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POTS, PANS, AND PEOPLE
Material Culture and Nature in Mesoamerican Ceramics
Eduardo Williams
[17/09/2022]1
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Preliminary version, not for citation. © Eduardo Williams, 17/09/2022.
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CHAPTER II
MATERIAL CULTURE AND NATURE: THEORETICAL BACKGROUND
In this chapter I explore the theoretical background for the study of material culture and
human adaptations to nature. The chapter is divided in three parts: (1) Material culture, or
the artifacts, tools, instruments, and all objects used by people to adapt to their
environment. Material culture is the main source of information used by archaeologists to
infer the economy, technology, social organization, and ritual practices of ancient societies.
The analysis of material culture is crucial to archaeological theory and methodology. (2)
Cultural ecology, or the patterns of behavior that allow people to adapt to their
environment, as well as their knowledge (and use) of specific natural environments and
landscapes. Cultural ecology deals with many aspects of culture and the environment,
including how humans can solve their subsistence problems, how groups of people
understand their environment, and how they share with others their knowledge of the
natural settings, resources, and landscapes. (3) In the last section, I explore the relationship
between archaeology and anthropology over time, and the role of ethnoarchaeology as a
possible bridge between these two disciplines, as well as an indispensable tool for
archaeological interpretation. I also discuss the role of ethnohistory and other disciplines
from the social sciences and humanities, which offer crucial perspectives for archaeological
interpretation. Both ethnoarchaeology and ethnohistory are indispensable for the
interpretation of the archaeological record, as the reader will see in this book.
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Material Culture
In recent decades the study of material culture has reached a new level of importance in
social studies, not just in archaeology. Ian Hodder (1982), for instance, holds that ‘material
culture is the main source of information from which archaeologists infer the economy,
technology, social organization and ritual practices of ancient societies. Therefore, the
analysis and interpretation of material culture are central to archaeological theory and
methodology. To understand the relationship between material culture and human behavior,
archaeologists need to develop models based on ethnographic analogies.
Among many other archaeologists, Michael Schiffer has been concerned with
material culture for a long time (e.g. Skibo and Schiffer 2008; Gould and Schiffer 1981).
Schiffer (2017) discusses a ‘material-culture turn’ in the social sciences that has emerged in
recent years. For many social scientists, the study of material culture has become an
important part, if not the main focus, of their research projects. But it wasn’t always so. In
contrast to archaeology, most social sciences lack a real need to engage material culture,
and so it has been neglected as a source of data about human behavior (p. 206). Instead of
focusing on material culture as a source of information, cultural anthropologists,
sociologists, cultural geographers, social psychologists, and others have used interviews,
questionnaires, and highly contrived experiments for learning about people’s behavior,
thoughts, and beliefs (p. 206). According to Schiffer, the ‘material-culture turn’ in the
social sciences began in the 1970s and occurred in part because the data-gathering
techniques mentioned above had reached their limits of usefulness as measures of actual
human behavior. More importantly, social scientists were beginning to apply
archaeological perspectives on human behavior and material culture. Schiffer (2017) holds
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that material culture remains to some extent in an ‘interdisciplinary limbo’ because the
organization of social sciences in most universities has ossified, allowing no space for
material-culture studies. That is why today material-culture researchers remain on the
fringes of all disciplines that deal with people. Archaeology remains as the center of
gravity, as the only social science that deals with material culture from all times and places.
Indeed, archaeology continues to nurture material-culture studies, producing an abundance
of theoretical works and creative case studies.
Meanwhile, in the period since the late 1980s we have seen a fast‐expanding
literature in material culture studies, with archaeology and anthropology playing a central
role. But one sees in this literature a dissatisfaction with purely ‘culturalist’ studies of
material culture, which ‘served simply to reduce things to meanings, or else to social
relations’ according to Hicks and Beaudry (2010:2).
Another useful perspective on material culture has been developed by Daniel
Waugh (2005), who holds that the term ‘material objects’ refers to items with physical
substance that have been shaped or produced by human action (though objects created by
nature can also play an important role in the history of humankind). For example, coins and
medals are the product of human activity, while an animal horn is not. But horns can take
on meaning for humans if used as drinking cups or as decorative or ritual objects.
According to Waugh (2005), we can write history using objects depending on what
evidence has survived. It is sometimes surprising how much information has survived, but
in the past most archaeologists tended to look mainly for large or ‘beautiful’ objects and
throw away the rest. Today’s archaeologists record minute data, such as microscopic
analysis of pollen that can provide important information on plant life in the past.
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Historical analysis of material objects usually involves a careful description. When
we analyze material evidence, we write an object’s biography. Each object has a story to
tell, a story shaped by human use. The object’s description may provide material for
generalization about technology, economy, or social relations within a given society and
how they changed over time (Waugh 2005). An object’s biography should include
information on its owners over an extended period and may reveal how the object was used
or perceived in different settings, even in ways unintended by its creator. An artifact
produced for a practical function in daily life may acquire symbolic value later in its
history. Conversely, an object’s original function may become irrelevant because society no
longer needs it or because people no longer know how it was originally used. Most objects
have passed through several historical stages and the location of discovery is rarely the site
where they were made. It is important to learn how things reached the location of
discovery, therefore we should investigate what the context of discovery tells us about the
object’s environment and associations. Finally, we would like to know whether the context
provides information about the date of use or manufacture. Such evidence may reveal
patterns of exchange and interaction. According to Waugh (2005), when using objects for
research, we should start by asking about the original context, how and where they were
found. Other important questions posed by Waugh (2005) about objects are where are they
now? And how are they presented? This information can be rich and layered because each
object has its own story (p. 4).
Many objects studied by archaeologists, anthropologists, historians, and other
scholars have been shaped or produced by human action. A coin, for example, is quite
obviously the product of human activity. Roman coins remain as proof of Roman presence
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in many parts of Europe, suggesting interaction with local groups such as the Celts of
present-day Britain. Powell (1980) reports on a denarius of the first century (ca. AD 48)
with high-relief figures that show how the Celts were seen by Roman coin engravers. On
the obverse the coin shows a Gaulish head, while the reverse might well be an illustration
from one of the early Irish epics (Powell 1980: Figure 76a).
Figure 1. The Cherokee Chief Cunne Shote, painted by Francis Parsons in 1762 (Gilcrease Museum,
Tulsa, Oklahoma). The main figure is surrounded by several ‘peace medals’ (after Pickering 2011,
figure on cover).
Like coins, medals also offer important clues for historical interpretation. Robert
Pickering (2011) made a study of the so-called ‘peace medals’ that became tokens of
political negotiation between early European settlers and native peoples in North America
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(Figure 1). According to Pickering, since the early nineteenth century understanding peace
medals has become quite problematic and as confusing as the political negotiations that the
medals symbolize. Part of the problem pertains to the definition of the term ‘peace medal’.
A clear and simple definition would refer to those medals specifically minted by the
American and other governments for the purpose of distribution to native American
leaders. One of the goals of peace medals was to attract attention: ‘Their size and the noble
image of a president, king, or queen… tells the viewer that the person wearing the medal is
important… Clearly, such fine medals denote important events and extraordinary people’
(p. 1). Pickering (2011) holds that peace medals found a positive reception on the part of
many Indian groups, especially in the American Southeast and Midwest, because the
wearing of large shell disks was recognized by chiefs and other members of the native elite
long before Europeans arrived.
Waugh (2005) mentions other items of material culture, such as animal horns. Even
if they were not made by humans, horns may have special meaning if used, for instance, as
a drinking cup or a decorative or ritual object. This idea can be illustrated with a class of
objects excavated by Ian Hodder in Çatalhöyük, Turkey. Hodder (2006) tells us that
Çatalhöyük was an early town (ca. 7400-6000 BC) in central Turkey with a population of
some 3,000 to 8,000 people. One of the mysteries of Çatalhöyük is its great size and its
long duration at such a very early date, at a time when people had started settling down into
permanent villages and had begun domesticating plants and animals.
Animal bones are among the most common artifacts excavated by Hodder at
Çatalhöyük, often found in open refuse or midden areas between houses. Another kind of
data consists of different types of animals in installations in several buildings at
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Çatalhöyük. Buildings were decorated with animal heads (notably bulls), horns, teeth,
tusks, and other parts set into walls and placed on pillars and modelled in plaster. Hodder
found that cattle skulls were brought into some houses, the heads were plastered and the
resulting bucrania were placed in the wall (Figure 2).
Figure 2. This reconstruction drawing shows how the cattle heads may have looked in their original
context at Çatalhöyük (adapted from Oates and Oates 1976: Figure on p. 91).
Waugh (2005) holds that we should bear in mind that most objects have passed
through several historical stages and the place of discovery is rarely the site of manufacture,
hence the following questions one might ask about an archaeological find: (1) How did the
object reach its location of discovery? (2) How does the context inform us about the
object’s environment and associations? (3) Does the context hold information about the
object’s date of manufacture or deposition? (5) Can this evidence reveal patterns of
exchange and interaction?
Waugh (2005) adds that sometimes, when encountering a type of object for the first
time, we may try to establish its function based on our own experiences. Often such
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analogies are accurate, but they may be misleading, for example if the object comes from a
culture far removed in place and time from our own or if it was found in an environment far
removed from its place of origin. In this case, close observation of an object (including usewear patterns) and its context can help establish function. A critical examination of the
setting in which the object is found is also important. As an example, a tool assemblage2
around a hearth with bones of domesticated animals and features related to cooking and
consuming food might help identify otherwise ‘anonymous’ objects as being connected
with subsistence activities.
Material Culture Studies
Hicks and Beaudry (2010) hold that in recent years many researchers, including
sociocultural anthropologists, have been using archaeological methods to study the modern
and contemporary world. This is part of a multi‐disciplinary interest in the material
dimensions of the world, and the debates and ideas generated by this approach might
develop into a broader ‘material turn’ in the humanities and social sciences. Historians have
also been part of this process, thanks to their interest in intellectual traditions that include
different forms of ‘material histories’, from Marx's ‘materialist conception of history’ to
Fernand Braudel’s historical materialism. These scholars often share the concept of objects
as ‘alternative sources’ of information that complement documentary evidence to solve the
questions posed by economic history and social history. By the same token, many
geographers share an interest in material entities in the context of their efforts to understand
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The term ‘assemblage’ is applied to a group of artifacts or ecofacts (bones, shells, plant remains, etc.) recovered from the same
archaeological context. These objects are found near each other, and may be interpreted as evidence for specific events, practices, or
activities in the past (Joyce and Pollard 2010).
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the constitution of lived space. Finally, sociological accounts have focused on the
involvement of objects in human relations.
Before going further with my narrative, it is important to have clarity about the
meaning of the word ‘culture’ as used here. In the following section I discuss the concept of
culture and how it has changed through the years.
The Culture Concept over Time
British anthropologist Edward Burnett Tylor (1832-1917) is generally regarded as the
founder of cultural anthropology (Street 2022). Tylor’s most important work is the book
Primitive Cultures (1871), where we find his now-famous definition of culture: ‘That
complex whole which includes knowledge, belief, art, morals, law, custom, and any other
capabilities and habits acquired by man [sic] as a member of society’.
At the end of the 19th century, the definition of the word ‘culture’ already
incorporated Tylor’s ideas, as we can see in the 1898 edition of Webster’s Dictionary:
1. The act or practice of cultivating, or of preparing the earth for seed and raising
crops by tillage… 2. The act of, or any labor or means employed for, training,
disciplining, or refining the moral and intellectual nature of man; as, the culture of
the mind… 3. The state of being cultivated; the result of cultivation; physical
improvement; enlightenment and discipline acquired by mental and moral training;
civilization; refinement in manners and taste… The list of all the items of the
general life of a people represents that whole which we call its culture [Tylor].
Moving ahead in time, we see that in the first quarter of the 20th century, scholars were still
attempting to produce a concept that would allow them to explain human social behavior.
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Franz Boas (1911) is a good example of these early theories, as he held that the
psychological characterization of humans under the varying conditions of the race and the
environment in which people live should include all their beliefs and customs. According to
Boas, all the facts of the individual's ordinary life give us an opportunity to observe the
manifestation of people's thought under varying conditions (p. 75). Boas further believed
that
the thoughts and actions of civilized man and those of man in a more primitive state
of society are proof that in various groups of mankind the mind responds very
differently when subjected to the same conditions... I propose to analyze the
differences that characterize the mental life of man in different degrees of culture...
It may be that the minds of different races present differences in organization... But
it may also be that the organization of the mind is almost identical in all mankind; in
other words, that mental activity obeys the same laws everywhere, but that the
manifestations of these laws depend on the character of the individual experience
which is subjected to the action of these laws (p. 75).
In his book A History of Archaeological Thought, Bruce G. Trigger (2006) points out that
in the early 20th century Boas characterized the ‘ethnographic culture’ as a basic unit of
study and diffusion and the major force behind cultural change. Trigger mentions Boas’
advocacy of cultural relativism and his strong opposition to racism as the basis for his idea
that Indians were capable of change.
Trigger mentions other important developments in American archaeology during
the late 19th and early 20th century, including the work of G. P. Thruston, who defined in
1890 a prehistoric Stone Grave ‘race’ in Tennessee, which he thought constituted the
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remains of a single tribe or a group of related tribes. The term culture was first applied to
groups of sites containing distinctive artifact assemblages, and by 1902 William C. Mills
had distinguished the Fort Ancient and Hopewell cultures (p. 279).
