The Hunters: The Staunton and Wyndsor Series, #1
By Peter Hill
()
Murder Investigation
Police Procedural
Small Village Life
Power Dynamics
Personal Relationships
Amateur Detective
Femme Fatale
Whodunit
Hard-Boiled Detective
Haunted Protagonist
Race Against Time
Small Town Secrets
Outsider Detective
Coming of Age
Chosen One
Detective Work
Class Differences
Mystery
Police Investigation
Crime
About this ebook
The Hunters (A police detective Thriller)
'To follow… the brilliantly inspired tracking of Hill's two detectives is a joy, apart from the brainteasing pleasure of accepting the author's challenge to identify the murderer.'
London Evening News
'Staunton walked out into the field. He stopped about twenty yards in, squatted down on his haunches and stared at the ditch where the girl's body had been found. Then he was motionless for a while, absorbing the details of the place, picturing it in darkness, the girl, her screams muffled by the murderer's hand, being dragged along the inside of the hedge, struggling madly in the last moments of her life.
He picked up a clod of dry earth, 'I'm going to get you, you bastard,' he said.'
It is 1975 and there are no sophisticated aids to help shrewd and earthy Chief-Superintendent Staunton of Scotland Yard's Murder Squad and his amorous young assistant, Detective Inspector Wyndsor when they arrive in a time-warped East Anglian village in the east of England to investigate the death of a local girl.
While most of the villagers are silently doing their best to hinder the enquiry, including the unhelpful local squire and his glamorous but sinister daughter, Wyndsor makes a shocking discovery—a black magic chapel, which has as its altarpiece a huge phallus.
This is a place where old ways still hold sway, and where outsiders are viewed with the utmost suspicion.
Here the murderer lives, embedded in this introverted society. On several occasions as the search proceeds the reader is aware that they are looking at the murderer—without the possibility of identification—and it becomes increasingly certain that he will kill again unless he can be hunted him down.
The author of this impressive novel has introduced the reader to two memorable detectives.
The Hunters is the first in the Staunton and Wyndsor series of classic police procedural murder mysteries.
The others are The Liars, The Enthusiast and The Savages.
Each novel is a stand-alone story, but with the same major protagonists.
Peter Hill has also worked extensively in television for renowned British drama series such as 'Callan', 'The Sweeney', 'Z Cars', 'Public Eye', 'The Bill', 'Special Branch', 'Crown Court', 'New Scotland Yard', and 'Armchair Theatre'. He has been a writer, script editor and producer both in the UK and New Zealand, where he now lives.
'Brilliantly described police procedure… Unputdownable.'
The Observer
'…an acute professionalism. What is even better, it has the holding qualities of a rock-loving limpet…'
Eric Hiscock in The Bookseller
'…a masterly and entertaining beginning. Not a suspicion of cardboard in the characters, and a story with a hook-hold from which there is no escape ...'
Victor Canning
'A really first-class who-dunnit'
Essex Chronicle
Also by Peter Hill
The Commander Allan Dice books
The Fanatics andThe Washermen
Peter Hill has recently returned to novel writing, but in a different genre, and Killing Tomorrow, the first of a new series of near and far-future novels, Evolution's Path, is also available as an eBook. The second, The Ladies' Game, and the third, Procreation, have recently been published.
Peter Hill
Peter Hill’s background is steeped in crime. He was a detective in the Metropolitan Police, London, serving in some of the toughest parts of that city. He also worked at New Scotland Yard in the Company Fraud Department and later the internationally recognised C1 department known as ‘The Murder Squad’. In the course of his investigations he travelled widely in Britain, Europe and South America. He left the force at the age of thirty-two, with the rank of Detective Inspector, to become a professional writer. Peter worked extensively in television for iconic British drama series such as ‘Callan’, ‘The Sweeney’, ‘Z Cars’, ‘Public Eye’, ‘The Bill’, ‘Special Branch’,and ‘New Scotland Yard’, He has written six novels, which were all published worldwide by major publishing houses. These books are all British police detective thrillers set in various locations in Britain and The Hunters, The Liars, The Enthusiast and The Savages in the ‘Staunton and Wyndsor’ series and The Fanatics and The Washermen in the ‘Commander Allan Dice’ books are now available as eBooks. These books are all stand-alone stories, but with the same major protagonists. Under the pen name of John Eyers he was commissioned to write Survivors: Genesis of a Hero, based on the famous ‘Survivors’ TV series,and Special Branch: In at the Kill, a spin-off from the ‘Special Branch’ TV series. These are also now available as eBooks. Although based on the characters in the two TV series both of these books are stand-alone stories. Peter has recently returned to novel writing but in a different genre and ‘Evolution’s Path’ is series of near-and far-future stories, of which Killing Tomorrow now available as an eBook, is the first. The second in the series, The Ladies’ Game, and the third, Procreation, have recently been published as eBooks. They are also available as paperbacks. Find out more about Peter and his books on his website:
Read more from Peter Hill
The Commander Allan Dice Books
Related to The Hunters
Titles in the series (4)
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Book preview
The Hunters - Peter Hill
THE HUNTERS
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Peter Hill
The Hunters
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© Peter Hill 2014
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First published by Peter Davies Ltd
15 Queen Street, Mayfair, London
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The right of Peter Hill to be identified as the author of the Work has been asserted in accordance with the Copyright, Designs and Patent Act of 1988.
