Scientific Papers. Series E. Land Reclamation, Earth Observation & Surveying, Environmental Engineering. Vol. IV, 2015
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LIFE’S PUZZLE
Ramiro SOFRONIE
University of Agronomic Sciences and Veterinary Medicine of Bucharest, 59 Marasti Blvd,
District 1, 011464, Bucharest, Romania, Phone: +40722877889
Corresponding author email:
[email protected]
Abstract
The paper deals with the binominal sentence “Agriculture for Life”. Associated with its reversed form, i.e. “Life for
Agriculture”, it was successfully used by a bright mind as an appealing motto. This is why the meaning of that
homogenous sentence is further investigated on the basis of the third axiom of classical logic namely, that of the
included third. When as hidden third the gravity is included then one of motto’s fascinating meanings seems disclosed.
Gravity contains life’s key. For this purpose some legends and fairy tales, well known to Romanians, have been
selected. The paper concludes that gravity holds indeed the key of life, but the nature of gravity remains unknown. A
higher level of consciousness is necessary before decrypting the gravity.
Key words:anthropomorphism, automorphism, congruence, idiomorphism, transcendence.
four fundamental forces existing in universe,
the force of gravity. The other three forces,
namely the electromagnetic, weak nuclear and
strong nuclear ones are already well known and
kept under control. The force of gravity is by
far the weakest of all four forces and classical
physics assumes it is propagating by
gravitational waves while quantum mechanics
by matter particles called “gravitons”. In order
to support the research in theoretical physics
Large Hadron Colliders were built in the last
two decades first near Geneva, Switzerland,
and then, the second, in Manchester,
(Marcelloni, 2013). In the year 2015
Manchester will produce collisions of a scale
never achieved by any accelerator in the past,
equivalent with 154 tons of TNT or similar to
earthquakes of magnitude 4 on Richter scale. In
addition, one of the objectives of laser research
project, which recently started at Magurele
Platform near Bucharest, is also to study new
concepts
in
construction
of
particle
accelerators. Therefore a true scientific
offensive, based on the analytical Aristotelian
thinking, is now, in the dawn of the new
century, devoted to disclose the mystery of
gravity.
The 4th International Conference of University
of Agronomic Sciences and Veterinary
Medicine of Bucharest is held this year under
the well-known motto “Agriculture for Life,
Life for Agriculture”. The reversibility of this
INTRODUCTION
For theoretical physics the twenty-first century
started in force. Stephen Hawking has
summarised his former works and published in
the year 2005 “The Theory of Everything”
(Hawking, 1996; Hawking, 2001;Hawking,
2003; Hawking, 2005). In seven lectures the
history of the universe from big bang to black
holes is briefly presented. The book concludes
with a desideratum, namely to do a unified
theory of physics. That will allow
understanding the real identity of mankind,
where it is coming from and where it is directed
to. For the time being the nature of gravity,
even with the involvement of quantum
mechanics, was not disclosed yet. The
physicists are however optimists. After only
two years from coming out of Hawking’s book
“New Theories of Everything” was published
(Barrow, 2007). The author’s quest for the
ultimate explanation to discover the laws that
govern the universe and are responsible for
human existence, seems weak. In the year 2013
Lee Smolin in Canada, author of the book
“Three Roads to Quantum Gravity”, 2001,
recently published a fascinating theory about
time (Smolin, 2013). Since according to his
view time is real and space only an illusion he
is suggesting to reverse the binominal “spacetime” in “time-space” and that would open the
future for disclosing the most familiar of the
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binominal expression emphasises that the Life
devoted to Agriculture is supposed to be
rewarded in return by Agriculture with
refreshed Life, according to endless cyclical
laws of Nature (Sofronie, 2012).Since
Agriculture and Life have similar biological
roots the expression of the above praised motto
is homogeneous and worth to be analysed
according to the third axiom of classical logic,
namely that of excluded third (Nicolescu,
2009). Recently, this axiom was further
expanded by Prof. Basarab Nicolescu, and the
included third may be optionally replaced with
the hidden one (Nicolescu, 2014).In a transdisciplinary analysis this new philosophical
tool is a source of knowledge able to reach all
levels of “Reality” namely those that
corresponds to existing levels of understanding.
