The Essence of Provence: The Story of L'Occitane
By Pierre Magnan and Richard Seaver
()
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Blessed with a wonderfully acute sense of smell, Olivier eventually grew up to realize that he’d been born to distill and disseminate the many and varied perfumes of the region. His epiphany came when, at twenty-two, he found an abandoned still on the side of the road and bought it for a song. Using the countryside’s natural ingredients, he began manufacturing shampoos, colognes, bath essences, and soaps. Starting with five employeesincluding Olivier’s wife and mother-in-lawhis fledgling company grew into a major business. Today, with hundreds of stores and thousands of employees worldwide, L’Occitane ranks as one of the world’s most successful businessesencapsulating a bit of paradise.
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The Essence of Provence - Pierre Magnan
Copyright © 2001, 2011 by l’Occitane and Editions Denoel
English-language translation copyright © 2003, 2011 by Arcade Publishing, Inc.
All Rights Reserved. No part of this book may be reproduced in any manner without the express written consent of the publisher, except in the case of brief excerpts in critical reviews or articles. All inquiries should be addressed to Arcade Publishing, 307 West 36th Street, 11th Floor, New York, NY 10018.
Arcade Publishing books may be purchased in bulk at special discounts for sales promotion, corporate gifts, fund-raising, or educational purposes. Special editions can also be created to specifications. For details, contact the Special Sales Department, Arcade Publishing, 307 West 36th Street, 11th Floor, New York, NY 10018 or [email protected].
Arcade Publishing® is a registered trademark of Skyhorse Publishing, Inc.®, a Delaware corporation.
First published in France in 2001 under the title L’Occitane: Une histoire vraie by Editions Denoel
Visit our website at www.arcadepub.com. 10 9 8 7 6 5 4 3 2 1
Library of Congress Cataloging-in-Publication Data is available on file.
ISBN: 978-1-61145-495-6
To Laiire,
to tell her about her father
"W hen I was a kid, my constant companion as I went to school was the smell of honeysuckle." It is with these words that Olivier Baussan begins his story.
It was sometime during the second half of the 1950s, between the two Provençal towns of Ganagobie and Peyruis, that Olivier and his older brother Alain, their knapsacks slung over their shoulders, first experienced the fragrances of the lower Alps.
Of all perfumed plants, honeysuckle has the most elusive odor; you think you’ve captured it, only to find it gone. Even the wind doesn’t carry it. You have to be there, next to the flower, literally stick your nose in it. When perfumers label a bottle with the word honeysuckle, they are making it up of whole cloth. It’s a subjective aroma. Later on, the customers who bought the fragrance will take out the bottle and bury their noses in it. They’ll close their eyes, and the very word honeysuckle will evoke the sterility of our impoverished lands. In their minds’ eye they conjure up the image of a single nanny goat tied to a stake in the midst of some sparse patch of vegetation. And if when autumn finally rolls around, they espy a honeysuckle branch, with its red, currantlike berries, it will quietly remind them that October is not far off.
But young Olivier had no idea then how special was the fragrance that assailed him. The breeze that coursed down from Ganagobie, bearing with it the odor of young pine trees planted thickly to form a veritable forest that, when the wind rose, was sibilant with murmurs, was implanting itself in the child’s subconscious mind, forbidding him later on in life from ever forgetting it.
‘The Durance River …" Olivier reminisces.
In 1956 and ‘57 I lived a stone’s throw from the Durance. In those days they’d not yet built any dams. For my brother and me, it was a playground. The riverbed was often almost dry, and we played among the water holes, so deep and so limpid that it seemed as if there wasn’t really any water there at all. Sometimes you could see in their depths the dark outline of a big fish, trapped there until the next flood. Yet the Durance could suddenly rise so quickly that all of a sudden it was a good three hundred feet across, bearing everything with it as the water rushed by, ricocheting off the rocks. And when the floodwaters subsided, a mass of rocks as far as the eye could see remained behind. We were struck by the blinding light of the sun on those stones, which were boiling hot. Still, we tried sitting down on them, knowing they were so hot we would jump to our feet, screaming at the top of our young lungs.
And then there was the odor! It wasn’t a smell of water, but a mineral smell, from the erosion of the riverbed after the water had subsided. And with this smell there was silence, an unreal silence.
