The Last Musketeer
By Stuart Gibbs
4.5/5
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About this ebook
The first book in the thrilling time travel adventure trilogy from New York Times bestselling Charlie Thorne and Spy School author Stuart Gibbs.
Before they were legends, they were friends. All for one and one for all!
On a family trip to Paris, Greg Rich's parents disappear. They're not just missing from the city—they're missing from the century. So, Greg does what any other fourteen-year-old would do: He travels through time to rescue them.
Greg soon finds out that his family history is tied to the legendary Three Musketeers. But when he meets them, they're his age, and they'll only live long enough to become true heroes if he can save them.
To rescue his parents, Greg must assume the identity of a young Musketeer in training and unite Athos, Porthos, and Aramis—but a powerful enemy is doing everything possible to stop him.
And don't miss Traitor's Chase and Double Cross, the next two books in Stuart Gibbs's thrilling Last Musketeer trilogy!
Stuart Gibbs
Stuart Gibbs is the author of the FunJungle series as well as the New York Times bestselling Spy School and Moon Base Alpha series. He has written the screenplays for movies like See Spot Run and Repli-Kate, worked on many animated films, and developed TV shows for Nickelodeon, Disney Channel, ABC, and Fox. Stuart lives with his wife and two children in Los Angeles. You can visit him online at stuartgibbs.com.
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Reviews for The Last Musketeer
38 ratings4 reviews
- Rating: 5 out of 5 stars5/5I like book. it was very tasty with nice texture and crunch.
- Rating: 5 out of 5 stars5/5This book is ABSOLUTELY AMAZING. I loved it. So good.
- Rating: 5 out of 5 stars5/5A great introduction to the 3 musketeers! My 10 year old loved it!
- Rating: 4 out of 5 stars4/5Grades 4-7: Greg Rich's family was once rich-- but his parents can't keep up the family estate any longer, and when the Louvre contacts them about selling the family heirlooms that date back to 17th century France, it sounds like a dream come true. They travel to Paris, where Greg is immediately distrustful of the strange Michel Dinicoeur, the Louvre representative who meets them. And with good cause-- once Dinicoeur gets his hands on a crystal that Greg's mother has always worn, he attempts to escape through a painting. Greg's family is swept through the painting as well, and they find themselves in the dark and smelly rooms of the Louvre 400 years ago. Greg manages to escape, but Dinicoeur holds his parents, and it is up to Greg to find a way to free them when they are injustly accused of trying to assassinate the king. Fortunately, Greg meets Aramis, who takes pity on the strangely-dressed boy of the 21st century. Greg has a suspicion that Aramis is one of the Three Musketeers that he read about, and this suspicion is confirmed when they later meet Athos and Porthos. Can Greg-- with the help of these Musketeers-- save his parents and stop Dinicoeur's evil plans? Although some of the plot twists are a little too coincidental, this is a fun romp that may inspire readers to get their hands on Dumas's original.
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Book preview
The Last Musketeer - Stuart Gibbs
PART ONE
THE LOUVRE
Chapter One
Three days earlier and four hundred years later . . .
WHAT’S WRONG, GREG? YOU’VE ALWAYS WANTED TO VISIT Paris!
Greg turned from the cab window and frowned at his cheerful mom, squished in the backseat beside him. He’d been watching the tour boats on the Seine River, crammed full of tourists gaping at the Eiffel Tower, all with equally cheerful faces.
Yeah, but on vacation,
he said.
"This is a vacation," his father replied.
I guess.
Greg wasn’t sure. Being forced to sell all your possessions in order to survive didn’t seem to be very vacation-like. On the other hand, maybe his mom and dad would cash in and the three of them would all live happily ever after. That’s what his parents kept repeating, over and over and over. And Greg wanted to believe it. He really did. Otherwise . . . well, it was best not to think about the alternative.
