The Beloved Woman

The Project Gutenberg EBook of The Beloved Woman, by Kathleen Norris

This eBook is for the use of anyone anywhere at no cost and with

almost no restrictions whatsoever. You may copy it, give it away or

re-use it under the terms of the Project Gutenberg License included

with this eBook or online at www.gutenberg.org

Title: The Beloved Woman

Author: Kathleen Norris

Release Date: March 10, 2009 [EBook #28301]

Language: English

*** START OF THIS PROJECT GUTENBERG EBOOK THE BELOVED WOMAN ***

Produced by Audrey Longhurst, Katherine Ward and the Online

Distributed Proofreading Team at http://www.pgdp.net (This

book was produced from scanned images of public domain

material from the Google Print project.)

THE

BELOVED WOMAN

By KATHLEEN NORRIS

Author of

Harriet and the Piper, etc.

A. L. BURT COMPANY

Publishers

New York

Published by arrangement with Doubleday, Page & Company

Printed in U. S. A.

COPYRIGHT, 1921, BY

KATHLEEN NORRIS

ALL RIGHTS RESERVED, INCLUDING THAT OF TRANSLATION

INTO FOREIGN LANGUAGES, INCLUDING THE SCANDINAVIAN

COPYRIGHT 1920, 1921, BY THE PICTORIAL REVIEW COMPANY

PRINTED IN THE UNITED STATES

AT

THE COUNTRY LIFE PRESS, GARDEN CITY, N. Y.

TO

MARY O'SULLIVAN SUTRO

For gifts beyond all counting and esteeming,

For kindness than which Heaven's self is not kinder,

For the old days of tears, and smiles, and dreaming,

This in acknowledgment, and in reminder.

CHAPTER I

For forty-eight hours the snow-storm had been raging unabated over New York. After a wild and windy Thursday night the world had awakened to a mysterious whirl of white on Friday morning, and to a dark, strange day of steady snowing. Now, on Saturday, dirty snow was banked and heaped in great blocks everywhere, and still the clean, new flakes fluttered and twirled softly down, powdering and feathering every little ledge and sill, blanketing areas in spotless white, capping and hooding every unsightly hydrant and rubbish-can with exquisite and lavish beauty. Shovels had clinked on icy sidewalks all the first day, and even during the night the sound of shouting and scraping had not ceased for a moment, and their more and more obvious helplessness in the teeth of the storm awakened at last in the snow-shovellers, and in the men and women who gasped and stumbled along the choked thoroughfares, a sort of heady exhilaration in the emergency, a tendency to be proud of the storm, and of its effect upon their humdrum lives. They laughed and shouted as they battled with it, and as Nature's great barrier of snow threw down the little barriers of convention and shyness. Men held out their hands to slipping and stumbling women, caught them by their shoulders, panted to them that this was a storm, all right, this was the worst yet! Girls, staggering in through the revolving glass doors of the big department stores, must stand laughing helplessly for a few seconds in the gush of reviving warmth, while they beat their wet gloves together, regaining breath and self-possession, and straightened outraged millinery.

Traffic was congested, deserted trucks and motor-cars lined the side streets, the subways were jammed, the surface cars helpless. Here and there long lines of the omnibuses stood blocked in snow, and the press frantically heralded impending shortages of milk and coal, reiterating pessimistically: No relief in sight.

But late in Saturday morning there was a sudden lull. The snow stopped, the wind fell, and the pure, cold air was motionless and sweet. The city emerged exhausted from its temporary blanketing, and from the buried benches of Bowling Green to the virgin sweep of pure white beyond Van Cortlandt Park, began its usual January fight with the snow.

A handsome, rosy old lady, wrapped regally in furs, and with a maid picking her way cautiously beside her, was one of the first to take advantage of the sudden change in the weather. Mrs. Melrose had been held captive for almost two days, first by Thursday's inclement winds, and then by the blizzard. Her motor-car was useless, and although at sixty she was an extremely youthful and vigorous woman, her daughters and granddaughter had threatened to use force rather than let her risk the danger of an expedition on foot, at least while the storm continued.

