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Four Spirits: A Novel
Four Spirits: A Novel
Four Spirits: A Novel
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Four Spirits: A Novel

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Weaving together the lives of blacks and whites, racists and civil rights advocates, and the events of peaceful protest and violent repression, Sena Jeter Naslund creates a tapestry of American social transformation at once intimate and epic.

In Birmingham, Alabama, twenty-year-old Stella Silver, an idealistic white college student, is sent reeling off her measured path by events of 1963. Combining political activism with single parenting and night-school teaching, African American Christine Taylor discovers she must heal her own bruised heart to actualize meaningful social change. Inspired by the courage and commitment of the civil rights movement, the child Edmund Powers embodies hope for future change. In this novel of maturation and growth, Naslund makes vital the intersection of spiritual, political, and moral forces that have redefined America.

LanguageEnglish
PublisherHarperCollins
Release dateMar 17, 2009
ISBN9780061862816
Four Spirits: A Novel
Author

Sena Jeter Naslund

Sena Jeter Naslund is a cofounder and program director of the Spalding University (Louisville) brief-residency MFA in Writing, where she edits The Louisville Review and Fleur-de-Lis Press. A winner of the Harper Lee Award and the Southeastern Library Association Fiction award, she is the author of eight previous works of fiction, including Ahab's Wife, a finalist for the Orange Prize. She recently retired from her position as Distinguished Teaching Professor at the University of Louisville.

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Rating: 3.8413461538461537 out of 5 stars
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  • Rating: 5 out of 5 stars
    5/5
    Powerful book, set in Birmingham in the racial-torn 60's. The story is told from several points of view, including white students from Birmingham Southern College, liberal in their hearts but with no real understanding about how to make changes in their lives; black women determined to make a stand, as well as some just as willing to sit by quietly. The violence is told matter-of-factly, which makes it even more horrifying. The "Four Spirits" are the four girls killed in the 16th Street Baptist Church bombing, and they serve as a thematic element in the story as their spirits appear and reappear at different time. As a Birmingham native, I can attest that Naslund sets an excellent and accurate sense of place. I can't say that it was really an enjoyable book, but one that put my mind and my heart to work.
  • Rating: 4 out of 5 stars
    4/5
    Sena Jeter Naslund knows how to craft a very beautiful sentence. There is a cadence to the words she puts together that can be no accident. And though Four Spirits suffers from being the follow-up to Naslund's brilliant Ahab's Wife, it is this beautiful rhythm coupled with her heart for the subject that provide this novel with its strongest qualities.

    What harms Four Spirits most, I believe, is the author's attempt to present so many perspectives. It works, but it doesn't necessarily add to the story. It's like adding all kinds of gears and levers and such to a machine that works great without them. Naslund does a masterful job writing from the viewpoint of so many characters, but their stories add nothing to little to the story.
  • Rating: 5 out of 5 stars
    5/5

    Stella Silver, at five years old, stands with a gun in her hand. Her father, over her shoulder, teaches her how to pull the trigger. He wants her to know "what happens to a bullet fired" (p 4). Welcome to Four Spirits. Sena Jeter Naslund sets out to tell the story of a group of ordinary people trying to live their lives in the deep south during one of the most tumultuous times in our country's history, the early 1960s. Amid the pages of Four Spirits you will meet civil rights activists, racists, musicians, students, families. You will watch relationships fall apart while others thrive. Sacrifices made, lives taken, hope clung to, and most importantly, resilience take root. There is power in courage as the characters of Four Spirits will show you. Five year old Stella grows up to be a passionate intelligent young woman whose world is rocked when President John F. Kennedy is assassinated in Texas. But, she is just one character in a host of others who will break your heart. Amidst the turmoil and violence, people went about doing ordinary things, trying to live ordinary lives.
    This is a tough book to read. For me, the domestic violence between Ryder and his wife was the hardest to take in, but be warned, his violence as a Ku Klux Klan member is far worse. The Klan is one of those realities of Birmingham, Alabama; their existence is something you wish you could pretend was not part of the historical fabric of our nation, but there they are.
    As an aside, it gave me great joy that Ryder was afraid of Dracula.

  • Rating: 4 out of 5 stars
    4/5
    This is a novel of The Civil Rights Movement. In particular, it deals with the bombing of a Birmingham church that killed four little girls, and the effect this had on many people, especially the main character, Stella Silver. Stella Silver is a young, white college student for whom the bombing created a conflict between the compulsion to act on her conscience and concern for her personal safety and the safety of her friends.

    The stories of so many others tie in as well. Naslund does an outstanding job of fully embodying each character, so that no character seems just a one-dimensional sillhouette, trivial, or unimportant to the whole of the story.

    I wouldn't list this book among my favorites, but I am glad I read it.
  • Rating: 4 out of 5 stars
    4/5
    This book has some of the same evocative writing that marked Ahab's Wife, one of my all-time favorite books, though my sense here is that she crosses the line to being self-conscious about technique. It's also hard in the first third of the book to keep track of the multitude of characters she introduces in very short chapters to tell the story of the struggle for racial integration in Birmingham, Alabama, in 1963-65, from multiple perspectives.
  • Rating: 3 out of 5 stars
    3/5
    Very contextually rich, especially for someone with little civil rights history in my background. However, I found the sheer number of characters overwhelming and slightly unnecessary. Plus the writing style is often heavy handed. This book could have been magnificent. Instead, I found it readable.

Book preview

Four Spirits - Sena Jeter Naslund

One

Unleashing the Dogs, May 1963

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Stella

FROM MANY PLACES IN THE VALLEY THAT CRADLED BIRMINGHAM, you could lift up your eyes, in 1963, to see the gigantic cast-iron statue of Vulcan, the Roman god of the forge, atop his stone pedestal. Silhouetted against the pale blue skyline, atop Red Mountain, Vulcan held up a torch in one outstretched, soaring arm. In other mountain ridges surrounding the city, the ore lay hidden, but the city had honored this outcropping of iron ore named Red Mountain, as a reminder of the source of its prosperity (such as it was—most of the wealth of the steel industry was exported to magnates living in the great cities of the Northeast), by raising Vulcan high above the populace, south of the city.

