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    Egyptian Temples
    Egyptian Temples
    Egyptian Temples
    Ebook412 pages5 hours

    Egyptian Temples

    By Margaret A. Murray

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    About this ebook

    Survey of the architectural styles and histories of Egyptian temples built thousands of years ago. Over 120 photographs and diagrams depict exteriors, interiors of many sacred structures, including the ruins of the Temple of the Sphinx, and the remarkable structures at Karnak; the Temple of Luxor; the great temples at Abu Simbel; more.
    LanguageEnglish
    PublisherDover Publications
    Release dateOct 16, 2012
    ISBN9780486148823
    Egyptian Temples

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      Egyptian Temples - Margaret A. Murray

      INTEREST

      EGYPTIAN TEMPLES

      INTRODUCTION

      ALL Egyptian temples are remarkable as being entirely rectangular, both in plan and elevation; at no period was a curved structure used. This is perhaps due to the fact that the landscape of Egypt is a landscape of lines, vertical, horizontal or diagonal; and, as the artist knew nothing else, his buildings conformed to their surroundings. This was the reason of the vertical columns, horizontal roofs and sloping pylons of Egyptian architecture. The round arch was known as a constructional feature from the IIIrd dynasty, but it was used only where it could not be seen, merely as an economical means of support. Occasionally, the false vault is found, as in the temple of Sethy at Abydos and the temple of Hatshepsut at Dêr el Bahri, where it covers stairways or small rooms, but even in these cases it is inside the building and not visible from without. In every instance, whether of the true or false arch, it is always the round, not the pointed, arch.

      The rainless skies and continuous sunshine of Egypt are points to be considered in the architecture. It is a country of violent contrasts; the flat plain and vertical cliffs, the fertile fields and the dreary waste of desert, the brilliant sunshine and the dark shadows, the river which harboured edible fish and murderous crocodile; all these naturally had their effect on the mind of the Egyptian architect and showed themselves in the architecture. As Petrie notes

      The strongly marked horizontal and vertical lines of the scenery condition the style of the buildings which can be placed before such a background. The form of the temple repeats the form of the barren cliff before which it stands (pl. XXVII), but the interior decoration shows the wealth of detail and the vivid colouring of the fertile fields; brilliant sunshine poured into the open courts, and the dark sanctuaries were made darker by the contrast; the Giver of Life, who dwelt in the sanctuary, was propitiated by the death of human beings and animals.

      The plan of a temple is simple in the extreme when once the essential facts are recognised. It consists of four parts — an outer court, an inner court, a vestibule and a shrine; the holy place, enclosed by mat hangings or wooden doors, being in the axis of the building opposite the main entrance. The earliest record of a temple is a representation of a hut-shrine engraved on an ebony tablet of the Ist dynasty (pl. II, 3). The outer court is shown enclosed by a lattice-work fence; at the gate are two masts with flags, and in the court is the emblem of the deity, in this case a goddess. The inner court and vestibule were possibly in one at this period, and were enclosed with the sanctuary in the hut, as is done at the present day in some parts of Africa.

      From the beginning of the historical period there were two kinds of temples, those dedicated to the worship of the god and those dedicated to the worship of the dead King. Of temples dedicated to a god none are in existence from the early periods, although the foundations of several are known; e.g. at Abydos there was a temple of Osiris in the Ist dynasty, at Hierakonpolis the temple of the sacred falcon was probably as early, at Bubastis the temple of the cat-goddess is not later than the IVth dynasty, and the shrine of the crocodile-god in the Fayum had very primitive characters; and though the early temples of Neith of the Delta and Seth of Upper Egypt have been utterly destroyed representations of their hut-shrines still remain (pl. I, 3, 4).