But now the wind was gone, and by the time Mrs. Melrose had been properly shod, and coated, and hatted, there was even a dull glimmer toward the southeast that indicated the location of the long-lost sun. The old lady looked her approval at Fifth Avenue, with all its crudities veiled and softened by the snowfall, and as she climbed into an omnibus expressed herself firmly to Regina.

You mark my words, the sun will be out before we come home!

Regina, punching the two dimes carefully into the jolting receiver, made only a respectful murmur for answer. She was, like many a maid, a snob where her mistress was concerned, and she did not like to have Mrs. Melrose ride in public omnibuses. For Regina herself it did not matter, but Mrs. Melrose was one of the city's prominent and wealthy women, and Regina could not remember that she had ever sunk to the use of a public conveyance before to-day. The maid was glad when they descended at a street in the East Sixties. They would probably be sent home, she reflected, in Mrs. Liggett's car. For Regina noticed that private cars were beginning to grind and slip over the snow again.

Old Mrs. Melrose was going to see her daughter Alice, who was Mrs. Christopher Liggett, because Alice was an invalid. It had been only a few years after Alice's most felicitous marriage, a dozen years ago, when an accident had laid the lovely and brilliant woman upon the bed of helplessness that she might never leave again. There was no real reason why the spine should continue useless, the great specialists said, there was a hope—even a probability—that as Alice grew rested and strong, after the serious accident, she might find herself walking again. But Alice had been a prisoner for ten years now, and the mother and sister who idolized her feared that she would never again be the old dancing Alice and feared that she knew it. What Christopher Liggett feared they did not know. He insisted that Alice's illness was but temporary, and was tireless in his energetic pursuit of treatment for his wife. Everything must be hoped, and everything must be tried, and Alice's mother knew that one of the real crosses of her daughter's life was sorrowful pity for Chris's optimistic delusions.

The young Liggetts had sold the old house of Christopher's father, an immense brownstone mansion a few squares away, and lived in a modern, flat-faced gray-stone house that rose five stories from the beautifully arranged basement entrance. There were stone benches at the entrance, and a great iron grill, and two potted trees, and the small square windows were leaded, and showed blossoming plants inside. The three long windows above gave upon a little-used formal drawing-room, with a Gothic fireplace of white stone at one end, and a dim jumble of rich colours and polished surfaces between that and the big piano at the other. The room at the back, on this floor, was an equally large and formal dining-room, gleaming with carved mahogany and fretted plate, used only on the rare occasions of a dinner-party.

But on the floor above the gracious mistress of the house had her domain, and here there was enough beauty and colour to make the whole house live. The front room, cool all summer because it faced north, and warm all winter, because of the great open fireplace that augmented the furnace heat, was Alice's sitting-room; comfortable, beautiful, and exquisitely ordered. None of the usual clutter of the invalid was there. The fireplace was of plain creamy tiling, the rugs dull-toned upon a dark, polished floor. There were only two canvases on the dove-gray walls, and the six or seven photographs that were arranged together on the top of one of the low, plain, built-in bookcases, were framed alike. There were no meaningless vases, no jars or trays or plaques or ornaments in Alice's room. Her flowers she liked to see in shining glass bowls; her flat-topped desk was severely bare.

But the cretonne that dressed her big comfortable chairs and her couch was bright with roses and parrots and hollyhocks, and the same cretonne, with plain net undercurtaining, hung at her four front windows. The room was big enough to accommodate besides, even with an air of space and simplicity, the little grand piano that Christopher played for her almost every night. A great Persian tortoise-shell cat was at home here, and sometimes Alice had her magnificent parrot besides, hanging himself upside down on his gaily-painted stand, and veiling the beady, sharp eye with which he watched her. The indulgent extravagance of her mother had bound all the books that Alice loved in the same tone of stony-blue vellum, the countless cushions with which the aching back was so skillfully packed were of the same dull tone, and it pleased the persons who loved her to amuse the prisoner sometimes with a ring in which her favourite note was repeated, or a chain of old lapis-lazuli that made Alice's appreciative blue eyes more blue.