Dad reached across Mom and patted Greg’s shoulder. Greg’s father was built like a twig, tall and thin, with dark, wavy hair that always got messed up in the wind. I admit, we’re not here for the best reasons, but that doesn’t mean we can’t have some fun,
he said. Look, there’s the Pont Neuf! The oldest bridge in Paris. It was built more than four hundred years ago!
Neat,
Greg said. He meant it, but the word came out as more of a groan.
Come on, Greg,
Mom said soothingly. She had dressed to impress today, wearing her most expensive dress and her tallest heels, her blond hair so shellacked with hair spray Greg figured he could probably bounce a rock off it. "We’re going to the Louvre right now! The greatest museum in the world. And we’re getting a private tour!"
"But did we really have to sell everything to get it?" Greg asked quietly.
Mom and Dad sighed.
Greg turned back to the window and caught his own reflection in it. Like his parents, he was thin and pale, with thick brown curls—but he was short for fourteen, and right now his dark brown eyes looked like a sad puppy’s. Yikes. He shifted his gaze back to the passing scenery. Around the curve of the Seine, he could see the Louvre ahead. It was impossible to miss: an ornate palace that took up several city blocks. Festooned with carvings and flourishes, it was as much a work of art as the paintings inside. It looked like a giant stone wedding cake.
"It’s not like we’re giving everything away, Greg’s father chided.
We are selling it. And the museum is being very generous."
I know,
Greg muttered. "It’s just . . . Grandpa Gus always told us we weren’t supposed to sell anything."
Then maybe Grandpa Gus shouldn’t have squandered so much of the family savings,
Greg’s mother countered.
Out the window, the setting sun turned the Seine a sparkling gold. There was no denying Paris was a beautiful city. Even in his funk, Greg could admit that. If only he could enjoy the trip and be like those tourists on the boats, but his grandfather’s warning kept ringing in his ears.
These heirlooms must always stay in our family, no matter what.
Greg was ten years old when the old man had said those words, on one of his famous tours of the family’s Connecticut estate. Grandpa Gus had still been living with them, before he got shipped off to a nursing home. Everyone else in the family had long ago grown bored of being dragged around the mansion on Sunday afternoons, hearing the same old tales of how the Rich family had come to acquire such magnificent treasures from around the globe. But not Greg, who adored his eccentric grandfather. However, on that particular tour, Grandpa Gus had grown uncharacteristically serious. These things are more important than you can possibly understand, he’d whispered. Do whatever it takes to protect them. And most important of all . . .
He said we should never take them to France,
Greg recalled out loud.
Dad smiled sadly. He also said his beagle had been George Washington in a former life. The man’s compass didn’t exactly point due north.
There was a screech of tires behind them, followed by a cacophony of tinny French car horns. Greg spun around. The huge moving truck following them—the one stuffed with all their possessions—had just plowed through a red light, trying to keep up. Cars swerved left and right to avoid it.
French drivers,
Mom remarked with a chuckle. They’re as bad as the Italians.
But not nearly as bad as anyone in New York, Greg thought, more depressed than ever. For some reason, the truck reminded him of how much had changed for the worse in the past year, and how far his family had fallen. Recently his whole life seemed to revolve around loading and unloading trucks.
First, his parents had run out of money. Not that this was much of a surprise. For years now, Dad had made no secret that maintaining the family estate cost more than he earned. But when he finally announced, We’re broke,
it still came as a shock.
After that, everything had blurred into a routine of selling and moving. So long, Connecticut—where Greg had lived his whole life, where his family had lived for generations, in fact—hello, Queens. So long, beautiful estate—with a duck pond, stables, and a fifty-room mansion—hello, cramped three-room apartment. So long, private school—hello, public.
