Bunny: TikTok made me buy it!
By Mona Awad
3.5/5
()
Friendship
Identity
Mental Health
Betrayal
Fear
Love Triangle
Outcast
Struggling Artist
Clique
Forbidden Love
Mentor
Chosen One
Found Family
Mentor Figure
Secret Heir
Self-Discovery
Power Dynamics
College Life
Love
Social Dynamics
About this ebook
Meet BUNNY: the darkly funny, spellbinding trip of a novel that EVERYONE is talking about
'No punches pulled, no hilarities dodged, no meme unmangled. O Bunny you are sooo genius!' MARGARET ATWOOD
We call them Bunnies because that is what they call each other. Seriously. Bunny.
Samantha Heather Mackey is an outsider in her small, highly selective MFA program at Warren University. In fact, she is utterly repelled by the rest of her fiction writing cohort – a clique of unbearably twee rich girls who call each other 'Bunny'.
But then the Bunnies issue her with an invitation and Samantha finds herself inexplicably drawn to their front door, across the threshold, and down their rabbit hole.
Blending sharp satire with fairytale horror, Bunny provides a hilarious look at the dark side of female friendship from one of fiction's most original voices.
'The Secret History meets Jennifer's Body. Brilliant, sharp, weird... I loved it and I couldn't put it down.' KRISTEN ROUPENIAN
'Made me nod and cackle in terrified recognition.' LENA DUNHAM
'Hilarious, hallucinogenic freakery.' DAILY MAIL
'Cerebral and complusively readable.' VANITY FAIR
Mona Awad
Mona Awad is the author of the novels All’s Well, Bunny, and 13 Ways of Looking at a Fat Girl. Bunny was a finalist for a Goodreads Choice Award and the New England Book Award. It was named a Best Book of 2019 by Time, Vogue, and the New York Public Library. It is currently being developed for film with Bad Robot Productions. All’s Well was a finalist for a Goodreads Choice Award. 13 Ways of Looking at a Fat Girl was shortlisted for the Giller Prize. Awad’s forthcoming novel Rouge, is being adapted for film by Fremantle and Sinestra. This spring, Margaret Atwood named Awad her “literary heir” in The New York Times’s T Magazine. She teaches fiction in the creative writing program at Syracuse University and is based in Boston.
Read more from Mona Awad
All's Well: A Novel Rating: 4 out of 5 stars4/513 Ways of Looking at a Fat Girl: From the author of TikTok phenomenon BUNNY Rating: 3 out of 5 stars3/5All's Well Rating: 4 out of 5 stars4/5
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Reviews for Bunny
477 ratings33 reviews
What our readers think
Readers find this title uncomfortable and weird, but also interesting and solid in parts. The writing is pretty and the book is a pretentious literary experiment. It is not fair to compare it to The Secret History. Overall, the book is worth a read."
- Rating: 5 out of 5 stars5/5Maybe This Can Help You
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- You Can Read All Important Knowledge Here - Rating: 4 out of 5 stars4/5Halfway through I was thinking this is like Mean Girls on crack, and I kind of stand by that, although it's so much more. I think I'd have to read this three times more to really understand anything, because I think there is a lot of metaphors in here that you won't understand until you know the ending and you remember all the lines that lead to each other.
- Rating: 4 out of 5 stars4/5This book is wild. I really have no idea what I just read, but it was completely bonkers in the best possible way. Definitely not for everyone, but it's the most original book I've read in awhile.
- Rating: 5 out of 5 stars5/54.5 stars...I was so confused this whole book!
Jonah is my favorite, I want to read a whole book about just him.
The writing was phenomenal. The author really drew you in and made you feel like you were in it with Samantha from the get, so every step and turn was more and more confusing- just as it was for her. - Rating: 3 out of 5 stars3/53 stars
was very confused, might have to read again, I think I liked it?? lots of interpretation needed to make sense of it. characters: 3, plot: ???, writing: 4.5 - Rating: 2 out of 5 stars2/5I’m often inclined to give an author an extra star in my rating for inventiveness – even if some twists border on the bizarre. But “Bunny” was so weird that I gave up less than halfway through (such surrender only occurs in about 3 percent of the books I pick up – but who's counting?) None of the characters piqued my interest – even with their quirks. I found the writing disjointed. I give two stars for what began as an intriguing premise. But this book simply was not my literary cup of tea.
- Rating: 3 out of 5 stars3/5This is basically a fever dream.
Also, what the hell does “does gynaecological hand gestures” even mean?
So many nonsensical sentences and bizarre scenes.
Completely unreliable narrator.
I definitely didn’t love it, but I didn’t hate it. I am just thoroughly confused. - Rating: 4 out of 5 stars4/5This is such a weird book. It is filled with twists and turns that I didn't see coming, and it feels like I need to reread it to fully understand what is happening because of how weird it was. It gives off quite an unsettling feeling, and I have continually thought about it since finishing.