For sure, in a world that is continuously
moving, and Malthus theory of evolution not
yet forgotten, such an analysis is expected to
bring surprising results about the binominal
Agriculture-Life. Particularly, for the purpose
of this paper devoted to life, gravity is chosen
as a hidden third. The interest for gravity is as
old as the conscious life. There are many proofs
that primitive people were aware about gravity
and behaved accordingly. The knowledge
progressively acquired was stored in legends or
fairy tales, always cryptically protected. The
thinking used in the past was concise and of
synthetic type, like Plato’s one, often with
several meanings. From very early times people
learned to use knowledge as an ascendant
against the others. Some historians assumed
first this attitude as being generated by selfsurviving instincts. Not much later, at a
planetary scale, the stored knowledge in human
minds degenerated into sources of aggression
against confrères. In spite of that primitive
component of mankind evolution, amazing
discoveries were made during centuries. In
order to answer to the bewilderment expressed
by paper’s title few of the best known legends
or fairy tales, more or less devoted to gravity
and already fixed for a long time in the
consciousness of Romanians, were selected
below
as
study
cases.
WHAT GRAVITY DOES IS?
Thinkers like Aristotle, Archimedes and
Galileo Galilee dealt with what today is called
gravity, but none understood it properly. Isaac
Newton (1643-1727) was the only one who
discovered the two fundamental proprieties of
the matter, namely inertia and gravity. Inertia
preserves the mechanical state of rest or
rectilinear and uniform motion of a body, while
gravity is the force of attraction of the Earth.
He extended the interaction between material
bodies to the whole universe as a law equally
valid in Heaven and on Earth like the Pater
noster prayer also states. Newton’s work, in its
three books, also includes action as cause of
motion and the equilibrium of material bodies
as well. It is entitled Philosophiae Naturalis
Principia Mathemathica, in deliberate contrast
with Descartes’ Principia Philosophies, and
was published in 1687.
According to the law of universal gravitation,
as it is called by Hawking in (Hawking, 2003),
the attraction force F developed between two
bodies with masses m1 and m2, distanced
between them by r, is defined by the expression
mm
(1)
F K 12 2
r
where Newton’s universal constant K,
determined with Cavendish balance, assumes
the value
K 6.673x10 11 Nm 2 kg 2 .
(2)
Particularly, by considering the Earth as one of
the two bodies with mass M while the
gravitational mass of the other body, located on
Earth surface at distance R from its center, is
written with mg, expression (1) assumes the
form
Mmg
FK 2 .
(3)
R
On the other hand according to Newton’s
second law, the force acting on an inertial mass
mi moving with acceleration a, has the
expression
F mi a .
(4)
By comparing expressions (3) and (4)
Mmg
mi a K 2 ,
R
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and since experimentally it was proved that the
two masses mi and mg are equal, i.e.
(5)
mi mg m
permanent,
continuous
and
endless
regenerating process. Only the participants in
this universal process are compulsory
ephemerides and should be periodically
refreshed. Eternal youth, as that imagined by
prince, would be possible only on a far planet,
with a different gravitational field, and without
any regenerative components, like a living
utopian museum.
one finds the intensity of the gravitational field
under its two forms of scalar and vector,
&
M
(6)
a g K 2 9,81m / s 2 g
R
which assumes acceleration dimension with its
numerical usual value. Returning to expression
(4) one obtains the scalar and vector forms of
gravity force
&
(7)
F G mg G .
This is the attraction force of Earth that keeps
all material bodies on permanent contact with
Earth surface and is also called weight. The
above theoretic results are confirmed by reality
and are of great use for practical purposes.
Unfortunately, more than that is unknown. This
is why about gravity a legend with Newton’s
apple, which follows the cryptic rules of
antiquity, was created.