Around the middle of the 20th century, Alfred Kroeber (1948) defined the term
‘culture’ as ‘the mass of learned and transmitted motor reactions, habits, techniques, ideas,
and values—and the behavior they induce… Culture is the special and exclusive product of
men, and is their distinctive quality in the cosmos… given a culture, the human beings that
come under its influence behave and operate quite differently from the way they would
behave under another culture’ (p. 8). Kroeber also thought that culture was ‘a tremendous
influence on human behavior. [Culture] is always first of all the product of men in groups: a
set of ideas, attitudes, and habits—“rules” if one will—evolved by men to help them in
their conduct of life’ (p. 10). These ideas led Kroeber to characterize culture as something
‘which the human species has and other social species lack. This would include speech,
knowledge, beliefs, customs, arts and technologies, ideals, and rules. That, in short, is what
we learn from other men, from our elders or the past, plus what we may add to it’ (p. 253).
Kroeber saw receptivity or openness as a general characteristic of culture. He thought that
today’s culture is always received from yesterday; this is what tradition or transmission
means. He saw this process as ‘a passing or sending along, a “handing-through” from one
generation to another’ (p. 256).
Kroeber wrote in The Nature of Culture (1952) that ‘cultures, societies, individuals,
and events, respectively, represent roughly the characteristic subject matters of
anthropology, sociology, psychology, and history’ (p. 104). The anthropologist deals with
that aspect of human behavior known as ‘culture’. Kroeber also mentioned the following
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characteristics of culture: first, culture is not transmitted or continued by the genetic
mechanism of heredity; (2) culture is supra-personal and anonymous; (3) it falls into
patterns, or regularities of form, style and significance; (4) it expresses values, which may
be overtly formulated or implicitly felt by the society carrying the culture (p. 104).
In the book A History of American Archaeology, Gordon Willey and Jeremy Sabloff
(1980) call the period of time in which Kroeber was active (1940-1960) the ClassificatoryHistorical Period. In the latter part of this period, according to Willey and Sabloff, several
authors attempted to place archaeological cultures in their appropriate natural
environmental settings. This can be seen as a reaction to the strong anti-environmentalist
tone of American anthropology followed by Boas and others, who had proscribed
environment as a possible explanation for the development of culture. Willey and Sabloff
hold that during this period archaeological research went beyond the simplistic treatments
of the environment that had been current, thanks to the belief that a culture’s environmental
context should be studied as thoroughly as possible to reconstruct an appropriate prehistoric
environmental setting, which in turn would generate the appropriate functional
interpretations.
Writing in the 1950s, Robert Redfield (1989a [1956]) recounts how, in his view, the
concept of ‘a culture’ arose out of the anthropology which relied on studies of isolated or
tribal people. Each culture came to be conceived as an independent, autonomous, and selfsufficient system that did not need to be maintained ‘by a complementary, reciprocal,
subordinate, or other indispensable connection with a second system’ (p. 40). Redfield saw
these cultural units as systems because they had their own mutually adjusted and
interdependent parts. They were autonomous because they did not require another system
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to continue functioning. Redfield also thought that culture was maintained by the
communication of a heritage through the generations among the local communities. The
culture of a peasant community, however, is not autonomous, but rather ‘an aspect or
dimension of the civilization of which it is a part’ (p. 40).
Redfield focused his attention on the peasant village, in which he saw ‘the long
course of interaction between that community and centers of civilization’. The peasant
culture had an evident history. Redfield thought anthropologists had to study that history,
which went beyond the local sphere. It was the ‘history of the civilization of which the
village culture is one local expression’ (p. 41). In a later work, Redfield (1989b [1960])
describes culture as a ‘stable ethos and world view… a value system, a group personality’
(p. 106).
Gordon Childe discussed the culture concept from an archaeological perspective in
his book Man Makes Himself (1956), contemporaneous with Redfield’s writings. Childe
characterized archaeological research in the following way: ‘The archaeologist collects,
classifies, and compares the tools and weapons of our ancestors and forerunners, examines
the houses they built, the fields they tilled, the food they ate (or rather discarded). These are
the tools and instruments of production, characteristic of economic systems’ (p. 31). For
Childe, the ancient relics and monuments were evidence of the contemporary knowledge or
science existing when they were fashioned. Childe saw culture as ‘the equipment which
men make for themselves’ (p. 47), and archaeology as the discipline that studied progress in
culture. The archaeologist’s documents were the tools, weapons, and huts that people of the
past made to provide food and shelter for themselves. These archaeological artifacts and
features illustrate improving technical skill, increasing knowledge, and advancing
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organization for securing a livelihood. For Childe, a finished tool was a good gauge of the
manual dexterity of its maker, as well as a measure of the scientific knowledge of the
period in question.
Childe was influenced by a Marxist view of culture, as we see in his mention of
‘tools and instruments of production’ and ‘economic systems’ in the paragraph above.
Marx himself dedicated a good deal of attention to the culture concept in his writings,
according to Thomas Patterson (2009). In Patterson’s opinion, Marx saw social
consciousness—that is, culture—as intertwined with praxis and social relations, as they
were manifested in particular societies. In his analysis of Marx’s ideas about culture,
Patterson found correspondences between culture, on the one hand, and the forms of
production and social relations, on the other. Marx also saw reciprocal interactions between
the cultural complex, mode of production and social relations, the latter always permeated
by power. For Marx, culture was ‘the expression of life as it is shaped by historically
specific forms of production and ensembles of social relations’ (p. 105). Marx thought that
culture involved both objectification (the process of rendering human needs into material
objects that satisfy needs) and materialization (the embodiment within those objects of
social relations). To sum up, ‘culture is bound up with an existing state of affairs and is a
condition which makes it possible to change that state of affairs’ (p. 105).
The next decade after Redfield and Childe’s publications cited above saw
momentous changes in archaeological theory. One of the leading figures involved in this
process was Lewis R. Binford (1962), who saw culture as ‘the extra-somatic means of
adaptation for the human organism’ (p. 218). This definition, based in part on the work of
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Leslie A. White,3 held that the subsystems within the broader cultural system may be extrasomatic or not, depending on a biological process for modification or structural definition.
Cultural systems are a means of adaptation for the human organism to the total (physical
and social) environment. Within this framework, Binford thought that technology was
closely related to the nature of the environment, as it encompassed the tools and social
relationships that articulate the organism with the physical environment.
Writing a little over a decade after Binford, David L. Clarke (1978) made an
important contribution to the definition of culture from an archaeological perspective. In
Clarke’s view, human societies consist of corporate groups of people, and their culture
systems are formed by the relationships that are implicit in the repeated patterns of
activities, artifacts, and beliefs. Clarke defined the basic attributes of such culture systems
as information controlling and regulating the expressions of cultural tradition. He saw
culture as an information system, ‘wherein the messages are accumulated survival
information plus miscellaneous and random noise peculiar to each system and its past
trajectory’ (p. 86).
One of the most influential authors to propose a definition of culture was Marvin
Harris (1927-2001), working within the framework of cultural materialism (1980). Writing
about this theoretical approach, Buzney and Marcoux (2022:1) consider cultural
materialism an expansion of Marxist theory that explains cultural similarities and
differences within a societal framework consisting of three distinct levels: (1)
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Leslie A. White (1900-1975) firmly supported cultural evolution, following the ideas of 19th-century writers Lewis H.
Morgan and Edward Tylor. For White, cultural evolution was generated by technological changes, particularly regarding the
increased harnessing of energy by humans. White’s evolutionary views put him in conflict with the anti-evolutionary theories
of Boas discussed earlier (Britannica 2022).
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infrastructure, (2) structure, and (3) superstructure. In this scheme, infrastructure consists
of material realities such as technological, economic and reproductive (demographic)
factors that shape and influence the other two aspects of culture. The structure aspect of
culture consists of organizational aspects such as domestic and kinship systems and
political economy. Lastly, the superstructure aspect consists of ideological and symbolic
elements of society such as religion and belief systems.
According to Harris (1980), the word ‘culture’ usually means for anthropologists
‘the total socially acquired life-style of a group of people including patterned, repetitive
ways of thinking, feeling, and acting’ (p. 106). Harris holds that in some cases the meaning
of culture is restricted exclusively to the mental rules for acting and speaking shared by the
members of a given social or ethnic group, that is to say ‘a group of people who share a
common habitat and who are dependent on each other for their survival and well-being’ (p.
106).
For Harris, anthropologists who compare one culture with another have to collect
and organize cultural data pertaining to cross-culturally recurrent aspects or parts of the
social and cultural whole. The structure of these recurrent parts is called the ‘universal
pattern’ (p. 116). All over the world, human societies must have cultural strategies or
behavior (and thoughts) related to making a living from the environment. This includes
biological reproduction, the organization of exchange (including goods and labor), daily
life in domestic groups and larger communities, and the ‘creative, expressive… aesthetic,
moral, and intellectual aspects of human life… the universal pattern consists of language,
material traits, art, knowledge, society, property, government, and war’ (p. 116). The
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universal pattern proposed by Harris consists of the three major divisions mentioned above
(infrastructure, structure, and superstructure), as explained in Table 1.
Table 1. The etic and behavioral components of the universal pattern (after Harris
1980:117).
INFRASTRUCTURE
Mode of production. The technology and the practices employed for expanding or
limiting basic subsistence production (especially the production of food and other forms
of energy), considering the interaction between technology and habitat.
Technology of subsistence
Techno-environmental relationships
Ecosystems
Work patterns
Mode of reproduction. The technology and the practices employed for expanding,
limiting, and maintaining population size.
Demography
Mating patterns
Fertility, natality, mortality
Nurturance of infants
Medical control of demographic patterns
Contraception, abortion, infanticide
STRUCTURE
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Domestic economy. The organization of reproduction and basic production, exchange,
and consumption within different domestic settings.
Family structure
Domestic division of labor
Domestic socialization, enculturation, education
Age and sex roles
Domestic discipline hierarchies, sanctions
Political economy. The organization of reproduction, production, exchange, and
consumption within and between social groups (bands, chiefdoms, states, and empires).
Political organization, factions, clubs, associations, corporations
Division of labor, taxation, tribute
Political socialization, enculturation, education
Class, state, urban, rural hierarchies
Discipline, police, military control
War
SUPERSTRUCTURE
Behavioral superstructure. Art, religion, music, dance, literature, advertising, etcetera.
Harris’s research strategy of cultural materialism regards material factors as the
causes of sociocultural differences and similarities. These material factors consist of the
entire set of etic and behavioral components of the universal pattern, the etic and behavioral
infrastructure. According to Harris, the modes of production and reproduction usually
determine structure, superstructure, ‘and all the emic and mental components of
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sociocultural systems’ (p. 118). However, cultural materialism does not exclude the view
that the other components of the universal pattern (structure, superstructure, and emic and
mental factors) influence the infrastructure. But cultural materialism does give priority to
the principle of ‘infrastructural determinism to make sure that the influence exerted by the
behavioral and etic infrastructure is not neglected’ (p. 119).
For Harris, infrastructure is the main link between culture and nature; between the
ecological, chemical, and physical restraints to human action, and the sociocultural
practices that overcome or modify those restraints. Harris believed the search for the
beginnings of the causal chains affecting sociocultural evolution should consider the
complex of energy-expanding body activities affecting the balance between the size of each
human population, the amount of energy devoted to production, and the supply of lifesustaining resources. This balance is indispensable to the survival of the individuals and
groups who are its beneficiaries.
Few archaeologists have contributed directly to a ‘working definition’ of the culture
concept. One of them is Patty J. Watson (1995), who wrote a seminal work about the
relationship between archaeology and general anthropology. Citing Redfield, Watson
regards culture as ‘an organized body of conventional understandings manifest in art and
artifacts which, persisting through tradition, characterizes a human group’ (p. 683). Watson
points out that Redfield specifically mentioned manifestations of culture (art and artifacts)
and invoked duration through time, two characteristics that are important to archaeologists.
Watson also mentioned that anthropology had been traditionally regarded as an
academic discipline made up of four sub-fields: (1) social anthropology or ethnology; (2)
archaeology; (3) physical anthropology; and (4) linguistics. Meanwhile, Philip Phillips
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(1955) emphasized the close ties between archaeology and the broader field of
anthropology with the phrase ‘American archaeology is anthropology, or it is nothing’.
However, Watson (1995) noted that the anthropological world was not as well integrated as
one could believe. By the early 1980s some North American departments of archaeology
completely separated from anthropology, while calls for separation were voiced by several
archaeologists in England and northwestern Europe, with many authors launching a fullscale assault on the notion of ‘archaeology as anthropology’.
In Watson’s opinion, during the same period the culture concept, if not culture
itself, was under attack within American sociocultural anthropology. At the turn of the 20th
century, the term ‘culture’ was applied to groups of archaeological sites containing
distinctive artifact assemblages. Most archaeologists working in the New World between
1930 and 1940 paid no attention to human behavior, functional interpretation, or ecology.
‘There was no interest in culture per se, although widely used classificatory units (foci,
aspects, phases) were implicitly understood to be cultural units, possibly reflecting ancient
tribes or groups of related tribes’ (p. 684). During the mid-20th century, archaeological
cultures were thought to be conservative, changing slowly if at all in response to diffusion
or migration of human groups.
The situation would start to change after Walter W. Taylor wrote A Study of
Archaeology (1948), regarded by Watson (1995) as a scathing critique of Americanist
archaeology that promoted a very different view of culture. Taylor’s arguments included a
holistic view of culture in which cultural phenomena were distinguished from natural
phenomena, both organic and inorganic. Taylor saw cultural phenomena as more than the
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sum of their parts, they were in a realm of their own, a realm created and maintained solely
by human activity.