- Rating: 3 out of 5 stars3/5Ummmmm....This is either a mashup of the Secret History/Fight Club with mostly psycho Barbies for characters, or the study of a brilliant schizophrenic artist who hasn't learned to navigate her illness yet. Either way, I don't know what just happened.
- Rating: 1 out of 5 stars1/5Extremely uncomfortable and weird. Makes no sense. Skip it please
- Rating: 3 out of 5 stars3/5I don't know what to think. It was weird an interesting in parts, the writing pretty and solid in parts, but it reads too much like a pretentious literary experiment to be more than that. Please stop comparing this to The Secret History. It's not fair either way.
- Rating: 5 out of 5 stars5/5Amazing! I want to get an axe tattooed on the side of my neck after reading this.
- Rating: 4 out of 5 stars4/5The first 25% I was pretty sure I wouldn't like this all that much, but what do you know, it did come together nicely. I had no idea where the story was going, and I still feel a little like I went through a whirlwind, but I did end up enjoying this! (Definitely not going to try and write a review, though.)
- Rating: 4 out of 5 stars4/5It's a weird book as others have said, also kind of disappointing in the end, about female friendship and love. On the one hand it's kind of an amped up campus-coming-of-age story about a young woman navigating post-adolescence; on the other it's a story about a romance that never takes off because the heroine can't deal with who she is. I think? Because to me it read like someone struggling with gay identity and trying to be straight. I'm probably the only person who read it this way. There is a lot of static in terms of the jokes and gore being a distraction from or maybe a metaphor or personification of her internal struggles/self-violence. Maybe I need to read it again?
- Rating: 4 out of 5 stars4/5Weird, fast paced, not sure where you’re going in the story.
- Rating: 3 out of 5 stars3/5What a trip! I liked it but I don't think I can recommend it to people I know lol.
- Rating: 4 out of 5 stars4/5This is one of the most unusual novels I've ever read, and it knocked me off balance again and again. I almost abandoned it a third of the way through, but I'm glad I hung on and finished it.
I was never sure how reliable the narrator is. I'm not sure a reader should *ever* fully trust a narrator who is a writer, much less a creative writing graduate student.
One of the offical blurbs refers to reading it as a "down-the-rabbit-hole" experience, and the more I think about it, the more apt it seems. It's not just a clever play on the title. The sheer, wild audacity of the plot becomes greater and more intense as it progresses.
Is it "magical realism"? Maybe yes? Maybe there's only a veneer of "realism"?
Read this if you like the fact that cute, fluffy bunnies have very big and scary teeth. - Rating: 2 out of 5 stars2/5So... yeah, no. I still don't know what this book was trying to tell me.
It started super interesting, even hilarious, then disappointed me at every turn and left me with a lot of regrets.
Was it a horror story? A comment on higher education? I have the feeling it was trying to be, but it never made its point. And it was just so in love with itself.
I mean, the prose is really good. Mona Awad can do wonderful things with words. This story was definitely not the best way to show it.
Every character in this book is an asshole. Which would have been totally fine, if
a) I wouldn't have gotten the impression the author wanted me to actually like the main character, and
b) all that assholery would have culminated in some greater point.
The protagonist is sour, hates everyone and is very in love with her own self-pity, because things are never her fault, of course. She whines and lies to basically everybody in her life. And when you look past her inner monologue, she rarely ever actually does something and takes action. Oh, and she also hates women, because she's not like the other girls.
Maybe it was making a point about the characters and how everyone is flawed. But in order to do that, the characters were just too flat, too one-dimensional. Everyone is judgemental, juvenile and the story is women hating on women.
How about the magic? Well, that was a really cool concept, but we nerver learned enough about it for this book to be about that. We never even learned enough about the potential of this magic beyond creating boys. Seriously - those women are aspiring writers studying at an elite school and all they think about in their free time is... men?
Also, the protagonist literally creates a man to do everything for her that she is too passive to do. That is some serious lesson there.
So... in the end, this book left me with a very bad feeling about what the author thinks about herself, her work and other women. - Rating: 4 out of 5 stars4/5Wanna creep out someone who's read this book? Just send them a text from an unknown number saying, "Hi, bunny! I love you, bunny!" Add a couple of unicorn or troll doll emojis.
Fun book! - Rating: 3 out of 5 stars3/5This was weird. Definitely not for everyone. The gore and confusion the main character encounters is very visceral and unsettling.
- Rating: 5 out of 5 stars5/5Heathers meets Mean Girls. This book was so much fun to read but also reminded me why I have stayed away from the world of academia.
- Rating: 4 out of 5 stars4/5In case you need yet another warning never to enter an MFA program, here's Bunny. Samantha is a creative writing student at a prestigious unnamed university in New England where the professors are pretentious blowhards and her four fellow students are the epitome of Mean Girls. She even has appropriate nicknames for each of them--Cupcake, Creepy Doll, Vignette, and the Duchess--but collectively they are the Bunnies, because that's what they call each other in their sickly sweet little-girl voices. Samantha, on the other hand, is a bit of a loner loser who only has one friend, a manic-pixie-girl type named Ava. They get drunk together a lot and dance the tango on Ava's roof. Things change, though, when the Bunnies invite Samantha to join them one evening. And by "change," I mean that they get progressively weirder and weirder, until reality isn't clear anymore. If you're up for this, this is a wild ride about the process of creation and what we're willing to do in order to belong. I thought it was bizarre fun.
