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Character Analysis of "Salvatore" Salvatore is the major character in the short story "Salvatore" by Somerset Maugham. Despite the fact that Salvatore is just an ordinary Italian fisherman, he is going to hold reader's attention during the whole story. He is the son of fisherman, who spent every morning lying on the beach when he was a boy. Then he fall in love with the pretty girl from Grande Marina.Unfortunately, he
2000
A survey of Hemingway's Italian stories, this paper offers some new informations and reflections on their background and relationship. Hemingway's change of mood towards Italy in the 1920s is related to his rejection of Mussolini's Fascism. The Index offers an overview of themes and narrative technques in the Forty-NIne Stories.
As far as its afterlife during centuries is concerned, several transcodifications have been performed on The Tempest to make it go beyond the textual and stage limits prescribed by its hypotext, as if it had its own border to cross. This paper tries to focus on a peculiar transcodification, a contemporary short-story, " Rough Magic " , included in the volume Shakespeare Stories edited in 1982 by Giles Gordon (1940-2003), and written by the British journalist, literary critic and novelist David Hughes (1930-2005). Starting from a short overview both of the cultural reception of the play and of its adaptations, this paper aims at interpreting the story through a double perspective. First, by tracing the clues of a continuing fascination of imperialist will to power nowadays and its (metaphorical?) colonialist implications through a contrapuntal reading. Second, it attempts at exploring and decoding the complex multi-layered structure of dichotomies concerning the key-concept of borders which underlie the short-story narrative strategies, given the idea that the colonizing process performed by the protagonist can be seen as a multiple sequence of crossing borders.
The Hemingway Review, 2019
2009
is responsible for my interest in the historical novel, and Michael F. O'Riley helped me give my separate chapters a cohesive frame. Besides my official advisors, Tamao Nakahara, Sara Teardo, Monica Bilotta, and Marco Codebò provided essential feedback on early drafts. Thanks to Roberto Pesce for introducing me to Luther Blissett, and thus, my final chapter. I could not have finished this project without the moral support of Bryan Cracchiolo, Annachiara Mariani, Kathleen LaPenta, and Lex Perryman. Special thanks to Jonathan L. Bredin for providing me with inspiring workspaces and supporting me in the most difficult of times.
Academy Publication, 2019
Renaissance England (1500-1660) is the most flourishing era of English history which testified the emergence of classical humanistic arts. Of course, drama is a literary genre that prospered, then, to entertain the interests of the Royal ruling families, especially Queen Elizabeth 1 (1558-1603) and her successor King James 1 (1603-25), as theatres were built in London along with dramatic performances held in the courts like masquerades. This study aims at showing the distortion of Islam in Philip Massinger's "The Renegado or The Gentleman of Venice", via tackling the theme of "the self and the other" and analyzing the structure of the play. Why not, and English Renaissance citizens love to watch the non-Christians, the misbelievers, humiliated and undermined. Massinger, among other Elizabethan dramatists like William Shakespeare, uses the art of tragicomedy to show the Western hatred, which is "the self", of the Oriental Islam that is in turn "the other". Index Terms-binary opposition, Islam distortion, orientalism, Philip Massinger, renegade, the self and the other
Annali d’Italianistica, 33, 406-408, 2015
Cahiers d’Extrême-Asie, 2017
Daoist practices and concepts of self-cultivation have become increasingly popular in the West in the past decades. Whether these practices, and the organizations that promote them in the West, can even be called "Daoist" is a matter of controversy among scholars and practitioners. This article argues that, in the transnational diffusion of cultural and religious concepts and practices, it is inevitable that they will be transformed as they become embedded in a new social and cultural context. Based on an ethnographic study of "China Dream Trips" organized by Healing Tao USA, one of the most influential popular Daoist organizations in America, we highlight how Daoist identity and practices have been appropriated into a long Euro-American tradition of spiritual individualism, transmuting the ontological core and orientation of the Chinese Daoist tradition in the process. Healing Tao USA, like other proponents of America's "religion of no religion," upholds the promise of a new synthesis between Oriental spiritual technologies and Western psychology, freedom and sexual liberation-a holistic culture that can transform the world by transcending the dogmatism of organized religion and the mechanistic materialism of secular culture. From a sociological perspective, however, it appears that "popular American Daoism" may well reproduce and reinforce the cultural structures that it claims to overcome.
Civil Procedure Review, v.2, Special Edition: 225-288, june, 2011, 2011
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