According to Watson (1995), culture was a mental phenomenon for Taylor. He
thought that culture consisted of the contents of minds, not of material objects or
observable behavior. Therefore, a cultural heritage was made up of mental constructs, not
of material culture. Taylor regarded the mind as the locus of culture, while artifacts and
architecture were the results of behavior, which itself derived from mental activity. This
rendered culture as unobservable and non-material.
Almost exactly 20 years after the publication of Taylor’s book, Binford’s article
‘Archaeology as Anthropology’ (1962) heralded the advent of processual archaeology. Like
Taylor, Binford and the ‘New Archaeologists’ were expanding the goals of anthropological
archaeology beyond the limits of typology and stratigraphy. Watson (1995) mentions an
important development linked to this new perception of archaeology, namely Binford’s
attempt to understand the morphological variation in Middle Paleolithic (Mousterian)
assemblages in France. This interest led to Binford’s pioneering research into ethnography
with archaeological orientation. Thanks to Binford’s influence, ethnoarchaeology became a
standard research focus during the 1970s and 1980s, and is now an established, productive
sub-discipline.
Meanwhile, Watson notes that in the same time frame discussed above,
anthropological archaeology received a strong reinforcement from British and European
scholars, Ian Hodder being the most influential among these. Like Binford, Hodder was
deeply committed to ethnoarchaeology as an essential archaeological technique, although
the focus of ethnographic observations differed between one author and the other.
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After this overview of the culture concept in anthropology and archaeology, in the
next section I address some of the current debates and perspectives in the literature about
material culture.
Material Culture: Debates and Perspectives
According to Hicks (2010), the term ‘material culture’ emerged in the twentieth century in
archaeology and socio-cultural anthropology, and especially in the place of intersection
between the two disciplines: anthropological archaeology. This field of study has developed
to include studies in architecture, cultural landscapes, and historical archaeology, among
others. During the 1990s a group of British archaeologists and anthropologists at University
College London developed an original model for material culture studies, grounded in
anthropology but with an interdisciplinary outlook. Hicks mentions that there are many
examples of material culture work, ranging ‘from the physical examination and scientific
analysis of objects in laboratories and museums, to the material engagements of
archaeological and anthropological fieldwork’ (p. 26).
In Hicks’ opinion (2010), the different varieties of material culture studies that
originated in the 1980s built upon the concept of material culture as an object of enquiry for
archaeologists and anthropologists, which in turn developed from museum-based studies of
technology and ‘primitive art’ during the late nineteenth century. According to Hicks
(2010), material culture studies have been used to solve many specific, long-standing
archaeological and anthropological problems pertaining to the relationships between the
social-cultural and the material realms of existence. The contemporary value of material
culture studies must be considered in the context of the continued relevance of these
problems, in the process of relating the human and non-human worlds.
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The interaction between humans and things is the central concern of Hodder’s book
Entangled: An Archaeology of the Relationships between Humans and Things (2012). Here
we find a new way of seeing and understanding material culture and its multiple
relationships with humans. In Hodder’s view, things (human-made artifacts) are not
isolated, because they depend on humans. Many relationships between things are
constructed by human purpose, for example the walls of a house need a roof to provide
shelter for humans, just like a bath needs a plug, and a sail needs a mast. In this way
material things fit into each other.
In Hodder’s opinion, a thing is relevant and useful not just because of the object
itself, but also because of the knowledge involved in recognizing an object for what it is
and how it can be used by humans. Hodder makes the somewhat surprising claim that
‘things are not inert. The notion that things are stable and fixed, at least inanimate material
things, is widely assumed’ (p. 3). Things are durable, and this quality—their ‘objectivity’—
makes them relatively independent from the people who produce and use them. From this
perspective, it could be said that things have the function of stabilizing human life.
This lack of inertness is linked to the lack of isolation. Things fall apart because of
chemical or biological processes or the forces of gravity. Things move because they have
been given velocity by something else, like Earth’s force of gravity that pulls objects
towards it. Artifacts are things made by humans. They are not isolated, but in constant need
of human attention and care.
Any archaeologist knows that things endure over different temporalities, although
this is not how they appear to us at first glance. Indeed, many objects and materials can
endure over time spans much greater than individual human experience. The temporalities
25
we observe in nature differ radically, like the geological forces that produce mountain
ranges, the flows of ice that shape valley systems, the gradual disintegration of a stone wall
or the decay of a Paleolithic handaxe (Figure 3). Hodder’s mention of handaxes is relevant
to the present discussion, as I explain below.
Figure 3. Handaxes are among the most well-known tools of the Paleolithic (Acheulean period, ca. 1.7
million - 1.5 million years BP) (courtesy of the British Museum).
According to Derek Roe (1980), among the most well-known Paleolithic tools are
the handaxes of the Acheulean period (ca. 1.7 million - 1.5 million years BP). Roe writes
that this period includes a long phase dominated in many parts of the Old World by
26
handaxe industries. Handaxes are large bifacial cutting tools and ‘visually rather striking,
although they were only one element of the lithic industries in which they feature’ (p. 72).
Tim Ingold (2013) calls the Paleolithic handaxe ‘one of the strangest enigmas
of prehistory’ (p. 33). A handaxe is quite beautiful, a product of sophisticated
craftsmanship and no obvious practical use at all. These tools have a size and shape
that fits perfectly into the palm of the user. They were usually crafted from a flint
nodule with the shape of a biface (i.e. two convex faces) which meet around the edge.
The handaxes usually bear the scars of the technique by which they were made, by
removing flakes from an original core. This technique exploited the tendency of flint
to break off in slivers when struck at an oblique angle near a protruding edge. The
artifact’s edge is surprisingly sharp and has been trimmed by indirect pressure, using a
punch of softer and less brittle material such as wood or antler.
One may wonder if we can use an example from so far back in time to talk about
more recent processes of interaction between people and things. The answer is yes,
according to Matt Rossano (2009). In his study of the ‘archaeology of consciousness’,
Rossano holds that the compelling art, artifacts, and grave goods from the Upper Paleolithic
leave little doubt that people’s conscious experience was as rich and full back then as our
own today. However, human consciousness did not arrive fully formed at the outset of the
Upper Paleolithic period. Rossano explored the evolving consciousness of the Lower and
Middle Paleolithic using two lines of evidence in the archaeological record: (1) skill
development in tool manufacture requiring conscious deliberate practice, and (2) the
control and use of fire and the consciousness-altering rituals associated with fire. Rossano
argues that toolmaking is a good indicator of consciousness, since it represents a particular
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skill or form of expertise, and then asks: ‘Could this skill have been acquired without
conscious awareness?’ (p. 25).
Rossano answers the above question by pointing out that conscious awareness must
be involved when the sensory patterns that control motor responses are spatially or
temporarily extended, or when mental or motor operations must be combined in novel
ways. This requires a process known as deliberate practice, involving a level of conscious
awareness that is very rare, if not nonexistent, among nonhuman animals. Because the
Acheulean handaxe is not an easy tool to make, Rossano holds that many months of
concerted effort would be required for someone to reach the skill level of a late Acheulean
stone knapper. Because this skill required both physical strength and fine motor control,
Rossano points out that only members of the genus Homo ever mastered the complex
technique of hand-axe manufacture. In fact, evidence from contemporary experimental
stone knappers suggests that this skill could only have been acquired with deliberate
practice. Among the few traditional societies where stone knapping is still present, years of
apprenticeship are required for skill development.
In summary, Rossano holds that fully human consciousness did not materialize
suddenly, or fully formed in the Upper Paleolithic. He mentions evidence from the Middle
Paleolithic and earlier that provides a sketchy but valuable prehistory of human
consciousness, which evolved ‘along a number of separate but interrelated pathways—each
contributing distinct, if somewhat overlapping, aspects to the full spectrum of our
subjective awareness’ (pp. 34-35).
Returning to Hodder (2012), we learn that our biological essence, just like our
technology, society and culture, our psychology and cognition, all flow from the past.
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Humans depend on an apparent durability of things, and yet at other scales things are
always changing and moving. Another important point made by Hodder about the
fragments of matter that surround us is that some things are so omni-present that we stop
seeing them, they become background ‘noise’. We also tend to forget things, because we
take things for granted, often not focusing on them. We fail to see that things are connected
to and dependent on each other. We do not recognize that they are not inert, and we forget
they have temporalities different from ours, ‘until those temporalities intrude in on us,
causing us to take action. There is a spatial and temporal forgetting of the unstable
connections of things’ (p. 6).
Hodder poses the rhetorical question ‘What is a thing?’ and answers it with these
words: ‘A thing is an entity that has presence… it has a configuration that endures, however
briefly… We are more likely to use the word object for things that are relatively stable in
form… Anything can be an object of thought’ (p. 7). For Hodder, the term ‘object’ suggests
an ‘objectifying approach’ in which matter is ‘analyzed, codified, and caught in disciplinary
discourse’ (p. 8). Ultimately, the approach followed by Hodder is centered on the multiple
relationships between human beings and things. Just like all living things depend on
sunlight, air, water, soil and minerals, all sentient beings depend on things to bring their
sentience into being. We humans are particularly dependent because our nervous systems
need activation by cultural and environmental cues. People’s dependence on things is so
extreme that humans would never have evolved without things. Hodder is interested in how
the human dependence on things leads to an entanglement between people and objects ‘that
has implications for the ways in which we have evolved and for the ways in which we live
in society today’ (p. 10).
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Hodder (2012) examines the relationships between humans and things from the
perspective of things. This is a shift from the idea of things as items that people make, use,
discard, represent with and so on. In the traditional approaches to things, the human and the
social always come first. Archaeologists can know objects from the past in several different
ways. Some use cross-cultural comparison of material data, while others opt for
contextualized interpretations of local meanings, while others would argue that the
phenomenological experiences of past actors can be reconstructed. From the point of view
of the things themselves, however, those different perspectives may create different links
with other things and humans. An archaeologist taking an ‘objectivist’ or ‘positivist’ stance
will often focus on measurement and quantification, while a more hermeneutic perspective
will show the thing in detailed relation to the objects with which it was found and into
localized cultural codes and practices. In conclusion, Hodder argues that from the thing’s
perspective, the different epistemologies result in being embedded in different collections
of things.
In the final analysis, the fragments of matter we call things (or objects) can only be
known by humans through their character as material entities, but they have the power to
gather people and other things into heterogeneous mixes. So we make things, but in many
ways things make us because all the objects are connected to other things and they have
‘lives’ that follow their own paths.
With the foregoing concepts in mind, Hodder states that people depend on things.
He uses the word ‘thing’ primarily to refer to physical entities made or used by humans. It
has become a common approach in archaeology, anthropology and the social sciences to
recognize a ‘return to things’ over recent years, in contrast to the earlier focus on
30
representation, and to the time-honored scholarly tradition that separated subject from
object, mind from matter. Most archaeologists would probably agree that humans and their
social life depend on things, as technologies, as tools to procure food, to keep us warm, to
forge social relations in exchange, to worship. Humans have evolved with certain physical
and cognitive capacities because of a strong dependence on things.
Hodder distinguishes two forms of dependence. The first holds that the human use
of things is enabling. By using things humans can live, socialize, eat, and think. Hodder
uses the term dependence in the sense of ‘reliance on’, but the word also has another
meaning. The dependence that Hodder explores involves both reliance and contingency on
the things relied upon. Dependence may lead to another situation that Hodder calls
‘dependency’, and explains it thus: ‘Humans become involved in various dependencies that
limit their abilities to develop, as societies or as individuals… Humans have physical,
economic, social, psychological dependencies on things… The dependencies are not
inherent in the things themselves but in the interactions between humans and things’ (p.
18). Our dependence on things may involve trying to break free from them as much as it
involves identifying with them. We need things, but we also need to be separate from
things. At the most basic level, we have a need to identify with and simultaneously be
distinct from things.
Through history, the exchange of strategic resources has been an example of the
simultaneous movement towards and away from things. When a thing is given away, the
giver may gain a sense of self and may gain social esteem by the generosity. The person
receiving may gain prestige also, both from the thing itself and from the alliances implicit
in the gift. But it may be difficult to separate oneself from a thing given away. In some
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‘traditional’ societies, for example in Melanesia, giving a thing involves giving a part of
oneself, so the reason that a gift must be repaid is that it contains the spirit or essence of the
donor.
The structuring and ordering of societies, and of individuals in those societies,
results from an identification with things. Therefore, all societies rely on the ownership of
things because dominance, power and social status all depend on things like food, land,
ritual spaces, ancestors, money. All societies have relations of inequality that are based at
least in part on things. According to Hodder, society is created and sustained through the
movement of people in production, consumption, distribution, and disposal of things.
Hodder goes as far as to say that if it wasn’t for things there would be no society.
Hodder holds that ‘in material culture and materiality studies there is less focus on
human beings, and more on how things come to have person-like qualities, how they act,
have agency, personalities, spirits, powers. The emphasis remains on the constitution of self
and identity, but the focus shifts to how things act in the world’ (p. 30).
Hodder has studied how things appear to have agency. Obviously not the primary
agency of conscious human intentionality, but a secondary agency given to things by
humans. Spiritual and other forms of presence need things to exist and project themselves.
The foregoing assumptions lead Hodder to say that ‘materiality includes the proposition
that things create people as much as people create things’ (p. 32). The individual person
and the whole of society depend on things. Things are always perceived as relational,
contextually embedded within specific networks and social contexts. Materials and things
are perceived as actively engaged in the social process, and as going through social
biographies. Self and society cannot be separated from things or studied independently of
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materials and the world of objects.
We humans are so thoroughly dependent on things that it is difficult to imagine
people even existing without them. In fact, Hodder holds that we evolved as we are, with
agile fingers and complex brains, thanks to the niches that manufactured things provided
for us.