THE KISS
In March 1907, after only two months spent as
practicing to Auguste Rodin (1840 -1917) in
Paris, Brancusi rented a workshop in
Montparnasse area and started his independent
work of creation. So, in the same year he
created his own “Kiss” as a replica to Rodin’s
statue with the same title. Brancusi’s “Kiss” is
reported to an orthogonal system of Cartesian
axes such as the faces of lovers are joined along
the vertical axis, while the embracing parallel
arms along the horizontal axis. That vertical
axis of reference is not a randomly one, but an
axis of symmetry. This means the two members
of the couple are physically well balanced in
the gravitational field as a basic condition of
being conscious about the step they are
following. But really fascinating is that they are
mirroring in each other. In mathematics
mirroring means congruence or superposing. It
is the best proof of true, genuine love that
motivates their reciprocal attraction for
fulfilling the act of kissing. In the first phase
the statue was limited to the bust of lovers
inscribed into a hexahedral parallelepiped that
satisfies Euler’s topological theorem between
facets,
peaks
and
edges,
F+P=E+2
→6+8=3x4+2. By its gravitational orientation
the statue received a cosmic connection, while
the horizontal force of embracing, being free of
gravity, participates in the act of kissing with
its maximum intensity. According to his
original concept, radically different by Rodin’s
“Kiss”, the statue is not representing a real,
ephemeral kiss, but a symbol of the eternal
kiss, that involving the total union of lovers
with universe. When Brancusi was asked to
produce a funeral monument for Tania
Rachevskaia, a Russian anarchist girl who
committed suicide for love in 1908, in the
ETERNAL YOUTH
Among the 37 legends or fairy tales published
by Petre Ispirescu (1830-1887) at the end of the
nineteenth century in Bucharest, one is titled
“Youth without Age, and Life without Death”
(Ispirescu, 1882).The story tells that a prince
guided by his winged horse went out into the
world to find the eternal youth. Needless to say
man and horse had to overcome many
obstacles, but finally his dream came true.
Their arrival on that blessed land was heartily
greeted by a beautiful young girl who lived
together with two of her elder sisters as well as
by representatives of all species of animals and
birds like on Noah’s Ark. Of course, the prince
married that sweet girl and they lived happy for
a long time, inside the borders of that
privileged territory, but without having any
children. When he once, by accident,
overpassed the forbidden borders of their land
the prince was immediately severely punished.
Returning home with his winged horse he was
astonished to find out that in the meantime
many years had passed. Alone and abandoned
even by his horse, he eventually passed away in
deep sadness. The message of this story states
that life on Earth is like a river, namely a
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second phase of his act of creation, he decided
to extend the statue of “the Kiss” to the whole
bodies of the couple. This small statue of only
30x20x89,6 cm, in cheap, ordinary limestone,
is still preserved and carefully watched in
Montparnasse Cemetery from Paris. In the third
phase of creation, thirty years later, already in
1937, the stylized image of this extended
“Kiss” was carved in the travertine plates of the
“Gate of the Kiss” in Targu Jiu, Romania. A
chain with forty copies, is suggesting a typical
Romanian round dance that Mircea Eliade
(1907-1986) called in his book “Solilocvii”,
published in 1932, “the cosmic dance”. Thus,
by his “Kiss”, symbolizing the beginning of
gravitational life, Brancusi became definitely
consecrated in cosmic geometry of the
universe.
gravitationally shaped with a firm vertical back
and a large horizontal base. The stylized eyes,
nose, mouth, ears and even hair on the Earth
surface were applied by the sculptor for the
sake of camouflage only. For long time, people
learned to hide their secrets like thesauri. The
idea of supporting a cosmic body on human
shoulders is not new. In Greek mythology Titan
Atlas held up the celestial spheres. It is
supposed that for an inhabited Earth Brancusi
preferred a female as the unique being able to
generate life. Once this meaning of the statue is
accepted, it would be easy to understand that its
wisdom consists in the gravitational field itself.
Earth and humans are in resonance, and
therefore the humans are responsible for Earth
future. The statue might be regarded as a
homage brought by Brancusi to gravity.