Back of Alice's room was a den in which Christopher could conduct much of his personal business, and beyond that was the luxurious bathroom, a modern miracle of enamel tiling and shining glass. Across the sun-flooded back of the house were Alice's little bedroom, nunlike in its rigid austerity, her nurse's room adjoining, and a square sun-room, giving glimpses of roofs and trim back-gardens, full of flowers, with a little fountain and goldfish, a floor of dull pink tiling, and plants in great jars of Chinese enamel. Christopher had planned this delightful addition to Alice's domain only a few years ago, and, with that knowledge of her secret heart that only Christopher could claim, had let her share the pleasure of designing and arranging it. It stretched out across the west side of the spacious backyard, almost touching the branches of the great plane tree, and when, after the painful move to her mother's house, and the necessary absence during the building of it, Alice had been brought back to this new evidence of their love and goodness, she had buried her face against Christopher's shoulder, and told him that she didn't think people with all the world to wander in had ever had anything lovelier than this!

One of the paintings that Alice might look at idly, in the silence of the winter noon, was of a daisied meadow, stretching between walls of heavy summer woodland to the roof of a half-buried farmhouse in the valley below. The other picture was of the very mother who was coming toward Alice now, in the jolting omnibus. But it was a younger mother, and a younger Alice, that had been captured by the painter's genius. It was a stout, imperious, magnificently gowned woman, of not much more than thirty, in whose spreading silk lap a fair little girl was sitting. This little earnest-eyed child was Alice at seven. The splendid, dark-eyed, proud-looking boy of about fourteen, who stood beside the mother, was Teddy, her only son, dead now for many years, and perhaps mercifully dead. The fourth and last person pictured was the elder daughter, Annie, who had been about nine years old then, Alice remembered. Annie and Alice had been unusually alike, even for sisters, but even then Annie's fair, aristocratic type of blonde prettiness had been definite where Alice's was vague, and Annie's expression had been just a trifle haughty and discontented where Alice's was always grave and sweet. Annie had almost been a beauty, she was extremely and conspicuously good-looking even now, when as Mrs. Hendrick von Behrens, wife of a son of an old and wealthy Knickerbocker family, she was supreme in the very holy of holies of the city's social life.

Mrs. Melrose came unannounced upon her daughter to-day, and Alice's colourless warm cheek flushed with happiness under her mother's fresh, cold kiss.

Mummy—you darling! But how did you get here? Miss Slater says that the streets are absolutely impassable!

I came in the 'bus, dear, Mrs. Melrose said, very much pleased with herself. How warm and comfy you are in here, darling. But what did I interrupt?

You didn't interrupt anything, Alice said, quickly. Chris telephoned, and he's bringing Henrici—the Frenchman who wrote that play I loved so—to tea. Isn't that fun? I'm so excited—and I think Chris was such a duck to get hold of him. I was translating it, you know, and Bowditch, who was here for dinner last night, told me he'd place it, if I finished it. And now I can talk it over with Henrici himself—thanks to Chris! Chris met my man at the club, and told him about me, and he said he would be charmed. So I telephoned several persons, and I tried to get hold of Annie——

Annie has a lunch—and a board meeting at the hospital at four, Annie's mother remembered, and Leslie is at a girls' luncheon somewhere. Annie had breakfast with me, and was rushing off afterward. She's quite wonderfully faithful about those things.

Well, but you'll stay for lunch and tea, too, Mummy? Alice pleaded. She was lying back in her pillows, feasting her eyes upon her mother's face with that peculiarly tense devotion that was part of her nature. Rarely did a day pass without their meeting, and no detail touching Annie's life, Annie's boys or husband, was too small to interest Alice. She was especially interested, too, in Leslie, the eighteen-year-old daughter that her brother Theodore had left to his mother's care; in fact, between the mother and daughters, the one granddaughter and two little grandsons, and the two sons-in-law of the Melrose family, a deep bond existed, a bond of pride as well as affection. It was one of their favourite boasts that to the Melroses the unity and honour of the family was the first consideration in the world.

But to-day Mrs. Melrose could not stay. At one o'clock she left Alice to be put into her prettiest robe by the devoted Miss Slater, saw with satisfaction that preparations for tea were noiselessly under way, called Regina, odorous of tea and mutton chops, from the pantry, and went out into the quiet cold of the winter noon.

