The Twenty-Fourth of June Midsummer's Day
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The Twenty-Fourth of June Midsummer's Day - Grace S. (Grace Smith) Richmond
The Project Gutenberg eBook, The Twenty-Fourth of June, by Grace S. Richmond
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Title: The Twenty-Fourth of June
Author: Grace S. Richmond
Release Date: December 28, 2004 [eBook #14491]
Language: English
***START OF THE PROJECT GUTENBERG EBOOK THE TWENTY-FOURTH OF JUNE***
E-text prepared by Ted Garvin, Mary Meehan, and the Project Gutenberg Online Distributed Proofreading Team
THE TWENTY-FOURTH OF JUNE
Midsummer's Day
by
GRACE S RICHMOND
1914
CONTENTS
CHAPTER
I. The Curtain Rises on a Home
II. Richard Changes His Plans
III. While It Rains
IV. Pictures
V. Richard Pricks His Fingers
VI. Unsustained Application
VII. A Traitorous Proceeding
VIII. Roses Red
IX. Mr. Kendrick Entertains
X. Opinions and Theories
XI. The Taming of the Shrew
XII. Blankets
XIII. Lavender Linen
XIV. Rapid Fire
XV. Making Men
XVI. Encounters
XVII. Intrigue
XVIII. The Nailing of a Flag
XIX. In the Morning
XX. Side Lights
XXI. Portraits
XXII. Roberta Wakes Early
XXIII. Richard Has Waked Earlier
XXIV. The Pillars of Home
XXV. A Stout Little Cabin
CHAPTER I
THE CURTAIN RISES ON A HOME
None of it might ever have happened, if Richard Kendrick had gone into the house of Mr. Robert Gray, on that first night, by the front door. For, if he had made his first entrance by that front door, if he had been admitted by the maidservant in proper fashion and conducted into Judge Calvin Gray's presence in the library, if he had delivered his message, from old Matthew Kendrick, his grandfather, and had come away again, ushered out of that same front door, the chances are that he never would have gone again. In which case there would have been no story to tell.
It all came about—or so it seems—from its being a very rainy night in late October, and from young Kendrick's wearing an all-concealing motoring rain-coat and cap. He had been for a long drive into the country, and had just returned, mud-splashed, when his grandfather, having taken it into his head that a message must be delivered at once, requested his grandson to act as his messenger.
So the young man had impatiently bolted out with the message, had sent his car rushing through the city streets, and had become a still muddier and wetter figure than before when he stood upon the porch of the old Gray homestead, well out in the edge of the city, and put thumb to the bell.
His hand was stayed by the shrill call of a small boy who dashed up on the porch out of the dusk. You can't get in that way,
young Ted Gray cried. Something's happened to the lock—they've sent for a man to fix it. Come round to the back with me—I'll show you.
So this was why Richard Kendrick came to be conducted by way of the tall-pillared rear porch into the house through the rear door of the wide, central hall. There was no light at this end of the hall, and the old-fashioned, high-backed settee which stood there was in shadow.
With a glance at the caller's muddy condition the young son of the house decided it the part of prudence to assign him this waiting-place, while he himself should go in search of his uncle. The lad had seen the big motor-car at the gate; quite naturally he took its driver for a chauffeur.
Ted looked in at the library door; his uncle was not there. He raced off upstairs, not noting the change which had already taken place in the visitor's appearance with the removal of the muddy coat and cap.
Richard Kendrick now looked a particularly personable young man, well built, well dressed, of the brown-haired, gray-eyed, clear-skinned type. The eyes were very fine; the nose and mouth had the lines of distinction; the chin was—positive. Altogether the young man did not look the part he had that day been playing—that of the rich young idler who drives a hundred and fifty miles in a powerful car, over the worst kind of roads, merely for the sake of diversion and a good luncheon.
While he waited Richard considered the hall, at one end of which he sat in the shadow. There was something very homelike about this hall. The quaint landscape paper on the walls, the perceptibly worn and faded crimson Turkey carpeting on the floors, the wide, spindle-balustrade staircase with the old clock on its landing; more than all, perhaps, on an October night like this, the warm glow from a lamp with crystal pendants which stood on the table of polished mahogany near the front door—all these things combined to give the place a quite distinctive look of home.
