Tell It to My Locker Partner
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(Internet Book Reviews). ""With this thirteenth book, Gabriel Leif Bellman has proven that even his B-Sides are tough enough for the A-Team." (Ann Arbor Radio News)
Gabriel Leif Bellman
Gabriel Leif Bellman was born in Eugene, Oregon. He was awarded a Bachelors from USCs School of Cinematic Arts (95), a Masters from New York University (99), and a Juris Doctorate from U. C. Hastings ('05). He has been a high-school teacher; MTV producer; umbrella salesman; restaurant host; dishwasher; lumber feeder; assembly liner; slam poet; warehouse stacker; SOMA magazine correspondent; opera composer at Juilliard, groundskeeper; and Playboy assistant. He has worked construction (Mexico); lived abroad (Spain, Ireland, Holland); and devoted extensive time to traveling (Europe, North Africa, the United States, Middle East, and Caribbean). He directed a film while traveling with the circus in Ireland (Duffys Irish Circus 2005). He has worked with female prisoners in California. Currently, Mr. Bellman lives in San Francisco where he is an attorney. One of the underrated 3-point shooters of his generation, Mr. Bellman won the Los Angeles city hoops championship in 1995. His agent gladly fields calls about his NBA availability (he will only sign with a title contender).
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Tell It to My Locker Partner - Gabriel Leif Bellman
Copyright © 2009 by gabriel leif bellman.
All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the copyright owner.
This book was printed in the United States of America.
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Contents
quote
2006
plugged out
fear
now
fuck
question
as if
vote
toes
l.a.
today
neck
poem
lover
start
man
today
serenity
bandages
quarters
friday
computer broke(keystroke)
fed
late night
fatigue
late
alarm
do
moon
you
pierce
what words can’t do
sunrise
phone
mother’s day
thunder
on the occasion of your wedding in oakland
lack
ask
feeling kippur
end of year
2007
year
i’ll let you in on it
jangle
nothing
reflect roy
where are you going?
34
handle
next door
future
we
elephant
milk
bed
potatofruit
love me
halloween
bleed
fri
twice
william
ugly
hurry
stay
jumble
invite
okay
old
black
idiot
angels
mexicanxmas
mom
wishsong
lvoe
wasp
solstice
ice cream
legs
laura
canyon
can
riding
snout
baby
anyone
mess
child
thaprice
mlk
santorini
time
briefcase
contact
morrow
breakfast
murder
boxes
float
starts
moon
ever
tear
gats
poemofday
battery
glad
futures
wash
milkeconomy (william alternate ending)
alice
my fish
fighttola
away
door
ask
stain
disappear
brazil
shallow
sunny
ridiculous
figure
bs
sight
shoulda
running
tears
die
song
cuello
ride
dark
tomatoe
fatsuit
newyearseve
valentine
ex
shite
new year
2008
unicorn girl
pigeon
generation WHAT?
snowflake
valentine
jamaica
mad
yogurt
swim
way
burn
monkey
stick
message
coming
care
almost
asshole
part
phone
so much
sick
easter
smell
read it
old
happy
neighbor
not me
gun
golf
joke
implication
mother earth
couch
true
not a mountain
meet
dust
look at me
alaska
look
fertile
old conversation
paper
poem
purpose
light
laid
leg
writ
daughter
want
cash
car
time
birth
ill
solstice
this 35 years
zebra
rocky
dreambad
flips
gossip
bowels
crock
aging
peak
cornea
lizard
murder
toilet
bus
illusion
speak
trash
san jose
boneless
mothers
for m. on the occasion of her birthday (from g.)
pyramid
firestarter
forgot
older
licorice
footprint
need
fire
toes
words
monkey
cocoa
sock!
walking
magics
xmas film
knees
fig
missin
time manage
bana
to
ambiguity
holla
live
tide
sound
caboose
end of year
2009
ruff morning
african mother
now
nows
obam
georgewashington
pms
fail
hallow
nights
help
guano
dirt
ghost
whole
loove
dry
create
bed bug
alexwedding
block
boots
broke
men
fixit
king
ladders
machete
mint
boots
plant
potato
premise
sheets
take it
untitled
at the end of a relationship we look back in fried teardrops
2009
bus stop
spider
lawn
mean
birthday writing 36
sombreros
birthday mom
catcharlie
rock
calculator
turtle
kidney
carryon
numb
financiers
race
nbd
penguin
cend
cereal
miss
hihf
bye
Audrey
the past
dream
ex
cryin
ease
angel
seed
response
strung
chin
spaghetti
dolphin
frock
giraffe
kelp
cigar
taffy
just
happen
message song
decaying
accident
stuff
ring
fistful
lovesick
Epilogue
dedication:
to
the moment
i haven’t forgotten
about
you
. . .