- Rating: 1 out of 5 stars1/5I picked up “Bunny,” by Mona Awad after having just finished reading “13 Ways of Looking at a Fat Girl,” also by Awad, which I LOVED. Unfortunately, I cannot say the same about “Bunny.”
I really hate to say this, but “Bunny” was one of the worst books I have ever read. It started off so slow, nothing really happening, and continued slow to the end. I kept reading, thinking it would pick up. It never did. By the time I realized it was not going to get any better, I was about a third of the way through the book, so I continued to the end, having already invested a lot of time in the book. I should have cut my losses and ditched the book. Unfortunately, Awad followed up “13 Ways” with a clunker of a book.
The book is full of rambling sentences and thoughts, and so absurd and much of it made no sense at all. It reads like the author was a 13 year old on drugs or something. At the end, I realized it was total garbage.
None of the characters were likeable, not even Samantha, the protagonist. The Bunnies, were all cardboard characters, with nothing to differentiate one from the other, especially the dialogue. The author’s voice was disjointed and difficult to follow. Even Ava, who should have been a likeable character for loving Samantha, even after Samantha abandoned her, was not someone seen in a favorable light.
Save your time and money. Skip this book!1 person found this helpful
- Rating: 4 out of 5 stars4/5Well this was whack...in a good way
- Rating: 4 out of 5 stars4/5Topping off my trio of weird reads this weekend is BUNNY. I'm not even sure that I understood everything that occurred in this book. In that regard, it was like a train wreck. The characters were so awesomely terrible, I couldn't look away! (Or is that HEAR away? Whatever.)
This was the story of a woman, Samantha Mackey, (or Smackey as her friend calls her), studying as a post graduate in a snooty New England college. It's also about this ultra-annoying group of women, (who come off more as high school girls), that form a clique that no one, (read everyone), wants to join. And then Samantha gets an invite to "Smut Salon," and IT'S on. What THAT is? Still not sure!
“Behold the lavish tent under which the overeducated mingle, well versed in every art but the one of conversation.”
As for all the rest? Bunnies, weird dudes with axes tattooed on their necks, an outsider named Ava, snooty female professors, faintly lecherous male professors and one sweet, sweet guy who of course, is ignored.
That's it, that's all I'm saying. I'm considering downloading and listening to this book again. That should tell you all you need to know.
"I love you, Bunny."
Recommended, especially on audio!
*Thanks to my local library for the free audio download. Libraries RULE!* - Rating: 5 out of 5 stars5/5I just finished one of Book Riots best books of 2019, Bunny by Mona Awad. I loved it, but it has only a 3.55 LT rating because, it seems from the reviews, many people can't figure out what's going on. I think these people have never read fairy tales or mythology or science fiction/fantasy. I listened to a description of it by the author after I read the book, and if you're going to do so, please also wait until after you've finished. It's one of those books where you don't want anything to be given away except maybe to say that graduate writer's programs can be brutal. I see why Book Riot rated it so highly. I'd love to see it made into those movies within movies where you see the writer in the writer's program writing the novel then see the novel portrayed. Little Women for the bizarre set.
- Rating: 4 out of 5 stars4/5Do you enjoy the type of movie where you’re never quite sure what is real and what is a dream, and the movie just ends, leaving you to then ponder the meaning for yourself? Then this will surely be the book for you. It’s bizarre, surreal, unique, and going by some of the reviews I’ve seen, definitely not everyone’s cup of tea.
There will be many times in this book that you will shake your head and wonder “did I just read that? WTF is going on?” All of the bizarre happenings in this book took me by surprise at first, but I was so intrigued I couldn’t stop reading. I have read similar books in the past and would give up halfway through because it became too much. I wanted to follow this fever dream to its dizzying end, even though it was difficult sometimes to discern between the real and the make believe. This book is a magic concoction of “The Craft”, “Heathers”, “Chilling Adventures of Sabrina”, “Donnie Darko” and “Inception”. - Rating: 4 out of 5 stars4/5Mid way through Bunny, I asked the person who recommended it to me to explain what was going on. They wouldn’t. I assumed that they didn’t want to spoil it, but now I think maybe they didn’t know either! Weird, dark, unsettling, subversive, and also funny. If you get the chance to hear Mona Awad read a passage aloud, do it. You will be spellbound by her “Bunny” voice.
- Rating: 4 out of 5 stars4/53.75
This is a strange book and one I am hesitant to give too much information about because I could easily spoil it. It is a bit fantastical, a bit conceptual, a little out there. The characters are this mashing of characters from Mean Girls, Heathers, and The Craft. There is the one on the peripheral wanting to belong, and then “the others”. The ones that seem to be more of a hive mind than individualistic.