      The origin and development of the royal temples can be demonstrated with some facility. As the primitive king or chief always had a better house than the common people, so the god who was superior to the king had a better house than the king; the original temple was then merely a finer hut than those used by human beings. These early huts and temples were of reed or palm lattice smeared with mud, they therefore do not survive except in representations; it was only when the Egyptians were able to work in stone that the buildings have remained in existence. The earliest stone temples are those attached to pyramids and other royal burial places, and were intended for the worship of the dead King. Such temples were derived from the custom of making offerings of food at the royal tomb. To quote from Professor Petrie: At first the place of offerings was closely connected with the tomb, as shown by the large steles found at the tombs of the Ist dynasty; and such continue to be the case for the ordinary Egyptian in all times. But the place of offering to the kings was, at the end of the IIIrd dynasty, in a separate court attached to the side of the tomb (Snefru at Medum); in the IVth dynasty the court became a separate temple (Khufu, Khafra, and Menkaura): in the XIIth dynasty the tomb was farther back on the desert, and the chapel was at the desert edge (Senusert II, Illahun; Senusert III, Abydos); in the XVIIIth and XIXth dynasties the chapels or temples were ranged along the desert edge at Thebes and not in any uniform relation to the tombs hidden in the desert.

      This suggestive paragraph is well substantiated by the evidence. In the plan of the tomb of Perabsen, of the IInd dynasty (pl. I, 1), it will be seen that the elaborate underground structure has offering chambers for the objects which the King was supposed to require in his future life; at the same time steles bearing the royal name were set up above ground at one corner of the enclosure, where the daily offerings of food might be made to the King. The underground chambers then contained the permanent endowment, the offerings above ground were for the daily needs of the royal soul. At Medum, in the IIIrd dynasty (pl. I, 2), the steles were enclosed with a wall which adjoined the actual burial-place, i.e. the pyramid; and chambers were built for the storage of the vessels and other objects used in the rites of commemoration and worship. From this simple beginning there grew up the more stately and elaborate temples belonging to the pyramids of Gizeh of the IVth dynasty, and to the pyramids of Abusir of the Vth dynasty. The temple of the Step-pyramid of Saqqara is a structure which has no parallel; the plan shows that it was experimental throughout; it was built without system, and it had no effect on the regular development of the royal mortuary temples.

      The pyramid field extends from Abu Rowash in the north to Lahun in the south, a distance of about fifty miles, and is on the west side of the Nile. Isolated pyramids are found occasionally, as the pyramid of Aahmes I of the XVIIIth dynasty, at Abydos, and the pyramid of the XIth dynasty, at Thebes; these two, however, are of a different type from those further down the river.

      Among the pyramids of the more northerly part of Egypt the temple is always on the east, the side nearest to the Nile; and a landing-stage and causeway were probably built for every pyramid; the best preserved examples of these are at Abusir. As the temple was on the east side the priest would face towards the west when conducting the service, an essential position for the ritual of the dead.

      The plan of a pyramid-temple varies from two or three simple chambers, as at Medum, to elaborate colonnades and hypæthral courts, as at Abusir. At Abusir a roofed stone building (pl. IV, 1) stood on the bank of the Nile and served as a landing-place; from this a long passage — built, roofed and paved with stone — led to the temple. The passage walls were richly decorated with painted reliefs, showing the King as a sphinx trampling his enemies. Khafra appears to have introduced the custom of placing statues of himself in front of, or between, the pillars of his temple.

      As a rule the pyramid-temples are even more ruined than those standing alone. Thus at Abu Rowash both temple and pyramid have gone; at Giza the temple of the Great Pyramid has vanished except for the basalt pavement; while of the temples belonging to the pyramids of Khafra and Menkaura the lower courses only of the walls are still in existence; the same is true of the Vth dynasty pyramids at Abusir, of the VIth dynasty pyramids at Saqqara, and of the XIIth dynasty pyramids at Lisht, Hawara and Lahun.

      It is not yet certain when pyramids ceased to be burial-places. In the XIth dynasty Mentuhotep II was buried in a rock-cut tomb, near but not in or under his pyramid; in the next dynasty Senusert III was also buried in a rock-cut tomb at Abydos, while his pyramid was at Dahshur; the pyramid of Aahmes I is at Abydos, and is merely a dummy, his burial being at Thebes. When the pyramid was no longer for burial, the temple was unnecessary and became an entirely separate structure.

