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Highways and Byways in the Border
Highways and Byways in the Border
Highways and Byways in the Border
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Highways and Byways in the Border

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At the time of his death, my brother had proceeded but a little way in this task which he and I began together, and I must frankly own my inability to cope with it on the lines which he would doubtless have followed. It is probable, for example, that his unrivalled knowledge of "the memories, legends, ballads, and nature of the Border" would have led him to show various important events in a light different from that in which my less intimate acquaintance with the past has enabled me to speak of them; whilst, as regards the Ballad literature of the Border, I cannot pretend to that expert knowledge which he possessed, I do not think, therefore, it is fitting that I should attempt to carry out his intention to deal more fully with those of the Ballads which are most closely connected with places treated of in this volume.
LanguageEnglish
Publisheranboco
Release dateAug 8, 2016
ISBN9783736406230
Highways and Byways in the Border
Author

Andrew Lang

Andrew Lang (1844–1912) was a Scottish scholar and writer, best known for his folklore and mythological tales. After college, he moved to London and began working as a journalist. He began collecting fairytales and folklore stories for his first collection, The Blue Fairy Book. The Fairy Books contained hundreds of pages of folklore stories, which Lang edited while his wife helped translate. Receiving acclaim, the books totaled in 427 stories combined in twelve collections. Lang also produced his own original writing, including novels, literary criticism, and poetry, but his work did not attain the same literary recognition.

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    Highways and Byways in the Border - Andrew Lang

    BORDER

    By Andrew Lang and John Lang

    With Illustrations by Hugh Thomson

    PREFACE

    At the time of his death, my brother had proceeded but a little way in this task which he and I began together, and I must frankly own my inability to cope with it on the lines which he would doubtless have followed. It is probable, for example, that his unrivalled knowledge of the memories, legends, ballads, and nature of the Border would have led him to show various important events in a light different from that in which my less intimate acquaintance with the past has enabled me to speak of them; whilst, as regards the Ballad literature of the Border, I cannot pretend to that expert knowledge which he possessed, I do not think, therefore, it is fitting that I should attempt to carry out his intention to deal more fully with those of the Ballads which are most closely connected with places treated of in this volume.

    To him, more perhaps than to any other Borderer, every burn and stream, every glen and hill of that pleasant land was

    ". . . lull ot ballad notes,

    Borne out of long ago."

    It is many a year since he wrote those verses wherein he spoke of

    " Old songs that sung themselves to me,

    Sweet through a boy's day-dream."

    But it was not alone in a boy's day-dream that they sounded. To the end, they echoed and re-echoed in his heart, and no voice ever spoke to him so eloquently as that of Tweed,—by whose banks, indeed, in a spot greatly loved, had it been permitted he would fain have slept his long sleep.

    JOHN LANG.

    The artist wishes to call attention to the fact that his drawings were made during the long drought of 1911, when all the rivers were exceptionally low.

    HIGHWAYS AND BYWAYS IN THE BORDER

    CHAPTER I BERWICK, TWEED, WHITADDER

    The Border is a magical word, and on either side of a line that constantly varied in the course of English and Scottish victories and defeats, all is enchanted ground, the home of memories of forays and fairies, of raids and recoveries, of loves and battles long ago. In the most ancient times of which record remains, the English sway, on the east, might extend to and include Edinburgh; and Forth, or even Tay, might be the southern boundary of the kingdom of the Scots. On the west, Strathclyde, ly Cymric or Welsh, might extend over Cumberland; and later Scottish kings might hold a contested superiority over that province. Between east and west, in the Forest of Ettrick, the place-names prove ownership in the past by men of English speech, of Cymric speech, and of Gaelic speech. From a single point of view you may see Penchrise (Welsh) Glengaber (Gaelic) and Skelfhill (English). Once the Border, hereabouts, ran slantwise, from Peel Fell in the Cheviots, across the Slitrig, a water which joins Teviot atHawick, thence across Teviot to Commonside Hill above Branksome tower, to the Rankle burn, near Buccleuch, an affluent of Ettrick. Thence, across Ettrick and Yarrow, over Minchmuir, where Montrose rode after the disaster at Philiphaugh, across Tweed, past the camp of Rink, to Torwoodlee, goes that ancient Border, marked by the ancient dyke called the Catrail, in which Sir Walter Scott once had a bad fall during his grand rides among the hills, when he beat out the music of Marmion to the accompaniment of his horse's hooves. The Catrail was a Border, once, and is a puzzle, owing to its ditch between two ramparts. There are many hill forts, mounds even now strong and steep in some places, on the line of the Catrail. The learned derive the word from Welsh cad, Gaelic Cath, a battle, and some think that the work defended the Border of the Christian Cymric folk of Strathclyde from the pagan English of Northumbria. In that case, Sir Herbert Maxwell has expressed the pious hope that the Britons were better Christians than they were military engineers. Is it inconceivable that the word Catrail is a mere old English nickname for a ditch which they did not understand, the cat's trail, like Catslack, the wild cat's gap, and other local cat names? I am no philologist!