The old Melrose house was a substantial, roomy, brownstone building in Madison Avenue, inconspicuous perhaps among several notoriously handsome homes, but irreproachably dignified none the less. A few blocks below it the commercial current of East Thirty-fourth Street ebbed and flowed; a few blocks north the great façade of the Grand Central Station shut off the street completely. Third Avenue, behind it, swarmed and rattled alarmingly close, and Broadway flared its impudent signs only five minutes' walk in the other direction, but here, in a little oasis of quiet street, two score of old families serenely held their place against the rising tide, and among them the Melroses confidently felt themselves valued and significant.

Mrs. Melrose mounted her steps with the householder's secret complacency. They were scrupulously brushed of the last trace of snow, and the heavy door at the top swung noiselessly open to admit her. She suddenly realized that she was very tired, that her fur coat was heavy, and her back ached. She swept straight to the dark old curving stairway, and mounted slowly.

Joseph, she said over her shoulder, send luncheon upstairs, please. And when Miss Leslie comes in, tell her I should like to see her, if it isn't too late. Anybody coming to-night?

Mr. von Behrens telephoned that he and Mr. Liggett might come in for a moment, on his way to the banquet at the Waldorf, Madam. But that was all.

I may have dinner upstairs, too, if Leslie is going anywhere, Mrs. Melrose said to herself, mounting slowly. And it seemed to her fatigue very restful to find her big room warm and orderly, her coal fire burning behind the old-fashioned steel rods, all the homely, comfortable treasures of her busy years awaiting her. She sank into a chair, and Regina flew noiselessly about with slippers and a loose silk robe. Presently a maid was serving smoking-hot bouillon, and Mrs. Melrose felt herself relaxed and soothed; it was good to be home.

Yet there was trace of uneasiness, of something almost like apprehension, in the look that wandered thoughtfully about the overcrowded room. Presently she reached a plump, well-groomed hand toward the bell. But when Regina came to stand expectantly near her, Mrs. Melrose roused herself from a profound abstraction to assure her that she had not rung—it must have been a mistake.

Miss Leslie hasn't come in?

Not yet, Madam, Miss Melrose is at Miss Higgins's luncheon.

Yes; but it was an early luncheon, the grandmother said, discontentedly. She was playing squash, or tennis, or something! Regina——

Yes, Madam?

But Mrs. Melrose was musing again.

Regina, I am expecting a caller at four o'clock, a Mrs. Sheridan. Please see that she is shown up at once. I want to see her here. And please——

A pause. Regina waited.

That's all! her mistress announced, suddenly.

Alone again, the old lady stirred her tea, ruminated for a few moments with narrowed eyes fixed on space, recalled herself to her surroundings, and finished her cup.

Her room was large, filled with chairs and tables, lamps and cushions, silver trays and lacquer boxes, vases and jars and bowls, gift books and current magazines. There was not an unbroken inch of surface anywhere, the walls were closely set with pictures of all sorts. Along the old-fashioned mantel, a scalloped, narrow shelf of marble, was a crowding line of photographs in silver frames, and there were other framed photographs all about the room. There were the young mothers of the late eighties, seated to best display their bustles and their French twists, with heavy-headed infants in their tightly cased arms, and there were children's pictures, babes in shells, in swings, or leaning on gates. There were three Annies: one in ringlets, plaid silk, and tasselled boots, at eight; one magnificent in drawing-room plumes; and a recent one, a cloudy study of the severely superb mother, with a sleek-headed, wide-collared boy on each side of her. There was a photograph of the son Theodore, handsome, sullen, dressed in the fashion of the opening century, and there was more than one of Theodore's daughter, the last of the Melroses. Leslie had been a wide-eyed, sturdy little girl who carried a perpetually surprised, even a babyish expression into her teens, but her last pictures showed the débutante, the piquant and charming eighteen-year-old, whose knowingly tipped hat and high fur collar left only a glimpse of pretty and pouting face between.