There were one or two other touches in the picture worth mentioning, the touches which spoke of human life. An old-fashioned hat-tree just opposite the rear door was hung full with hats. A heavy ulster lay over a chair close by, and two umbrellas stood in the corner. And over hat-rack, hats, ulster, and chair, with one end of silken fringe caught upon one of the umbrella ribs, had been flung by some careless hand, presumably feminine, a long silken scarf of the most intense rose-colour, a hue so vivid, as the light caught it from the landing above, that it seemed almost to be alive.
From various parts of the house came sounds—of voices and of footsteps, more than once of distant laughter. Far above somewhere a child's high call rang out. Nearer at hand some one touched the keys of a piano, playing snatches of Schumann—Der Nussbaum, Mondnacht, Die Lotosblume. Richard recognized the airs which thus reached his ears, and was sorry when they ceased.
Now there might be nothing in all this worth describing if the effect upon the observer had not been one to him so unaccustomed. Though he had lived to the age of twenty-eight years, he had never set foot in a place which seemed so curiously like a vague dream he had somewhere at the back of his head. For the last two years he had lived with his grandfather in the great pile of stone which they called home. If this were no real home, the young man had never had one. He had spent periods of his life in various sorts of dwelling-places; in private rooms at schools and college—always the finest of their kind—in clubs, on ships, in railway trains; but no time at all in any place remotely resembling the house in which he now waited, a stranger in every sense of the word, more strange to the everyday, fine type of home known to the American of good birth and breeding than may seem credible as it is set down.
Hold on there!
suddenly shouted a determined male voice from somewhere above Richard. A door banged, there was a rush of light-running feet along the upper hall, closely followed by the tread of heavier ones. A burst of the gayest laughter was succeeded by certain deep grunts, punctuated by little noises as of panting breath and half-stifled merriment. It was easy to determine that a playful scuffle of some sort was going on overhead, which seemed to end only after considerable inarticulate but easily translatable protest on the part of the weaker person involved.
Then came an instant's silence, a man's ringing laugh of triumph; next, in a girl's voice, a little breathless but of a quality to make the listener prick up ears already alert, these most unexpected words:
"'O, it is excellent
To have a giant's strength; but it is tyrannous
To use it like a giant!'"
Is it, indeed, Miss Arrogance?
mocked the deeper voice. Well, if you had given it back at once, as all laws of justice, not to mention propriety, demanded, I should not have had to force it away from you. Oh, I say, did I really hurt that wrist, or are you shamming?
Shamming! You big boys have no idea how brutally violent you are when you want some little thing you ought not to have. It aches like anything,
retorted the other voice, its very complaints uttered in such melodious tones of contralto music that the listener found himself wishing with all his might to know if the face of its owner could by any possibility match the loveliness of her voice. Dark, he fancied she must be, and young, and strong—of education, of a gay wit, yet of a temper—all this the listener thought he could read in the voice.
Poor little wilful girl! Did she get hurt, then, trying to have her own way? Come in here, jade, and I'll fix it up for you,
the deeper tones declared.
Footsteps again; a door closed. Silence succeeded for a minute; then the Schumann music began again, a violin accompanying. And suddenly, directly opposite the settee, a door swung slowly open, the hand upon the knob invisible. A picture was presented to the stranger's eyes as if somebody had meant to show it to him. He could but look. Anybody, seeing the picture, would have looked and found it hard to turn his eyes away.
For it was the heart of the house, right here, so close at hand that even a stranger could catch a glimpse of it by chance. A great, wide-throated fireplace held a splendid fire of burning logs, the light from it illumining the whole room, otherwise dark in the October twilight. Before it on the hearth-rug were silhouetted, in distinct lines against its rich background, two figures. One was that of a woman in warm middle life, sitting in a big chair, her face full of both brightness and peace; at her feet knelt a young girl, her arm upon her mother's knees, her face uplifted. The two faces were smiling into each other.
Somebody—it looked to be a tall young man against the fire-glow—came and abruptly closed the door from within, and the picture was gone. The fitful music ceased again; the house was quiet.
Thereupon Richard Kendrick grew impatient. Fully ten minutes must have elapsed since his youthful conductor had disappeared. He looked about him for some means of summoning attention, but discovered none.
Suddenly a latchkey rattled uselessly in the lock of the front door; then came lusty knocks upon its stout panels, accompanied by the whirring of a bell somewhere in the distance.