Another important point made by Hodder is that things depend on other things.
Social theorists have made things more and more in their own image, giving them agency,
power, and meaning. We have even used the word ‘materiality’ to refer not to material
items themselves but to the ways in which people construe materials.
We are used to discussions of how human beings depend on each other, but we are
less used to think about dependence between things. According to Hodder, we need to
understand how things depend on each other before we can explore how they depend on us.
Things are connected to and flow into other things, always transforming and being
transformed, so in our everyday existence there is a web of functional relationships in
which things are encountered in their interdependent functions and in terms of their
relevance to what we are doing.
According to Hodder, even the earliest examples of cultural actions, such as
making a fire, involved an assemblage of objects from fire-making tools to the pit in
which the fire was made, to the wood or other fuel, and thus the containers or tools
used to cut or collect fuel, and so on (Figure 4). Making a fire involved social units
that participated in receiving warmth, protection, and cooked food from the hearth.
The energy from the fire brought humans and things together ‘in the projects of
keeping warm, gaining energy, getting light, cooking food, forming social alliances
and so on. Keeping the fire going must itself have involved duties and obligations’ (p.
33
44).
Figure 4. Many cultural actions, such as making a fire, involved an assemblage of objects and
features: fire-making tools; the pit in which the fire was made; the wood or other fuel; the
containers or tools used to cut or collect fuel, and so on (adapted from Hodder 2012: Figure 3.1).
Things tend to get together, and form assemblages linked to specific production
activities, such as making salt with traditional technologies (Williams 2021), making
and using fishing and hunting gear (Williams 2014), or cooking at home, be it in a
modern kitchen, or in a household from the distant past (Figure 5).
The examples mentioned above show how, in Hodder’s view, things are
connected to each other forming artifactual totalities, technical systems that only work
in relation to some goal. As stated above, things are not isolated or inert, they are
involved in complex flows of matter, energy, and information. Things ‘need each
other, depend on the presence and timing of each other. They are chained together.
Humans are involved in these chains from the start’ (p. 59).
Beyond ‘thing-thing dependence’, Hodder’s narrative revolves around the idea that
things depend on the people who make and use them, repair them, and discard them. This
includes ‘domesticated animals and plants as things made by humans’ (p. 64).
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However, things are not inactive, they have a primary agency, not because they have
intentionality but because they ‘have lives and interactions of their own. As they grow,
transform, or fall apart they have a direct impact on human lives’ (p. 68).
Figure 5. This illustration from the 16th - century Codex Mendoza shows the cooking assemblage
usually found in an Aztec household. The young girl is grinding maize dough on the metate or
grindstone. The molcajete or mortar is in front of the girl; below is the comal or griddle sitting on
top of three hearth stones, and a clay pot with lime water (for processing maize) is at the bottom,
near two tortillas (adapted from Ross 1984: p. 82).
The idea of things depending on other things as well as on humans is expressed in
the concept of entanglement, defined by Hodder as ‘four sets of dependences and
dependencies’ (p. 88): entanglement between humans (H) and things (T), as defined by
Hodder, can be summarized like this: (HT) + (TT) + (TH) + (HH) (Figure 6).
For Hodder, the defining aspect of entanglement with things is that human beings
get caught in a double bind, since we depend on things that depend on us. This suggests a
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dialectic relationship ‘between dependence, often productive and enabling, and
dependency, often constraining and limiting. Humans and things, humans and humans,
things and things depend on each other, they rely on each other, produce each other’ (p.
88).
Figure 6. Entanglement between humans and things, as defined by Hodder, may involve four sets of
relationships: (Human Thing) + (Thing Thing) + (Thing Human) + (Human Human). Drawing by
Teddy Williams (artwork after Jean-Michel Basquiat; Buchhart 2019).
Archaeologists often find examples of entanglement between humans (or human
remains) and things that persist for thousands of years. Such is the case of many shafttombs from the West-Mexican Teuchitlán tradition (ca. 300 BC-AD 400) (Figure 7). The
things deposited as offerings in the tomb are an example of symbolic elements and precious
commodities that were meant to last forever in a sacred context.
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Figure 7. Artistic reconstruction of a shaft-tomb from the West-Mexican Teuchitlán tradition (ca. 300
BC-AD 400). The things deposited as offerings in the tomb are an example of entanglement of symbolic
elements and precious commodities that are meant to last forever—together with the tomb’s human
occupants—in a sacred context (after Pickering 2016).
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Tim Ingold (2013) has written about how humans make and use things in a
process he calls ‘bringing things back to life’. He explains this by drawing two lines
(Figure 8); each line is a path of movement, one of them stands for the flow of
consciousness, saturated by light, sound and feeling, the other stands for the flow of
materials as they circulate, mix and meld’.
Figure 8. Diagram showing two lines representing ‘the flow of consciousness and materials’, with
‘image’, and ‘object’ linked by a double arrow (after Ingold 2013: Figure 2.3).
On the side of consciousness in Ingold’s diagram we see an image, while the
side of materials shows an object. The two blobs are connected by a double-ended
arrow. This arrow is notional rather than real and depicts some kind of connection
between image and object. Ingold’s diagram sums up the aim of his work: ‘to switch
our perspective from the endless shuttling back and forth from image to object and
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from object to image, that is such a pronounced feature of academic writing in the
fields of anthropology, archaeology, art and architecture, to the material flows and
currents of sensory awareness in which images and objects reciprocally take shape’ (p.
20).
Ingold (2013) holds that apparently there are two sides to materiality. On one
side is the raw physicality of the world’s ‘material character’, while the other side
pertains to the socially and historically situated agency of human beings who project
design and meaning upon it, in the transformation of raw materials into finished
artifacts.
Addressing a culture-nature dichotomy in the intrinsic essence of artifacts,
Ingold argues that ‘culture furnishes the forms, nature the materials; in the
superimposition of the one upon the other human beings create the artefacts with
which, to an ever-increasing extent, they surround themselves’ (p. 38).
Discussion and Conclusions
In this final section I offer some comments and thoughts about the main ideas expressed in
the previous pages. I examine numerous authors who have discussed, extended, or argued
against the topics touched upon in the foregoing part of this chapter.
Writing about the role of material-culture studies in academic discourse, Skibo and
Schiffer (2008) affirm that the study of the world manufactured by humans, whether we
call it artifacts, material culture, or technology, has grown exponentially across the
academy. Archaeologists have for centuries led the way, and today they offer other scholars
many programs and conceptual frameworks for engaging the things, ordinary and
extraordinary, of everyday life. Be that as it may, however, archaeology still relies on
39
anthropological theory for its powers of interpretation. Kent Flannery (1980), for instance,
holds that there is no such thing as ‘archaeological theory’; there’s only anthropological
theory. Archaeologists have their own methodology, and ethnologists have theirs; but when
it comes to theory, we all should sound like anthropologists.
Schiffer (1992) wrote about human behavior and artifacts, stating that ‘throughout
the existence of our species, human societies have been characterized by an utter
dependence on artifacts. Artifacts first played a role in the food quest, with wooden spears
for hunting and flakes of chipped stone for butchering game’ (p. 1). Tools made of stone,
bone, shell, and other nonperishable materials are almost all that remains of past human
societies. As a result of this situation, archaeologists are the only social and behavioral
scientists who have developed an extensive array of concepts and principles for handling
artifacts. Indeed, some archaeologists go so far as to define archaeology as ‘the study of
human behavior and material culture (artifacts) in all times and all places’ (p. 1). In view of
the central role played by artifacts in our discipline, it should come as no surprise that
archaeologists today also investigate living societies to discern patterns of behavior and
material culture that can be used in studying the past and present.
Schiffer (1992) continues his discussion about human behavior as seen from an
archaeological perspective with the obvious assertion that when studying ancient societies,
archaeologists cannot observe human behavior directly, so it must be inferred from the
material traces that survive in the ground. Other social sciences lack this epistemological
limitation, yet seldom is actual behavior observed. Instead, behavior is analyzed through
questionnaires, interviews, government statistics, and experiments that furnish highly
indirect indicators of behavior. These sources of information, according to Schiffer, are a
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disadvantage for theory-builders, since the actual data collected often bear only the most
tenuous relationship to what people really do in everyday life. This situation leads Schiffer
to say that, to build a science of behavioral change, one must stress that the behaviors to be
explained really did occur. And so, one needs to approximate, as closely as possible,
observations of actual behavior in natural settings. In this regard, archaeology has an
advantage over most other social sciences: the material record studied by archaeologists
encodes what people actually did as opposed to what they thought or said they did.
Meanwhile, Hodder (1986) holds that material culture can influence the society and
behavior which produced it and offers the following example: town and house architecture
clearly channels and acts upon human behavior. But material culture cannot of itself do
anything: if it does ‘act back’ on society it must do so within the frameworks of meaning
established by social practice through time. The way in which material culture acts on
people is social; ‘the action can only exist within a social framework of beliefs, concepts,
and dispositions’ (p. 8).
According to Christopher Witmore (2014), archaeology has changed its definition
as the study of the human past through its material remains in favor of a more befitting selfdefinition as the discipline of things. For archaeologists, explaining how things gather and
form assemblages is important because this endeavor helps to demonstrate ‘how taking
things to be inanimate objects settled into a separate district from intentional human
subjects is a modernist charade’ (pp. 206-207).
We saw in previous pages that, according to Hodder (2012), ‘the things of the world
have the function of stabilizing human life’ (p. 3). Such stabilizing effect could perhaps be
summarized with the word ‘order’, and its antithesis ‘chaos’. In this respect, Jordan
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Peterson (2018) writes from the perspective of clinical psychology that order is where the
people around us act according to well-understood social norms and remain predictable and
cooperative. It’s the world of social structure, known territory, and familiarity. Chaos, by
contrast, is when something unexpected happens. Chaos is the new and unpredictable
suddenly emerging amid the commonplace and familiar. Material objects are constantly
reinforcing this dialectical interaction.
In previous pages we touched upon the major contributions to the formation of the
culture concept as known today. One of the earliest examples in the anthropological
literature pertains to Ruth Benedict (1934), who had this to say about the individual and
‘the pattern of culture’:
Large corporate behavior… is… the behavior of individuals. It is the world with
which each person is severally presented, the world from which he must make his
individual life. Accounts of any civilization… must necessarily throw into relief the
group standards and describe individual behavior as it exemplifies the motivations
of culture… [This is] misleading… only when this necessity is read off as implying
that he is submerged in an overpowering ocean… In reality, society and the
individual are not antagonists. His culture provides the raw material of which the
individual makes his life (pp. 251-252).
The dichotomy between the individual and the collective aspect of behavior in society was
explored by Susan Gillespie (2000), who wrote that social science theories have tended to
cluster around two opposed extremes, ‘holism’ and ‘individualism’. Holistic theories regard
society as an entity that exists beyond the individuals who compose it. Society is seen ‘as a
self-regulating system that constrains or determines individual behaviors and beliefs,
42
treating individuals as epiphenomena and downplaying their role in social change’ (p. 1).
As a direct reaction to the emphasis in holism and the collective behavior of society,
numerous theories akin to ‘methodological individualism’ were developed around the
1950s. This theoretical framework tried to explain all social phenomena based on
individuals and their actions. Later, a new class of theories emerged to bridge the gap
between individualism and holism, examining the relationships that link society and its
members. These theories were characterized with terms like agency, action, practice, and
praxis, they have been an important component of post-processual archaeology since the
1980s.
We saw in previous pages how Marx developed a theory of culture that presupposed
close correlations between culture, on the one hand, and the forms of production and social
relations, on the other. These relations were immersed in a process of conflicting power
relations and social inequality. According to Eric Wolf (1999), many anthropologists have
adopted ‘a notion of “culture” as a self-generating and self-propelling mental apparatus of
norms and rules for behavior, the discipline has tended to disregard the role of power in
how culture is built up, maintained, modified, dismantled, or destroyed… anthropology has
emphasized culture and discontinued power, while “culture” was long discounted among
the other social sciences’ (p. 19). Wolf mentions that anthropologists have understood
‘cultures’ as complexes of distinctive properties, including different worldviews, but
without paying attention to how these views formulated power and endorsed its effects (p.
21).
In conclusion, I go back to the writings of Hicks and Beaudry (2010), who firmly
belief in the importance of the study of material things in the humanities and social
43
sciences, with observations not only of the effects of things, but also of things as the effects
of material practices. For Hicks and Beaudry material culture does not represent a
straightforward object of enquiry, simply requiring a new terminology for interpretation or
abstract theorization. They also say that the critique of any a priori distinction between
subject and object must also encompass the academic researchers and their object of
enquiry. In many disciplines, ‘knowledge is emergent and contingent upon material
practice… This… must be the point of departure for any interdisciplinary discussion of
material culture’ (p. 20).
From the time of our earliest hominid ancestors, things (artifacts) have been
indispensable for making a living. Archaeology relies on artifacts and assemblages and
their contexts for reconstructing the past, but archaeologists must also look to the present to
understand the complex relationships between humans and things. Only in this way can
archaeology contribute to solving the challenges of the present and the future.
Cultural Ecology
After dealing with material culture, we now turn to cultural ecology, the study of the ways
in which people adapt to their environment by means of behavior, as well as their
knowledge (and use) of specific natural environments and processes. Cultural ecology
studies many aspects of culture and the environment, including how humans can solve their
subsistence problems, how groups of people understand their environment, and how they
share with others their knowledge of the natural settings, resources, and landscapes (Sutton
and Anderson 2004).