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All rights reserved.
Except as provided by the Copyright Act 1994, no part of this publication may be reproduced or stored in a retrieval system in any form or by any means without the prior written permission of the copyright owners.
******
The places and characters in this story are fictitious and any similarity to, or apparent connection with, actual persons, whether alive or dead, is purely coincidental.
The Staunton and Wyndsor Series
––––––––
These are all British police murder mysteries and thrillers.
––––––––
The Hunters
The Liars
The Enthusiast
The Savages
––––––––
Each book in this series is a stand-alone story, but with the same major protagonists.
––––––––
Also by Peter Hill
––––––––
The Commander Allan Dice Books
––––––––
The Fanatics
The Washermen
––––––––
The Evolution's Path Series
––––––––
In a different genre, these books deal with an alternative apocalyptic vision of the future.
––––––––
Killing Tomorrow
The Ladies' Game
Procreation
––––––––
Visit Peter's website to find out more about him
Peter's Website
The Hunters is the first in a series of classic police procedural murder mysteries set in various locations in Britain.
These books were previously published worldwide, by major publishing houses, in hard and paperback editions and are now being offered as eBooks.
––––––––
It is 1975 and there are no sophisticated aids to detection to help Scotland Yard’s Detective Superintendent Bob Staunton and Detective Inspector Leo Wyndsor when they are sent to a time-warped Suffolk village to investigate the murder of a local girl whose body has been abandoned in a ditch by a country road.
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This is a place where old ways still hold sway, where animosities are pursued through the generations and where outsiders are viewed with the utmost suspicion. Here the murderer lives, embedded in this introverted society. As the investigation progresses and we get an insight into his life, it soon becomes apparent that he will kill again unless Staunton and Wyndsor can hunt him down.
––––––––
‘To follow... the brilliantly inspired tracking of Hill’s two detectives is a joy, apart from the brainteasing pleasure of accepting the author’s challenge to identify the murderer.’
London Evening News
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‘A really first-class who-dunnit.’
Essex Chronicle
Contents
ONE
TWO
THREE
FOUR
FIVE
SIX
SEVEN
EIGHT
NINE
TEN
ELEVEN
TWELVE
THIRTEEN
Other books by Peter Hill
New Books by Peter Hill.
Writing as John Eyers
Press comments on Peter Hill’s books.
Author's Note
ONE
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The pain smashed through his half-open eyes and ricocheted round his skull. The intense agony was made worse by the total inability of his brain to suggest a reason for this vicious and unexpected attack.
Easing himself gently back into a prone position, he tried to relax the muscles pulled string-bag tight by his panic reaction to the assault on his nervous system.
The pain slowly subsided, leaving a background of throbbing drums. It enabled him to make a serious attempt to rationalise the events of the last few seconds.
He identified the symptoms in what was, in the circumstances, a commendably short time. There was no doubt he had a hangover and from the shattering effect of his attempt to hoist himself into a sitting position, it seemed it was a hangover of monumental proportions. He relaxed further, eyes tight shut, relieved that so simple and likely an explanation existed. The drums faded into the distance to be replaced by a feeling of gentle nausea and when this too had abated, he ventured to investigate further.
Blinking to clear his vision, he panned his eyes left and right without moving his body. He was a man who sometimes learnt from his mistakes.
The bedroom was dimly illuminated by a pale shaft of early morning sunlight that filtered apologetically between the partly drawn curtains. His restricted field of vision revealed only the light blue ceiling, in the centre of which hung an ornate tasselled lampshade, looking too heavy by far for the slender links by which it was suspended.