    Once when taking a short cut across a hill round which the road runs from Branksome to Skelfhill, I came upon what looked like the deeply cut banks of an extinct burn. There was no water, and the dyke was not continued above or below. Walking on I met an old gentleman sketching a group of hill forts, artificial mounds, and asked him what this inexplicable deep cutting might be. It is the Catrail, he said: I had often heard of it, and now I had seen it. The old man went on to show that the Border is still a haunted place. Man, a queer thing happened to me on Friday nicht. I was sleeping at Tushielaw Inn, (on the Upper Ettrick) I had steikit the door and the windows: I woke in the middle o' the nicht,—there was a body in the bed wi' me! (I made a flippant remark. He took no notice of it.) "I got up and lit the candle, and looked. There was naebody in the bed. I fell asleep, and wakened again. The body was there, it yammered. I canna comprehend it." Nor can I, but a pah of amateur psychical researchers hastened to sleep a night at Tushielaw. They were undisturbed; and the experience of the old antiquary was for this occasion only.

    My work seeks digressions, says Herodotus, and mine has already wandered far north of the old Border line of Tweed on the east, and Esk on the western marches, far into what was once the great forest of Ettrick, and now is mainly pasture land, pastorum loca vasta. In the old days of the Catrail and the hill forts this territory, where victual never grew, must have been more thickly populated than it has been in historic times.

    We may best penetrate it by following the ancient natural tracks, by the sides of Tweed and its tributaries. We cross the picturesque bridge of Tweed at Berwick to the town which first became part of the kingdom of Scotland, when Malcolm II, at Carham fight, won Lothian from Northumbria. That was in 1018, nine centuries agone. Thenceforward Berwick was one of the four most important places of Scottish trade; the Scots held it while they might, the English took it when they could; the place changed hands several times, to the infinite distress of a people inured to siege and sack. They must have endured much when Malcolm mastered it; and again, in 1172, when Richard de Lacy and Humphrey de Bohun, at war with William the Lion, burned the town. William, after he inadvertently, in a morning mist, charged the whole English army at Alnwick, and was captured, surrendered Berwick to England, by the Treaty of Falaise, when he did homage for his whole kingdom. The English strongly fortified the place, though the fragments of the girdling wall near the railway station, are, I presume, less ancient than the end of the twelfth century. William bought all back again from the crusading Richard of the Lion Heart: the two kings were well matched for a pair of lions, but William the Lion was old by this time.

    In 1216, Alexander II attacked England at Norham Castle, but King John, though seldom victorious, was man enough to drive Alexander off, and brute enough to sack Berwick with great cruelty, setting a lighted torch to the thatch of the house in which he had lain; and making a jolly fire, as a general of Henry VIII later described his own conduct at Edinburgh. Fifty years later the woman-hating friar who wrote The Chronicle of Lanercost describes Berwick as the Alexandria of the period; the Tweed, flowing still and shallow, taking the place of the majestic river of Egypt. One is reminded of the Peebles man who, after returning from a career in India, was seen walking sadly on Peebles Bridge. I'm a leear, he said, an unco leear. In India I telled them a' that Tweed at Peebles was wider than the Ganges! And he had believed it.