Mom and Dad couldn’t even wait until the end of ninth grade. They had to uproot Greg right in the middle of the year. Which would have been okay. Honestly. He hadn’t made any truly close friends at Wellington Prep. But there was the small matter of making new friends. Back in Connecticut, his skills—horseback riding, fluent French, fencing (he was favored to win the tristate tournament in his age bracket)—had at least made him interesting. At Carver High, they made him a freak. (When Greg had boasted to a girl in his homeroom about his fencing skills, she’d misunderstood and tried to have him arrested for selling stolen property.)
Greg had always felt he wasn’t quite like other kids his age, but now everyone at school seemed to share that feeling. On the very first day, a group of bullies had discovered he was reading 20,000 Leagues Under the Sea in the original French. Worse, they discovered he was reading it just for fun.
They responded by stealing his lunch money and flushing it down the toilet.
Plus, the irony of being named Rich when he no longer was . . . well, even the dumbest kids could make fun of that.
But maybe things were turning around. After all, if the Louvre hadn’t approached his parents, the Rich
family (Ha! Get it? Greg thought)—well, they might have had to unload everything on eBay.
The museum’s interest had come out of the blue. Greg’s parents had known their furniture was antique but never expected it might be of historical value. And then they’d received a letter from Michel Dinicoeur, the museum’s director of Renaissance acquisitions: "I, Michel Dinicoeur, have discovered you possess some artifacts of great interest to the Louvre, some of which I have been trying to track down for a very long time. . . ."
After that, arrangements were made quickly. The museum even footed the bill for plane tickets, the hotel, and shipping everything to France. Greg had hoped the trip would cheer him up, but from the moment he stepped off the plane, he’d been overwhelmed by a sense of foreboding.
His parents had done their best to rouse his spirits, pointing out the famous landmarks on the way in from the airport and enthusiastically making plans for the rest of the week. They’d just spent the afternoon at the Eiffel Tower, even splurging for lunch at the famous Jules Verne restaurant on the second deck. But Greg simply couldn’t shake the feeling that Grandpa Gus had known what he was talking about—and that coming to Paris was a terrible mistake.
They passed the Tuileries—acres of formal gardens and spouting fountains—and arrived at the Louvre. The cab began to turn into the central plaza, where I. M. Pei’s modern glass pyramid sat above the underground main entrance, a stark contrast to the formal old museum that surrounded it. Sorry,
Greg’s father told the driver in French. We’re not tourists. We’re going to the loading docks around back.
The cabdriver shrugged, then made a death-defying swerve back into traffic and continued on the road between the massive museum and the Seine.
Everything’s going to be fine, Greg,
Mom said for the hundredth time. She patted Greg’s knee, trying to comfort him. But Greg noticed her fingering the silver chain around her neck, something she always did when she was nervous or upset. Her nails absently tapped the black crystal that hung from it.
Greg had never seen his mom without the crystal, even when she exercised. It wasn’t a precious stone, and it wasn’t even intact—one side was jagged, as though half of it had broken off—but it was beautiful and otherworldly. When he was younger, Greg had imagined it might have been a meteorite cast off by a passing comet. Grandpa Gus said it had been in the family going all the way back to their distant ancestor, Cardinal Richelieu, who had been adviser to the kings of France four hundred years ago. But as with everything Gus said, nobody—including Mom herself—seemed to take him seriously. Still, she loved it. Greg’s dad had given it to her when he proposed. At least Greg could be certain they wouldn’t sell that off, and in the midst of his internal upheaval he felt comforted.
The cab rounded the corner of the museum and stopped by a gate where armed guards stood.
The driver turned back to Greg’s father, unsure what to do.
Mr. Rich dug into his pocket and pulled at another piece of correspondence from Michel Dinicoeur—including directions and a silver pass. He rolled down the window and handed it to the stone-faced guard along with the passports of everyone in the family. The guard stepped into a booth, made a phone call to his superior, then returned the passports and raised the gate, waving them through. The cab and the truck plunged down a ramp that led underneath the museum. Greg felt as though he was being swallowed by the earth.