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Figure 9. Diagram illustrating the ‘web of life’. This is one of the best ways to understand the
interactions between humans and nature (after Moran 2017: Figure 4.1).
For Emilio F. Moran (2017), one of the best ways to understand the interactions
between humans and nature is the ‘web of life’ (Figure 9). The web of life teaches several
fundamental lessons: (1) we are all interrelated; (2) all beings eat and are eaten; (3) all parts
of the web depend on each other to be able to exist; and (4) we all have a role to play in the
existence and sustainability of this intricate web of life.
Moran (2017) holds that people, plants and animals interact with the physical world.
As a result of these interactions food chains are produced, and the accumulated energy
harnessed by plants is consumed by herbivores, who are eaten by carnivores, who in turn
are recycled by scavengers. Food chains do not exist in isolation but are interconnected
forming ‘food webs’. People occupy a position near the top of the food chain, and we are
commonly thought of as the 'top carnivore' or apex predator.
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Kirk French and Nancy Gonlin (2016) hold that cultural ecology can explain human
adaptation and cultural evolution in both contemporary and ancient societies. Starting
around the early 1960s, the combined study of culture and ecology created the background
for a paradigm shift in North American archaeology (Willey and Sabloff 1980). This new
perspective was pioneered by Julian Steward and was embraced by numerous researchers
who were not satisfied with simply documenting chronology and culture areas. They were
seeking an explanatory framework that combined ecological and cultural data.
Steward devoted much of his energy to the study of the environmental adaptations
of specific societies. Kroeber (1948) had suggested that cultures in analogous environments
would have similar responses to environmental challenges, but Steward (1955) did not
believe that all cultures followed the same universal development. Rather, he proposed that
cultures evolved in different ways, depending on their ecological environment. Steward
called his theory ‘multilinear evolution’. The approach he crafted for studying this kind of
evolution involved an area of study he called cultural ecology—the analysis of cultural
adaptations formulated by people to meet the challenges and opportunities created by their
environments (French and Gonlin 2016).
However, cultural ecology has not lacked critics. David Webster (2016), for
instance, says that many authors have objected to the way in which some followers of the
cultural-ecological paradigm assume that all parts of culture are equally adaptive, or that
they are well adapted at any given time. Another critique is that the evolutionary approach
of cultural ecology relied on outmoded conceptions of unilineal evolution. In fact, Steward
himself took pains to emphasize multilinear models, as we will see later.
46
In the first half of the 20th century in Mexico and the United States, several scholars
adopted a viewpoint that regarded civilization and state-level societies in Mesoamerica as
phenomena that originated from the need to develop a centralized government, or political
control, that regulated production systems, especially irrigation for agriculture. Pedro
Armillas, for example, proposed that the development of religious symbolism, the
construction of great pyramids, and the growth of ceremonial centers in Mesoamerica,
could all be explained as the result of the introduction of intensive farming techniques, such
as chinampas (lakeshore raised fields), terraces and irrigation canals (Armillas 1991
[1948]). All these features made it possible to produce a surplus that might have been
applied to sustain expensive ritual practices and would have created a social base for the
development of such practices. Armillas thought that it would be difficult to support any
other explanation (p. 146).
Around the same time Armillas was working in the Valley of Mexico, Gordon
Willey was involved in the Viru Valley Project of Peru (Willey and Sabloff 1980). Willey
recognized that settlement archaeology relies intimately on the study of landscape, ecology,
and site recording, but it was the concept of culture that allowed him to make an
archaeological interpretation of settlement patterns.
William T. Sanders is probably the name that most often comes to mind when
discussing cultural ecology, especially in Mesoamerica (Sanders 1981 [1962]; Sanders and
Price 1968; Sanders et al. 1979, etcetera). According to French and Gonlin (2016), Sanders
was influenced by Willey’s settlement pattern and cultural ecology studies. This is evident
in the archaeological projects directed by Sanders in the Basin of Mexico, Highland
Guatemala, and northern Honduras.
47
Following Armillas’ perspectives mentioned earlier, Ángel Palerm (1981 [1955])
regarded the Basin of Mexico as the best place to study ancient irrigation techniques,
because the development of civilization in this arid valley was a true product of human
effort and ingenuity. Palerm highlighted the implications of this process for the evolution of
complex social formations, concluding that large-scale irrigation in the Valley of Mexico
was not the result of many initiatives undertaken by small groups, but rather an enterprise
on a grand scale, with proper planning in which a huge number of people worked under a
centralized and authoritarian political system. Another contribution to this argument comes
from Eric Wolf (1959), who cited the work of several scholars who believed that irrigation
farming created the need for more efficient organization in the construction and
maintenance of large-scale works like dams, dikes, and canals, and in the supervision of
workers who built and repaired these often-monumental works. Irrigation farming also
produced the food surpluses that sustained both the laborers and the new organizers of
production. However, Wolf also stated that other scholars favored the opposite view,
believing that the new patterns of organization came first and made the new productive
enterprises possible.4
Meanwhile, on the other side of the Atlantic Ocean, British archaeology did not lag
in experimenting new ways to understand human adaptation to multiple environments in
prehistory (Bahn 1996). The work of Sir Grahame Clark (1977) is especially worthy of
mention in this regard (Fagan 2001). Glyn Daniel (1990:167) gives credit to Clark’s
approach in stressing the importance of ecofacts (non-artifactual material remains with
cultural relevance) in the process of archaeological interpretation. Daniel recounts how
4
For more information about this topic, see Williams 2022a: Chapter IV.
48
Clark began his excavations at Star Carr in Yorkshire (northern England) in 1949. This was
one ‘of the most interesting Mesolithic settlement sites; its publication in 1954 was a model
of interdisciplinary archaeological scholarship’ (Daniel 1990:201).
Figure 10. Grahame Clark’s diagram articulating habitat, economy, and biome, taken from his 1939
book Archaeology and Society (after Fagan 2001: Figure 5.3).
Before undertaking his excavations at Star Carr, Clark had written one of his more
important books: Archaeology and Society, published in 1939. According to Fagan (2001),
the stimulus for writing this book came from Clark’s frustration at the conservatism of
many of the archaeologists at the time, and the elusiveness of sites with organic remains.
He thought it was imperative to study wetland sites and pay close attention to
environmental change. The results of this approach are summarized in Clark’s diagram
articulating habitat, economy, and biome (Figure 10).
49
Clark’s emphasis on subsistence and economy is evident in his ground-breaking
book Prehistoric Europe: The Economic Basis (1952). Daniel (1990) stated that this book
had a pioneering role in turning prehistory towards the study of the life and economy of
early humans. Clark’s work with the archaeological cultures he called ‘Mesolithic hunterfishers’ is especially important to understand his contributions to the emerging field of
cultural ecology in archaeology. In Clark’s (1977) opinion, ‘the transition from Late-glacial
to early Neothermal times was marked by environmental changes which… were notably
more accentuated near the borders of the old ice-sheets than further south’ (p. 111). When
the ice cover began to retreat (over ten thousand years ago), new territories were opened for
human settlement in the northern parts of the British Isles and Scandinavia. The area’s
abundant bogs, lakes and rivers provided favorable conditions for the preservation of
organic remains, so we know a good deal about the resources, subsistence strategies and
technology of the people who occupied the land between ca. 8000 and 5600 BC. According
to Clark (1977), red and roe deer were important for subsistence, as well as wild pigs.
Aquatic birds were hunted, and fishers caught pike and smaller fresh-water fish. Our
knowledge is limited about settlement patterns at the time, but we know that the site of Star
Carr, dating from the middle of the eight millennium BC, was occupied mainly during the
winter, when red deer (the main food source) were available in the area. When deer moved
to upland pastures in the summer their predators (including humans) may have done the
same.
Bahn (1995:203) highlights Clark’s contributions to the development of modern
archaeology and gives him credit for developing a more rounded view, linking archaeology
to environmental studies and ethnology. From the 1930s Clark followed an essentially
50
economic approach to prehistory, insisting that the goal of archaeology was not to classify
artifacts in museums but to understand how people lived in the past on a world scale. He
saw prehistoric societies as operating in an ecological context but also as having different
components such as economy, social organization, and religious beliefs. Clark pioneered
the use of scientific techniques like pollen analysis, most notably at Star Carr in the early
1950s. Clark’s contributions to archaeological theory and practice are still relevant to us,
especially his ideas about the interaction between humans and their natural (and social)
environments. In recent years archaeologists, historians, and other scholars have built upon
the foundations of Clark’s work, as we will see later in this chapter.
The concept and theory of cultural ecology has been important for the development
of socio-cultural anthropology and archaeology in Mexico in recent years. Brigitte Boehm
(1938-2005) devoted most of her career to conducting ethnographic field work and
ethnohistorical research following the perspectives of cultural ecology and environmental
history. Boehm (2005) highlighted the role of Steward’s work—in particular his book
Theory of Culture Change—in the development of her own research and of Mexican
anthropology in general. Boehm contrasted Steward’s original contributions with the later
applications of his ideas, in the context of environmental history, as well as Mexican
archaeology, ethnohistory and social anthropology in general. In discussing the theoretical
models that emerged in Mexico during the 20th century, Boehm mentions the experiences
and paradigms of Mexican anthropology, some inherited from the colonial period and
others (such as Marxist postulates) introduced by European thinkers around the 1040s and
1950s, who sought new ways to understand the systemic relationship between nature and
society.
51
I will discuss these developments in the following pages, but first I will present a
short historical review of the earliest precursors of the study of the natural world (and, later,
of human interaction with nature). I start with the earliest known example of someone who
turned his eyes to the natural world with a systematic curiosity and a scientific mind. This
was Greek philosopher and scientist Aristotle (384-322 BC), who has been called ‘one of
the greatest intellectual figures of Western history’ (Britannica 2022).
Early Studies of Human-Nature Interaction
Aristotle was the author ‘of a philosophical and scientific system that became the
framework and vehicle for both Christian Scholasticism and medieval Islamic philosophy’.
Despite the passage of time, Aristotelian concepts have ‘remained embedded in
Western thinking’ to this day (Britannica 2022). Rebecca Stott (2012) recounts how
Aristotle would ask the fishermen of Mytilene5 to collect fish for him and would pay well
for unusual specimens. Aristotle was collecting the names of all the animals on Earth, he
wanted to describe every single living thing, every fish and bird. He intended to discover
the secrets of nature’s patterns. To understand Aristotle’s true genius, we must bear in mind
that he did not inherit a tradition of natural philosophy; he had no mentors or teachers (Stott
2012). Aristotle was probably the first person to collect animal specimens with a ‘scientific’
purpose, and the first to describe and record different species. Back then few people would
think those things worth doing. Aristotle was the first to believe that by looking long and
hard enough at his samples of birds, bees, butterflies, and fish, nature would reveal itself
(Stott 2012).
5
Modern Greek Mitilini, chief town of the island of Lesbos, in the North Aegean (Britannica 2022).
52
Aristotle was among the first thinkers to understand the principle of change at the
heart of nature. He refused to follow supernatural or mythical explanations of natural
phenomena; he understood that species are continuous and gradated. But he did not believe
that species had evolved from earlier forms. In Aristotle’s world, all species were fixed
within a world of unlimited duration, and they were eternally unchangeable (Stott 2012).
Aristotle’s teachings were instrumental in the development of the Western scientific
tradition that coalesced long after his death. Sir Isaac Newton (1643-1727) is a good
example of this situation. In the early stages of Newton’s career as a scholar, he was more
of an ‘alchemist’ than a ‘scientist’ in the modern sense of the word (Christianson 1984).
Although Western alchemy had oriental roots, it was largely shaped by the Greek
intellectual tradition. According to Christianson (1984), it was Aristotle’s beliefs about the
constitution and unity of matter that gave hope to ancient and medieval alchemists alike,
and those beliefs survived until the time of Isaac Newton. Aristotle believed that all things
in nature were composed of a combination of four basic elements: earth, water, air, and fire.
These elements were thought to follow certain inexorable patterns of movement
(Christianson 1984). These ideas certainly influenced Newton, who was a student at Trinity
College, Cambridge, where he would join the ranks of the professoriate. By 1666 Newton
extended his writings on many of the subjects he had previously addressed, but he also
explored several new topics, including what we would today call chemistry. We do not
know the exact point in time at which Newton made the transition from collecting
alchemical data to that of an active experimentalist; Christianson (1984) says it probably
occurred between 1667 and 1669.
53
In 1687 Newton published his book Philosophiae Naturalis Principia Mathematica,
which in Stephen Hawking’s opinion (1996:7) is ‘probably the most important single work
ever published in the physical sciences’. Newton proposed in this work a theory of how
bodies move in space and time, and also developed the complicated mathematical
calculations needed to analyze those motions. In addition, Newton postulated a law of
universal gravitation according to which each object in the universe was attracted toward
every other object by a force that was stronger according to the objects’ mass and the
distance to each other. It was the same force that caused objects to fall to the ground
(Hawking 1996). In Hawking’s opinion, the main difference between the ideas of Aristotle
and those of Galileo and Newton is that Aristotle believed in a preferred state of rest, which
any object would show unless driven by some external force or impulse. Aristotle thought
that the Earth was at rest, but it follows from Newton’s laws that there is no unique
standard of rest in the known universe.
Some eight decades after Newton’s death in 1727 (at the age of 84), another great
English scientist was born. Charles Darwin, undoubtedly one of the greatest authors in the
natural sciences, was born in Shrewsbury, Shropshire, England, on February 12, 1809
(Clark 1984). As member of a wealthy family of the pre-Victorian middle class, Darwin
had no need to struggle to make a living. He devoted his energies and talents to observing
and analyzing the natural environment, first in his immediate surroundings, later in the
most remote corners of the world. His insights would forever change our view of the world
and our place in it.