Leslie came in upon her grandmother at about three o'clock. She was genuinely tired, after an athletic morning at the club, a luncheon amid a group of chattering intimates, and a walk with the young man whose attentions to her were thrilling not only her grandmother and aunts, but the cool-blooded little Leslie herself. Acton Liggett was Christopher's only brother, only relative indeed, and promised already to be as great a favourite as the irresistible Chris himself. Both were rich, both fine-looking, straightforward, honourable men, proud of their own integrity, their long-established family, and their old firm. Acton was pleasantly at home in the Melrose, Liggett, and Von Behrens houses, the very maids loved him, and his quiet singling out of Leslie for his devotion had satisfied everyone's sense of what was fitting and delightful. Pretty Leslie, back from a summer's idling with Aunt Annie and the little boys, in California and Hawaii, had found Acton's admiration waiting for her, with all the other joys of her débutante winter.

And even the critical Aunt Annie had to admit that the little minx was managing the whole matter with consummate skill. Leslie was not in the least self-conscious with Acton; she turned to him with all the artless confidence of a little sister. She asked him about her dancing partners, and about her gowns, and she discussed with him all the various bits of small gossip that concerned their own friends.

Should I have said that, Acton? she would ask, trustfully. Shall I be Marion's bridesmaid? Would you?—after I refused Linda Fox, you know. I don't like to dance with Louis Davis, after what you told me; what shall I do when he comes up to me?

Acton was twenty-five, seven years her senior. He advised her earnestly, over many a confidential cup of tea. And just lately, the grandmother noticed exultantly, hardly a day passed that did not find the young couple together.

How did Acton happen to meet you, lovey? she asked to-day, apropos of the walk.

Why, he telephoned Vesta Higgins's, and asked me how I was going to get home. I said, walk. There was no use trying motor-cars, anyway, for they were slipping and bumping terribly! He said he was in the neighbourhood, and he came up. Granny——

She paused, and her grandmother was conscious of a quickened heart-beat. The thoughtful almost tremulous tone was not like giddy little Leslie.

Granny, the girl repeated, presently, how old was my mother when she got married?

About twenty-two, the old woman said.

And how old was Aunt Annie when she did?

Annie's about thirty-seven, her mother considered. She was about twenty-five. But why, dear?

Nothing, said Leslie, and fell silent.

She was still in the silk blouse and short homespun skirt that she had worn at the athletic club luncheon, but she had thrown aside her loose woolly coat, and the narrow furs that were no softer than her own fair skin. Flung back into a deep chair, and relaxed after her vigorous day, she looked peculiarly childish and charming, her grandmother thought. She was like both her aunts, with Annie's fair, almost ashen hair and Alice's full, pretty mouth. But she was more squarely built than either, and a hint of a tip, at the end of her nose, gave her an expression at once infantile and astonished. When Leslie opened her blue eyes widely, and stared at anything, she looked like an amazed baby, and the effect of her round eyes and tilted nose was augmented by her very fair skin, and by just a sixteenth of an inch shortness in her upper lip. Of course she knew all this. Her acquaintance with her own good and bad points had begun in school days, and while through her grandmother's care her teeth were being straightened, and her eyes and throat subjected to mild forms of surgery, her Aunt Annie had seen to it that her masses of fair hair had been burnished and groomed, her hands scraped and polished into beauty, and finally that her weight was watched with scrupulous care. Nature had perhaps intended Leslie to be plump and ruddy, but modern fashion had decreed otherwise, and, with half the girls of her own age and set, Leslie took saccharine in her tea, rarely touched sweets or fried food, and had the supreme satisfaction of knowing that she was actually too slim and too willowy for her height, and interestingly colourless into the bargain.

Could Acton possibly have said anything definite to start this unusual train of thought, the grandmother speculated. With Leslie so felicitously married, she would have felt ready for her nunc dimittis. She watched Leslie expectantly. But the girl was apparently dreaming, and was staring absently at the tip of one sturdy oxford above which a stretch of thick white woollen stocking was visible almost to her knee.

How can they fall in love with them, dressed like Welsh peasants! the grandmother said to herself, in mild disapproval. And aloud she said: Ah, don't, lovey!

For Leslie had taken out a small gold case, and was regarding it thoughtfully.

My first to-day, on my honour! Leslie said, as she lazily lighted a sweet-scented cigarette. It never occurred to her to pay any attention to her grandmother's protest, for Grandmother had been regularly protesting against everything Leslie had done since her adored and despotic childhood. She had fainted when Leslie had dived off the dock at Newport, and had wept when Leslie had galloped through the big iron gates on her own roan stallion; she had called in Christopher, as Leslie's guardian, when Leslie, at fifteen, had calmly climbed into one of the big cars, and driven it seven miles, alone and unadvised, and totally without instruction or experience. Leslie knew that this half-scandalized and wholly-admiring opposition was one of her grandmother's secret satisfactions, and she combatted it only mechanically.