      The temple for a deity developed in a different manner from the temple in honour of a dead King; it was always an independent structure, and not attached to a tomb or any other building. Petrie again gives a good summary of the rise of the god-temple: The simplest shelter that we know in Egypt is a reed hut with projecting roof to shade the entrance, and this is the simplest shrine. The next step was to make the hut wider, and put a row of reed columns to carry the front shade, the portico thus begins. After that the back is divided into three chambers, as in the earliest temple at Abydos and Hierakonpolis. The house models must always have a courtyard in front of the portico, and the temples always had a similar court. Within the court stood the emblems of the god on a pole; and on either side of the door of the court stood poles with flags; these grew into the row of flag-staffs in front of the pylon. Besides these fixed features there were many chambers for stores and priests arranged on various plans. Petrie then notes that there were two types of sanctuary: the statue temple which had a central box-shrine, in which the statue or emblem or animal was kept (e.g. Edfu, Dendera); and the processional temple for depositing a sacred bark, this had a doorway at both ends of the shrine, front and back (e.g. Tehutmes III at Medinet Habu, and Khonsu at Karnak). In these shrines was a stand on which the sacred bark could be deposited from the shoulders of the priests.

      One of the principal difficulties in building in the Nile Valley is the annual movement of the ground. When the inundation begins, the seepage from the river causes the ground to rise for several inches, sometimes as much as a foot, and always unevenly; when the inundation subsides the ground subsides also, again unevenly, till it returns to its original level. The ancient Egyptian architect never overcame this difficulty, except by building beyond the reach of the effects of the inundation. In the desert at the foot of the cliffs there was no water, either from the heavens above or from the earth beneath, to destroy his buildings, and stones set up on the rock would remain standing; for such temples his foundations were so perfunctory as to be almost nil, as at Hatshepsut’s temple at Dêr el Bahri. But when building on the moving ground the problem taxed his capacities to the utmost, and he failed to evolve any adequate method of coping with the difficulty. In the temples along the edge of the cultivation, where the ground is affected by the rising and falling flood, the foundations are pitifully weak and inadequate. They consist of a sandbed and small blocks of stones; but there is no attempt made to prevent the sand being washed away by the water, and the blocks of stone are too small to support the weight of the enormous buildings erected over them. It is surprising that the temples have lasted so long and have not collapsed long ago; the reason probably is that they were supported by the mass of debris accumulated round them in the course of centuries. Now that they have been cleared and that, owing to the silting of the river-bed, the level of the inundation has risen, the inadequate foundations are causing the destruction of some of the finest examples of Egyptian architecture. The Department of Antiquities is repairing with cement and reinforced concrete; it remains to be seen how these modern methods will resist the force of the uneven movements of the ground.

      TOMB OF PERABSEN

      (1)

      PYRAMID TEMPLE, MEDUM

      (2)

      LATTICE-WORK SHRINES FROM THE HIEROGLYPHS (3) (4)

      LOTUS-BUD CAPITAL

      (1)

      FLOWER CAPITAL

      XXXth Dynasty

      (2)

      LATTICE-WORK SHRINE

      1st Dynasty

      (3)

      The rock-hewn temples were cut out like an Egyptian quarry in the side of a cliff so as to make an artificial cave. The cliff was pierced at the highest point required, and the temple was hollowed out by cutting downwards. The pillars were merely the props necessary to uphold the superincumbent mass of the hill in which the quarry or shrine was cut, and were part of the rock left in situ. The decoration, architectural or otherwise, was begun at the top; if architraves were to be represented they were cut in the overhanging roof, so also was the cavetto cornice along the tops of the walls. The abacus and capital of a pillar were finished first, then the shaft, and finally the base. The sculptured and painted decoration proceeded in the same way both on the walls and the pillars, beginning at the top and ending at the bottom. This method is best seen in the pillared and sculptured tombs at Tel el Amarna. Rock temples probably began in the Middle Kingdom when rock-cut tomb-chapels became common.