Fanciful and well-educated children liked to pretend that Vulcan, who looked north, had a romance with the Statue of Liberty, also made of metal. But she was the largest such statue in the world, and he was second to her, and that violated the children’s sense of romance, for they understood hierarchy in romance to be as natural as hierarchy among whites and blacks.

Looking down from Vulcan—his pedestal housed stairs, and around the top of the tower ran an observation platform—you could see the entire city of Birmingham filling the valley between the last ridges of the Appalachian mountain chain as it stretched from high in the northeast to southwest.

In early May 1963, Stella’s freckle-faced boyfriend, a scant half inch taller (but therefore presentable as a boyfriend, if she wore flats), had persuaded her to drive from their college, across the city, avoiding the areas where Negroes were congregating for demonstrations, to Red Mountain. From the observation balcony just below Vulcan’s feet, Stella and Darl hoped for a safe overview.

I believe if outsiders would just stay out…Darl had told her. Let Birmingham solve…Don’t you?

But Stella hadn’t answered. Instead, she’d said, I’d like to see. I’m afraid to go close.

We can go up on Vulcan, Darl had offered, for he was a man who wanted to accommodate women; a man who loved his mother. Stella had met her.

He’d brought along his bird-watching binoculars. Darl could recognize birds by their songs alone; he could imitate each sound;he kept a life list of all the birds he had ever seen. His actual name was Darling, his mother’s maiden name, and though Stella dared not call him Darling, she longed to do so.

Do you know the average altitude for the flight of robins? he asked.

A spurt of laughter flew from between Stella’s lips. She imagined the giggle as though it had heft and was falling rapidly down from the pedestal, down the mountain, into the valley.

I don’t have the foggiest idea, she said.

About thirty inches.

What a waste! she said. To have the gift of flight and to fly so low.

She thought Darl might laugh at her sentence—half serious, half comic—but he didn’t.

Stella glanced up the massive, shining body of Vulcan, past his classical and bare heinie, up his lifted arm to his unilluminated torch. At a distance, she had often observed that the nighttime neon flame made the torch resemble a Popsicle. Cherry red, if someone had died in an auto accident; lime green, otherwise. Even this close and looking up his skirt, Vulcan’s frontal parts were completely covered by his short blacksmith’s apron.

Though it was May and the police were already into short sleeves, on the open observation balcony, Darl and Stella were lifted above the heat into a layer of air with cool breezes. Stella wished she’d worn a sweater. Darl put his arm around her—just for warmth, she told herself with determined naïveté, but she thrilled at his encircling arm diagonally crossing her back. His fingers fitted the spaces between her curving ribs. They were alone up in the air; they weren’t some trashy couple smooching in public. Yes, this was what she had been wanting. Perhaps for years. Someone’s arm around her, making her safe.

Stella knew her breasts were terribly small. If they had been plumper, Darl’s fingertips might have found the beginnings of roundness. Sex, sex, sex, she thought. His hand slid down to her waist; her mind careened. Do I feel slender enough there? Inviting? With his other hand, Darl trained the binoculars on the city. With one finger, he adjusted the ridged wheel between the twin eyepieces. The black leather strap looped gracefully around the back of his neck.

Darl was the complete darling: a lover of nature, a lover of music, a lover of God, considerate, a gentleman—if only he loved her. And best of all he was an organist, a master of the king of instruments. When Darl played Bach’s O Sacred Head, Now Wounded, creating his own improvisations, Stella felt understood. It was she who had been wounded, and the music was what she missed and needed. The way Darl played promised wholeness, profundity. Almost it seemed that the spirit of her father was hovering around Darl and her on this high place.

She placed her hand just below Darl’s waist; she shivered as though to say I only seek closeness for warmth, against the chill. Her palm loved the unfamiliar grain of the cloth of his trousers, and underneath, the firm flesh of his buttock just beginning to flare. How tantalized her hand felt, the hand itself wishing it dare move down to know the curve of his butt. She glanced again at the side of his cheek, the binoculars trained on the city. His hair was a rich brown, and his freckles almost matched his hair.

She wanted to brush the field glasses aside, to stand in front of him, for his eyes to look into hers and see in her more than a city’s worth of complex feeling, then she would tilt her face up a bare half inch and kiss his lips, her whole front against his whole front. They would lose their bodies, become a shared streak of warmth.

Darl pointed to the rectangular finger of the Comer Building, twenty-one stories tall, Birmingham’s lonely skyscraper. Down in the valley, the sweep of buildings was scarved with a haze from the steel mills. After finding the Comer Building, they looked west and north, searching for the parks—Woodrow Wilson Park adjacent to the beautiful library (only for whites) and a few blocks away, Kelly Ingram Park, for Negroes (no library). The demonstrations were launched toward city hall from the Negro park. But trees, already in full leaf, blocked their view, even with binoculars, of the violent attack of Bull Connor’s police on the freedom demonstrators. Birmingham appeared as peaceful, from this distance, as when, long ago, Stella had stood here with her mother and brothers—one of their day trips.

Suddenly Stella felt like a coward. If she wanted to see, she should have the nerve to go downtown. If she wanted to participate…but the idea frightened her too much.

Darl said quietly, May the Lord bless you and keep you… He was saying it over the whole city, the Methodist benediction. May the Lord lift up his countenance upon you… Darl was trying, with words, to soothe the hidden unrest and violence of his city. It was one of the things she loved about Darl, his sincere belief. Her own belief was in chaos. Down below, the confrontation was hidden completely from their view, but Darl was addressing both sides someplace in the distance, under the greenery.

We should go down, Darl said quietly. You’re cold.

Amen, she answered, and she let herself smile. She imagined somebody with a tape measure, holding it, impossibly, from a flying robin down to the ground. She loved the idea—so unexpected, silly but fascinating, to juxtapose a flying robin and a floppy yellow tape measure.

What was humor? one of their professors had posed, and he had answered, nondangerous, unexpectedly inappropriate juxtaposition.

But as they began to descend the spiral stairs inside Vulcan’s tower, Stella grew sober. She thought of the force of the powerful fire hoses turned on the Negroes peacefully congregating and marching for equality. She thought of the police dogs, standing on their hind legs, mouths open, snarling and barking.

