Harmless Medicine
By Justin Chin
()
About this ebook
Fiercely devoted to the margins of life in the generation after the devastating first wave of the AIDS epidemic, this cathartic collection of poems explores illness, travel, contagion, the meaning of home, identity, tainted purity, and the bits of life that contain them and hold them together in spite of the harsh exigency of daily life. In more than 40 pieces, Chin fearlessly delivers everything from his first exposure to science ("Magnified") to a mail order fantasy experience ("I Buy Sea Monkeys"); from backroads travel in Asia ("Little Everest in Your Palm") to the plight of immigrants in America ("The Men's Restroom at the INS Building"). Chin's brutal honesty and sharp humor frame a profound and original collection.
Justin Chin
Justin Chin lives in San Francisco. His work has appeared in many anthologies and magazines. He is the author of a book of essays, Mongrel, and a book of poetry, Bite Hard (Manic D Press), which was a 1998 Lambda Literary Award Finalist.
Read more from Justin Chin
98 Wounds Rating: 4 out of 5 stars4/5Mongrel: Essays, Diatribes, + Pranks Rating: 5 out of 5 stars5/5Bite Hard Rating: 4 out of 5 stars4/5Burden of Ashes Rating: 2 out of 5 stars2/5
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Harmless Medicine - Justin Chin
I.
And at the ninth hour, Jesus cried with a loud voice, saying, ‘Eloi Eloi, lama sabachtani?’ which is interpreted, ‘My God, my God, why hast thou forsaken me?’
— The Gospel According St. Mark. 15:34
(King James version)
Undetectable
The space pod shrunk to microscopic
proportions with its inhabitants aboard,
injected in the vein of the terminally
ill coma patient. Traveling in the
bloodstream, we peek into the human body:
tissue, cell, organ, blood, lymph.
Every lucid hue taken away
by the black and white television set.
The mission: to reach the tumor,
to blast it with the specially designed
and shrunk laser gun. There are
complications of course, (why should
fiction not have a smudge of horrible reality?),
and Raquel, plucky scientist in her daring
skintight curve-enhancing wetsuit, swims
in blood to do something heroic,
but she is attacked by white blood cells, (eek!),
envisioned by the special effects department
as crunchy foam fingers, not unlike
the white fungus delicacy of soups
in Chinatown restaurants; deed
done, more white cells attacking,
oh how will they escape? Through the eye!
Cure or Blight. Who is
the foreign body here?
There is a battle in my body. Every day
a small chunk of me is given up in this
microscopic war. Small flecks of cells,
shreds of tissue, muscle, skin, bone
disintegrate, turn to junk, float
through my body and are pissed out.
This atom, this molecule, this bond
between them will quell the virus.
Squash it into almost nothingness,
into something so small, smaller
than it already is, so it won’t show,
cannot be counted,
like ghosts and gases, its true existence
undiscovered, lurking
ready to kiss or kill. Undetectable.
Only in B-movies:
foreign body kills foreign body,
chemicals and petri dishes don’t lie,
easy redemption, happy ending.
Everyday, a small bit
of myself dies
in that chemical battle.
An undetectable bit
of myself dies everyday.
I get tired easily. I take more naps.
I dream less.
I smell like the medicine chest.
Some days I think I can
feel every single cell in me.
I can feel every single one
that dies.
Apocryphal Medicine
Cumulonimbus clouds float at foot level.
A Chinese man in a bowler hat walks by.
Plastic bamboo, the size of a brittle child’s forearm, painted with a motif of caterpillars on its stems.
A nation mourns the death of a supermodel, flawless girl with perfect skin and handbag husband.
Fried Camembert cheese topped with cranberry sauce is served for breakfast.
A digital clock on a street in Paris flashes the temperature, 0°, 1°, -1°, 1°, 0°, 1°, 0°, mad Morse, a demented binary code.
The souls of the immortals dwell with exotic birds in the cosmic mountains, believed to be the place between heaven and earth.
A boy blows on embers to light the hearth, a man with an old monkey perched on his shoulder watches from a dark corner.
Asparagus, grown like veal in a small wooden box so it remains thin, tender, sweet.
The kitchen god’s mouth is smeared with honey so he will only report the sweetest news.
A sketch of a dead child set in a gold frame, hung in the hallway.
A lipstick print on his hip, herpes scarlet on his flesh, white as a milk bubble.
Poppies decorate the war memorial, a monument to the failure of politicians.
A Magritte painting dipped in barbecue sauce.
Surrealist Bookmark
Directions for use:
1. Find the line in the book where you have stopped reading. Place bookmark elsewhere in the book.
2. Place bookmark in a stranger’s book.
3. Go to a hospital and leave bookmark in a patient’s book. You may also leave bookmark at a public pay phone in the facility.
4. Place bookmark in a book that has yet to be written.
Warning:
May cause reader to lose place in book. Extreme disorientation may occur. Loss of connective thoughts and lucid speech akin to dementia may set in. Do not operate pasta makers. Do not mix with herbal remedies. May cause liver damage, kidney stones, cerebral hemorrhage and ulcers. May cause extreme euphoria. May cause false increase in self-esteem. Peripheral nerve damage occurred in 21 percent of test subjects who used a placebo bookmark. Some users report hallucinations of Parisian cafes. Visions of God, Buddha, Vishnu, Jacqueline Susann and Donald Duck may occur in a small percentage of users. Cheese, curry and spring rolls may never taste the same for some users.
If any of these reactions occur, discontinue use. Remove bookmark and place it in a moist, calm, dark, quiet place until side effects subside.
Poison
Four men carry one,
each holding a limb,
wife trailing crying:
bit by a scorpion;
the evil culprit,
black in a jam jar,
rattles against glass.
Poison in the blood,
no feeling in arms and legs.
On the surgical table,
my father strategically
inserts seven fine
needles, newly acquired
acupuncture skills from Taiwan.
Soon, the man walks shakily,
slight limp out of the clinic.
Maybe there was more,
I’m sure there was more
to it than that,
but an eight-year-old boy
in pajamas and slippers
killing time
in his parents’ workplace,
discovers that
(and it marks him
for the rest of his life)
there is a cure
for poison in the blood
put there by scorpions,
snakes, spiders, centipedes
and demons.
And for a while,
the fatal, cancerous
world that spins
towards hell and destruction
slows its revolution,
and there is more
day and more night.
Faith
Lisa gives me a bracelet,
a Buddhist trinket she got
when her family went to temple,
a custom to see the beginning
of each year.
A delicate thing,
beautiful in its symmetry:
Eighteen beads the unruffled color
of a Chihuahua puppy’s tanned fur,
two transparent beads on each side,
seven more tanned beads each,
and in the center, a large white bead
holding a convex corneal
slip of plastic,
a white eyeball that reveals,
when you hold it up to light,
the Buddha and his slippers.
If my mother ever saw me wearing this,
she would be gravely upset, grieved;
this small trinket troubling
her firm Christian beliefs,
those she inculcated in her sons.
I do not practice Buddhism.
A charm has only as much power
as one puts into it.
I wear it because it is such a pretty thing.
And the person who gave it