      One of the main features of an Egyptian temple is the colonnade, used chiefly as an interior decoration. The forms of the chief types of pillar show the development in stone of an original in reed and clay, these being the earliest building materials in the Nile Valley. Even at the present day reed-huts are still built for use in the heat of summer when the inhabitants require nothing more than shelter from the heat of the sun. The primitive pillar was made of bundles of papyrus-reeds lashed tightly together at the base, and also at the top under the flowering head. To keep the lashings taut a short stalk of papyrus was pushed down between the bundles. The inflorescence of the papyrus is in large corymbs, the flower-stems falling down on every side, like a loose untidy mop; the mass of flowering stems was tied together at the top, and a light plank placed on it; the weight of the plank made the corymbs curve outwards just above the junction with the stem. The reed-pillar was set up in a circular base of clay, and was freely smeared with clay. A row of such pillars was sufficiently strong to support a long light plank as an architrave, which, in its turn, held up a matwork roof. When this form of pillar was reproduced in stone the artist found it impossible to represent the minute detail of the flowering papyrus-head which formed the capital of his stone pillar; but, as the curved shape suggested the swelling bud of a lotus, he carved the capital as a lotus-bud with the calyx just parting to show the petals within (pls. II, 1, III, 1). This is the most common type of Egyptian pillar, and the form continues from the Old Kingdom till the XXIInd dynasty, though degenerating steadily. In the XVIIIth dynasty the shaft and capital are still lobed, and the shaft draws in at the base, the lashing is sometimes represented, and the short stalks which held the lashing taut are shown merely as vertical lines (see pl. XXV, 2). Later the shaft and capital are plain (see pl. XX, 1), or covered with sculpture but even in its most degenerate state the form is recognisable by the narrowing of the shaft at the base and by the slight overhang of the capital. This last feature is found in Ptolemaic capitals.

      Another form of pillar is derived from the palm-stem. In this the stern is not represented with the same care as the bundles of papyrus in the papyrus pillar, for the shaft is perfectly cylindrical with no narrowing to the base. The lashing under the fronds of the palm is shown with as much care as in the other type, and the fronds themselves curve in a natural manner. This is not a very common form of capital, but it occurs from the Old Kingdom to the Ptolemaic period (pl. III, 2).

      The reeded and fluted pillars in the temple of the Step-pyramid are the first example in stone-work of these types, but the form is known in small ornamental work as early as the 1st dynasty, and is found not uncommonly in the XVIIIth dynasty.

      The bud-capital must naturally have led to the open-flower capital of the type seen in the colonnade of Haremheb at Luxor, in the nave of the Great Temple at Karnak, and in the nave of the Ramesseum. The calyx of the flower is often represented at the base of the capital, but the petals are not reproduced, and the capital has a plain surface. The lashing is retained on the shaft of the pillar as with the bud-capital, but the shaft is always circular and not lobed. The capitals of Nectanebo’s Porch at Philæ (pl. II, 2) are transitional; the form is like the capitals of the New Kingdom, and the calyx is also found; but the shafts of the pillars to which they are joined are of the Ptolemaic form, with reed-stems immediately below the capital, then comes the lashing, and below that again is a plain circular shaft. The Ptolemaic foliage-capital (pl. V, 1) is a development in a more richly decorated form from the Pharaonic flower-capital.

      Two other forms characteristic of Egyptian architecture are also derived from the primitive building-materials of the early periods; these are the cavetto cornice and the torus roll. In ancient times, as at the present day, walls were made of interwoven palm-sticks thickly covered with mud, the tops of the palm fronds being left free to bend over; this gives a curved effect which, when translated into stone, produces the cavetto cornice (e.g. pl. XIX). The corners of lattice-and-mud walls need strengthening at the corners, which was done by lashing into place bundles of reeds or palm-sticks; the copy of this feature in stone is seen in the torus roll (e.g. pl. XIX).