In Birmingham, there was no romance between Vulcan and Lady Liberty.

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Christine

IN EARLY MAY 1963, THE BLAST FROM THE FIRE HOSE caught Christine Taylor on the left shoulder, spun her counterclockwise, hit her on the back of her right shoulder. For the third day, the white firemen had been ordered to blast the demonstrators with their fire hoses. The force of water from the fire hose could rip the bark off a tree. As her front turned toward the fire hose, Christine brought up her forearms quickly to shield her breasts, was spun to face first the white mob, then the knot of firemen in red slickers. When the water blast crossed her upper chest, despite her shielding forearms and clenched fists, the force of the water knocked her breath away. Her body spun round the scream of her mind. Her legs tangled while she twirled. She fell to the pavement, and the pounding blast stomped hard on her back—one, two, three, four seconds, she counted through clenched teeth—then the high-pressure water moved on to punish another black person.

After the attack passed over, Christine panted into the pavement, counted four breaths of air smelling of wet asphalt, and opened her eyes. The water blast was sweeping toward Charles Powers, one of her students in the night school. She exhorted Charles to fall, now, before the white men got him, and he did, but the water pounded him anyway. Stay on your belly! Don’t let it roll you over! she silently exhorted.

The water struck Charles’s rump, lifting him, Sweet Jesus! abusing him through his trousers. Christine could see Charles screaming into the surface of the street, trying to get a fingerhold in the large cracks in the pavement. His lips inched over the asphalt while a policeman ran toward him, his nightstick raised. Releasing the pavement, Charles crossed his arms around the back of his head; the stick thudded his knuckles, but he protected his head, his hands crossed like pigeon wings over the skinny back of his neck.

(Got my trousers soaked with spray, LeRoy Jones, the policeman, would later tell his buddies and his brother Ryder, but I whacked that nigger till he yelled uncle.)

Christine watched the blast moving away from Charles, chasing the running feet of children dressed in Sunday school clothes.

The fire-hose water hadn’t rolled him over;Charles was safe in front. Christine wondered, Would it have torn him up? Ripped his prick off? She wanted to press herself into the pavement she lay on.

Charles, soaked, slowly rose to his feet. He was tall and lanky, had the broad shoulders and sinewy arms of a man. He moved slowly and cautiously.

You’re not beat. You’re not beat, Christine thought as loudly as she could.

With her cheek lying against the street, she watched him brush the street dirt off his lower lip. Christine knew she should get up, too, but she felt safer lying on the street, its grayness fanning away from her eye. She tugged down the skirt of her navy suit, her best suit, drenched now. Close to her cheek, a sparrow landed on the asphalt. When Christine glanced at Charles again, she noticed a little blood on his fingertips, which were next to his mouth (Must have scraped his lip on the asphalt). He was standing still, slumped, watching. She ought to speak to him. Encourage him.

There was the Reverend Fred Shuttlesworth reciting loudly, I will fear no evil. Water rocketed against his ribs, spun him once, twice, and he was down, his hands pressed against his side.

Rising to her knees, Christine watched the running children and heard their high-pitched yelps. Like little dogs yelping. The torrential water splashed just at their heels, then traveled to their ankles and up the backs of their legs. The power of the fire hose pushed a little girl forward, drenched the back of her yellow organdy dress. The girl in sodden yellow lifted her hands and spread her fingers to push the children in front of her. All the children were soaked. The water cannon was moving the schoolchildren like kites in a wind against a brick wall; Christine fixed her gaze on a wet white shirt (Dressed up for nonviolence, poor boy) plastered against dark skin. When the blast moved on, the boy against the wall turned to face the firemen.

He raised an elbow to protect his face, if need be, but he didn’t avert his attentive eyes. It was Edmund, Charles’s little brother. Eyes wide with disbelief, Edmund wanted to see what was happening to them. Christine felt proud of him, glad that he wanted to see, to know. Edmund stepped forward from the wall and ran to kneel beside Reverend Shuttlesworth. The boy surely wasn’t more than seven.

If not my generation, yours, she thought.

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Edmund

WHY DON’T THEY COME TO VISIT ME, HERE IN THE HOSPITAL? Reverend Shuttlesworth asked the boy. You come.

Nobody could smile like Edmund’s minister—all teeth, all sunshine. Smiling now, smiling up from his hospital bed. Same as the pulpit smile, but Reverend Shuttlesworth was lying in white sheets, not standing, not weaving left and right before his people, his narrow tie leaping like a dancing snake.

Who? the boy asked.

King, his minister answered. King and Abernathy. You here. Where they?

The boy shrugged. He retreated back into the ignorance of youth; he was little, he could shrug and say I don’t know, but he smiled when he said it, like sunshine, he hoped. (He knew nobody was admitted here to the bedside of Reverend Shuttlesworth—doctor and wife orders—but he had slipped in. So if he slipped in, why couldn’t the Reverend Martin Luther King Jr.?)

I just got to come see you ’cause you my hero, Edmund soothed.

I thought Lone Ranger was your hero? Minister was pleased, teasing him.

Not anymore. I gonna be you.

Martin Luther King Jr. is a man of God, and I love him. But we ain’t the same. We ain’t no identical twins.

Yes, sir.

Pray with me! He reached out his hand from under the white sheet to Edmund, and then Reverend Shuttlesworth closed his eyes. Jesus, take this youngun. Be at Edmund’s side as you ever have by mine. When the house fall, lead him out. When the bomb burst, be his shield; put a helmet on his head and be his protection. Put love in his heart. Teach him. ‘Love your enemies; bless them that persecutes you.’ In the jail cell, tell Edmund—you with him, you with him even to the end of the world. In Christ’s holy name, Amen.

They opened their eyes, and Edmund said, I didn’t let them put me in jail. I just ran off.

Did you? Minister wrinkled his forehead. He stared hard but loving. Then I got to tell you. Don’t be afraid of the jail. They can’t jail a soul. Your spirit—it remain free, body behind bars.

Yessir.

Next time, you go on to jail like a good boy.

