Classics and FIlm

This article seeks to demonstrate the underlying ideological similarities between President Franklin D. Roosevelt’s Depression-era political rhetoric and Metro-Goldwyn-Mayer’s Captains Courageous (1937), an adaptation of Rudyard Kipling’s 1897 novel of the same title. Rather than claim a simple causal relationship between FDR’s oratorical calls for socio-economic reform and M-G-M’s cinematic tale of cooperative teamwork in the face of adversity, the authors make the more modest assertion that the president’s mid-1930s discourse is echoed in, and mediated by, director Victor Fleming’s contemporaneous production. The film, which on the surface displays the hallmarks of a conservative cultural production, actually functions as a pro-collectivist, pro-New Deal message about the perils of dishonest, unbridled competition. In addition, Captains Courageous is suffused with audiovisual signifiers that are unexpectedly in tune with the sound design and mise-en-scene of ‘social realist’ films of the period. In making their case, the authors not only provide a reading of Captains Courageous that goes against conventional wisdom, but also pose a critical intervention in the traditional historiography of Depression-era film production, which has often neglected to account for this and other (admittedly anomalous) instances of pro-Roosevelt sentiments issuing forth from a studio that famously supported the Republican Party.