A maidservant came hurriedly into the hall through a door near Richard, and at the same moment a boy of ten or eleven came tearing down the front stairs. As the lad shouted through the door, Richard recognized his late conductor.
You can't get in, Daddy; the lock's gone queer. Come around to the back. I'll see to him, Mary,
the boy called to the maid, who, nodding, disappeared.
At this moment the door opposite Richard opened again, and the mother of the household came out, her comely waist closely clasped by the arm of the young girl. The two were followed by the tall young man.
Richard stood up, and was, of course, instantly upon the road to the delivery of his message.
Ted, ushering in his father, and spying the waiting messenger, cried repentantly, Oh, I forgot!
and the tall young man responded gravely, You usually do, don't you, Cub?
This elder son of the house, waving the small boy aside, attended to taking Richard to the library, and to summoning Judge Calvin Gray.
In five minutes the business had been dispatched, Judge Gray had made friendly inquiry into the condition of his old friend's health, and Richard was ready to take his departure. Curiously enough he did not now want to go. As he stood for a moment near the open library door, while Judge Gray returned to his desk for a newspaper clipping, the caller was listening to the eager greetings taking place in the hall just out of his sight. The father of the family appeared to have returned from an absence of some length, and the entire household had come rushing to meet and welcome him. Richard listened for the contralto notes he had heard above, and presently detected them declaring with vivid emphasis: Mother has been a dear, splendid martyr. Nobody would have guessed she was lonely, but—we knew!
She couldn't possibly have been more lonely than I. Next time I'll take her with me!
was the emphatic response.
Then the whole group swept by the library door, down the hall, and into the room of the great fireplace. Nobody looked his way, and Richard Kendrick had one swift view of them all. Vigorous young men, graceful young women, a child or two, the mother of them all on the arm of her husband—there were plenty to choose from, but he could not find the one he looked for. Then, quite by itself, another figure flashed past him. He had a glimpse of a dusky mass of hair, of a piquant profile, of a round arm bared to the elbow. As the figure passed the hat-tree he saw the arm reach out and catch the rose-coloured scarf, flinging it over one shoulder. Then the whole vision had vanished, and he stood alone in the library doorway, with Judge Gray saying behind him: I cannot find the clipping. I will mail it to your grandfather when I come upon it.
I knew that scarf was hers,
Richard was thinking as he went out into the night by way of the rear door, Judge Gray having accompanied him to the threshold and given him a cordial hand of farewell. What a voice! She could make a fortune with it on the stage, if she couldn't sing a note. The stage! What had the stage to do with people who lived together in a place like that?
He looked curiously back at the house as he went down the box-bordered path which led, curving, from it to the street. It was obviously one of the old-time mansions of the big city, preserved in the midst of its grounds in a neighbourhood now rampant with new growth. It was outside, on this chill October night, as hospitable in appearance as it was inside; there was hardly a window which did not glow with a mellow light. As Richard drove down the street, he was recalling vividly the picture of the friendly-looking hall with its faded Turkey carpet worn with the tread of many rushing feet, its atmosphere of welcoming warmth—and the rose-hued scarf flung over the dull masculine belongings as if typifying the fashion in which the women of the household cast their bright influence over the men.
It suddenly occurred to Richard Kendrick that if he had lived in such a home even until he went away to school, if he had come back to such a home from college and from the wanderings over the face of the earth with which he had filled in his idle days since college was over, he should be perhaps a better, surely a different, man than he was now.
* * * * *
Louis Gray, coming into the hall precisely as Richard Kendrick, again enveloped in his muddy motoring coat, was releasing Judge Gray's hand and disappearing into the night, looked curiously after the departing figure. His sister Roberta, following him into the hall a moment after, rose-coloured scarf still drifting across white-clad shoulder, was in time to receive his comment:
Seems rather odd to see that chap departing humbly by any door but the front one.
You knew him, then. Who was he?
inquired his sister.
Didn't you? He's a familiar figure enough about town. Why, he's Rich Kendrick. Grandson of Matthew Kendrick, of Kendrick & Company, you know. Only Rich doesn't take much interest in the business. You'll find his doings carefully noticed in certain columns in certain society journals.
I don't read them, thank you. Do you?