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Darl

AS THEY STARTED THEIR DESCENT DOWN THE NARROW SPIRAL steps inside Vulcan’s pedestal, Darl apologized to Stella. I’m sorry we couldn’t see anything.

The trees blocked the view, she answered. She was descending the stairs behind him. This way Darl could catch her if she stumbled, break her fall. It was like walking on the street side; his mother had taught him manners: a gentleman should be killed first, if a car jumped the curb. Going up the stairs, he should walk behind, in case she (any she) should slip.

From their high perch, Darl had admired the vast volume of air filling the space over the city in the valley. God’s love was suggested by a tension between immensity and insignificance—sparrows plying the ocean of air. From left to right, all the way to a vague horizon, the city had lain resolved into white, gray, and tan buildings, a monochromatic mosaic of little squares and rectangles. The tops of the bubbling green trees had resembled broccoli heads.

At the head of Twentieth Street stood a green carpet, landscaped with fish-ponds; Darl knew the big trees of the park provided a canopy to the children’s entrance of the library, though the main library was too far away to serve children from his part of town, the West End. That other concentration of green he had seen from the balcony would have been Kelly Ingram Park, where the colored children gathered, the pawns of their leaders. If only people could be patient, God had his plan.

The air over the city had not been invisible but perceptible as a gray haze hovering over the tiny buildings and trees. When Darl had looked up higher, he had seen some real blue, pale and tender. He felt that God had a tender attitude toward Birmingham, despite her shortcomings.

Darl took his time descending the metal steps in the dim light. He needed to decide if he should arrange to see Stella again in the evening.

Did your folks take you to the library when you were little? Stella asked, her voice floating down over his shoulder. Sometimes she seemed to follow his unarticulated thoughts.

We had a branch in West End. Not so grand. He glanced out a narrow window set in the curve of the stone tower. He wished he had grown up nearer the center of things. Not that he didn’t love his own blue-collar people. He did, and fiercely.

When I was ten, Stella said, my aunt allowed me to take the bus alone to the library.

He could hear her steps slowing. She lived in Norwood, once the residence of the well-to-do, with its wide boulevard, but now an area that had headed steadily downhill for many decades. Still, he liked its quiet decay, the remnants of elegance.

It was my first visit to the library, she went on, after I lost my family. I turned ten. Aunt Krit said double digits meant I could take the 15 Norwood to town, on my own.

He paused and turned to look up at her.

They had been gone five years. Her upturned face looked peaked and scared.

I’m sorry, Stella.

The library had a revolving brass door. She had stopped, stood as though suspended in the dim tower, one hand on the metal handrail. You entered the door from the outside world, pushed, then emerged in another world. A quiet, interior world. She seemed imprisoned in her sadness. Slowly she took another step down, closer to him; he continued their descent. That’s how it was, she said in a little voice. They died and the world changed. Like passing through a revolving door from one world to another. She paused again, as though she wanted this spiraling down to last and last. Actually, it was like crossing a river from one state to another. The driveway passes between my original home with my brothers and parents and where I live now with my father’s sisters, Aunt Pratt and Aunt Krit. I crossed the driveway into another world.

At the bottom of the tower, they stepped out into the bright May sunshine. Though it had been chilly up on the pedestal, it was pleasantly warm at its base, with a slight breeze. How sad Stella had sounded. Darl took her hand, and they walked forward.

I need to go on to Fielding’s, she said, referring to her evening work on the switchboard at one of Birmingham’s large department stores.

He turned to face her. I’ll pick you up after. On the Vespa.

All right, she said.

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Bobby Jones

LET’S GO FISHING, DAD. PLEASE, DAD, LITTLE BOBBY Jones begged his father.

I promised your mom I’d stake up them tomatoes.

Bobby saw the twelve plants sprawled over the backyard. But this afternoon provided Bobby with a rare opportunity for fishing. His dad’s service station was close to town, and they’d shut down because of the demonstrations. His little brother and sister—Tommy and Shirley—were playing in the sandbox. It was just an old truck tire that held sand. Bobby had seen cats nasty in it, and he didn’t want to have anything to do with the sandbox. His mom was pinning a sheet on the clothesline. It was the kind of clothespin he liked, not the two sticks with a spring that could snap your fingers hard as a mousetrap.

Please, Mom? he whined.

Oh, Ryder, y’all go on, she said. It won’t hurt the tomatoes none to wait.

Where you want to go, son?

Village Creek! Village Creek! And I’ll take my galoshes and wade.

What’ll we use for a pole?

Cut a pole!

Son, if we was to catch anything we couldn’t eat it. That creek’s too dirty. Nobody but niggers eats out of Village Creek.

Bobby had no reply. He’d only heard about Village Creek. He’d never seen it. He’d heard a white boy went over the Village Creek Falls in a barrel and it made him a half-wit. He asked his father about it.

Them falls ain’t but two feet high, Ryder answered. And the water ain’t more than a yard deep anyplace. It’s an open sewer.

Bobby tried to hold back his tears. He had imagined the water of the creek to be a bright blue with a fish hopping out of it, smiling, like in Shirley’s coloring book. Village Creek was the only body of water he’d ever heard of.

Tell you what, his father said. We’ll go explore.

Bobby watched his father take off his black cowboy hat and smooth back his hair. He watched his parents squint their eyes in the sunshine and smile at each other. Bobby put his hands on his hips, grinned, triumphant. He felt as though he were holding a Brownie camera and taking their picture.

We need a emergency plan, his father said, case the house catches fire.

Bobby glanced a nxiously at his house. Gray-white, it sat securely on the dirt.

You carry out the kids and the TV, his father said to Bobby’s mother, and I’ll get the guns and my recliner.

She just cracked her gum and smiled. All right, hon.

The house was safe and square: four rooms not counting the bathroom. It was perfect.

Bobby reached down to pick up his child-size football—a lumpy, waddy thing, stuffed with rags. His mother had made the football for his last Christmas, stitched it up on her machine out of brown oilcloth.

Bobby threw a sure, spiraling pass toward his father, who snagged the ball with one hand.

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TJ

WHEN TJ LOOKED OVER KELLY INGRAM PARK, FULL AND pulsing with demonstrators—his people—he thought This is the heart of it and then he thought of a real heart, how it pulsed and surged. How many days can it go on?