Darwin’s destiny (and curiosity) took him on a five-year voyage aboard the HMS
Beagle, a voyage that awakened his innate scientific instincts. As he was later to write, ‘I
54
worked to the utmost during the voyage from the mere pleasure of investigation, [and] from
my strong desire to add a few facts to the great mass of facts in natural science. But I was
also ambitious to take a fair place among scientific men’ (cited in Clark 1984:4).
Based in part on his observations as a member of the far-reaching Beagle expedition
(sailing from England to South America, the Galapagos Islands, Australia, and South
Africa), Darwin published his ideas about the evolution of species in 1859, in the book On
the Origin of Species, or the Preservation of Favoured Races in the Struggle for life
(Darwin 1910 [1859]). In Clark’s (1984) opinion, it is impossible to appreciate the way in
which Darwin changed our view of the universe, and of our own place in it, without
understanding the basically different outlook in the 1830s. The belief on which the
prevailing worldview rested was that the biblical story of the Creation was history rather
than symbolic mythology. All living things were seen as part a pyramid of immutable
species, at the top of which humans stood as the pinnacles of creation.
Darwin’s (1910) account of his discoveries while on the Beagle and of their
implications for science is fascinating:
I was much struck with certain facts in the distribution of the inhabitants of south
America, and in the geological relations of the present to the past inhabitants of that
continent. These facts seemed to me to throw some light on the origin of species—
that mystery of mysteries… On my return home, it occurred to me, in 1837, that
something might perhaps be made out on this question by patiently accumulating
and reflecting on all sorts of facts which could possibly have any bearing on it… (p.
ii).
55
Darwin’s unique contribution to science, and to our view of the world, is encapsulated in
the following passage: ‘Considering the Origin of Species, it is quite conceivable that a
naturalist, reflecting on the mutual affinities of organic beings, on their embryological
relations, their geographical distribution, geological succession, and other such facts, might
come to the conclusion that each species had not been independently created, but had
descended, like varieties, from other species’ (p. 12).
After much debate and anxious soul-searching, Darwin’s ideas on the evolution of
species were finally accepted by the scientific establishment (Clark 1984). In Darwin’s
lifetime the theory of evolution by natural selection was further bolstered by other
scientists, notably Alfred Russel Wallace (1823-1913). Wallace has been described as a
‘humanist, naturalist, geographer, and social critic’ whose ‘formulation of the theory of
evolution… predated Darwin’s published contributions’ on the subject (Britannica 2022b).
After this brief historical review of some of the most important views on the
relationship between humankind and the natural world, we now turn in the next section to
the main topic of this essay: the role of cultural ecology in Mesoamerican archaeology.
Cultural Ecology in Mesoamerican Archaeology
Around the middle of the 20th century the stage was set for the arrival of new ideas about
the origins of civilization, based on new perspectives on the cultural adaptations to the
natural environment. Australian archaeologist V. Gordon Childe (1892–1957) is one of the
most important authors to tackle this issue during this period. Grahame Clark (1982)
thought that Childe was one of the great prehistorians of the world. More perhaps
than any other author Childe showed how by using the data of archaeology and the
56
natural sciences it was possible to gain a new view of early human history. The
general works in which Childe presented new and often vast perspectives are in many
cases classics worthy of constant re-reading and will likely retain their value for the
foreseeable future.
Childe’s work is relevant to the present discussion because he was one of the
first archaeologists to emphasize the relationship between culture (or economy) and
the environment, as seen in the elements of the infrastructure (i.e., irrigation works,
roads, large population centers, etcetera) that were instrumental for the development
of what he called ‘the urban revolution in Mesopotamia’ (1982 [1942]). In Childe’s
words, ‘metallurgy, the wheel, the ox-cart, the pack-ass, and the sailing ship
provided the foundation for a new economic organization’ (p. 97). Without a
structured economy, the items mentioned above would be mere ‘luxuries, the new
crafts would not function, the new devices would be just conveniences’ (p. 97).
Childe wrote about the ecological and cultural background for the rise of
civilization in Mesopotamia. He described a relatively small tract of land, the TigrisEuphrates delta, where the landscape consisted of vast swamps, the waters teemed
with fish, and the reed brakes housed many bird species and many animals, like wild
pigs and others. In addition to all the resources available there, the abundant wild
date palms offered a plentiful crop. Eventually the flood waters were controlled and
canalized, the swamps drained, and the fertile land cultivated. After many
generations, farmers in this region could produce a surplus above their household
requirements (pp. 97-98). In due course the surplus produced by the new farming
economy was concentrated in the hands of a relatively small social group (p. 107). In
57
Childe’s opinion, such concentration was necessary for the accumulation of food
reserves, the basis for a new way of life: civilized society dwelling in small villages
and towns, and eventually in large cities that became the seats of sprawling empires.
Barbara McNairn (1980) examined Childe’s ideas about the origin of complex
societies, and of culture in general, pointing out that Childe followed a Marxist viewpoint
in his writings: ‘Marxism… must be considered as a major intellectual force in Childe’s
thought’ (p. 150). It follows that his theories about the emergence of civilization and the
state can be seen in this light. However, Childe (1982 [1942], 1981 [1956]) always
followed his own individual interpretation of Marxism; he ‘never adhered to popular or
orthodox conceptions but took from Marx what would best serve his archaeological
purpose. For Childe, Marxism could serve archaeology, he did not try to subserve the
discipline to a political, to an “outsider” philosophy’ (p. 166). Childe did not remain within
the confines of any particular theoretical system like Marxism, diffusionism or
functionalism. Rather he attempted to synthetize these systems in a comprehensive
approach to prehistory which would apply to all levels of socio-cultural phenomena.
Although Childe virtually ignored the New World in his writings about cultural
evolution, his ideas had a great impact on Americanist studies, and were further developed
by several authors, Steward (1955) among them (although Steward was critical of Childe’s
effort to find ‘universal laws of culture change’). I already mentioned Steward’s book
Theory of Culture Change. This work is important because it opened a whole new area of
interest in anthropological archaeology in the New World, following the lead of numerous
European scholars, primarily from Scandinavia and Britain (Willey and Sabloff 1980: 149).
Writing about the 1940-1960 period, Willey and Sabloff (1980) thought that the idea of the
58
environment as a determinative force in the rise and growth of cultures influenced
American archaeology in the direction of cultural evolution. Environmental determinism
and cultural evolution had been present in American anthropological thinking from the turn
of the 20th century, while in the mid-century the main emphasis was in the study of the
complex cultures of the New World, with Steward as the principal figure in the
environmental-evolutionary trend. According to Leslie White (1957), ‘Steward was reared
in the atomistic, ideographic tradition of the Boas school which… rejected sweeping
generalizations and philosophic systems… Steward has… done much to remove the stigma
placed upon the concept—and even the word—evolution by… Boas’ (p. 542).
What follows is a discussion of Steward’s Theory of Culture Change. Steward states
that his purpose in writing this book was to develop a methodology for finding regularities
of form, function, and process among cultures and societies in different cultural areas of the
world. Steward thought that anthropology had followed a historical and comparative
approach to culture, and its task had been ‘to describe the varieties of culture found
throughout the world and to explain their development’ (p. 3).
Steward was critical of unilinear evolution, and its claim that all societies would
pass through similar developmental stages. He also berated the cultural relativists, who saw
cultural development as essentially divergent, and their attention upon features that
distinguished societies from one another. The position of multilinear evolution, in contrast,
assumed that certain basic types of culture may develop in similar ways under similar
conditions, but that few concrete aspects of culture would appear among all groups of
people in a regular sequence. For Steward, cultural development was not only ‘a matter of
59
increasing complexity but also as one of the emergence of successive levels of sociocultural
integration’ (p. 5).
Steward held that the concept of ‘cultural type’ was based on two frames of
reference: cultural features derived from synchronic, functional, and ecological factors, and
other features represented by a particular diachronic or developmental level. This meant
that cross-cultural regularities were conceived as recurrent constellations of basic features,
what he called ‘the cultural core’. These features had similar functional interrelationships
derived from local ecological adaptations and similar levels of socio-cultural integration (p.
6). The concept of culture type, however, faced a problem: the fact that forms, patterns, or
structures differed greatly. But similar functions may be served by different forms while
similar forms mat serve varied functions, so Steward introduced the concept of formfunction (p. 6).
Steward analyzed several culture types, presented according to their level of
sociocultural integration. The lowest level was that of the Shoshonean Indians of the Great
Basin. This ethnic group exemplified a society of hunter-gatherers, which functioned on a
family basis, with the individual or nuclear family at the center of nearly all cultural
activities. Among some hunter-gatherer societies, such as patrilineal hunting bands, special
cultural-ecological adaptations led to slightly higher levels of sociocultural integration in
several parts of the world. Many ‘primitive people’ were divided into several non-localized
clans which functioned as interdependent parts of villages or tribes. These represented a
higher level of sociocultural integration than localized lineages, and they probably
developed from such lineages in different parts of the world.
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Steward noted that complex civilizations developed based on irrigation agriculture
in several regions of the ancient world: Egypt, Mesopotamia, China, Mesoamerica, and the
Central Andes. In his opinion, in each of these areas similar cultural and ecological
adaptations entailed a similar historical progression, beginning with a simple village
organization and finally reaching a higher level of integration in militaristic empires. To
understand how these cultures were transformed from simple to complex socio-political
configurations, Steward followed the approach of cultural evolution, which he defined as a
quest for cultural regularities or laws. Unilinear evolution from its origins in the nineteenth
century, dealt with particular cultures, placing them in stages of a universal sequence.
Instead of unilinear models, Steward adopted multilinear evolution, which he defined as a
methodology based on the idea that there are significant regularities in cultural change. He
was concerned with the determination of cultural laws, using empirical rather than
deductive methods. In short, multilinear evolution studies included historical
reconstruction, but one should not expect that historical data can be classified in universal
stages.
Steward held that multilinear evolution had no a priori scheme or laws. It
recognized that the cultural traditions of different areas could be wholly or partly
distinctive. This posed the question of ‘whether any genuine or meaningful similarities
between certain cultures exist and whether these lend themselves to formulation’ (p. 19).
Cultural evolution could be regarded either as a special type of historical
reconstruction, or as a particular methodology or approach. The historical
reconstructions of the ‘unilinear evolutionists’ of the nineteenth century are
characterized by the assumption that all cultures pass through several parallel
61
sequences. This assumption disagrees with the twentieth-century cultural relativists,
who regarded cultural development as essentially divergent, except that diffusion
tended to level differences, in Steward’s opinion (p. 27).
For those interested in cultural laws, regularities, or formulations, the
answer was, according to Steward, in the analysis and comparison of limited
similarities and parallels, that is, in multilinear evolution. He thought that unilinear
evolution had been discredited, although it did provide ‘limited insights concerning
the particular cultures analyzed in detail by the nineteenth-century students of
culture’ (p. 29). In his view, the best course of investigation would probably be the
search for laws to formulate the interrelationships of phenomena which may be
cross-cultural but are not necessarily universal.
Steward developed the concept and method of cultural ecology ‘as an
heuristic device for understanding the effect of environment upon culture’ (p. 30);
he thought that the principal meaning of ecology was human adaptation to the
natural environment, pointing out that since the time of Darwin, environment had
been conceived as ‘the total web of life wherein all plant and animal species
interact with one another and with physical features in a particular unit of territory’
(p. 30). Steward said that the concept of ecology had been extended to include
human beings, since they are part of the web of life. However, humans enter the
ecological scene not merely as another organism in terms of their physical
characteristics, because humans ‘introduce the super-organic factor of culture,
which also affects and is affected by the total web of life… The interaction of
62
physical, biological, and cultural features within a locale or unit of territory is
usually the ultimate objective of study’ (p. 31).
According to the holistic view followed by Steward, all aspects of culture
were functionally interdependent upon one another. The degree and kind of
interdependency, however, were not the same with all features. In his view, the
concept of cultural core was the constellation of features which are most closely
related to subsistence activities and economic strategies. The cultural core included
many social, political, and religious patterns that are closely connected with these
arrangements. In short, cultural ecology paid special attention to those features
most closely involved in the utilization of the environment in culturally prescribed
ways.
Steward saw the concept of environmental adaptation as underlying all
cultural ecology but thought that the researcher had to consider the complexity and
level of the culture under discussion; this could be a community of huntergatherers who subsist independently by their own efforts, or it could be an outpost
of a wealthy state exploiting mineral resources. In more developed societies, the
nature of the culture core would be determined by a complex technology and by
productive strategies with a long cultural history.
In discussing the concept of culture area in aboriginal America, Steward
remarked that this idea (as well as the culture-type concept) had played an
important role in the thinking of American anthropologists, since they had
generally classified data on aboriginal cultures following area categories. A culture
area was defined as a geographical delimitation of peoples sharing certain features,
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although there was no objective means for weighing the importance of local
differences and for deciding which categories of elements were of greatest
importance. These areas were presumed to have acquired their shared traits through
diffusion, and their limits were defined ‘by the similarity of societies to one center
rather than to another and different center. This implies that diffusion had been
going on for a long time, which brings us to the problem of historical depth in
relation to taxonomy’ (p. 82).
In the context of Mesoamerican studies, cultural ecology has had a great
influence on the development of theories seeking to explain the development of
complex societies in the pre-Hispanic past. Steward explained this link between
culture, nature, and history with the following words: ‘Any reconstruction of the
history of a particular culture implies… that certain causes produced certain
effects. Insights into causes are deeper when the interrelationships of historical
phenomena are analyzed functionally’ (p. 181). He further held that most American
anthropologists explained similarities between the early civilizations of the New
World as a case of single origin and diffusion, at the same time stressing the
differences between the civilizations of the Old and New Worlds.