His attention was caught for a moment by a spider, busily engaged in the construction of an interlacing pattern between the tassels on the shade, working methodically towards the creation of a miniature masterpiece. He watched absorbed but incapable of speculation or aesthetic appreciation.
The noise which had first woken him had continued unabated and now, dragging himself away from contemplation of the spider’s industry, he was able to identify the direction of its source.
Rolling carefully onto his left side, he took in the garish opulence of the bedroom furniture and finally concentrated his attention on the alarm clock, shuddering in its clamorous efforts to attract attention.
He slid his right hand out from under the covers, let it hover for a moment, and then dropped it onto the clock which thereupon subsided with a final muffled buzz. His arm, for want of further orders, dangled limply down beside the bed, his fingers just touching the thick pile rug.
He stared, uncomprehending, at the jumble of female impedimenta that littered the dressing table facing him across the room. His surroundings stirred vague feelings of familiarity but clearly this was not his own flat. It did not seem to matter very much.
He executed a slow body roll to take in the rest of the room and should not have been as shocked as he was when this movement brought him hard up against his bedmate.
Leo came wide awake then and risked a recurrence of the pain in his head as he screwed himself upright to see who it was he had ended up with this time.
She was lying on her side facing away from him, her long dark hair covering her face, one arm thrown up across her chin as if in defence. She smelled of alcohol, hair lacquer, sweat and stale perfume. Her body, where it touched his thighs, was hot and damp. He felt the stir in his stomach, the start of an erection.
The voice in his head, his moralising, critical and insistent alter ego, broke through the alcohol barrier that had held it at bay and screamed at him.
‘For Christ’s sake, Leo, you can’t feel randy.’
The patent untruth of this observation produced a flicker of a smile on Leo’s face. The voice prodded him out of vain contemplation of his sexual capacity.
‘Who is she? Find out who she is, you idiot... she may have given you something you can’t get rid of.’
At this sobering thought Leo moved away from her a little. She was breathing deeply and rhythmically, one broad limp breast exposed, the nipple dark brown and heavily wrinkled. Moisture twinkled dully on the hair under her arm which did not quite cover a large mole.
Recognition brought him relief from fear of disease. Paula Delaney owned and ran Paula’s Place, an almost straight drinking club off Charing Cross Road. Paula was all right. Paula was clean. The voice in his head nagged him.
‘One of these days you won’t be so lucky. One of these days you’re going to get stoned out of your mind and finish up in bed with some old crow who’ll give you a right dose.’
Leo recognised the truth of this but felt on balance that at that moment he could have done without the moralising. The voice was determined not to let him off the hook.
‘So what about work, Leo? Work!’
He turned away from Paula and stared at the clock ticking complacently to itself beside the bed. Half past eight, it said. At least he would be in the office by ten, even if he were in no state to do anything when he got there.
He pushed back the covers and swung his legs over the side of the bed. After pausing for a moment to gain the courage to test out his legs, he eased himself uncertainly to his feet and walked stiff-legged to the bathroom door. He pushed it open and leant against the lintel as he felt for the cord of the electric light, pulling it down with unintended violence. The retaining screws gave a fraction under protest. The voice stated the obvious.
‘You’re going to pull the bloody thing down one day. It’s the booze... affects the co-ordination see.’
Leo did see; he was, after all, familiar with the condition. He negotiated the narrow strip of carpet and sat on the edge of the bath staring at the sink.
The note, propped up behind the hot tap, stared back at him. He leant forward and picked it up with a hand showing a fair bit of shake.
The writing was large-lettered, oval and rather untidy, more like the work of an eager schoolgirl than a mature woman. ‘Good morning, Leo darling,’ it said, ‘you’ll find the shaving gear on the table. The toothbrush is new, I just took the plastic cover off for you. There’s aspirin if you want. Don’t wake me, I’ve took a couple of sleepies, love, Paula.’ A line of hasty crosses terminated with a P.S. ‘You’re still a good lay.’
A clever girl was Paula. She knew Leo well enough to accept that he would remember little of the previous night’s events and men in general well enough to feel intuitively that they often needed the kind of reassurance the postscript contained.
Leo grinned to himself as he screwed the note into a ball and lobbed it in the direction of a flowered plastic bin. It missed. He gripped the sink and levered himself to his feet.
His face, or was it his?... confronted him in the mirror. Thick blond hair matted with sweat, lined forehead, wide blue eyes with white full stops of mucus in the corners, a short straight nose with a fresh crop of blackheads round the base, full lips and a rounded chin now covered with a fair but heavy beard. It was not by any standards a pleasant sight and was more than his carping alter-ego could beat.