He wasn’t a part of it. But today he would take its pulse.

When he was a boy, Kelly Ingram Park had no importance—a place where a few bums sat on the few benches under the big shade trees, a place more hopeless than a cemetery, a dull place for the exhausted. Now it was the beating heart of the protest movement in Birmingham, and Birmingham was the heated-up heart of Alabama, and Alabama was the Heart of Dixie.

The streets that lead from Kelly Ingram Park into the city, only short blocks away, became blood vessels: black people, black children flowing down the streets till they met the blockage of police, of fire hoses. So far, it was just city firemen and police, but TJ wondered how long till Governor Wallace sent the state troopers, men who thought of themselves as soldiers, who wanted to fire on people with something more deadly than fire hoses—how long?

A man who has a job at night, a man such as himself, he can use a spring day for his own. He can go down to Kelly Ingram Park, witness the scene in person instead of reading the paper, or watching the TV. He can stand on the high steps of Sixteenth Street Baptist Church right across from the park. He can get his own overview. So thought TJ, a steady man, night porter at the Bankhead Hotel.

He’d gotten work at the hotel just after he came back from World War II, still hardly more than a boy. During the war, he’d seen Europe like a tourist and never fired a shot. He’d worked steady once back in Birmingham, and they held the job for him when he went to Korea. Still a stupid boy then who thought he wanted to see Asia.

What TJ saw from the high church steps was a park full of children, faces shining, small, sharp voices twittering like a vast flock of starlings. And here came another covey, streaming down the steps of the church, boys and girls, all eagerness. Eager as water babbling down the steps. Been trained inside—he gathered that—been trained in the ways of nonviolence. In limpness, in silence. Just schoolchildren. His wife, Agnes, went to night school, a special school for people who’d dropped out, never finished high school.

Your body speak for you, he heard one boy say to another, pulling on his friend’s arm. No cussing. The friend squawked out his own version of their instructions like a startled jay:Your body on the line. And they were gone—down the steps—crossing the street to the park. Remembering Korea, TJ wondered with dread about the new fighting in Vietnam. Yesterday another lone picture in the back of the newspaper. Yes, he’d noticed it, being a vet himself: another black boy killed ’cross the Pacific Ocean. All his family got left, a photo of a handsome boy, dead forever, in a uniform.

Yes, there the blue uniforms, the Birmingham police, forming up. Warm enough already in May to be in their uniform shirtsleeves. Wearing ties. Hadn’t worn any ties in Korea.

During the first attacks of the Chinese against his company, he remembered, a red flare soared high over the ridge to the west, and he said to his buddies, That flare is telling us. Our bodies are on the line. He could see the dark shadows of the Communist Chinese coming silently over the ridge. Bent over with packs on their backs, they moved close to the frozen grass. Many were cut down by his company’s fire, but others leapt forward and scrambled into the outlying foxholes. He heard screams and the occasional blast of a grenade. Later, after more than forty-eight hours of fighting, he had fallen down exhausted near the top of a low hill, near frozen in the bitter cold. With the members of his company scattered around him in clumps on the hill, he had looked up into the rolling clouds and felt a strange sense of peace.

The Chinese Communists moved past his company in the dark, pushing south to cut off the route of escape. Chinks, he thought. We called them chinks. TJ wondered what their lives were like now. Looking down on Kelly Ingram Park, he thought, It looks tough in the park today. I’ve seen worse.

Moving down the church steps, he began weaving himself into the riffraff bystanders, trained in nothing. He bargained with himself—well, okay, he’d stand in with the unemployed, for a moment. Dirty men, ragged. They had nothing better to do. The unemployed. Even as a boy, he’d shunned them. Curiosity, that was all they had left of their minds. Probably couldn’t half read even the newspaper. Idle curiosity. He had to admit, he was curious, too. Wanted to see for himself.

Why had children flowed into the jails, filling them up, when the adults were too afraid to demonstrate? TJ had heard that children filled not only the Birmingham jail, but the Jefferson County jail, some held in the Bessemer jail, some kept penned up in dormitories at the fairgrounds—904 juveniles. Children! He’d seen a little Korean girl lying in a ditch, turned into a crisp of flesh by a flamethrower. He remembered the weight of the bazooka on his shoulder as he aimed at other almost brown faces.

He saw the Birmingham police lower their clear visors over their white faces.

He thought he recognized some of the policemen and firemen in the park. More than a thousand men and women from Birmingham had fought in the Korean War. Returning home, many white men chose to be policemen or firemen. Blacks were excluded. TJ looked at a middle-aged policeman lowering the visor over his thin face. Doug Carter, Fox Company, 9th Infantry. They had ridden out of Birmingham together on the same bus at the start of the Korean War. TJ remembered how his company fought to protect the flank of Fox company in the desperate firefight at Ch’ongch’on River. Looking at Doug now, TJ felt anger rising in his arms and shoulders. We were men enough to cover their asses in the war, but we’re not men enough now to drink from the same water fountain.

If his side won, would he want to become a black policeman? Maybe they’d want him. His war experience—he knew weapons, discipline. Had his Honorable. Could show his medal. That had been one of Shuttlesworth’s demands of the early demonstrations: we want, we need, we demand some black police.

King said Birmingham was the most segregated city in the South. Only city over 50,000 with no black men on the police force. Shuttlesworth had petitioned years ago. Not gonna arrest white folks. Just let us have black officers in our own neighborhood. We need police who won’t wink at crime in our communities. But TJ knew he’d arrest a white man quick as a black man, quick as he’d shot yellow men. He wasn’t a racist.

He shouldered his way through the riffraff surrounding the demonstrators. The fringe. Maybe Agnes would work in ladies’ shoes at Loveman’s, maybe Pizitz. He could see her, dressed so neat, soft but not fat—no babies for them—kneeling with her eyes down, helping some well-dressed white lady try on a shoe. He’d always liked that gadget for measuring feet, that metal plate with a slide to measure length, and especially the slide for taking the width snugged up against the big toe joint inside a clean sock.