Don't need to. Kendrick's a familiar figure wherever the gay and youthful rich disport themselves—when he's in the country at all. He's doing his best to get away with the money his father left him. Fortunately the bulk of the family fortune is still in the hands of his grandfather, who seems an uncommonly healthy and vigorous old man.
Louis laughed. Can't think what Rich Kendrick can be doing here with Uncle Cal. I believe, though, he and old Matthew Kendrick are good friends. Probably grandson Richard came on an errand. It certainly behooves him to do grandfather's errands with as good a grace as he can muster.
He was sitting in the hall quite a while before Uncle Cal saw him,
volunteered Ted, who had tagged at Roberta's heels, and was listening with interest.
Sitting in the hall, eh—like any district messenger?
Louis was clearly delighted with this news. How did it happen, Cub? Mary take him for an everyday, common person?
I let him in. I thought he was a chauffeur,
admitted Ted. He was awfully wet and muddy. Steve took him in to Uncle Cal.
An explosion of laughter from his interested elder brother interrupted him. I wish I'd come along and seen him. So he had the bad manners to sit in our hall in a wet and muddy motoring coat, and go in to see Uncle Cal—
The young man had on no muddy coat when Stephen brought him in to see me,
declared Judge Calvin Gray, coming out and catching the last sentence. He put it on in the hall before going out. What are you saying? That was the grandson of my good friend, Matthew Kendrick, and so had claim upon my good will from the start, though I haven't laid eyes upon the boy since his schooldays. He was rather a restless and obstreperous youngster then, I'll admit. What he is now seems pleasing enough to the eye, certainly, though of course that may not be sufficient. A fine, mannerly young fellow he appeared to me, and I was glad to see that he seemed willing enough to run upon his grandfather's errands, though they took him out upon a raw night like this.
But Louis Gray, though he did not pursue the subject further, was still smiling to himself as he obeyed a summons to dinner.
At opposite ends of the long table sat Mr. and Mrs. Robert Gray. The head of the house looked his part: fine of face, crisp of speech, authoritative yet kindly of manner. His wife may be described best by saying that one had but to look upon her to know that here sat the Queen of the little realm, the one whose gentle rule covered them all as with the brooding wing of wise motherhood. Down the sides of the board sat the three sons: Stephen, tall and slender, grave-faced, quiet but observant; Louis, of a somewhat lesser height but broad of shoulder and deep of chest, his bright face alert, every motion suggesting vigour of body and mind; Ted—Edgar—the youngest, a slim, long-limbed lad with eyes eager as a collie's for all that might concern him—this was the tale of the sons of the house. There were the two daughters: Roberta, she of the rose-coloured scarf—it was still about her shoulders, seeming to draw all the light in the room to its vivid hue, reflecting itself in her cheeks—Roberta, the elder daughter, dusky of hair, adorable of face, her round white throat that of a strong and healthy girl, her laugh a song to listen to; the other daughter, Ruth, a fair-haired, sober-eyed creature of growing sixteen, as different as if of other blood. One would not have said the two were sisters. There was one more girl at the table; no, not a girl, yet she looked younger than Roberta—a little person with a wild-rose, charming face, and the sweetest smile of them all—Rosamond, Stephen's wife, quite incredibly mother of two children of nursery age, at this moment already properly asleep upstairs.
Last but far from least, loved and honoured of them all above the lot of average man to command such tribute, was the elder brother of the master of the house, his handsome white head and genial face drawing toward him all eyes whenever he might choose to speak—Judge Calvin Gray. All in all they were a goodly family, just such a family as is to be found beneath many a fortunate roof; yet a family with an individuality all its own and a richness of life such as is less common than it ought to be.
CHAPTER II
RICHARD CHANGES HIS PLANS
The next time Richard Kendrick went to the Gray home was a fortnight later, when old Matthew Kendrick was sending some material for which Judge Gray had written to ask him—books and pamphlets, and a set of maps. This time he would have sent a servant, but his grandson Richard heard him giving directions and came into the affair with a careless suggestion that he was driving that way and might as well take the stuff if Mr. Kendrick wished it. The old man glanced curiously at him across the table where the two sat at luncheon.
Glad to have you, of course,
he commented, but you made so many objections when I asked you before I thought I wouldn't interfere with your time again. Did you meet any of the family when you went?