    However, Berwick was the Scottish Alexandria, and paid into the coffers of the last of her Kings of Peace, Alexander III, an almost incredible amount of customs dues. After three peaceful reigns, Scotland was a wealthy country, and Berwick was her chief emporium. But then came the death of the Maid of Norway, the usurpation by Edward I, the endless wars for Independence: and Berwick became one of the cockpits of the long strife, while Scotland, like St. Francis, was the mate of Poverty.

    While Edward was in France, his toom tabard, King John, (Balliol) renounced his allegiance. Edward came home and, in the last days of March 1296, crossed Tweed and beleaguered Berwick, in which were many trading merchants of Flanders. The townsfolk burned several of his ships, and sang songs of which the meaning was coarse, and the language, though libellous, was rather obscure. Edward was not cruel, as a rule, but, irritated by the check, the insults, and the reported murder by the Scots of English merchants, he gave orders for a charge. The ditch and stockade were carried, and a general massacre followed, of which horrible tales are told by a late rhyming chronicler. Hemingburgh, on the English side, says that the women were to some extent protected. The Scots avenged themselves in the same fashion at Corbridge, that old Roman station, but the glory and wealth of Berwick were gone, the place retaining only its military importance. To Berwick Edward II fled after Bannockburn, as rapidly as Sir John Cope sought the same refuge after Prestonpans.

    Berwick is, for historically minded tourists, (not a large proportion of the whole), a place of many memories. In July, 1318, Bruce took the castle after a long blockade; an English attempt to recover it was defeated mainly through the skill of Crab, a Flemish military engineer. Guns were not yet in use: crakkis of war, (guns) were first heard in Scotland, near Berwick, in 1327. In 1333, after a terrible defeat of the Scots on the slopes of Halidon Hill, a short distance north of Berwick, the place surrendered to Edward III, and became the chief magazine of the English in their Scottish wars.

    By 1461, the Scots recovered it, but in 1481, the nobles of James III mutinied at Lauder bridge, hanged his favourites, and made no attempt to drive Crook-backed Richard from his siege of Berwick. Since then the town has been in English hands, and was to them, for Scottish wars, a Calais or a Gibraltar. The present bridge of fifteen arches, the most beautiful surviving relic here of old days, was built under James VI and I.

    They say that the centre of the railway station covers the site of the hall of the castle of Edward I, in which that prince righteously awarded the crown of Scotland to John Balliol. The town long used the castle as a quarry, then came the railway, and destroyed all but a few low walls, mere hummocks, and the Bell Tower.

    Naturally the ancient churches perished after the Blessed Reformation: indeed the castle was used as a quarry for a new church of the period of the Civil War.

    Immediately above Berwick, and for some distance, Tweed flows between flat banks, diffusely and tamely: the pools are locally styled dubs, and deserve the title. The anti-Scottish satirist, Churchill, says,

    "Waft me, some Muse, to Tweed's inspiring stream

    Where, slowly winding, the dull waters creep

    And seem themselves to own the power of sleep."

    In fact, replies a patriotic Scot, 'the glittering and resolute streams of Tweed,' as an old Cromwellian trooper and angler, Richard Franck, styles them, are only dull and sleepy in the dubs where England provides their flat southern bank.

    Not flat, however, are the banks on either side of Whitadder, Tweed's first tributary, which joins that river two or three miles above Berwick. From its source in the Lammermuirs, almost to its mouth, a distance of between thirty and forty miles, the Whitadder is quite an ideal trouting stream, sore fished indeed, and below Chirnside, injured, one fears, by discharge from Paper Mills there, yet full of rippling streams and boulder-strewn pools that make one itch to throw a fly over them. But most of the water is open to the public, and on days when local angling competitions are held it is no uncommon sight to see three, or maybe four, competitors racing for one stream or pool, the second splashing in and whipping the water in front of the first, regardless of unwritten sporting law; a real case of deil tak the hindmost.