Isn’t this exciting?
his mother asked. More than eight million people a year visit this museum, and almost none of them get to see this.
Wow,
Greg said, joking. "The loading dock. This is way better than the Mona Lisa."
Greg, that’s enough,
his father said with a tired sigh. "All those years of private school and French tutors and the lessons for horseback riding and fencing and rock climbing . . . They weren’t free, you know. I don’t remember you complaining then."
Greg frowned, ashamed. His father was right. On the other hand, while Greg might have spent some of the family money, he hadn’t lost any of it. The Riches had been slowly squandering their fortune for over a century, splurging on lousy art and racehorses with bad knees. Even Grandpa Gus was guilty of it.
It didn’t really bother Greg that there would be nothing left to inherit. He wasn’t that spoiled or selfish. What bothered him was that with all the drastic changes in his life, he felt upended, rootless. As though the person he was before no longer existed, or didn’t matter. So far he hadn’t been able to forge his way into the new life. Would he ever be able to?
The loading area was warm and humid and stank of exhaust fumes. As the cab slowed to a stop, a strange man emerged from the bowels of the museum. Greg’s eyes narrowed. At first, he wasn’t sure if he wanted to laugh or . . . what. The man was around thirty, tall and broad-shouldered—with long black hair, a thin mustache, and a small, pointed beard. His clothing wasn’t just striking, it was ridiculous. Instead of a suit, he wore breeches, stockings, and a loose-fitting shirt. Greg thought he looked more like an actor on his way to perform Shakespeare than a museum employee. Maybe the people who worked here had to dress up in costume?
I, Michel Dinicoeur, am pleased to make your acquaintance!
the man cried. He pronounced his own name with an overly dramatic flourish, stressing each syllable as though it was in italics: Me-shell Di-ni-coo-rre. Welcome to the Louvre!
Chapter Two
THIS DEFINITELY DIDN’T FEEL LIKE VACATION.
Greg doubted he could have imagined something more unpleasant to do in Paris than stand on a broiling loading dock, watching strange workmen unload his family’s belongings. Even the opera would have been better. At least the opera was air-conditioned.
On the other hand, Michel Dinicoeur appeared to be having the time of his life. He flitted about, oohing and ahhing over each piece of furniture with delight. These are exquisite!
he gushed about the dining room chairs, then shot Greg’s mother a sly glance. Almost as beautiful as you, Mrs. Rich.
Greg’s mother laughed and blushed. Oh, Mr. Dinicoeur. You’re a charmer.
Really? Greg thought. He stood on his tiptoes, leaning up to his father’s ear. Does this guy seem slimy to you?
he whispered.
Oh, he’s not slimy,
his father replied. He’s just French.
As far as Mom and Dad were concerned, Michel Dinicoeur could do no wrong. They both gasped in awe at his knowledge of antiques and laughed every time he said something creepy. Greg couldn’t tell if they really thought Dinicoeur was charming—or if they were just sucking up to him because he’d swung them a free trip to France and was saving their bank account. Whatever the reason, Greg had no stomach for it. He wandered off to the side of the loading dock, watching his family’s belongings vanish . . . Correction: They weren’t his family’s belongings. Not anymore. Now they were the museum’s.
Suddenly Dinicoeur sniffed in disgust.
Greg’s massive desk had just come off the truck. Before it was Greg’s, Grandpa Gus had used it as boy, and he’d claimed that it had belonged to his grandfather. It was sturdy and ornate, hewn from oak. Greg knew why they had to get rid of it, and it wasn’t for the money. There was no place for it in their cramped apartment; it couldn’t even fit through the door.
"What is that?" Dinicoeur asked with a sneer.
Just an old desk,
Greg’s mother said apologetically, as if she was embarrassed to have brought it. "We know it’s not of the same period as everything else, but . . . We thought you wanted everything."
Dinicoeur clucked his tongue. "Being old doesn’t make something an antique. Though I suppose