also
to my momma
because
i never called
you momma
enough
other works by Gabriel Leif Bellman
(novels)
An Apple in My Back (1996)
Sleeps Never That City (1998)
She (2008)
(short stories)
Coast Left Past (1996)
More Coast Left Past (1997)
Flatbush Fiction (2000)
(poetry)
Bodies of Waste (1998)
Therefore, I Think (1999)
Special Features (2005)
(stories and poems)
Spoon Me (2001)
Sum Swerve (2003)
Just Ash (2005)
(operas)
Adam, Madam, Damn (2000, with Justine Chen)
The Maiden Tower (2004, with Justine Chen)
(distributed feature films)
Duffy’s Irish Circus (2006)
The Bellman Equation (2010)
Introduction
When the heart is punctured, it lets out a slow hissing sound, like a balloon or a tire with an imperceptible leak. Only the holder notices the air is missing, and only because the next time they put pressure on it, it can’t hold as much weight. Over time, of course, patches are placed over the areas where the puncture wounds are, and the heart is much stronger for it. Of course, scar tissue also can make it more difficult to feel, as the nerve endings are covered in stitching and glue. What makes all of this beautiful, is the way in which human beings run at each other full speed, daring each other to move until the last second, skin and bones and blood, tears flying off in all directions. This is the dance of the human heart, which is mobilized in the cavity of chest and the cage of rib and flopped around by way of arm and leg.
Why am I telling you this? Because I have been through the washing machines of human emotion, brothers and sisters, and here I am: dizzy, bruised, and shiny as new. Here, in these moments of writing culled together from the last three years, I have attempted to equalize and cauterize the wounds and joys of day to day existence.
When people speak of day to day
existence what they mean, of course, is the time that passes without great tragedy or exultation (which is of course the kind of existence we all hope for when we are sober). While writing is not much against the wind blowing out candles or the fear immobilizing generations, it does force the heart to beat and the lungs to breathe, and it closely approximates meditation (which, boring as it is, sustains our spirit). In this collection, I have hoped to maintain this day to day
existence as a record of proof that it is possible to work in all seasons and conditions.
How does a group of poems and stories written over a three year span bring more oxygen into the world, or quench the thirst of deserts, or fill the void of canyons? Of course, the answer is it does not. As artists, we can only hope to shine a flashlight into our own chest cave and hope that the beating heart revealed as the dark, light red mass, will bring consolation to others who have spent nights awake gasping for breath.
This is a book that I have written entirely in the gaps of time in each morning and evening when the pull of the universe dragged me to a keyboard and demanded clacking. It is one of the only noises I have ever heard that (for me) rhythmically melds with the beating of my heart. I hope you understand one day, that all of this is for you.
Pulsing.
gabriel leif bellman,
October 2, 2009
p.s. the title of this book comes from a scenario known by a few and foreign to none, which is to say: do not spend your limited time on this planet minding to things that are of menial consequence. we are not in high-school anymore. when you find yourself worrying about anything that detracts from your absolute love affair with this planet and your soul and this moment, remember the human parable that is both a comedy and tragedy:
IT ALL SEEMED SO IMPORTANT AT THE TIME . . .
quote
A samurai once asked a Zen Master where he would go
after he died.
Master answered ‘How am I supposed to know?’
‘How do you not know? You’re a Zen master!’ exclaimed
the samurai.
‘Yes, but not a dead one,’ the Master answered.
Tell
it
to
my
Locker
Partner
by gabriel leif bellman
2006
The year of our lord, two thousand and six, was a symmetrical year for me. In that, while it happened, I noticed symmetry in the world. Or not. Looking back, I often wonder if these poems were inspired by a dog bite that happened in my sleep, or perhaps I contracted rabies from a fruit bat and it was very mild, but not so mild that it didn’t lead to a form of poetry that, years later, I recognize as partially bat-rabid. I think the overall mood of the country, with economic prosperity and senseless war, was one of numb idiocy, and I hope my writing from that period reflects only those good parts of such a state. I also was pretty excited that I got a new fish tank that year.