    Free-fishing no doubt, from some points of view, is a thing to be desired, but to him who can remember old times, when the anglers he met in the course of a day's fishing might easily be counted on the fingers of one hand, the change now is sad. Yet men, they say, do still in the open stretches of Whitadder catch a pretty dish now and again. They must be very early birds, one would suppose—and perhaps they fish with the lure that the early bird is known to pick up.

    On both sides of Whitadder are to be seen places of much interest. First, Edrington Castle, on the left bank a few miles from the river's mouth, once a place of great strength, now crushed by the doom that has wrecked so many of the old strongholds in this part of the country—it was for ages used as a convenient quarry. Then, on the right bank, higher up, on an eminence overhanging the stream, stands Hutton Hall, a picturesque old keep of the fifteenth century, with additions of later date. The tower was probably built by the Lord Home, who obtained the lands in 1467 by his marriage with the daughter of George Ker of Samuelton. Nearly opposite Hutton, about a mile away, are the ruins of an old castle at Edington. It is remarkable the number of names in this district, all beginning with Ed:—Edrington, Edington, Ednam, Eden, Edrom, Edinshall, all probably taking their origin from Edwin, king of Northumbria, 626-633. Or does the derivation go still further back, to Odin?

    Higher up, we come to Allanton and the junction of Whitadder with its tributary, Blackadder. Near this lies Allanbank, haunt for many generations of that apparition so famous in Scotland, Pearlin Jean. Jean, or rather Jeanne, it is said, was a beautiful young French lady, in Paris or elsewhere loved and left by a wicked Baronet of Allanbank, Sir Robert Stuart. The tale is some hundreds of years old, but Pearlin Jean and her pathetic story still retain their hold on the imagination of Border folk. The legend goes that when the false lover, after a violent scene, deserted his bride that should have been, the poor lady accidentally met her death, but not before she had vowed that she would be in Scotland before him. And sure enough, the first thing that greeted the horrified gaze of the baronet as he crossed the threshold of his home, bringing another bride than her he had loved and left, wras the dim form of Jeanne, all decked, as had ever been her wont, in the rich lace that she loved, and from which the apparition derived the name of Pearlin Jean, pearlin being the Scottish term for lace. Tradition says nothing as to the end of the false lover, but the ghost was still known—so say the country people—to have haunted the house until it was pulled down sometime early in last century. Sir Thomas Dick Lauder in his Scottish Rivers tells how an old woman then anxiously enquired: Where will Pearlin Jean gang noo when the house is dismolished?

    That is the tale of Pearlin Jean as it is generally told. There is another story, however, less known but much more probable.

    When the reckless extravagance of succeeding generations ended as it always must end; when cards and dire and the facile aid of wine and women had sent bit after bit of the broad lands of an old family into alien keeping, and not tardily the day had come when the last acre slipped through heedless fingers, and even the household furniture—all that remained to the last Baronet of Allanbank—was brought to the hammer, there was one room in the old house into which, ere the gloaming fell, the country folk peered with awe greater even than their curiosity. It was a room in which for near on two generations the dust had been left to lie undisturbed on table and chair and mantel-shelf, a room whose little diamond shaped window panes the storms of more than fifty winters had dimmed, and on whose hearth still lay the ashes of a fire quenched half a century back. Here it was that Pearlin Jean had passed those few not unhappy months of her life, while yet a false lover was not openly untrue to her. But into this chamber, since Jean quilted it for the last time no servant would venture by day or by night, unaccompanied, lest in it might be seen the wraith of that unfortunate and much wronged lady.

    It is a story common enough, unhappily, that of Jeanne. She was the daughter of a Flemish Jew, very beautiful, very young, very light-hearted and loving, and unsuspecting of evil, of a disposition invincibly generous and self-sacrificing. In an evil hour the Fates threw across her path Sir Robert Stuart of Allanbank, then visiting the Hague during his travels on the Continent. Sir Robert was a man now no longer in his first youth, self-indulgent, callous of the feelings and rights of others where they ran athwart his own wants or desires, one to whom the seamy side of life had long been as an open book. His crop of wild oats, indeed, was ere now of rankest growth, and already on the face of the sower were lines that told of the toil of sowing. But he was a handsome man, with a fluent, honeyed tongue, and it did not take him long to steal the heart from one who, like the poor little Jeanne, suspected no evil.