WISDOM OF THE EARTH
OEDIPUS
In the same year 1907 this small statue in
crinoidal limestone, collected from the
Catacombs of Paris, with dimensions
24.9x16.5x56.5cm was called by Brancusi
himself “the Wisdom of the Earth”. It is written
that in 1910, when the statue was submitted to
the Art Museum in Bucharest to be exhibited, it
roused contradictory reactions, not being well
understood by onlookers. Most of them were
intrigued by the strange shape of its head, but it
was finally accepted. Ten years ago the statue
was called Sophrosyne meaning “soundness of
mind” in Greek (Pogorilovschi, 2005). The
above mentioned misunderstandings were
possible because everybody ab initio believed
that the statue is representing a woman what is
untrue. Neither is the Sphinx erected in Egypt
by AKA Cheops a woman, but a lioness with a
woman head. Nowadaysthe reality is regarded
with more straightforwardness than before.
Wisdom comes from the ability of the human
brain to think, and the brain is the matter
located in head. Therefore the statue is without
any doubt symbolically representing the Earth’s
geoid, accordingly reshaped by sculptor’s
intuition, supported by a female body. This
proportionally reduced in dimensions model of
the Earth is perfectly centered on female body
by their common vertical plan of symmetry. As
a proof, the female body was also
The question is why should gravity be praised
by humans? To this question Oedipus is
definitely answering. In short, the story starts in
Egypt where the King Khufu or AKA Cheops
erected the Sphinx (2558-2532 BC) beside his
Great Pyramid. The Sphinx is a memorial
devoted to the beginning of time, called by
Egyptians ZepTepi, which according to Robert
Bauval occurred in the year 11,451 BC. In that
very year human consciousness was fixed in
brain as in solid matter. About that event Plato
(428-348 BC) in his Timaeus, famously wrote
that World Soul was being crucified on the
World Body (Black, 2010).According to a
legend the Greeks, aware by that event, took
the name of Sphinx to a mythological monster,
also as a winged lioness with a woman’s face,
which used to check whether human
consciousness works. The people found
unconscious were immediately killed. It is said
that once the monster met Oedipus, the King of
Thebes and asked him the riddle: "What is it
that has a voice and walks on four legs in the
morning, on two at noon, and on three in the
evening?" Oedipus immediately answered that
it was man who, as a child crawls on all fours,
as an adult walks on two legs, and in old age
uses a stick as a third leg. In this way Oedipus
escaped by monster’s punishment, but his
answer contains a great truth: during adult life
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the role of the stick is assumed by gravity. It is
the gravity which provides to all bipeds their
stability of equilibrium in both mechanical
states, those of rest and motion. Similarly the
gravity acts on plants, flowers and trees. This is
why gravity is worth of human homage.
239.4cm in height, so that it may always be
regarded by anyone upwards. The heads of the
two partners, with open mouths as if shouting
“not guilty” and faces expressing wonder for
their unexpected expulsion are rigorously
superposed on the same vertical axis on which
their bodies are melting into each other, that a
thin trunk resulted. Such shaped the statue is
displaying the total solidarity of Adam and Eve
in facing with dignity that accusation of sin.
Since 1921 the statue is exposed at Solomon R.
Guggenheim Museum in New York. Brancusi
remained consequent in his interest for gravity
in spite of the prohibition around this subject.
NARCISSUS
Brancusi devoted in 1913 a small statue of
white marble to Narcissus without expressing
any compassion for his sorrow. Brancusi was
conscious of this sad and paradoxical legend in
the same time. All the boys in the world are
beautiful, and therefore none of them is
motivated to commit suicide only for reason of
his own beauty. Considering the legend from
the viewpoint of physics, it seems that in fact
Narcissus discovered that his own image
mirrored by the shimmering water was
immaterial and therefore free of gravity. Only
he, the material one, was subjected to the
permanent action of gravity being prevented to
move and act as a free person. This is why he
decided to find his freedom by suicide. Plato
also drew attention that by mirroring
transcendence from material life to the
immaterial one occurs. Since then the call for
liberation from gravity’s compulsions took
large proportions becoming a true Narcissus
Syndrome. It is strange however, that the same
gravity which is praised in Oedipus Legend is
blamed in the Narcissus one. This duplicity of
character is typical for human structure.