Have one, Grandma?

Have one—you wild girl you! I'd like to know what a nice young man thinks when a refined girl offers him——

All the nice young men are smoking themselves, like chimneys!

Ah, but that's a very different thing. No, my dear, no man, whether he smokes himself or not, likes to have a sweet, womanly girl descend——

Darling, didn't you ever do anything that my revered great-grandmother Murison disapproved of? Leslie teased, dropping on her knees before her grandmother, and resting her arms on her lap.

Smoke——! My mother would have fainted, said Mrs. Melrose. And don't blow that nasty-smelling stuff in my face!

But she could not resist the pleasure that the lovely young face, so near her own, gave her, and she patted it with her soft, wrinkled hand. Suddenly Leslie jumped up eagerly, listening to the sound of voices in the hall.

There's Aunt Annie—oh, goody! I wanted to ask her——

But it was Regina who opened the door, showing in two callers. The first was a splendid-looking woman of perhaps forty-five, with a rosy, cheerful face, and wide, shrewd gray eyes shining under a somewhat shabby mourning veil. With her was a pretty girl of eighteen, or perhaps a little more.

Leslie glanced astonished at her grandmother. It was extremely unusual to have callers shown in in this unceremonious fashion, even if she had been rather unprepossessed by these particular callers. The younger woman's clothing, indeed, if plain, was smart and simple; her severe tailor-made had a collar of beaver fur to relieve its dark blue, and her little hat of blue beaver felt was trimmed only by a band of the same fur. She had attractive dark-blue eyes and a flashing smile.

But her companion's comfortable dowdiness, her black cotton gloves, her squarely built figure, and worn shoes, all awakened a certain contempt in the granddaughter of the house, and caused Leslie shrewdly to surmise that these humble strangers were pensioners of her grandmother, the older one probably an old servant.

Kate Sheridan! Old Mrs. Melrose had gotten to her feet, and had put her arm about the visitor. Well, my dear, my dear, I've not seen you these——What is it? Don't tell me how many years it is! And which daughter is this?

This is my niece, Norma, the older woman said, in a delightful rich voice that was full of easy confidence and friendliness. This is Mrs. Melrose, Norma, darling, that was such a good friend to me and mine years ago!

No warmer friend than you were to me, Kate, the old lady said, quickly, still keeping an arm about the sturdy figure. This is my granddaughter, Theodore's little girl, Mrs. Melrose added, catching Leslie with her free hand.

Leslie was not more of a snob than is natural to a girl of her age and upbringing, but she could not but give Mrs. Sheridan a pretty cool glance. Grandmother's old friends were all very well——

But Mrs. Sheridan was studying her with affectionate freedom.

And isn't she Miss Alice's image! But she's like you all—she's like Mr. Theodore, too, especially through the eyes!

And she turned back to her hostess, interested, animated, and as oblivious to Leslie's hostile look as if the girl were her own picture on the wall.

And you and my Norma must know each other, she said, presently, watching the girls as they shook hands, with a world of love and solicitude in her eyes.

Sit down, both you two, Mrs. Melrose said. Leslie glanced at the strapped watch at her wrist.

Grandmother, I really—— she began.

No, you don't really! her grandmother smiled. Talk to Miss Sheridan while I talk—she turned smiling to her old friend—to Kate! Tell me, how are you all, Kate? And where are you all—you were in Detroit?

"We've been in New York more than two years now, and why I haven't been to see you before, perhaps you can tell me, for I can't! Kate Sheridan said. But my boy is a great big fellow now; Wolf's twenty-four, and Rose is twenty-one, and this one, she nodded toward Norma, who was exchanging comments on the great storm with Leslie, this one is nearly nineteen! And you see they're all working: Wolf's doing wonderfully with a firm of machine manufacturers, in Newark, and Rose has been with one real estate firm since we came. And Norma here works in a bookstore, up the Avenue a bit,