    To the Merse and to Allanbank there came word that the land was returning to his home. The house was to be put in order, great preparations to be made. No doubt, folk thought, all pointed to a wedding in the near future; the wild young baronet was about to settle down at last—and not before it was time, if what folk said regarding his last visit to Allanbank might be trusted. But the local newsmongers were wrong, in this instance at least of the home-coming and what might be expected to follow. When Sir Robert's great coach lumbered up to the door of Allanbank, there stepped down, not the baronet alone, but a very beautiful young woman, a vision all in lace and ribbons, whom the wondering servants were instructed to regard in future as their mistress. And though neighbours—with a few male exceptions—of course kept severely aloof, steadily ignoring the scandalous household of Allanbank, yet after a time, in spite of the fact that no plain gold band graced the third finger of Jeanne's left hand, servants, and the country folk generally, came to have a great liking, and even an affection, for the kindly little foreign lass with the merry grey eyes and the sunny hair, and the quaintly tripping tongue. And for a time Jeanne was happy, singing gaily enough from morning to night some one or other of her numberless sweet old French chansons. She had the man she adored; what mattered neighbours? And so the summer slid by.

    But before the autumn there came a change. The merry lass was no longer so merry, songs came less often from her lips, tears that she could not hide more and more often brimmed over from her eyes; and day by day her lover seemed to become more short in the temper and less considerate of her feelings, more inclined to be absent from home. In a word, he was bored, and he was not the man to conceal it. Then when April was come, and the touch of Spring flushed every bare twig in copse or wooded bank down by the pools where trout lay feeding, when thrush and blackbird, perched high on topmost hough, poured out their hearts in a glory of song that rose and fell on the still evening air, a little daughter lay in Jeanne's arms, and happiness again for a brief space was hers. But not for long. The ardour born anew in her man's self-engrossed heart soon died down. To him now it seemed merely that a squalling infant had been added to his already almost insufferable burden of a peevish woman.

    More and more, Jeanne was left to her own society and to the not inadequate solace of her little child. Then business took Stuart to Edinburgh. Months passed, and he did not return; nor did Jeanne once hear of him. But there came at last for her a day black and terrible, when the very foundations of her little world crumbled and became as the dust that drives before the wind. From Edinburgh came a mounted messenger, bearing a letter, written by his man of business, which told the unhappy girl that Sir Robert Stuart was about to be married to one in his own rank of life; that due provision should be made for the child, and sufficient allowance settled on herself, provided that she returned to her own country and refrained from causing further scandal or trouble. She made no outcry, poor lass; none witnessed her bitter grief that night. But in the morning, she and the child were gone, and on her untouched bed lay the lace and the jewels she once had liked to wear because in early days it had pleased her to hear the man she loved say that she looked well in them.

    Time went by, and Stuart, unheeding of public opinion, brought his bride to Allanbank. Of Jeanne he had had no word; she had disappeared—opportunely enough, he thought. Probably she had long ago gone back to her own land, and by this time the countryside had perhaps found some other nine days' wonder to cackle over. So he returned, driving up to the house in great state—as once before he had driven up.

    Surely an ill-omened home-coming, this, for the new bride! As the horses dashed up the avenue, past little groups of gaping country people uncertain whether to cheer or to keep silence, suddenly there darted from a clump of shrubbery the flying figure of a woman carrying in her arms a little child, and ere the postilions could pull up, or any bystander stop her, she was down among the feet of the plunging horses, and an iron heel had trodden out the life of the woman. It was the trampled body of that Jeanne whom he had lightly loved for a time and then tossed aside when weary of his toy, that met the horrified gaze of the white-lipped, silent man who got hurriedly down from inside that coach, leaving his terrified bride to shrink unheeded in her corner. And perhaps now he would have given much to undo the past and to make atonement for the wrong he had done. At least, he may have thought, there was the child to look after; and his heart—what there was of it—went out with some show of tenderness towards the helpless infant. But here was the beginning of strife, for Jeanne's baby did by no means appeal to the new-made bride. Nor was that lady best pleased to find in her withdrawing room a fine portrait in oils of her unlawful predecessor.