There is a lot of subtexts here. Most are rooted in feminist concepts. Some are rooted in narcissism. The rich kids imagining themselves as working class, plumbing the depths of poverty hoping it will lend them some credibility. The pat-on-the-back posturing of some of those in higher academia that think everything that comes out of their brain is visionary or deep. But mostly it was just…strange. However, it was a good kind of strange.
I think the characters were as well written as could be expected given the nature of the characters. The story was well written, although the metaphors that seem to flow frequently sometimes make you scratch your head as much as the text. Still, I really enjoyed this. I actually enjoyed Awards writing style, how the story progressed, and even the feeling after I closed the book of…'"what the hell did I just read?” This will be a polarizing read though, and not for everyone. I feel like if you were okay with something like Mindy McGinnis’ “This Darkness Mine” (which I adored) then you will possibly enjoy this. - Rating: 2 out of 5 stars2/5The Short of It:
Considered a dark comedy but I failed to see the humor.
The Rest of It:
I won’t pretend to know exactly what went on in this story because it could probably be interpreted many different ways. In fact, I’m sure the majority of it went right over my head. Not because I couldn’t lean in and decipher what exactly was taking place, but because I wasn’t motivated to do so. At all.
Samantha Heather Mackey is working on her MFA at a prestigious New England university. She’s part of a writing cohort that includes a group of girls who think alike, dress alike, and apparently, write alike. Think Heathers meets Mean Girls. There’s a lot of pink and shallowness but then there’s this writing program and the fact that they do seem to possess writing talent, which seems out of place. They refer to each other as “Bunny”. Thanks, Bunny. That was great, Bunny. You know what’s best, Bunny.
Samantha hates them, but also wants to be like them. There’s the problem.
As they begin to work together as a cohort, certain things come to light rather quickly. They have special parties that involve rabbits. These parties also involve imaginary creations of their doing. It’s like they “write” them into existence but with witchery and a lot of alcohol and drugs.
Are these things actually happening or is this a product of Samantha’s imagination? What you need to know is that there is a lot of darkness here. I saw some reviews that categorized it as a horror novel but others say dark comedy. There is nothing funny here and if you have a soft spot for furry, little rabbits this story won’t sit well with you. It’s disturbing and weird.
I like to think that what goes on in this novel IS a product of Samantha’s mad skills as a writer but I’m not so sure. It has a very Naked Lunch feel to it and the visuals are just so disturbing and nightmarish.
For more reviews, visit my blog: Book Chatter.
Book preview
Bunny - Mona Awad
PART ONE
1
We call them Bunnies because that is what they call each other. Seriously. Bunny.
Example:
Hi, Bunny!
Hi, Bunny!
What did you do last night, Bunny?
I hung out with you, Bunny. Remember, Bunny?
That’s right, Bunny, you hung out with me and it was the best time I ever had.
Bunny, I love you.
I love you, Bunny.
And then they hug each other so hard I think their chests are going to implode. I would even secretly hope for it from where I sat, stood, leaned, in the opposite corner of the lecture hall, department lounge, auditorium, bearing witness to four grown women—my academic peers—cooingly strangle each other hello. Or good-bye. Or just because you’re so amazing, Bunny. How fiercely they gripped each other’s pink-and-white bodies, forming a hot little circle of such rib-crushing love and understanding it took my breath away. And then the nuzzling of ski-jump noses, peach fuzzy cheeks. Temples pressed against temples in a way that made me think of the labial rubbing of the bonobo or the telepathy of beautiful, murderous children in horror films. All eight of their eyes shut tight as if this collective asphyxiation were a kind of religious bliss. All four of their glossy mouths making squealing sounds of monstrous love that hurt my face.
I love you, Bunny.
I quietly prayed for the hug implosion all year last year. That their ardent squeezing might cause the flesh to ooze from the sleeves, neckholes, and A-line hems of their cupcake dresses like so much inane frosting. That they would get tangled in each other’s Game of Thrones hair, choked by the ornate braids they were forever braiding into each other’s heart-shaped little heads. That they would choke on each other’s blandly grassy perfume.
Never happened. Not once.
They always came apart from these embraces intact and unwounded despite the ill will that poured forth from my staring eyes like so much comic-book-villain venom. Smiling at one another. Swinging clasped hands. Skins aglow with affection and belonging as though they’d just been hydrated by the purest of mountain streams.
Bunny, I love you.
Completely immune to the disdain of their fellow graduate student. Me. Samantha Heather Mackey. Who is not a Bunny. Who will never be a Bunny.
