anything I do might reflect badly upon them?

Sir Hugo looked hurt. I do not harangue.

You have upon numerous occasions. Shall I list them?

I did not summon you to harangue you now, he corrected. In fact, I mean to offer you help.

Stoker and I turned to each other, blinking. Stoker, is there anything in those herbs that might cause Sir Hugo to suffer hallucinations? It is the only explanation.

I am entirely serious, Sir Hugo protested. I know I have been strict with you in the past—

You had me arrested, Stoker pointed out coldly.

Yes, well—

Your men put me into a Black Maria and hauled me to Scotland Yard like a common pickpocket, Stoker went on.

Be that as it may—

"My person was searched. My entire person," Stoker finished.

Sir Hugo fidgeted. Perhaps I let the lads go a bit too far, he admitted.

I turned to Stoker. They disrobed you?

They stripped me mother-naked, he affirmed.

Well, that must have intimidated them, I mused. I had had the pleasure of seeing Stoker’s undraped form on multiple, if innocent, occasions. Any man who stripped him would doubtless suffer by comparison.

Sir Hugo was still gaping at my last remark when I pressed on. What do you mean, you intend to help us?

I mean exactly that. Something has come to my attention that might prove . . . difficult, he said, seemingly at a loss. I don’t know how best to begin.

"Sir Hugo! I have seen you at your bellowing worst, and I must say, I am far more discomfited by

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