    And so there was little peace in that house; and as little comfort as peace, for it came to pass that no servant would remain there. From the day of her death Pearlin Jean walked, they said, and none dared enter the room which once she had called her own. That, of all places, was where she was most certain to be seen. For one day, when the master entered the room alone, they that were near heard his voice pleading, and when he came out it was with a face drawn and grey, and his eyes, they said, gazed into vacancy like those of one that sees not. So the place got ever an increasingly bad name, and the ghost of the poor unhappy Jeanne could get no rest, but went to and fro continually. And long after that day had arrived when her betrayer, too, slept with his fathers, the notoriety of the affair waxed so great that seven learned ministers, tradition says, united vainly in efforts to lay the unquiet spirit of Pearlin Jean. So long as the old house stood, there, they will tell you, might her ghost be seen, pathetically constant to the place of her sorrow. And there may not be wanting, even now, those who put faith in the possibility of her slender figure being seen as it glides through the trees where the old house of Allanbank once stood.

    Some miles above Allanton, on the left bank of Whitadder, stands Blanerne, home of a very ancient Scottish family. And farther back from the river are the crumbling fragments of Billie Castle—Bylie, in twelfth century charters,—and of Bunkle, or, more properly, Bonkyll, Castle. All these have met the fate assigned to them by the old local rhyming prophecy:

    "Bunkle, Billie, and Blanerne,

    Three castles Strang as aim,

    Built whan Davy was a bairn;

    They'll a' gang doun

    Wi' Scotland's crown,

    And ilka ane sail be a cairn."

    A cairn each has been, without doubt, or rather a quarry, from which material for neighbouring farm buildings has been ruthlessly torn. Of Blanerne, I believe the Keep still exists, as well as some other remains, to tell of what has been; but Billie Castle is now little more than a green mound at foot of which runs a more or less swampy burn, with here and there a fragment of massive wall still standing; whilst Bunkle is a mere rubble of loose stones. AH these were destroyed in Hertford's raid in 1544, when so much of the Border was birnd and owaiertrown.

    More ruthless than Hertford's, however, was the work at Bunkle of our own people in 1820. They pulled down an eleventh century church in order to build the present edifice. Only a fragment of the building remains, but many of its carved stones may be seen in the walls of the existing church. Possibly the old structure was in a bad state of repair. One does not know for certain; but at date of its demolition the building appears to have been entire.

    Our ancestors of a hundred years ago were not to be lippened to where ecclesiastical remains were concerned. They had what amounted to a passion for pulling down anything that was old, and where they did not pull down, they generally covered with hideous plaster any inside wall or ornamental work, which to them perhaps might savour of papistry. Parish ministers, even late in the eighteenth and early in the nineteenth centuries, appear to have taken no interest in those beautiful Norman remains, numerous fragments of which even now exist in Berwickshire; of all those ministers who compiled the old Statistical Account of this county, but one or two make any mention of such things. One fears, indeed, that to some of those reverend gentlemen, or to others like them of later date, we are indebted for the destruction of priceless relics of the past. At Duns, for instance, as late as 1874 the chancel of an old Norman church was pulled down by order of the incumbent, to improve the church-yard. Then, as already mentioned, there is Bunkle, an instance of very early Norman work, pulled down in 1820. At Chirnside, the tower of its Norman church was sacrificed in 1750. though great part of the old church walls remain; in the south side is a Norman doorway six feet ten inches in height to the lintel and two feet ten and three-quarter inches wide. Of Edrom church, a very beautiful Norman doorway, said to be the finest of its style in Scotland, has been preserved, entirely owing, apparently, to the fact that it had been made the entrance to a burial vault. At Legerwood, near Earlstoun, where stands the chancel of a Norman church, the arch is still entire but is defaced with plaster. Berwickshire, however, is not the only part of the Border where such things have been done.