I pour myself and Ava more free champagne in the far corner of the tented green, where I lean against a white Doric pillar bedecked with billowing tulle. September. Warren University. The Narrative Arts department’s annual welcome back Demitasse, because this school is too Ivy and New England to call a party a party. Behold the tiger-lily-heavy centerpieces. Behold the Christmas-lit white gauze floating everywhere like so many ghosts. Behold the pewter trays of salmon pinwheels, duck-liver crostini topped with little sugared orchids. Behold the white people in black discussing grants they earned to translate poets no one reads from the French. Behold the lavish tent under which the overeducated mingle, well versed in every art but the one of conversation. Smilingly oblivious to the fact that they are in the mouth of hell. Or as Ava and I call it, the Lair of Cthulhu. Cthulhu is a giant squid monster invented by a horror writer who went insane and died here. And you know what, it makes sense. Because you can feel it when you’re walking down the streets beyond the Warren Bubble that this town is a wrong town. Something not quite right about the houses, the trees, the light. Bring this up and most people just look at you. But not Ava. Ava says, My god, yes. The town, the houses, the trees, the light—it’s all fucked.
I stand here, I sway here, full of tepid sparkling and animal livers and whatever hard alcohol Ava keeps pouring from her Drink Me flask into my plastic cup. What’s in this again?
I ask.
Just drink it,
she says.
I observe from behind borrowed sunglasses as the women whom I must call my colleagues reunite after a summer spent apart in various trying locales such as remote tropical islands, the south of France, the Hamptons. I watch their fervent little bodies lunge for each other in something like rapture. Nails the color of natural poisons digging into each other’s forearms with the force of what I keep telling myself is feigned, surely feigned, affection. Shiny lips parting to call each other by their communal pet name.
Jesus, are they for real?
Ava whispers in my ear now. She has never seen them up close. Didn’t believe me when I first told her about them last year. Said, There is no way grown women act like that. You’re making this up, Smackie. Over the summer, I started to think I had too. It is a relief in some ways to see them now, if only to confirm I am not insane.
Yes,
I say. Too real.
I watch her survey them through her fishnet veil, her David Bowie eyes filled with horror and boredom, her mouth an unimpressed red line.
Can we go now?
I can’t leave yet,
I say, my eyes still on them. They’ve pulled apart from one another at last, their twee dresses not even rumpled. Their shiny heads of hair not even disturbed. Their skins glowing with health insurance as they all crouch down in unison to collectively coo at a professor’s ever jumping shih tzu.
"Why?"
I told you, I have to make an appearance.
Ava looks at me, slipping drunkenly down the pillar. I have said hello to no one. Not the poets who are their own fresh, grunty hell. Not the new incoming fiction writers who are laughing awkwardly by the shrimp tower. Not even Benjamin, the friendly administrator to whom I usually cling at these sorts of functions, helping him dollop quivering offal onto dried bits of toast. Not my Workshop leader from last spring, Fosco, or any other member of the esteemed faculty. And how was your summer, Sarah? And how’s the thesis coming, Sasha? Asked with polite indifference. Getting my name wrong always. Whatever response I offer—an earnest confession of my own imminent failure, a bald-faced lie that sets my face aflame—will elicit the same knowing nod, the same world-weary smile, a delivery of platitudes about the Process being elusive, the Work being a difficult mistress. Trust, Sasha. Patience, Sarah. Sometimes you have to walk away, Serena. Sometimes, Stephanie, you have to seize the bull by the horns. This will be followed by the recounting of a similar creative crisis/breakthrough they experienced while on a now-defunct residency in remote Greece, Brittany, Estonia. During which I will nod and dig my fingernails into my upper-arm flesh.
And obviously I haven’t talked to the Lion. Even though he’s here, of course. Somewhere. I saw him earlier out of the corner of my eye, more maned and tattooed than ever, pouring himself a glass of red wine at the open bar. Though he didn’t look up, I felt him see me. And then I felt him see me see him see me and keep pouring. I haven’t seen him since then so much as sensed him in my nape hair. When we first arrived, Ava felt he must be nearby because look, the sky just darkened out of nowhere.
This evening, all I have done in terms of socializing is half smile at the one the Bunnies call Psycho Jonah, my social equivalent among the poets, who is standing alone by the punch, smiling beatifically in his own antidepressant-fueled fever dream.
Ava sighs and lights a cigarette with one of the many tea lights that dot our table. She looks back at the Bunnies, who are now stroking each other’s arms with their small, small hands. I miss you, Bunny,
they say to each other in their fake little girl voices, even though they are standing right fucking next to each other, and I can taste the hate in their hearts like iron on my tongue.
"I miss you, Bunny. This summer was so hard without you. I barely wrote a word, I was so, so sad. Let’s never ever part again, please?"
Ava laughs out loud at this. Actually laughs. Throws her feathery head back. Doesn’t bother to cover her mouth with her gloved hand. It’s a delicious, raucous sound. Ringing in the air like the evening’s missing music.
"Shhhhh," I hiss at her. But it’s already done.