TJ didn’t like these riffraff men brushing up against him. He could smell beer breath, saw a fellow tilt up his bottle wrapped in a greasy sack, the paper all twisted up around the long neck of the bottle. Vagrant! But TJ appreciated the colors of the schoolchildren’s clothes. All colors, bright red and blue and yellow, pretty as a painting, a giant, dangerous picnic. TV couldn’t catch all this pretty color. He noticed the nice white shirts on some of the boys, some patent leather shoes on girls’ feet with white socks and a ring of lace on the sock cuff. Upgrade employment for blacks in the stores—that was a demand. Agnes, his own wife, was as neat and clean and more pleasant than any white woman.

Never mind Loveman’s. Fielding’s Department Store—that was where a black woman might hope to work. Not just be the bathroom maid, run the elevator. The Fielding brothers were Methodists, supported the Salvation Army. They had an annual Christmas party, and last year, Agnes phoned the Fielding’s switchboard and asked if black people could come, and she said the telephone operator girl just sang it out: Everybody welcome, black and white—she had a white voice for sure—come on down. We got cheese and crackers and cider and Santa Claus.

When she hung up the receiver, Agnes just sang it out again, in an imitation white voice right at the decorated tree: We got cheese and crackers and cider and Santa Claus, but she was happy, not making fun. That what the girl said.

And something else about Fielding’s. No COLORED and WHITE signs on the drinking fountains. Just one fountain, and a plastic tube of paper cups beside it. You could pull down a cup, step on the foot treadle, and when the water arced up, catch your drink in the little white cup. Pretty little cup, sides all folded into pleats and a rolled rim around the top. Kind you could put mints in, or nuts, for a child’s birthday party. Agnes could work in Accessories, not be back in Shoes in the corner. Accessories right there in the front of the store soon as you walked in.

TJ watched the back door opening on a police wagon and a German shepherd dog stepped out—Lord, God!—on a chain, then the dark blue leg and the whole of a policeman. And another pair—dog and man, linked by a leash. And another dog and man. Dogs always panting, muscles straining against the harness. The sun glinted from the metal snap that connected harness to leash. Several more pairs of dogs and handlers coming out of the truck, leaping down to the ground.

Over on the south side of Kelly Ingram Park the fire trucks began to pull up, and the kids drifted that way, wanted to see the trucks the way kids always love a red truck. He’d seen kids in the neighborhood, so excited to see a fire engine. Suddenly, like a flock of pretty birds, the children all veered away from the fire truck—a jumble of bright clothing—and started for the street to downtown. Somebody had given a signal.

It was early, TJ checked his watch, only around one o’clock, and the papers said the demonstrations usually started at three. Already on the city schedule—demonstrations at three. Acted like black folks was weather. Something mindless in nature they could observe. Predict like nature. (But he was surprised; he’d thought the demonstrations wouldn’t start till three.) Police weren’t ready at one o’clock. Now the bystanders were laughing at the police and ridiculing them. Five girls in a line played Strut Miss Lizzie in front of them, shaking their shoulders, noses in the air. Then a policeman shoved the big girl, last in the line. Big girl, might be fourteen, playing like a child, but shaking her new tits like a woman. She scowled at the police like any woman might scowl at a man who pushed her, then put her hand over her mouth and giggled like a child. The first gush of water scattered a patch of adults.

TJ marveled at how the flat fire hose went plump, how water leapt powerfully from the hose. Took two firemen to hold the brass nozzle between them. In a flash of sunlit water, a little girl in her Sunday best—pale blue—was drenched and smacked onto the pavement. TJ saw the riffraff man next to him change his grip on the neck of his bottle: now he had a short club.

Over there an explosion of rocks rained down on the helmets of the police, and the police raised nightsticks above their heads. Pulling their handlers behind them, the dogs lunged barking toward a human wall of retreating demonstrators. Black folks were commencing to run, and TJ found himself running toward what was becoming a riot. He saw a Negro man exhorting the children to nonviolence, and they waited or moved at the commands of the adults, their hands empty, their faces stunned, as though they were dreaming.

The children were wary but not afraid. Some excited. Some closed their eyes, held hands, and sang the freedom songs with all their might. At the end of a blasting fire hose, a woman went skittering down the street, swept over the pavement by the water, her face bleeding. The dogs leapt at a boy, trapped against a wall, surrounded by popping flashbulbs, a TV camera, and TJ found himself picking up a rock. Five policemen held a fat woman down in the gutter. Every pound of her was piety and innocence.

God! God!

Was that her shrieking? Some other voice gone high as a woman’s?

Like an avenging angel, TJ hurled his rock toward a police face.

TJ was a trained soldier. No dogs on children! He’d show riffraff how to charge. He stooped for a broken brick as he ran. Heard the curses and scuffling feet of his platoon behind him. Way too many fighting folks to arrest ’em all. Not gonna blast no chile! No sweet fat woman in the gutter. Get ’em! Get ’em! No snarling dogs leaping for a boy, just a boy.

TJ wanted to sink his own teeth in their necks.

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At the Athens

AS CHRISTINE STIRRED HER MARTINI THAT EVENING, SHE thought angular momentum—a term from her physics class, and she had thought it while the fire hose spun her body. Who was she? Physics student by day; teacher by night. Miles College—same place, both roles, different station.

In the bar, her bar, the Athens Cafe and Bar, Christine felt pampered as a queen. Grateful for the puffs of air-conditioning soothing her body, she stirred the liquid—slightly viscous, she noted—her own drink, specially made for her, Christine Taylor. Maybe she hadn’t thought angular momentum when they blasted her round and round like a top; she just thought it now, watching the magic liquid twirl in her glass.

Better than in her own basement apartment, here in her bar, she could claim safety and peace. This was only a beer joint, with a pink neon STERLING sign in the window, but Christine loved the sign. The jukebox belted out Ray Charles, and a large jar of pickled pigs’ feet sat on the counter.

Weeks before, Christine had marched into the Athens Cafe and Bar and had taken out her Martini and Rossi from an innocuous paper sack. When she presented the booze as being just for her own personal use, Mr. Constantine had accepted the bottle and put it under the counter. Here white waited on colored. Mr. Constantine kept a skinny jar of green olives for her, too.

