Love and Information
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About this ebook
Someone sneezes. Someone can't get a signal. Someone shares a secret. Someone won't answer the door. Someone put an elephant on the stairs. Someone's not ready to talk. Someone is her brother's mother. Someone hates irrational numbers. Someone told the police. Someone got a message from the traffic light. Someone's never felt like this before.
In this fast-moving kaleidoscope, more than a hundred characters try to make sense of what they know. Premiered at the Royal Court in September 2012.
'This exhilarating theatrical kaleidoscope... What is extraordinary about Churchill is her capacity as a dramatist to go on reinventing the wheel' The Guardian
'The wit, invention and structural integrity of Churchill's work are remarkable... She never does the same thing twice' The Telegraph
'A wonderful web of complex emotions, memories, secrets and facts' A Younger Theatre
Caryl Churchill
Caryl Churchill is a leading playwright who has written widely for the stage, television and radio. Her stage plays include: Owners (Royal Court Theatre, London, 1972); Objections to Sex and Violence (Royal Court, 1975); Light Shining in Buckinghamshire (Joint Stock, 1976); Vinegar Tom (Monstrous Regiment, 1976); Traps (Royal Court, 1977); Cloud Nine (Joint Stock, 1979); Three More Sleepless Nights (Soho Poly and Royal Court, 1980); Top Girls (Royal Court, 1982); Fen (Joint Stock, 1983); Softcops (RSC, 1984); A Mouthful of Birds with David Lan (Joint Stock, 1986); Serious Money (Royal Court and Wyndham's, London, then Public Theater, New York, 1987); Icecream (Royal Court, 1989); Mad Forest (Central School of Speech and Drama, then Royal Court, 1990); Lives of the Great Poisoners with Orlando Gough and Ian Spink (Second Stride, 1991); The Skriker (Royal National Theatre, 1994); Thyestes translated from Seneca (Royal Court, 1994); Hotel with Orlando Gough and Ian Spink (Second Stride, 1997); This is a Chair (Royal Court, 1997); Blue Heart (Joint Stock, 1997); Far Away (Royal Court, 2000, and Albery, London, 2001, then New York Theatre Workshop, 2002); A Number (Royal Court, 2002, then New York Theatre Workshop, 2004); A Dream Play after Strindberg (Royal National Theatre, 2005); Drunk Enough to Say I Love You? (Royal Court, 2006, then Public Theater, New York, 2008); Bliss, translated from Olivier Choinière (Royal Court, 2008); Seven Jewish Children – a play for Gaza (Royal Court, 2009); Love and Information (Royal Court, 2012); Ding Dong the Wicked (Royal Court, 2012); Here We Go (National Theatre, 2015); Escaped Alone (Royal Court, 2016), Pigs and Dogs (Royal Court, 2016), Glass. Kill. Bluebeard. Imp. (Royal Court, 2019) and What If If Only (Royal Court, 2021).
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Book preview
Love and Information - Caryl Churchill
1
SECRET
Please please tell me
no
please because I’ll never
don’t ask don’t ask
I’ll never tell
no
no matter what
it’s not
I’d die before I told
it’s not you telling, even if you didn’t
I wouldn’t
it’s you knowing it’s too awful I can’t
but tell me
no
because if you don’t there’s this secret between us
stop it
if there’s this secret we’re not
please
we’re not close any more we can’t ever
but nobody knows everything about
yes but a big secret like this
it’s not such a big
then tell me
will you stop
it’s big because you won’t tell me
no I won’t.
Is it something you’ve
don’t start guessing
or something you want to
please
or you’ve seen or heard or know or
please
and if it’s something you’ve done is it a crime or a sin or just embarrassing because whichever
no I don’t want you to know.
All right.
All right I’ll tell you
you don’t have to
I’ll tell you
yes tell me because I’ll never
it’s not that
tell me because I’ll always
all right I’m telling you.
Tells in a whisper.
No
yes
no
I warned you
but that’s
yes
oh no that’s
yes
how could you
I did.
Now what? now what? now what?
CENSUS
Why do they need to know all this stuff ?
They’re doing research. It guides their policy. They use it to help people.
They use it to sell us things we don’t want.
No that’s the people who phone up. I don’t answer any of their questions, I just say No thank you, there’s no need to swear at them.
I’ve made a mess of it now anyway.
You’ll get into trouble if you don’t do it.
They won’t know.
They know you exist.
FAN
Love him so much
love him more than you
I’d jump out of the window
eat fire
cut off my hand
eat dogshit
kill my mother
eat catfood
yeuch
just to touch him
just to tell him
just to see him
just to have him see me.
He was born at ten past two in the morning and I was born at two past ten
how do you know?
Mum says
two past ten
she said just after ten so that’s two
that isn’t two
it is two
anyway he was born on Tuesday and I was born on Wednesday and you were only born on Friday
that’s stupid.
His favourite colour’s blue
favourite food’s chilli
favourite animal’s snakes
favourite holiday was in Bermuda
what’s his favourite smell?
Roses
you’re making that up
well what?
I’m asking you
you don’t know
I’m asking you
you don’t know do you go on tell me
you tell me
I don’t know you tell me
all right I don’t know so we’ve got to find out
you mean neither of us know?
It’s all right we’ll find out
I can’t believe neither of us
it’s in here somewhere
I know I used to know
wait
is it chicken?
wait
you can’t find it
I can’t
you’re not looking properly
I can’t find it
here let me
you can’t find it
wait
it’s not there
wait
see you can’t.
What are we going to do?
we’ve got to know
I won’t be able