Steward paid a great deal of attention to the development of early
agricultural civilizations in several key areas of the world: Mesoamerica, Northern
Peru, Mesopotamia, Egypt, and China. He chose these areas because they were the
cradles of civilization and because their exploitation by a pre-iron technology
seemed to have ‘entailed similar solutions to similar problems and consequently to
have caused similar developmental sequences. The environments are arid or
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semiarid, which… did not impose great difficulties and thereby stimulated cultural
development’ (p. 185). In Steward’s scheme of cultural evolution, there was an era
of regional development and florescence (such as the Classic period in
Mesoamerican archaeology, ca. AD 200-900). This era was characterized by the
emergence and florescence of regionally distinctive cultures. Infrastructure works
such as irrigation systems grew in size, thus releasing a larger portion of the
population to develop arts and crafts and to devote more time to intellectual
interests. State-level societies arose in this period, while interstate competition and
state expansion seem to have led to militarism. Eventually, ‘a class-structured
society… became fully established’ (p. 194).
Focusing on Mesoamerica, Steward highlighted the evolving native
technology, primarily improvements on agriculture, like large-scale irrigation
systems (including raised fields or chinampas and terracing). In his opinion,
irrigation fostered the development of distinctive social features: (1) theocratic
states that controlled all settlements of a valley or other natural regions; (2) large
mounds and temples; (3) a priestly hierarchy that worshipped gods of rain and
water and elements of nature such as the jaguar, serpent, and quetzal bird; (4) a
highly- stratified military component; and (5) long-distance trade. Intellectual and
esthetic traits included phonetic writing, mathematics, astronomy, and ‘the finest
art of all eras’ (p. 195).
According to Steward, in arid and semiarid regions, agriculture was carried
on by means of flood-plain and irrigation farming. With the development of
irrigation works, population would increase until the limits of water were reached.
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Social or political controls became necessary to manage irrigation and other
communal projects. We know that early societies were highly religious, so
individuals with supernatural powers like lineage heads, shamans, or special priests
may have formed a theocratic ruling class, which first governed communities with
multiple house clusters, and later multi-community states.
The surplus created by farming released considerable labor from subsistence
activities, and new technologies were developed. When these societies reached the
limits of agricultural productivity (dependent on the local water supply), population
pressures developed within each state and polities began to compete with one
another for resources and products. Empire-building was based on conquest and
dominant states exacted goods and services from other states by subordinating the
rulers of those states.
In Steward’s view, subsistence activities in the most densely populated areas
depended on ‘an orderly interrelationship of environment, subsistence patterns,
social groupings, occupational specialization, and overall political, religious, and
perhaps military integrating factors’. These interrelated institutions had limited
variability, ‘for they must be adapted to the requirements of subsistence patterns
established in particular environments… they involved a cultural ecology’ (pp.
208-209).
The book Theory of Culture Change had an important impact on Mesoamerican
archaeology soon after its publication in 1955. William Sanders (1981 [1962], 1965) was
one of the first archaeologists to incorporate the theory of cultural ecology in his research in
the Teotihuacan Valley in the early 1960s. Sanders (1981 [1962]) defined cultural ecology
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as ‘the study of the interaction of cultural processes with the physical environment’, and
stated his theoretical position with the following ideas: (1) Each environment offered a
different set of challenges to human occupation, therefore we may expect a different set of
alternate cultural responses; (2) in their response to such challenges, humans tend to take
the path of greatest efficiency in the exploitation of the environment; and, (3) the
environment should be regarded as an active, integrated part of the cultural system, rather
than a passive factor outside of the cultural framework. Sanders used the foregoing ideas as
a basis for explaining the origin and nature of Mesoamerican urbanism.
Sanders held that pre-Hispanic urbanism had been identified in the Central Plateau
of Mexico, within ‘a small, compact, centrally located zone… [called] the Nuclear Area
because of its cultural dominance in the history of Mesoamerica’ (p. 38). This area included
the Basin of Mexico, located in the region Sanders called the ‘Central Mexican Symbiotic
Region’, in which, according to Sanders (1965), the two pan-Mesoamerican empires, Aztec
and Toltec, had their capitals, while earlier Teotihuacan may have been the center of a
third, similar (earlier) state. The urban tradition described above depended on ecological
conditions that were optimal for the development of an intensive system of agriculture. This
included such ‘techniques of soil and water conservation as permanent irrigation,
chinampas, flood water irrigation… terracing, and fertilization’ (p. 39). The application of
these farming practices resulted in an extremely dense population. In Sanders’ opinion,
only two settlements in the nuclear area achieved the status of true cities: Tenochtitlan and
Teotihuacan. Sanders (1965) summarized his thoughts about cultural adaptation to the
natural environment with the following words: ‘The culture of a given people can be
considered essentially as a complex of adaptive techniques to the problems of survival in a
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particular geographical region... cultural evolution... is a superorganic process that [grows]
out of organic evolution... and population density is a measure of such success in a given
area at any point in time’ (p. 192). Sanders and Price (1968) elaborated the arguments
presented above by stating that irrigation canals taking water to the farming plots had to be
cleaned periodically by a communal work force, which had to be planned and organized.
This operation would be more efficient with the presence of a state-level political structure.
In areas where farmers faced adverse conditions, such as scarce water or farmland, the
ensuing conflicts over access to agricultural land would require a formal authority—i.e., a
state—to avoid the escalation of conflicts over land or water.
Sanders and Price (1968) pointed out that the term ‘ecology’ as used in cultural
anthropology refers to three levels of relationship between people and their environment:
(1) a human community’s relationship to its inorganic environment; (2) the relationship to
the plants and animals (both wild and domestic) that humans depend on; and (3) the mutual
relationships between human beings within an organized local community and between
several human communities. For Sanders and Price, ‘the last level of analysis pertains
solely to human ecology. Since human behavior is… cultural behavior, we refer to the use
of ecology in cultural anthropology as cultural ecology’ (p. 70).
According to Sanders and Price, from the perspective of cultural ecology, the
culture of a given people is a subsystem in interaction with other subsystems. The key to
understanding the processes of development of the cultural subsystem lies in this interactive
relationship. The total network of relationships between subsystems is called ‘ecological
system’ or ‘ecosystem’. It includes three subsystems: culture, biota, and physical
environment (p. 71).
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Two decades after Sanders’ writings cited above, the ‘Asiatic mode of production’
was still being offered as explanation for the origins of complex societies in Mesoamerica
by Angel Palerm and others.6 Boehm (1985) went so far as to call this theoretical construct
‘the greatest contribution to our knowledge of pre-Hispanic Mexico’ (p. 238). Boehm
explained the role of the ‘Asiatic mode of production’ in the emergence of Mesoamerican
civilization thus: ‘From its origins, social stratification in the Valley of Mexico was due to
differential access to certain strategic resources… which… required extended and constant
human toil to exploit them. The appropriation and control of labor by the dominant class
was exercised through state institutions like politics and religion’ (p. 243).
The proponents of the aquatic mode of production did not limit their ideas to the
Basin of Mexico. Sanders and Nichols (1988) proposed that in the Valley of Oaxaca the
process of state formation had been part of a coercive situation whereby egalitarian farmers
were exposed to ecological and social pressures because of scarcity of land and water. This
situation ended up producing the gradual changes that transformed tribal societies into
states with a peasant economy. These ideas were met with strong criticism from several
authors. George Cowgill (1988), for instance, held that the materialist approach espoused
by Sanders and his followers dealt with a limited view of reality, since ideational factors are
too important to be ignored. Cowgill held that ideology, religion, beliefs, and values, as
well as socially induced emotions and perceptions of reality conditioned by culture are not
independent from geological, climatic, or biological factors, neither are they determined by
purely material circumstances.
6
Angel Palerm (1980) was one of the proponents of the Asiatic mode of production in Mexican archaeology. This concept was based on
the writings of Karl Wittfogel (1957), who considered irrigation as the main (if not the only) force behind social evolution culminating
with the origin of the state in the ancient world.
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Kent Flannery (1988) also expressed doubts about the merits of Sanders’ materialist
approach. Flannery thought that Sanders was too obstinate in his theory of land and water
as the main variables in the processes that led to civilization, and demographic pressure as
the constant factor behind the origins of complex societies. According to Flannery, cultural
ecology, so popular in American anthropology during the 1950s and 1960s, was no longer
the main explanation twenty years later. Flannery thought that the key to understanding
early urban civilizations was not the relationship between people and land, but between
people and people, including political maneuvers, communal enterprises, war and defense,
the justification of inequality by a state cult, and the exaction of tribute, among many other
phenomena that ultimately led to the formation of states (p. 58). Flannery (1972) held that
some human societies evolved to levels of greater sociopolitical complexity than others, but
few attempts to explain this process have been successful. In Flannery’s opinion, complex
societies are not ‘amenable to the simple kinds of structural, functional, or culturological
analyses which anthropologists have traditionally carried out. The limited success of socalled "ecological approaches" to complex societies’ has encountered criticism from
humanist scholars. Flannery sums up his arguments thus: ‘There is a widespread belief
among [many] archaeologists and ethnologists that ecological approaches are... inadequate
for the study of civilizations’ (p. 400).
Flannery is not alone in his critical stance on the ‘Asiatic mode of production’. This
notion has been called into question by recent research in Mexico and other parts of the
world. Studies in the Lake Titicaca (Bolivia) area, for instance, have produced data that do
not support Sanders’ ‘hydraulic hypothesis’, suggesting instead that complex irrigation
systems were built and maintained by village-level societies, not urban-dwellers, and that
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complex polities actually developed before complex agricultural systems (Stanish 1994).
Among the Olmecs of the Formative period, for instance, it was excessive humidity, rather
than the need for irrigation, that led to complex societies (Carneiro 2011). In the Valley of
Oaxaca, meanwhile, states relied on quite basic irrigation techniques that did not require
state supervision (Feinman 2006). A final example comes from the island of Bali in
Indonesia, where Karl Wittfogel (1957), echoing Karl Marx, suggested that it presented an
example of the ‘Asiatic mode of production’. Despite decades of research in Bali, scholars
have been unable to prove that irrigation there is centrally organized. In fact, signs indicate
that it remains in the hands of local farmers, not the ruling state. Agriculture seems to be
managed by a series of ‘water temples’ that function as regulators of the agricultural
ecosystem (Lansing 1987:328).
The negative critiques of cultural ecology as explanator for cultural evolution cited
above may or not be warranted; the issue is still open to debate. But we should bear in mind
that cultural ecology goes beyond the study of complex societies in ancient times, as I will
show below. A case in point is Roy A. Rappaport’s (1984) work among the Tsembaga
people of New Guinea, where he explored the function of ritual in the context of human
ecology. Another example mentioned below is ceramic ecology as a research tool in the
study of human-environment interaction among potters in Mesoamerica.
Rappaport's book Pigs for the Ancestors (1984) presents an ethnographic analysis of
the role of ritual within human ecology. This study is based on the Tsembaga, a group of
slash-and-burn horticulturists, as well as hunter-gatherers and pig farmers, who live in the
Bismark Mountains of New Guinea. The main concern of this study is the way in which
ritual affects the relationships between a human group and its environment. Rappaport's
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goal was to observe the role of ritual in the adaptation of social groups to their
environment. His interest focuses on the way in which ritual mediates critical relationships
between the human group studied and external entities. Among the Tsembaga, the
following is achieved by means of ritual: (1) relations between people, pigs and orchards
are regulated; (2) the slaughter of pigs and the distribution and consumption of their meat
are regulated, increasing the value of pork in the diet; (3) the consumption of wild animals
is managed in a way that increases their value to the population as a whole; (4) an even
distribution of people over the territory is fostered, as well as the redistribution of land
among territorial groups; (5) the frequency of war is regulated, the severity of conflicts
between groups is mitigated; and, (6) the exchange of goods and people between local
groups is facilitated.
According to Rappaport, Tsembaga agriculture is based on the cultivation of nonpermanent orchards, which are moved from place to place within the secondary forest, and
these forestry practices ensure the maintenance of trees that produce useful materials. Pig
farming is one of the most important economic activities, and the ritual practices of the
Tsembaga are closely related to this activity. Most ritually important occasions are marked
by the slaughter of pigs and the consumption of their meat. Aside from providing food for
their owners, pigs make at least two other contributions to livelihoods: they feed on roots
that humans can't effectively obtain, while clearing weeds and softening the soil, making
the task of sowing much easier. Second, pigs eat garbage and human feces, contributing to
the disposal of waste material.
In the same way that the Tsembaga form part of a network of relationships with
non-human components of their immediate environment, they also participate in
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relationships with other local populations like them, but outside their territory. Friendly
relations are based on the exchange of women (by marriage) and goods (in trade networks).
On the other hand, hostile relationships involve ritually sanctioned long periods of mutual
avoidance, punctuated by armed conflict.
The kaiko is a ritual cycle that lasts the whole year in the Tsembaga calendar. The
kaiko provides an efficient way to eliminate surplus animals (pigs), and a way to limit the
calories invested in obtaining animal protein. Aside from eliminating pigs that have become
‘parasites’ of humans, mass-scale pig slaughter is one way to prevent the earth from being
overrun by these animals. According to Rappaport, all these features of the kaiko are
ecologically beneficial because they aid in the dispersion of the population, the movement
of goods, food, and people, as well as fostering social and political relations at the local and
extra-local levels.