The laughter causes the one I call the Duchess to turn her head of long, silver faery-witch locks in our direction. She looks at us. First at Ava. Then at me. Then at Ava again. She is surprised, perhaps, to see that for once I’m not alone, that I have a friend. Ava meets her look with wide-open eyes the way I do in my dream stares. Ava’s gaze is formidable and European. She continues to smoke and sip my champagne without breaking eye contact. She once told me about a staring contest she had with a gypsy she met on a metro in Paris. The woman was staring at her, so Ava stared back—the two of them aiming their gazes at each other like guns—all the way across the City of Lights. Just looking at each other from opposite shores of the rattling train. Eventually Ava took off her earrings, still not taking her eyes off the woman. Why? Because her assumption at that point, of course, was that the two of them would fight to the death. But when the train pulled into the last stop on the line, the woman just stood to exit, and when she did so, she even held back the sliding doors politely, so Ava could go first.
What’s the lesson here, Smackie?
Don’t jump to conclusions?
Never lower your gaze first.
The Duchess, in turning toward us, causes a ripple effect of turning among the other Bunnies. First Cupcake looks over. Then Creepy Doll with her tiger eyes. Then Vignette with her lovely Victorian skull face, her stoner mouth wide open. They each look at Ava, then at me, in turn, scanning down from our heads to our feet, their eyes taking us in like little mouths sipping strange drinks. As they do, their noses twitch, their eight eyes do not blink, but stare and stare. Then they look back at the Duchess and lean in to each other, their lip-glossed mouths forming whispery words.
Ava squeezes my arm, hard.
The Duchess turns and arches an eyebrow at us. She raises a hand up. Is there an invisible gun in it? No. It’s an empty, open hand. With which she then waves. At me. With something like a smile on her face. Hi, her mouth says.
My hand shoots up of its own accord before I can even stop myself. I’m waving and waving and waving. Hi, I’m saying with my mouth, even though no sound comes out.
Then the rest of the Bunnies hold up a hand and wave too.
We’re all waving at one another from across the great shores of the tented green.
Except Ava. She continues to smoke and stare at them like they’re a four-headed beast. When at last I lower my hand, I turn to her. She’s looking at me like I’m something worse than a stranger.
2
The next day, I find the invitation in my school mailbox, expertly folded into a white origami swan. One of them must have slipped it in between the experimental poetry journals and the postcard-size ads for faculty readings, a Romanian documentary, and a one-woman play about the town being The Body and The Body being the town. I came here early, in the off-hours, to see if my monthly stipend check had arrived. No check. I tip the rest of my mail into the recycling bin, then stare at the swan, upon which one of them has drawn a rudimentary face with magenta ink. Two bleeding dots for eyes—one on either side of its very sharp beak, which, with the help of some dimples and inky lipstick—appear to be smiling at me. On one of its wings, the words Open Me ☺
Samantha Heather Mackey,
YOU are cordially invited to . . .
SMUT SALON
When: The Blue Hour ☺
Where: You know where ☺
Bring: Yourself, please ☺
I stare at the loopy, shimmering font, the little hearts one of them (had to be Cupcake, or possibly Creepy Doll?) has drawn around my name. I feel myself start to sweat though it’s freezing in this hallway. Mistake. Has to be. No way in hell they would ever invite me to Smut Salon. That was their own private Bunny thing, like Touching Tuesdays or binge-watching The Bachelorette or making little woodland creatures out of marzipan. Something they’d talk about in low voices all last year, while we were waiting for Workshop to begin.
Smut Salon last night was SO crazy oh my god.
I drank WAY too much last night at Smut Salon.
I was thinking that for next Smut Salon we should . . .
And then they’d cup each other’s ears and whisper the rest.
I scan the invitation again. Impossible that it’s for me. But it has my name on it and everything. Samantha Heather Mackey flanked by bloated hearts. At the sight of my name rendered in those loops, I feel a weird and shameful swelling in my heart. I recall them waving last night. First the Duchess, then the other Bunnies. How I waved and waved back so adamantly.
It’ll be just us five again in Workshop this semester. Which starts tomorrow. I’d been dreading it all summer. Just me and them in a room with no visible escape routes for two hours and twenty minutes. Every week for thirteen weeks. I imagined it would be much like last year. Me on one side of the table and them on the other, sitting in a huglike huddle, becoming one body with four heads the more I narrowed my eyes. The Duchess reading aloud from a diamond-etched pane of glass while the Bunnies closed their eyes as if hearing an actual aria. Holding hands while they praised each other’s stories. Can I have five thousand more pages of this, please? Can I just say I loved living in your lines and that’s where I want to live now forever? Petting each other absently while they discussed the weekly reading. Suddenly erupting with laughter at an inside joke, a laughter in which I never participated because I was never in on the joke, which they never explained because they were too busy laughing. Sorry, Samantha, they might say between gasps, you weren’t there. No, I might agree, I wasn’t. It could go on for several minutes, this laughter. They would shake with it, grow teary-eyed, grip each other’s wrists and shoulders in the throes of it while I sat on the other side of the table, watching them or a nothing space between their heads. Meanwhile, Fosco observed us all, saying nothing. I started coming to class later and later. And by the end, I didn’t come at all. Where’s Samantha? I imagined Fosco asking. We have no idea. Shrugs of their sweatered shoulders. Helpless smiles.