    Higher up Tweed, at Stobo in Peeblesshire, there is an interesting old church of Norman structure, with sixteenth and seventeenth century alterations; roof and interior fittings are modern, and the building is still used as the Parish Church. Sixteenth and seventeenth century alterations have now at least age to commend them, but it is difficult to see what plea can be advanced for some of those of comparatively recent date. According to Ecclesiastical Architecture of Scotland, the most serious injury inflicted on the building was the entire destruction of the Norman chancel arch, in order to insert a modern pointed one, at the restoration of the church in 1868.

    Over in Teviotdale, too, the same passion for altering, or for sweeping away relics of old times, ran its course. In 1762, the Town Council of Hawick gave orders for the destruction of the Town's Cross. So Popish a thing as a Cross could not be tolerated by those worthy and unco pious persons. The treasurer's accounts of the time show that tenpence per day was paid to two men for the work of taking down the Cross, and the carved stones seem to have been sold afterwards for eleven shillings and sixpence. No doubt the worthy bailies congratulated themselves on having not only rid the town of an emblem of Popery, but on having made quite a handsome monetary profit over the transaction.

    But to return to Whitadder. In his Scottish Rivers, Sir Thomas Dick Lauder writes of Billy Castle as the scene of a grisly tale connected with the Homes. He tells how, to the best of his reckoning about a century prior to the date at which he wrote, an old lady of that family resided here in a somewhat friendless condition, but with a considerable household of servants, chief of whom was a butler who had been in her service for many years, and in whose integrity she had entire confidence. This old lady, it seems, was in the habit of personally collecting rents from her tenants, and as there were then no country banks in which to deposit the money, it was her custom to count it in presence of the butler, prior to locking the guineas away in a strong cupboard in her bedroom. The door of this room was secured by an ingenious arrangement, whereby a heavy brass bolt, or cylinder, was allowed to fall by its own weight into an opening made exactly to fit it. To an eye in the head of the cylinder was attached a cord which worked through a pulley fastened to the ceiling, and thence by a series of running blocks passed to the bedside. Thus the old lady, without troubling to get out of bed, could bolt or unbolt her door at will, and so long as the cylinder was down, no one could possibly enter the room. Now, the butler had for years witnessed this counting and stowing away of the rent monies, and temptation had never yet assailed him. He might, indeed, plume himself on his honesty, and say with Verges: I thank God I am as honest as any man living that is an old man and no honester than I. But alas! there came a night when the guineas chinked too seductively, and the devil whispered in the butler's ear. Perhaps some small financial embarrassment of his own was troubling the man. Anyhow, it came to his mind that if he could quietly fill up the hole into which the bolt of his mistress's bedroom door dropped, he might help himself to as much money as he needed. The time of year was the cherry season. What so easy as to fill up the bolt hole with cherry stones? The geans grew thick in Scotland, and they were black ripe now. At midnight, says Sir Thomas, he stole into his mistress's chamber, cut her throat from ear to ear, broke open her cabinet, and possessed himself of her money; and although he might have walked down stairs and out at the door without exciting either alarm or suspicion, he opened the window and let himself down nearly two stories high, broke his leg, and lay thus among the shrubbery till morning, without ever attempting to crawl away. He was seized, tried, condemned, and executed.

    It is grisly enough, but hardly so grisly as the real story of what happened. The scene of the murder, however, was not Billy Castle—which, indeed, had then been dismantled and in ruins for two hundred years—but Linthill House, a fine old mansion standing on a brae overhanging Eye-water, five or six miles from Billy. Linthill is now inhabited by families of work-people, but it is still in good preservation, and at date of Sir Thomas Dick Lauder's story (1752), must have been a very-fine specimen of the old Scottish château.

    The old lady's room was entered as Sir Thomas describes, but the butler did not immediately cut her throat. She was awakened by the sound of the stealthy rifling of the cupboard, or strong iron-bound box, in which her valuables were kept, and with that pluck which is characteristic of the old-time Scottish lady, she jumped up to grapple with the robber. Then he cut her throat, and leaving her for dead on the bed, proceeded with his rifling. A slight noise, nowever, disturbed him, and, looking round, a terrifying sight met his gaze; the woman whom he had believed to be dead was on her

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