THE BIRDS
Like humans the birds are also bipedal and
have similar problems for preserving their
equilibrium in the gravitational field. Between
the years 1910 and 1924 Brancusi created
statues of birds gravitationally shaped with
respect to their vertical plans of symmetry
where gravity centers are always located. With
statues like the “Magic Bird” 1910, “Bird in
Space” 1923 and “the Cock” 1924 he took a
step forward by explicitly involving gravity in
his creation. The shapes of statues became
more precise than his earlier creations showing
confidence and desire to continuing his search.
FLYING BIRDS
Brancusi produced the pen drawing entitled
“Snail and Birds” in 1929 for illustrate the
book of poet Ilarie Voronca about “Plants and
Animals” (Brezeanu, 2005). The flight of birds
into precise formation compared with a snail’s
trail seems magnificent and joyful in the same
time. For the eyes of twenty-first century it can
equally represent the flight of a formation of
drones. But what is a flight if not a proof of
taming the gravity? The author’s option for the
above mentioned Narcissus Syndrome was then
definitely expressed.
ADAM AND EVE
This Biblical legend is mostly paradoxical by
bringing innocent people under the tree of
knowledge and then proclaiming that their
access to knowledge is forbidden. Since the
seventeenth century Newton had proved that in
the incriminated apple tree was hidden nothing
else but the knowledge of that time about
gravity, namely the free falling down of
material bodies. Why should people be kept
afar off that knowledge? Is gravity of top
secret? Since the end of twentieth century the
puzzle started to intrigue scientists. Brancusi
devoted to Legend of Adam and Eve, with his
sincere compassion, a wooden statue of
ENDLESS COLUMN
“The Column” as a vertical succession of
coffins is a funeral monument devoted to the
Unknown Soldier. It was completed in three
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months only, from Aug.15 to Nov.15, 1937.
Brancusi used for shaping his Column three
topological concepts, i.e. the anthropomorphic,
idiomorphic and automorphic ones (Sofronie,
2001; Sofronie, 2004; Sofronie, 2005). In the
first stage of his creation by “the Kiss” and “the
Wisdom of the Earth” he brought homage to
gravity, and that homage has been proved
strongly motivated. In the second stage of his
creation through “Narcissus” and “Adam and
Eve” he expressed some concern about gravity.
In the third stage by his “Birds” and “Flight” he
praised the gravity. Finally, after three decades
of creative work, from 1907 to 1937, his
“Endless Column” topologically and transcenddentally defeated gravity. Brancusi proved
consequence about gravity, and through gravity
all his creation becomes coherent. It seems that
Brancusi has felt the gravity of matter with the
same skill as Vincent van Gogh has seen
nebula in some stars on the night skies. Indeed,
all his creation is based on “divine intuition” as
Silvia Paun used to say. Intuition means
knowledge beyond logic and feeling the
incognoscibilis without explaining it. It is
answering only to existential questions and
succeeds there where reason fails. Finally,
intuition comes from the soul not mind and
always acts spontaneously.For Brancusi “the
Column” was the achievement of his life that
none in the World succeeded before. It was also
his last masterpiece. After completion “the
Column” in Targu-Jiu, during the subsequent
twenty years, he didn’t create anything else
new (Sofronie, 2006; Sofronie, 2012; Sofronie,
2013). The summit was reached. “The
Column” has demonstrated that life is not only
endless in space, but also everlasting in time.
decrypting the gravity and controlling this
magic force, a new level conscience is strongly
necessary. It seems therefore that André
Malraux’s bet for the twentieth first century
was well motivated and it still remains open.
ACKNOWLEDGEMENTS
The interest and kind acceptance of this subject
by the Advisory Board of Conference L4A is
gratefully acknowledged.
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CONCLUSIONS
The hidden third, chosen at the beginning of
this paper, proved to be inspired. Gravity holds
indeed the key of life. It is the force that
governs the laws of Heaven and Earth. Life is a
form of energy, called vital energy, and most of
it is produced by motion in the gravitational
field. This is why the nature of gravity is still
kept top secret by Nature itself. The existing
society is not yet prepared to manage the secret
of life. Scientists believe, however, that for
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