‘Jesus, what a revolting sight. Where’s the beautiful blond Adonis that started out last night for a few quiet beers? You’re not yet thirty and you look fifty. You’ll have to get off the booze, Leo, it’s making an old man of you. That and your adolescent attempt to lay every female you can in the shortest possible time. So what are you trying to prove?’ The question remained unanswered. Leo completed his toilet with mechanical deliberation, then gentled himself back into the bedroom where he found his clothes folded in a neat pile on a chair. He dressed slowly, taking care not to lower his head or move suddenly. He automatically checked his wallet, then moved round the bed to look at Paula.
Her face still wore yesterday’s mask but, relaxed in sleep, it had taken on an air of innocence, a vulnerability that never showed in her waking hours. He pulled the bedclothes up round her neck, tucking her arm back into position beside her with careful gentleness. She slept on.
She was no longer any great beauty and all of ten years older than he. The grey light of morning played havoc with her defences and sleep had robbed her of the will and opportunity to fight against the onset of middle age.
Despite the intimacy they had enjoyed for the past two years Leo felt at that moment that he was an interloper, an unwilling voyeur and it engendered a twist of unease. The voice crept up on him unnoticed.
‘Ugly, isn’t she, Leo? A few more years and the fire will have gone out. All you’ll get then is a night’s kip and a couple of aspirins. Maybe that’s all you really want... a bit of fuss... Mummy’s boy.’
With an effort Leo put down the insurrection in his head and left the room. He put on his overcoat at the street door and stepped out into the morning, hunching his shoulders against a wind that was in truth inoffensively mild but which chilled him to the bone.
He wandered through the back streets, finally emerging in the Bayswater Road. He felt weak and light-headed, detached from the world around him, an observer, a non-participant. A lone taxi dribbled down the road towards him, the driver certain of a fare even before Leo raised his hand.
If the streets were strangely deserted for that time of day, the fact did not register with him. The voice in his head left him in peace and he lived for the duration of the journey in the strange, once-removed world of indifferent neutrality that is the least objectionable result of a surfeit of alcohol.
The taxi cut through the back streets of Victoria and pulled up at the rear entrance of New Scotland Yard. Leo paid the driver and turned to cross the front of the ramp that leads down to the underground garage. He tripped slightly on the kerb, adjusted himself and pushed his way through the heavy revolving doors that led into the reception foyer.
Fat John was studying a newspaper at his seat behind the reception desk. Fat John loved policemen. His gross body and limited intellect had denied him a cherished place as one of them so he had settled for a job as a civilian employee, a life with them but not part of them. It was his boast that he knew every face at the Yard and he took great interest in their careers, especially those he thought were going to the top. He selected budding senior officers with a flair and insight that in another man would have earned a fortune on the race track.
He had a particular soft spot for CID officers; they were, in his opinion, the elite. If asked to make a selection amongst them of the fastest rising star he would probably have plumped for Detective Inspector Leo Wyndsor even had he known that officer’s present condition and the reasons for it.
As Leo entered the foyer, Fat John flipped his newspaper under cover with practised ease and greeted him.
‘Good morning, sir.’
Leo, unaware of Fat John’s evaluation of his potential, grimaced in his direction and passed on towards the first bank of lifts. Fat John smiled patronizingly at his departing back as he retrieved his newspaper.
In the office on the fifth floor marked ‘CI COMMUNICATIONS’, Detective Inspector Ron Mount leafed in bored fashion through a year-old travel brochure. The long, green-topped desk at which he sat was immaculately tidy although three-quarters covered with telephones, reference and record books, roneo-ed instruction sheets, availability charts and message pads.
In one corner of the room a teleprinter clacked to itself behind a glass partition. In another, on a table, lay a pile of buff-coloured hardback books, mostly much handled and dog-eared. It could have been the communications office of any large industrial concern except that it was less opulent, less clean and had a pervading atmosphere of determined efficiency. This room was the heart of Scotland Yard’s murder squad.
The only overt sign of this were the two large black pegboard sheets affixed to one wall, their white lettering standing out in relief. On one of them was indicated the whereabouts of the murder teams already operating, listing places as prosaic as Grimsby and as evocative as the Bahamas. On the other a list of numbers from one to twelve ran down one side, listing the order in which the teams in waiting would be called away.
At the top of the list, coupled together, were the names ‘Chief Superintendent R. Staunton’ and ‘Detective Inspector L. Wyndsor’. In the parlance of the murder squad they were ‘number one.’