plugged out
frozen our messages of text
exoskeletons of our embrace next
we talked into mouthpieces more than lips
even the kiss was just another of these blips
born with computer keys imprinted on our finger tips
never a scratching record just a cd player that skips
we heard that again we heard that again (push the forward arrow)
in a million years they will struggle to comprehend our carpal tunnel marrow
information pours in through ears drilled with empty dramatic rescue worker holes
bowed down from the scars on our backs from the removal of all the moles
the heavy absence
of colorless pigment
ethnic raceless humorless
laughing at generic dirty jokes
both of us broken shells
on the wall humpty empty yokes
and i mean it when i say ring them bells
clang them heads (spoken with a jamaican accent please)
so jaded even irony seems clichéd
all the paper stuck together machéd
reading not with our hands but by scrolling a side bar
did we ever have an idea of what the information was for
remember the astronaut fireman that grew up without a television set
look in the mirror at the digital emailed photograph of what you get:
deleting forwarding creating new folders and screen (!) holders
reflecting frozen information
our generation restoration
chatting instantly
face to screen
falling in love with people we’ve never seen
because of their profile
amusing us for a while
adding to their friend
list
we got from technology
everything we
missed
gratification without mobilization
saturation without expectation
incantation without rehabilitation
crushing blows last only a blinking cursor second now
barely enough time to furrow a brow
let alone weep
and not to be deep (but)
i missed bumping into you at a cafe organically
falling in love with the smell of your slice of pizza accidentally
wondering why your copy of lonely planet was folded just like mine
talking over citron candles over a glass of crickets chirping wine
falling off to bed sleep halfway on somebody’s couch
full of a feeling of old fashioned what to say next ouch
see, it would have been like this when
we-just
met
all night long nothing beeps or vibrates there’s no world web
it’s just
you-me/hammock-net
(and i beg you to stay and we no words but sway)
fear
the first of the morning and all my ears are sealed shut
all my arms are waxed over my hands sanded off
i wake up with a taste of yearn in my eyes
the smell of hope in my feet
the feel of ugly in my bones
all i want to do is wrap myself in a heated blanket of you
cover myself in skin not my skin
fill my head with thoughts not my thoughts
if i ever thought i could leave myself
and settle next to your spirit
the candles leap up from their off position
and all i can smell is
fear
now
he went back to his room, let the ache in his jaw dull to a throb in union with the sirens ripping red flashes of light out of the peripheral of his vision. he felt like a note had been slipped under his door from one of his neighbors. impending fear. confrontation. he didn’t care about the fucking, not as much as the laugh. her laugh was better than her ass (which was pretty amazing). he knew all the fish in the ocean couldn’t contain the bubbles that floated his thoughts, just like all the words in a poem-story couldn’t contain the feeling he had that one of these days he was going to stop speaking altogether and resort to the acoustic smiles and laments of his guitar and guitar only. for now, he let the beans from yesterday spin inside his intestines, working their way to his small intestine, anus, toilet. he was a compacting food machine, and what did it matter. the more he ate the more hungry he got and none of it touched the flutter of pain and fear and loneliness that manifested itself as a rush of adrenaline whenever he noticed the subway car he was riding was full of people just like him. going along as if it were normal. as if it were okay to die with a broken heart along the clacking tracks of business cell phones dead from too much use. he tucked under the covers and turned the light off. he didn’t fall asleep as much as he just was bored with the waking universe. no extreme physical pain or bright lights anymore. the headache blending with the disappearing sound of the siren, and with the body’s immediate jolt subsiding, he curled up to hibernate for another six hours. tomorrow it would be better. he said yesterday. and again right now.
fuck
fuck the sinus hole in my head from not a bullet but an absence of bone
fuck the false alarm as the pain ripped through flesh like an abscess of tooth
bite me jaw throbbing discomfort adrenaline gland speed freak pain
i woke up with the clench in jaw the sadness in heart the pepper in soul
i went to forty doctors in forty days and nobody could heal me
i was even more alone with treatment than i was on the sidewalk
i never realized what a paralyzing force pain can be
deep in the soul
loneliness of absence of care
i looked around for somebody to take care of me
and in the mirror
even my own reflection turned away
the next thing i knew it was 2a.m.
fuck
question
The first time he used the keyboard to type a letter he could tell from the clack clack clak that his mind wasn’t focused. It was full of the subway ride home which was full of the furtive looks from the twenty year old college student with her friends smacking gum laughing about whoever’s heart she was tangling like a guitar string tightening and tightening making all the sounds until one day pop. She was in charge and she saw him caught his eye saw his power his age what he represented and she wanted to tear him open stare at his entrails and see where he came from this foreign being and what made him tick.
He sat down to write about it and it was as if a great burden had been lifted from his chest. he no longer had to make his heart beat. it could beat itself to death (and it would) for all he cared. not that he was indifferent. literally for all he cared. for all that he cared about, his heart would stop beating. the fullness of his experience would peter it all out. everything would come to a grinding halt. blood would no longer rush from his lungs carrying oxygen to his heart to be redistributed throughout his body (even his toes which he just knew were waiting to fall off from gangrene or diabetes which he probably had considered all the ice cream).
He was tired but not exhausted. At the same time, he wasn’t much else but exhausted. A perfect description of him would have been a web-blogger without a computer with nothing to say. Who reads these days, he thought to himself, clacking away on the keyboard. And who writes?
Tapping the question mark key, the key stuck. It was impossible to keep writing. The only character that appeared on the ribbon of his screen was a question mark. What answer did he have for that- what answer could he have- if there even was an answer???
as if
as if everything in the night (moon) went bam
as if it all started with green eggs (easy over) and ham
children’s stories (wolf!) read while sitting quietly at the park
and wouldn’t you know
by now
about the fear
that comes
in the dark (nightlight)
it isn’t like we aren’t going to all die alone anyway (leave my sunglasses to goodwill)
still
looking at your skin
pulsing all those organs (pink)
from within (veins)
i could pull your bones out of you (gross) and you could still stand up straight
i’d say it with a deep scottish accent if i could ‘it’s great’ (that sounded australian)
because it’s you (!)
and of all the twisting explosions and interred graves and newly named stars (actually, that’s a planet)
in the universe
it’s just you (!)
that makes me cry blood salt (needs more oregano)
more than any refugee war saved by a dolphin
more than