But maybe they’re actually trying to include me this year? Maybe this invitation is a gesture of kindness? Or it might be a joke. Of course it’s a joke. I picture a pair of small-fingered hands folding the swan at a grand oak desk that looks out onto a view of canopied trees. A balmy grin biting on itself with small white teeth.
Bitches,
I say very quietly in the hall.
Hey, Sam.
I jump. Jonah. Standing beside me, leafing through his mailbox, smiling his Eternal Sunshine of the Spotless Mind smile.
Jonah, you scared me.
Sorry, Sam.
He really looks sorry. Hey, who were you talking to just now?
No one. Just me. I talk to myself sometimes.
Me too.
He grins. All the time.
Soup-bowl haircut. An unzipped parka that he never takes off. Underneath he’s wearing a T-shirt featuring a kitten playing keyboards in outer space. Jonah’s a recovering addict who is so saturated with meds that he speaks as though his voice is tunneling through sludge. He’s the best poet in the Program by far. Also the friendliest, the most generous with cigarettes. I don’t quite know why he’s so reviled by his fellow poets—apart from a couple of mixed-genre classes, poets and fiction writers tend to be siloed from one another both academically and socially. But I’ve seen Jonah trailing behind his cohort on the street, sitting in the far corner of class in Workshop, smilingly staring into space while they eviscerate him with their feedback. I know what this feels like, of course. The difference is, Jonah doesn’t seem to care. He appears to be more or less content to remain adrift and immune in his poetry cloud.
What are you up to, Sam?
Oh, just looking for my stipend check.
Oh, hey, me too.
He looks ecstatic. I need it so much. I bought all these books and records and then I pretty much had to live on pasta for the rest of the month. Do you ever do that?
Yeah.
I don’t do that. I can’t afford to. I stiffen a little.
Hey, do you think you’ll go to this?
He holds up the play postcard.
No,
I snap. Then I feel bad. I add, I sort of hate plays, Jonah.
Oh. Me too, mostly. Hey, I saw you at the party last night. I had an extra smoke waiting for you in the alley but you never showed.
Yeah. I left early.
Oh.
He nods in a dreamy, knowing way. I’ve basically gotten to know Jonah over shared cigarettes in the alleys, corners, and back porches of the various department parties and functions I’m trying to dodge. I’ll be sneaking out the door, desperate to escape, and I’ll find him out there in the dark cold, shivering and smoking by the dumpster. Hey, Samantha. That’s how I learned that, like me, he’s the only one in his cohort who didn’t come from a renowned undergraduate program. That he too applied to what we are continually told is one of the most exclusive, selective, hard-to-get-into MFA programs in the country on a lark, thinking No Way in Hell.
Isn’t it a trip to be here? he said to me on the back porch at one of the first parties.
Yeah, I slurred, my eyes on the Bunnies, already in the midst of one of their communal, eyes-shut-tight, boa-constricting embraces, even though they’d only just met.
It’s sort of like a dream, Jonah continued. I keep thinking when will I wake up, you know? Like maybe I should ask someone to punch me.
You mean pinch you?
A pinch wouldn’t wake me up from this. And if it did, I’d be back in Fairbanks, living in my dad’s basement. Where would you be if I punched you, Samantha?
Staring at the brick wall of my life from behind a cash register in the intermountain West, I thought. Writing myself elsewhere in the evenings.
Mordor, I told Jonah.
We better not punch each other then, I guess, he said, grinning at me.
"So how’s your writing going, Sam? Did you take advantage of the summer?" He smiles. He’s making fun of our Mixed-Genre Workshop leader last spring, Halstrom, who kept telling us we must not let the summer pass us by. Because this year, the final year, in which we’re all expected to produce a complete manuscript by April, would go by oh so quickly, we wouldn’t believe it. Literally in the blink of an eye, all of this—he gestured with his manicured hand to the stale classroom air around us, the fake pillars, the unlit fireplace, the cavelike walls—would be gone. I watched the Bunnies shiver and give each other a group hug with only their eyes. The poets brace themselves for imminent, overeducated poverty.
I pretty much wasted it,
Jonah says. I mean, I wrote like two volumes of poems but they’re terrible so I’m back to square one. I’ll bet you wrote like crazy this summer, though.
I think of the summer, my days spent gazing at dust motes from behind the Warren music library information kiosk, my nights on Ava’s roof, drinking and tangoing ourselves into oblivion. Sometimes I’d stare at a blank page, a pencil held limply in my hand. Sometimes I’d draw eyes on the page. Scribble the words what am I doing here? what am I doing here? over and over. Mostly I just stared at the wall. The page and the wall were one and the same to me all summer.
"I don’t know about like crazy. . . ."
I still remember that piece you brought into Workshop last year. You know, the one everybody hated?