      The chief materials used in buildings were sun-dried bricks, limestone, granite, sandstone, and some alabaster, quartzite and basalt; the Imperial porphyry of the Romans, though actually found in the Eastern desert, was never used by the Egyptians.

      The girdle-wall, which surrounded the sacred precincts, was usually of sun-dried bricks; it was always a high wall, with the intention of keeping the holy places apart from the common people; on account of the height it was extremely thick, and was built with a batter. The gateways in the wall were often of granite or more rarely of quartzite, and the flanking towers of limestone. The main walls of each temple were of limestone, or sandstone; the harder stones being used for the structural parts, such as pillars and door-frames; alabaster was used for the lining of small chambers, such as a sanctuary or a passage. As a general rule, basalt is found in the early temples, and quartzite in the Middle Kingdom, though both occur at other periods. Wood was very little used except for the actual doors and some of the internal fittings.

      The method of building a thick stone wall was to erect two thin walls parallel to one another and at the desired distance apart; the space between was then filled with convenient-sized blocks thrown in without any arrangement and not in any way keyed to the outer skin (pl. III, 3). The stones of these outer walls were built up without any dressing of the faces, this was done later. The method is well seen in the construction of an internal angle; two blocks are placed at right-angles to and touching one another; in dressing the faces one block is cut further back than the other, so as to form the corner actually in the block; there are good examples of this in the temple of Sethy I at Abydos.

      Temples appear to have been orientated by the river; the main direction of the stream is to the north, but it naturally varies somewhat and runs occasionally east or west of north, the temples, therefore, vary also in their orientation. The rule, however, is that the temples lie parallel or at right angles to the river, e.g. Luxor and Karnak. When there is any marked variation it is probably due to the conformation of the ground, as in the causeway of the Granite Temple, the side-chambers of the Sethy Temple at Abydos, and possibly the outer court of Luxor.

      The lighting of the temple presented certain problems which differ materially from the problems of lighting in a cloudy country. In Egypt, where sunshine may be definitely an evil, only enough light was required to enable priests and worshippers to see their way; in other words, the temples were dark, and intentionally so. The exclusion of sunlight was a necessity, but there is, perhaps, another reason for the extreme darkness, and that was that the religion was a mystery-religion, for the practice of which darkness is an essential. The problem of lighting was solved by the Egyptians in their usual practical manner. Whether in tomb-chapels or in temples, openings in the form of long horizontal slits were made at the tops of the walls immediately under the ceiling. The light therefore was not direct sunlight, but was softened by the shadow from the ceiling and was diffused all over the chamber or hall. This was the earliest method; in later temples the light was often admitted by an opening in the roof; this was sometimes wide on the outside and narrowed downwards to a smaller aperture where the light entered the chamber (pl. XX, 2). The light so introduced gives a very delicate and pure illumination, and on those highly decorated walls the low relief sculptures, brilliantly painted as they are, glow like a rich mosaic. In many of the dark halls light was also reflected through open doors, and served to illuminate the lower part of the sculptured walls. In the temples of Thebes, which are almost entirely of the New Kingdom, the lighting of the hypostyle halls was by means of a clerestory. The nave of the hall was supported on pillars higher than those of the side aisles; the shorter columns supported not only the stone roof of the side aisle but also a wall which rose to the same height as the tall columns of the nave; this wall was pierced with windows; the nave then was lighted while the aisles were dark except for the indirect illumination from the clerestory. Cross-lighting of this kind is one of the most effective forms of illumination ever invented.

      When Egypt was subjected to foreign influence there is a change in the architecture. Screen-walls were then introduced, slabs placed between the pillars of a colonnade to shut out the glare which strikes up from the ground, though sunlight was freely admitted above the slab. The change was probably due to the fact that Egyptian architects had become

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