Angular—she liked the word; her own face could be described as angular. She liked it that she had strong facial bones, that her whole body was strong and wiry. Leaning against the back of the booth, Christine’s sore body made her feel again the hard street when she had fallen and rolled. She was bruised all across her back from the water pressure.

By dint of nothing but her angry, imperial manner, Christine felt she had brought class to the Athens Cafe. Christine stirred her martini. Like a goddess, she ruled the transparent liquid world inside the glass, made it swirl and sway to the music. She dominated here, relaxing with the drink and a new friend sitting across the table.

Whose ribs? Gloria Callahan, her classmate at Miles, asked Christine.

Gloria was so shy, she could scarcely look at any listener while she uttered a whole sentence, even one two words long. Shy Bird, Christine thought of her that way. Gloria was a shy bird but she had classy, high-toned habits. She brought in all her papers typed on thick paper and without any ink corrections. Gloria couldn’t even look her professors in the eye, let alone a white, but Christine had taken Gloria under her wing. Already, Christine had convinced her to teach in the night school to help the dropouts, but when it came time to demonstrate, Gloria said she had to practice her cello.

Yeah, Gloria, Christine said slowly. Reverend Shuttlesworth got broke ribs today. He in the hospital. I witnessed when the hose water struck him down. Me laying on the street.

Sure am sorry to hear that. Through her whole utterance, Gloria stared down at Christine’s swirling of her drink.

You ever heard Reverend Shuttlesworth preach? Christine asked sharply.

No, ma’am.

"Don’t you ma’am me. I not but five, six years older than you." Christine’s speech had shifted into the vernacular. They all had seesaw speech; sometimes they talked home talk, sometimes school talk. Up and down, first one then the other.

All right, Gloria said.

Christine knew Gloria was forcing her eyes to glance into Christine’s irritation. I saw the hose get you, Gloria said to Christine, but she whispered the statement toward the floor. On TV.

Yeah? What you think when you see that, you safe at home watching TV?

Christine knew Gloria wanted to join the protests.

Pryne, pryne in a gyre!

Girl! What you talking about?

It’s from William Butler Yeats. ‘Sailing to Byzantium.’ And he wrote that all will be ‘changed, changed utterly: / A terrible beauty is born.’ Gloria said all this with her rare green eyes fastened on the dirty concrete floor. That’s from ‘Easter 1916.’ She was tracing the cracks, running like tributaries toward some river.

Sometimes Christine thought Gloria’s complexion had a reddish cast to it like maybe she had Indian blood. Gloria sat still as a sculpture, as though she had no right to move. She sat like a brooding dove, full-breasted, soft, with a short body.

Where is Byzantium? Christine demanded. Girl, look at me when you answer!

It not but half real. Gloria studied the floor again, whispered, Mythological. Constantinople.

Mr. Constantine, Christine called out boldly to the Greek bar owner, you ever been to Constantinople?

The man just shook his head while he dried the inside of a glass with a cloth towel.

Mr. Constantine tried to keep conversation to a minimum with his customers. After nearly thirty years, his English was still uncertain.

Constantinople! Uncle Theo had taken him across the water to Constantinople when he was a young boy, led him through the confusing city to Saint Sophia glittering and glowing with gold mosaic. Now you’ve seen heaven, Uncle had said to him, in Greek. While they visited the sights of the marvelous city, Uncle Theo had been identified, mistakenly, for a spy. After the pleasure trip, Turks had followed him home, tracked him to his hilly slopes. They had murdered him while he peacefully herded his goats back in Greece.

Ever been to Byzantium? Christine insisted.

Birmingham, Mr. Constantine answered, but the image of his kind uncle passed like mist through his mind. He saw Uncle Theo leaning on his staff on the hillside, daydreaming of the dome of Saint Sophia in Constantinople. This Birmingham, Mr. Constantine repeated firmly.

Birmingham’s half mythological, too, Gloria said. Then she asked firmly, What about tomorrow?

Under her tutelage, Christine saw, Gloria would make progress. Even on the third word, tomorrow, Gloria managed to maintain her gaze, to look Christine full in the eyes. Suddenly Gloria was as striking as a Polynesian idol with her rich, red-brown skin and jade eyes. Fierce. Christine blinked.

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Gloria at Home

IT WAS CARD NIGHT IN THE BACKYARD IN THE GARAGE apartment where her father’s four sisters lived. Gloria’s mother never joined the maiden aunties for cards, but she sent Gloria over to wait on them. For five days a week, the four aunts cleaned for and waited on twenty rich families of Mountain Brook and Vestavia. They wore starched pearl gray uniforms and white aprons. But on Friday nights, they put on their tight, jewel-tone toreador pants and played bridge.

When each of them placed a jeweled clip in her hair, they became the Queen of Spades and the Queen of Clubs, the Queen of Diamonds and the Queen of Hearts. The older sisters were the black queens and the two younger ones were the red queens. Emerald, topaz, ruby, and rhinestone—the glass jewels twinkled in their hair.

’Cept your daddy, we got no use for menfolks, they said to Gloria, from time to time. Born right in the middle of the sisters, Gloria’s father was the Exceptional One—a successful man who had brought his sisters in from the country and installed them all in his garage apartment behind the new house. While they played cards, Gloria made popcorn and fudge for them. As they slapped the cards down on the flimsy table, the aunts cracked their gum, threw back their heads so you could see the arch of their teeth, and laughed their big laughs.

Gloria loved the oldest one and the youngest one most—the Queen of Spades, Alice, with her ample hips stuffed into the cerise pants, and the Queen of Hearts, Lily Bit, who had green eyes like Gloria, but something of the color of Lily Bit’s eyes was in her skin so she looked almost khaki in her skinny yellow, raw-silk pants.

Among them, Gloria felt as light and salty as a kernel of the popped corn she piled into big blue bowls. They wouldn’t let her be shy. But she didn’t tell them her new secret: I went to a beer joint. I, the silent sophomore, have a new friend, a senior. You can’t guess what I might do next.

Two weeks ago, I went with Christine to Mr. Parrish’s office. I’m teaching in the night school: H.O.P.E. I speak in a low, quiet tone, but the students pull up their desks close to mine. They listen to me. I teach them the facts of history, but I could teach poetry or music or almost anything you could name.