Only Judge Gray and two of his nephews,
responded Richard, truthfully enough.
So he went with the big package. This time, it being a fine, sunny, summerlike day almost as warm as September, he went clad in careful dress with only a light motoring coat on over all to preserve the integrity of his attire. He left this in the car when he leaped out of it, and appeared upon the doorstep looking not at all like his own chauffeur, but quite his comely self.
The door-lock was in full working order now, and he was admitted by the same little maid whom he remembered seeing before. Upon his inquiry for Judge Gray he was told that that gentleman was receiving another caller and had asked to be undisturbed for a short time, but if he could wait—
Now there was no reason in the world for his waiting, since the package of books, pamphlets, and maps was under his arm and he had only to bestow it upon the maid and give her the accompanying directions. But, at this precise moment, Richard caught sight of a figure running down the staircase; concluded in one glance, as he had concluded in one glance before, that if a personality could be expressed by a speaking voice, a laugh, and a rose-hued scarf, this must be the one they expressed; and decided in the twinkling of an eye to wait. The maid conducted him toward the room on the right of the hall and he followed her, passing as he did so the person who had reached the foot of the stairs and who went by him in such haste that he had only time to give her one short but—it must be described as—concentrated look straight in the eyes. She in turn bestowed upon him the one glance necessary to inform her whether she knew him and so must stay long enough in her rapid progress to greet him. Their eyes therefore met at rather close range, lingered for the space of two running seconds, and parted.
Richard Kendrick accepted the chair offered him and sat upon it for the space of some eighteen-odd minutes; they might have been hours or seconds, he could not have told which. He could hardly have described the room to which he had been shown, unless to say that it was a square, old-fashioned reception room, a little formal, decidedly quaint, and dignified, and clearly not used by the family as other rooms were used. Certainly the piano, from which he had heard the Schumann music on his former visit, was not here, and certainly there were no rose-hued scarfs flung carelessly about. It was undoubtedly a place kept for the use of strange callers like himself, and had small part in the life of the household.
At length he was summoned to Judge Gray's library. He was met with the same pleasant courtesy as before, delivered his parcel, and lingered as long as might be, listening politely to his host's remarks, and looking, looking—for a chance to make a reason to come again. Quite unexpectedly it was offered him by the Judge himself.
I wonder if you could recommend to me,
said Judge Gray as Richard was about to take his leave, a capable young man—college-bred, of course—to come here daily or weekly as I might need him, to assist me in the work of preparing my book. My eyes, as you see, will not allow me to use them for much more than the reading of a paragraph, and while my family are very ready to help whenever they have the time, mine is so serious a task, likely to continue for so long a period, that I shall need continuous and prolonged assistance. Do you happen to know—?
Well, it can hardly be explained. This was a rich man's heir and the grandson of millions more, in need—according to his own point of view—of no further education along the lines of work, and he had a voyage to the Far East in prospect. Certainly, a fortnight earlier the thing furthest from his thoughts would have been the engaging of himself as amanuensis and general literary assistant to an ex-judge upon so prosaic a task as the history of the Supreme Court of the State. To say that a rose-hued scarf, a laugh, and an alluring speaking voice explain it seems absurd, even when you add to these that which the young man saw during that moment of time when he looked into the face of their owner. Rather would I declare that it was the subtle atmosphere of that which in all his travels he had never really seen before—a home. At all events a new force of some sort had taken hold upon him, and was leading him whither he had never thought to go.
If Judge Gray was surprised that the grandson of his old friend Matthew Kendrick should thus offer himself for the obscure and comparatively unremunerative post of secretary, he gave no evidence of it. Possibly it did not seem strange to him that this young man should show interest in the work the Judge himself had laid out with an absorbing enthusiasm. Therefore a trial arrangement was soon made, and Richard Kendrick agreed to present himself in Judge Gray's library on the following morning at ten o'clock. The only stipulation he made was that if, for any reason, he should decide suddenly to go upon a journey he had had some time in contemplation, he should be allowed to provide a substitute. He had not yet so completely surrendered to his impulse that he was not careful to leave himself a loophole of escape.
The young man laughed to himself all the way down the avenue. What would his grandfather say? What would his friends say? His friends should not know—confound them!—it was none of their business. He would have his evenings; he would appear at his clubs as usual. If comments were made upon his