Yeah, Jonah, I remember.
The horrified faces. Heads slightly bowed.
I still think about it. I mean, it was pretty hard to forget. It was so . . .
Mean?
I offer. "Willfully twisted? Aggressively dark? I know, I think that was pretty much the consensus."
No! I mean yes, it was mean and twisted and dark and it actually scared the living shit out of me for weeks. But I loved all that. I love how mean and twisted and dark it is.
He beams at me. Who ever thought going to an aquarium could be so treacherous and horrifying, you know?
Yeah.
But if you really think about it, it kind of is.
Thanks, Jonah. I liked your piece that everyone hated too.
Really? I was going to scrap it but—
"Don’t do that, that’s what they want." I say this more intensely, more bitterly than I intend.
Jonah looks confused. What?
Nothing. I should probably go. Late for class.
I’m not late for class. There is no class now. But I imagine Ava waiting for me outside by the bench, giving undergraduates her death stare. Hurry the fuck up, Smackie.
Oh, okay. Hey, Sam, can I read more of your stuff sometime? I kind of dig it. I mean, I really dig it. I was actually kind of jonesing for it after I read it, you know?
Um—I guess so. Sure.
Cool. Maybe we could hang out sometime and . . .
Down the corridor, behind Jonah, I hear the elevator ding and my stomach flips. Because I know before the doors even open who it will be. I know even before I see his tall, sleek frame exit the doors, whistling. Mane a carefully cultivated chaos. Arms inked with watchful crows. The Lion. Approaching us. Wearing his usual obscure noise band T-shirt. One of the bands we used to talk about back when we used to talk. He carries with him the scent of the green tea he used to brew for us in his office, which he would ceremoniously stir, then pour into mud-colored, handleless cups. How’s the writing, Samantha? he might ask in his deep Scottish lilt.
Now I see his leonine face fall slightly at the sight of students with whom he must fraternize. Ask about their summers. Their writing. Did they get their stipend checks okay? And then there’s the fact that I’m one of the students. Makes it much more difficult. But he smiles. Of course he does. It’s his job.
Hello, Jonah. Samantha.
Definite voice drop when he said my name, though he tries to make it sound cool, even-keeled. Small, subtle nod of his maned head.
I watch him busy himself at his own cubby, which is full to exploding with letters and books. Humming a little. Taking his time.
Samantha, are you okay?
Jonah says.
I should just walk over there like I’ve imagined doing how many times, tap him on the shoulder and say, Look, can we just talk? He’ll look surprised, perhaps. Caught off guard. Talk? he’ll say, his gaze sliding from side to side, assessing routes of escape. As if it’s a highly suspicious activity I’m proposing. Illicit. I’m afraid I can’t talk now, Samantha. But perhaps you could come by during my office hours?
Or perhaps he’ll play dumb. Look at me with a chillingly neutral expression, revealing nothing. Sure, Samantha. What’s up? Meeting my eyes like go ahead, absolutely, please, talk.
Samantha?
And then what? And then I could just cut to the chase and say, I don’t understand what happened between us exactly, but can it just not be weird anymore? But my fear is that he’ll look at me like I’m insane. Weird? Happened? Between us? Samantha, I’m sorry but I really have no idea what you’re talking about, I’m afraid. And he won’t look afraid at all.
But now when I see him standing there, humming, checking his own mail slowly, smiling to himself, my body goes rigid with—I really don’t know what, but I have to go.
Samantha, wait—
Jonah says.
I’m really late for class now.
The Lion looks up from his mail. He probably knows that I am not late for anything. That there is no class right now. That I’m running from him like a scared little bitch. What’s the prey of a lion again?
Oh, okay. Have a good class, Samantha.
And then Jonah waves and waves and waves at me and I’m reminded of myself, last night, waving, my hand high over my head.
3
Before I leave to meet Ava, I shove the invitation in my pocket. She said she would wait for me outside the Center for Narrative Arts, sending check vibes. Because I’m not going in there, Smackie. Sorry. You know why. I nodded solemnly. Yes. Even though the truth is I don’t really know why, apart from the fact that she’s militantly anti-Warren and feels it’s full of entitled pricks. Also that it’s killing my soul/creativity. She knows firsthand because she went to the art school right next door which is almost as famous and elite as Warren, and it nearly killed hers. But she didn’t let it. She dropped out before they killed her soul. Fuck that. Fuck them. Now she works in the basement of the nature lab down the hill, shelving dead bugs. Every single dead bug gets its own tiny glass drawer. It’s kind of nice. And infinitely better for her spiritual and creative well-being than hanging around the fake poor and fashionably deranged, aka the art school student body.
The only thing Ava enjoys about Warren is raiding the dumpsters behind the undergraduate dorms and fucking with student campus tours. From time to time we’ll even get drunk on a bench by the infamous flying-hare statue and wait for a drove of would-be students and their parents to pass by. The mothers always look around the campus like extremely interested buyers, their jeweled hands rubbing