Such were the elements that affected Olivier Baussan’s inner life from the moment when, only six months old, he was transported from Paris to the lower Alps, where he would remain, with a few exceptions, for the rest of his life. The world that Olivier discovered thanks to his parents’ move was a place of beauty few people are privileged to know. Longtime natives of Provence have little good to say about it, all too often dismissing it, deriding it sarcastically, burying it in its poverty They leave it behind without regret, pull up their roots and move elsewhere. But their children, who have this blessed corner of the world in their blood, grow up cursing their parents for having taken them away.
Olivier was fortunate enough to have parents who did just the contrary; though born elsewhere, they came to live here no matter the consequences, here among the murmur of the Ganagobie pine trees.
Ganagobie is nothing but a hill like so many others, but it’s a hill of mystery. This mystery oozes from under all the tumuli and ruins that litter its slopes, jealously preserved for future generations of archaeologists. From its sun-baked stones, its arid earth, arises a scent, an odor, a fragrance, emanations. Olivier’s vocation would be born from these olfactory riches, but they gave no early promise of providing him with a decent living. A lad in shorts, he spent his early years climbing from one hill to another throughout the region, obviously unaware of what it would mean to him in the future; in a state of blissful ignorance he contemplated, surveying the Moines promenade (which was pristine countryside), the geography of virtually the entire lower Alps, from the Verdon Corridor to the Estrop Cirque, from the chimneys of Sainte-Tulle to the town of Digne hard by the Bléone River, and, making a sharp turn, the mountain of Lure, mistress of the north, where on winter evenings the Great Bear, also known as the Big Dipper, sleeps.
When the ineffable fragrances of this region (half sun, half sky) escape from the torrid soil in a hallucinatory vapor, you have a still that distills memory. A vocation can be born from memory, from the exasperated desire to bring back one’s early dreams.
We begin with a poor farm, a couple with faith in their ideal, their youth, their strength — who believed that because they loved the earth, the earth would love them in turn. Poverty would soon grind down this nascent happiness. This couple, Olivier’s parents, in this blessed land, would find themselves subjected to the irony of all those who truly love the land but are painfully aware of its tricks and traps, of how thankless the barren land can be, a land who knows only those who avoid the issue and forge blindly ahead.
This young couple, who had baptized their farm ‘Tra de l’lntra," soon experienced the slow erosion of their illusions, which one by one fell away: the tractor broke down; the herd of sheep fell ill; the sudden drought endured four months, five, as a result of which the crops all died or went to seed.
Olivier’s father suffered an accident that made him an invalid. To confront the harsh conditions of the lower Alps without full possession of your physical faculties is to head straight for disaster. Some friends — Serge Fiorio, who despite his many talents did not hesitate for a moment to come with pick and shovel to help out his neighbor, and his brother Aldo — brought to the beleaguered family the full force of their friendship. In the eyes of the boy Olivier, Serge was huge, self-assured, a veritable rampart against adversity. Striding the land from one end to the other, Serge was the perfect incarnation of the hero of the Provençal writer Jean Giono (thanks to whose dithyrambic hymns to this patch of earth, no doubt, Oliver’s parents had pulled up their Parisian roots). Giono the poet had only dreamed of his hero; in Serge, here he was in flesh and blood, a man full of reason and common sense, his feet firmly on the ground. One can presume that Serge had not read any of Giono’s works, and certainly he was in no way influenced by Giono. He seized the lower Alps in his grasp and made its light the yeast of his life.
At times this black-haired painter, this giant with astrakhan curls, a stubborn brow, and the force of a battering ram, this pillar of strength, would bend down toward the child Olivier, squat in front of him, and try to make him believe they were both the same size.
So, how is our little king doing today?
he would smile and say.
One day when Serge was on his way to lunch with the Baussans at Manosque, he spotted from above a child racing along the boulevard de la Plaine, his hair streaming in the wind. The fleeting image of that child, a wonderful apparition, remained with him throughout the morning. Imagine my surprise,
he said, when I arrived to find myself seated next to this same child at lunch. It was Olivier.
Then, to add insult to injury — if the recalcitrant soil, land resistant to any and all efforts to dominate it, its failure to yield more than the most meager of harvests, and backbreaking work that offered little or no return were not enough — came the worst winter in a hundred years, the winter of 1956.
Until the end of January that year, the climate had been incredibly mild. Then, in a single night — the