Gloria wouldn’t tell any of that, but she would show off: she tossed a handful of popcorn up over her head and caught some of it in her mouth. The aunts hollered and clapped and tossed popcorn up over their heads till it was snowing popcorn. Gloria wouldn’t let them clean it up; she got down on all fours and picked up every piece. Then she boiled up a pan of glossy fudge.

That night, under the influence of fudge, Gloria dreamed dreams of things no one could possibly see: a chart of the human skeleton came off the wall and danced and sang like Mr. Bones in a minstrel show. She had seen a skeleton poster in handsome Mr. Parrish’s office for H.O.P. E. at the college. Mr. Parrish had introduced her to the poster: Meet Mr. Bones.

In her dreams, a cloud whizzed by like a bus full of schoolchildren singing gospel music, their bright young faces framed by puffs of whipped-cream clouds, on their way to jail. The sun rose like a plate of fudge, scored crisscross, in a diamond pattern. Her four aunts, their colorful pants tight as tree bark, grew four stories tall, uprooted themselves, stalked the earth, and Gloria leapt high on her cello, which had turned into a pogo stick.

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Edmund at Home

WHEN EDMUND CAME HOME FROM VISITING HIS PASTOR IN the hospital, he said to his mother, Mama, tomorrow I’m going to be arrested. (He didn’t tell her that he’d seen his big brother lying on the pavement. Just about lifted off the pavement by the fire hose shooting him. Charles was grown, had quit school, and moved out long ago.)

You make me shamed I do so little, his mother answered. She set down her cracked coffee cup.

Mama, you’ll come get me, won’t you?

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Christine Walking

EIGHT WHITE MINISTERS, CHRISTINE KNEW, HAD WRITTEN King a letter (she thought about this as she walked home through the stifling night from the Athens Cafe and Bar). Eight white ministers had told him his coming to Birmingham was untimely, unwise. King was an outsider; he ought to let Birmingham folks work out Birmingham problems, in the name of Our Lord and Savior, so said eight white ministers in the spring of 1963. Christine’s beautiful martini ran in her veins while she walked the night street toward home.

Gloria? Green-eyed Gloria might amount to something. She was smart; she was willing to try to teach in the night school. Gloria had sat in the bar for an hour, asked for ice water, not even beer.

Christine enjoyed walking home. This my neighborhood, she’d explained when she declined Gloria’s offer of a lift. Christine didn’t envy anybody anything, but she wouldn’t be beholden.

Such a quiet, still night closing down the screaming day. The sea-fight tomorrow: it was a phrase from Greek philosophy. It meant you couldn’t know the outcome, who would win. Next to physics, Christine loved best to study philosophy. From physics to metaphysics—she aimed to know it all. She aimed to put her will to the wheel till it turned round to freedom.

Reverend Shuttlesworth, Reverend King, said love always wins. But Aristotle—or was it Plato?—pointed at the ships in the Aegean and asked mysteriously, philosophically, about how you couldn’t know who would win the sea-fight tomorrow. Christine pictured the white sails against Aegean blue, wished she lived close to the sea or at least a big river. She wished away the dark street with a picture of sunlight on sparkling water.

But the small Greek ships in the offing disappeared because a black man down the street was unzipping his trousers. Christine watched the man aim his piss into the storm sewer. Once she had squeezed down that same dark rectangular sewer opening, squeezed her little-girl body underneath the heavy steel cover because her playmates had dared her to. She had known there was a kind of shelf to stand on down there. Nine years old, she had gone down. Had hoped no rat would dash out of the pipe to bite her ankle.

Christine walked on toward home, past the grown man pissing under cover of darkness, pissing into the same sewer where once she had stood. She imagined her little-girl head peeping out through the rectangular slot, eyes just above the level of the pavement, triumphant. How, after she climbed out, she had held out her hand to receive the nickel into her palm.

In the wake of the memory, for all its bravado, came anger.

King had written back to the white ministers, written to anybody who would read his letter from the jail, that his people could no longer wait. It was wrong to wait. The smooth sheen of martini evaporated. The heat of the sultry May night pressed against her. She felt anger in the way her feet came down on the sidewalk.

While she walked home through the night, it was as though she had decided to squat before an ember, to blow on it. Her heart flared big and red-hot, became a cauldron, a crucible of rage. As a child she’d seen a photo of a crucible conveying molten steel from the furnace, and the bright liquid seemed to be leaping at the sides of its container, as mobile as water in a gigantic bucket.

Touching the bone between her breasts, Christine wished as she walked that she could reach in, pluck out the cauldron with its seething contents. If only she could spill that anger out of her, onto the ground. Piss it away.

She would let the anger out, stamp it through the soles of her feet.

She tried to love the quiet of the hot, still night—her neighborhood—so far from the little yelps, the police shouting, the sirens and the scuttling feet. We shall overcome. She tried to think of King’s letter, so strong and dignified. He refused to strut his stuff; with all his brilliance and all his knowledge, he refused to show off. Christine loved the tone of his writing—reasonable, sad, dedicated, brave. They couldn’t make him mad. King had no use for her rage; he wanted her to love. His sentences were the cool breeze she needed in the smoldering of the night. Let the night be sweet and kind, but she could hear the day again, the movement of feet, the assault of firemen, police, the crowd of black people, a solid square block of people set on freedom.

With the dissipation of the alcohol, every step jolted her backbone, made it ache.

A block ahead, under the streetlight stood a group of teenage boys, colored boys smoking cigarettes. They stood in a mist of humidity, six of them, almost grown, passing a flask among them, the tips of their cigarettes burning red through the mist. In the light, the moisture hung in the air like dust motes in a shaft of sunlight.

The boys with their smooth brown faces, sixteen, nineteen years old, their flask, the burning cigarettes—all appeared fuzzy. Their noses emanated twin streams of smoke as though these teens were young dragons swaddled in a gauze of light from the streetlamp.

The sea-fight tomorrow.

Christine wished for a wooden sword. She would run the dragon boys through their worthless bodies. One by one she would slay their street booze, their cigarettes, them, if necessary. But why did she wish her sword was only wood? Like something from the funnies. Just two pieces of wood, like

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