Ron Mount threw the brochure into a wastepaper basket and was enjoying a huge yawn as Leo Wyndsor walked into the room.
‘Morning.’ Leo’s greeting was unintentionally curt. He walked across to the table and shuffled through the buff-coloured books.
Mount replied in like style but with an element of surprise in his voice. At forty-two Mount was balding and running to fat. He had no great regard for Leo Wyndsor and normally would have had little to say to him but now his curiosity was aroused. Why should Wyndsor have appeared in the office on a Sunday morning when he was supposed to be off duty?
Leo picked out the book marked ‘6 Squad’ and flicked it open. He stared in disbelief at the legend at the top of the page: ‘Sunday 7 August.’ Could he really have been that drunk he couldn’t tell one day from another?
‘Yes,’ said the voice in malicious delight. ‘Yes, you bloody well could.’
Mount broke in on his thoughts. ‘What’re you doing here then?’
Leo turned to him and lied easily. ‘Felt a bit edgy, thought I’d pop in... you know.’
Mount was incredulous. Leo Wyndsor exuded strength and self-confidence, gave no hint of the doubt and uncertainty that daily assailed him.
‘Don’t give me that crap,’ said Mount.
‘All right I won’t.’ Leo dropped the book back on the pile and walked out, leaving Ron Mount staring at his departing back.
Within half an hour Leo was entering his tiny bachelor flat. He went first to the telephone in his bedroom and dialled.
‘At the third stroke,’ the woman told him, ‘it will be... ’ He cradled the receiver, satisfied. The voice in his head was not.
‘Blew it last night, didn’t you? If there’d been a call they’d never have found you, would they? You’d never have talked your way out of that one, clever dick!’
The open suitcase on the floor gaped at him as he stripped rapidly. It was full of newly laundered clothes, enough to last a month. As he had just been reminded, he had to be ready to leave in a matter of minutes when the call came.
He padded naked into the bathroom and flopped into the bath whilst the taps were still straining to fill it. Half an hour later, after a rough towelling, he was in bed and instantly asleep. It was 11:30am.
***
The murderer was digging methodically, the spade an extension of his body as it rose and fell, turned, released its load and rose again. Sweat beaded his forehead, ran in rivulets down the side of his face and lost itself amongst the hairs of his broad chest.
He was a big man and the spade looked puny in his grasp. He worked automatically, with practised skill and economy of movement but nonetheless he was tiring. He knew it and it pleased him. He sought physical tiredness as the lover seeks the loved. It quietened the sexual urges of his muscled body, urges he was unable to control or satisfy.
He stopped work, leant on the spade, wiped the sweat from his brow with a tanned forearm and looked round his garden. It reflected the years of work he had put into it. Neat rows of flowers in geometric patterns bordered immaculate lawns and slide rule paths, sturdy trellis supported floribunda and Peace, rock plants crawled in profusion and deceptive disarray, dahlias pushed proud heads up to the summer sun.
He derived no pleasure from the beauty around him. It represented so much work, so much tiredness.
Anne Partridge saw him as she hurried back to the Haywain, ready to start work behind the bar. She waved and smiled, he was a handsome man.
He watched her go, her haste pulling her light summer dress against her well-rounded body. It aroused no desire in him, the garden had done its work.
He started to dig again. He gave no thought to his victim. She lay where he had left her, ravished and torn, face up in a lonely ditch.
TWO
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Chief Superintendent Robert Staunton did not like Sundays. What others regarded as a well-earned day of rest was to him a bore, an unwanted excuse for idleness. He sat in an armchair staring morosely out of the French windows at the pocket handkerchief garden that huddled at the back of his small semi-detached.
Normally the garden pleased him, he fussed over it, encouraging the flowers, swearing at the weeds, watering, fertilizing and poisoning. He waged a constant and losing battle against an army of insect pests, decimating them on his few days off, but during his frequent absences from home they re-grouped, bred in profusion and faced his next onslaught with apparent disdain. Now it irritated him, there was not a weed or bug in sight. It offered no further excuse to potter, to fill time.
Bob moved irritably in the chair in an attempt to find a position less aggravating to the haemorrhoids that had plagued him for years, but with little success. To him any illness was a sign of weakness, to be despised in himself even more than others.
His wife fluttered into the room, a frail pretty woman of fifty, two years younger than her husband. She knew this mood of his well. The waiting affected detectives in different ways; Bob was invariably morose and irritable.
She stood behind his chair, tickled the back of his bull neck gently for a moment then moved away. She took a bottle of whisky from the