Preparations for the kaiko among the Tsembaga begin with the planting of stakes at
the boundaries of their territory. The rituals associated with planting the stakes can be seen
as cyclical ratifications of mutual aid agreements between members of various local
populations. The exchange system in which the kaiko is immersed serves to integrate all or
many of the groups of a region. But ritual cycles represent more than just a way of
elaborating the relationships that arise from economic interdependence, or of formalizing
economic interdependence in ceremonial exchanges. Rappaport considers the ritual cycle of
the Tsembaga as a complex homeostatic mechanism, which works to maintain the values of
certain variables within ranges that allow the perpetuation of a system over indefinite
periods of time.
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The Tsembaga practice extensive slash-and-burn agriculture, growing taro, yams,
sweet potatoes, cassava, sugarcane, and various other plants, in small gardens cleared and
fertilized by the slash-and-burn method. This mode of production allows the Tsembaga to
satisfy their caloric needs with a relatively small investment of time, roughly 380 hours a
year per farmer involved in the agricultural process. However, there are some
environmental constraints that we should consider to understand the ecosystem of tropical
slash-and-burn agriculture. The main problem has to do with forest regeneration, as the
productivity of these orchards declines rapidly after two or three years of use, and more
land must be cleared to avoid a drastic reduction in labor efficiency and productivity.
Because of this, farmers using this mode of production need a considerable amount of
forest per capita, even though in any year no more than 5% of their total territory is under
production.
Tropical forest ecosystems produce an enormous amount of plant biomass, but the
animals that inhabit this ecological environment are small, furtive, and arboreal. As human
population density increases, wild animals quickly become scarce and very difficult to
obtain. The Tsembaga, like almost every other human group, value animal protein very
highly, especially in the form of fatty meat. They have depleted the wild animals in their
territory but have compensated for this by raising domestic pigs. The Tsembaga let their pig
population increase for several years, killing them only on ceremonial occasions. When the
effort required to care for the pigs becomes excessive, a feast is held to cull them, resulting
in a huge drop in the pig population. This festival is probably related to the cycle of
reforestation in the gardens, as well as the regulation of war and peace between the
Tsembaga and their neighbors.
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According to Rappaport, to deal with the relationship between ‘natural law’ and
‘cultural meanings’ and their interaction with the affairs of human groups, it is necessary to
consider an ‘operational model’ and a ‘cognitive model’. The first consists of a description
of the ecological system through empirical observations (like weighing, measuring, and
counting). The cognitive model, on the other hand, describes a people's knowledge and
beliefs about their environment. All ecosystems are characterized by the exchange of
matter, energy, and information between their components. Most ecological studies look at
the transfer of matter or energy but neglect the information exchanges that regulate such
transfers. The book Pigs for the Ancestors has the merit of considering information
exchanges, as well as both the emic and ethic aspects of human-environment relations, from
a systemic and processual perspective.
Ceramic ecology is another example of the cultural-ecological approach used in
archaeology and sociocultural anthropology. Ceramic ecology has been established as an
analytical approach to ceramic materials with contextual, multi- and interdisciplinary
perspectives through which researchers seek to place physical and scientific data in an
ecological and sociocultural framework by relating the technological properties of raw
materials to the manufacture, distribution, and use of ceramic products within social contexts
(Kolb 1988:viii). Ceramic ecology perceives cultural systems holistically, considering such
factors as the ceramic complex (i.e., all materials and processes involved in the production and
use of ceramics), the biological environment, the physical environment, human biology, and
culture (Figure 11).
Frederick R. Matson (1912-2007) was an early proponent of the ceramic ecology
approach. Matson was a ceramic engineer, ethnographer, and archaeologist specialized in
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archaeometry. His ground-breaking edited volume (1965) entitled Ceramics and Man pursued
a ‘cross-fertilization’ that examined the social processes and factors involved in ceramic
studies.
Figure 11. Diagram of ceramic ecology, incorporating the ceramic complex, the biological environment, the
physical environment, human biology, and culture (after Kolb 1989: Figure 3).
Matson’s volume presents a critical and constructive revision of the kinds of
contributions usually made by ceramic analysis to archaeological and ethnographic research.
Matson’s proposal involved linking ceramic objects with the people who made and used them
(Kolb 1988:vi-vii; Matson 1965). In 1951, Matson commented on ceramic studies in
contemporary archaeological reports. He stated that while most of the studies provided good
descriptions, he wondered how many readers would take the time to read or try to visualize
ceramic objects once they had been described at the cost of so much time and diligent labor. In
his opinion, it would be more productive to spend less time on ceramic descriptions in terms of
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physical measurements and consider the variations in the wares linked to the problems faced
by the potters in their manufacturing processes (Matson 1951:106).
Matson further encouraged researchers to undertake careful examinations of the
ethnographic literature and implement ethnographic research designs with an archaeological
orientation (i.e., ethnoarchaeology) to shed light on the technical aspects of ceramics and
pottery. The lack of common ground between ceramic studies and the analysis of
socioeconomic patterns was a preoccupation that began to emerge in the late 1950s, and
ecological paradigms offered a productive way to address these variables (Arnold 1985; Kolb
1989:281).
Kolb (1989), meanwhile, presented a model that helps to gain a clear grasp of what he
calls ‘holistic ceramic ecology’. This model of ceramic production centers on a ceramic
complex that consists of a cultural system and an environmental system, each one with
subsystems necessary for the operation of the complex as a whole. The cultural system
includes the following subsystems: economic, social, religious, psychological and, of course,
the ceramic production subsystem itself. The environmental system consists of physical,
biological, and environmental-cultural subsystems. These systems and their respective
subsystems are mutually linked by feedback mechanisms. According to Kolb (1989), the key
component of the ceramic complex is the ceramic production subsystem, which contains the
main variables that affect the production of a clay object: from raw material procurement to the
use and discard of the vessel at the end of its functional life.
Kolb (2018) defined ceramic ecology as a ‘methodological and mid-range
theoretical approach’ (p. 1), looking for ‘a better understanding of the peoples who made
and used pottery’. Ceramic ecology ‘seeks to redefine our comprehension about the
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significance of these materials in human societies… [and] seeks to evaluate data derived
from the application of physiochemical methods and other techniques borrowed from the
physical sciences within ecological and sociocultural frames of reference’ (p. 1). Ceramic
ecology’s holistic approach seeks ‘to relate environmental parameters, raw materials,
technological choices and abilities, and sociocultural variables to procurement of resources
(clay, temper, and fuels), the manufacture, decoration, distribution, and use of pottery
vessels and other ceramic artifacts’ (p. 1). Hence, ceramic ecology spans the whole life
cycle of ceramic products, from fabrication through ultimate use, diffusion, and discard.
Prudence Rice (2015) has said that ‘the ceramic ecology approach has been
criticized along the same lines that cultural ecology was critiqued decades ago, as narrow
determinism or possibilism’ (p. 210). But the theory behind ceramic ecology does not hold
that the physical environment controls or limits pottery-making. Instead, this theoretical
approach establishes some of the circumstances within which potters’ decisions may be
supported or constrained as they practice their technologies. In this scheme, the
environment has an underlying role in vessel function with respect to the kinds of foods
consumed and their preparation, among many other factors.
I have conducted research in West Mexico for over 30 years, following the
perspectives of ethnoarchaeology and ceramic ecology (Williams 2017). My initial
fieldwork was carried out in 1990 in Teponahuasco, a pottery-making town in Jalisco
(Figure 12). In this town, potters work mainly in the dry season (October to June),
dedicating the rest of the year to farming (Williams 1992). In 1992 I moved to the Tarascan
community of Huáncito, Michoacán, where I worked in several potting households
(Williams 2018), studying the consumption of fuel in the kilns (Figure 13) and kitchens
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(Figure 14), the procurement of clay (Figure 15), and other materials used in pottery
making. I also considered in my research other Tarascan towns, like Zipiajo, Michoacán
(Figure 16), where potters fire their wares in the open, without using kilns (Williams
2017).
Figure 12. Potters in Teponahuasco, Jalisco, selling their wares in the town’s churchyard during the
dry season (author’s photo, 1990).
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Figure 13. In the Tarascan community of Huáncito, Michoacán, potting households use firewood as fuel
in the kilns (author’s photo, 2014).
Conclusions
In this section I presented a summary overview of cultural ecology in Mesoamerica and
other areas of the world. I included background information about the first authors to
describe humankind’s relationship to the natural world. After discussing several examples
of the theories around the cultural ecological paradigm, I described ceramic ecology as a
recent approach that seeks to understand ceramics as a product of cultural and natural
processes.
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Figure 14. Cooking in Huáncito relies on firewood as fuel, following an age-old tradition (author’s
photo, 2005).
Robert M. Netting (1986) wrote that cultural anthropologists had borrowed the term
‘ecology’ from the biologists and ‘bent it to their own particular uses. They began with
humanity, examining the environment as people were affected by it, used it, sought to
understand it, and modified it’ (p.1). Human interaction with nature has certainly been one
of anthropology’s most enduring concerns, and it may have formed one of the earliest
intellectual exercises, as I discussed above. Anthropologists have always been aware that
all humans are grounded to their local and regional environment. Cultural anthropology
emphasized the particularity and uniqueness of its object of study: human culture and its
role in adapting to a natural environment.
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Figure 15. Potter in Huáncito excavating the clay used in pottery making (author’s photo, 1992).
For many anthropologists, culture was a set of patterns inside people’s heads, that
could be investigated quite apart from their specific natural environment. Netting (1986)
thought that the natural and the social sciences had become specialized and isolated from
each other. Anthropologists distinguished between physical and cultural studies, and
seldom related their findings in any consistent way to environmental factors. With detailed,
firsthand information on little-known peoples, anthropologists could discard expansive
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generalizations. A prime example of this situation was the theory of environmental
determinism, which regarded specific cultural traits as arising from environmental causes.
Figure 16. In the Tarascan town of Zipiajo, Michoacán, potters fire their wares in the open, without
using kilns (author’s photo, 1995).
But most anthropologists did not accept simple, mechanistic explanations of culture.
When they made comparisons between societies in generally similar habitats or adjacent
regions, anthropologists emphasized the complexity of the relationship between the
environment and the numerous technical and social devices for exploiting it.
According to Eric Wolf (1999), Marvin Harris (1980) called his explanatory
strategy, centered on the notion of cultural ecology, ‘the principle of infrastructural
determinism’. In Wolf’s view, ‘this principle joins Marx with Malthus and accords priority
in explanation to observable behaviors in both production and reproduction… [which] can
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only be changed by altering the balance between culture and nature, and this can only be
done by expenditure of energy’ (p. 58). Such environmental determinism has been called
into question by many authors in recent years, as we saw above (see discussion in Williams
and López 2009).
For Emilio F. Moran (2017), cultural ecology includes the study of ‘human agency
and the state of the Earth’. Moran points out that in the last decades Earth has continued to
be treated with little thought for the future. He warns that more and more plant and animal
species are going extinct, while wetlands and other natural habitats are disappearing.
Moran also warns that ‘unprecedented levels of carbon dioxide threaten our climate
system, coral reefs, and the Antarctic ice sheets. Our closest ape relatives are finding less
and less of their habitat left standing to ensure their survival. The story goes on, giving
cause for considerable alarm… Without effective action to ensure the sustainability of the
world’s ecological systems, our days in the planet may be counted’ (p. 1).
There are many examples of ecological destruction in the Anthropocene, not just in
Mexico but worldwide, from the Aral Sea, which once was the world’s fourth-largest lake
but now is completely dry (Hoskins 2014), to the disappearing lakes of the Middle East,
China, and West Africa (Purvis and Trif 2016), extreme drought in North America (ChoiSchagrin 2022), and the recent massive fires in the Amazon Basin (Watts 2019). But I
would like to end this section on a more optimistic note. History teaches us that humankind
has faced serious challenges from prehistory to the present, and yet somehow, we have
always managed to survive. History will carry on, and new challenges will no doubt arise in
the future. The main lesson that we can take away from this story is that humankind has
persevered no matter what. And one can only hope that we will continue to do so in the
foreseeable future. Cultural ecology is certainly an invaluable tool for understanding our
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world, and for coping with the challenges humankind faces now and will probably face in
the future.
Ethnoarchaeology and Ethnohistory
In this section, I explore the relationship between archaeology and anthropology over time,
and the role of ethnoarchaeology as a possible bridge between these two disciplines, as well
as an indispensable tool for archaeological interpretation (see Williams 2005 and 2017 for
previous versions). I also discuss the role of ethnohistory and other disciplines from the
social sciences and humanities, which offer crucial perspectives for archaeological
interpretation.
Ethnoarchaeology
I have conducted ethnoarchaeological and ethnohistorical research in Michoacán since
1990. My fieldwork has been primarily focused on the manufacture, use and discard of
pottery among the Tarascans of Michoacán (Williams 2002, 2004a, 2004b, 2017, 2018a,
2019); salt production and exchange in Mesoamerica (Williams 1999, 2015, 2018b), and
the aquatic lifeway in Michoacán and other areas (Williams 2009, 2014a, 2014b, 2014c,
2022). In these investigations I explore the natural settings, production sites, techniques,
artifacts, cultural landscapes, traditional knowledge, and other features linked to human
subsistence in traditional (i.e., non-urban) contexts.
In the present book I expand my exploration of the indigenous pottery traditions of
Mesoamerica, from the earliest examples of cultural development in this area to the present.
By means of ethnographic analogy, this study seeks to shed light on ancient and modern
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ceramic production, and on the theory, method, and practice of ethnoarchaeology,
undoubtedly one of the most important aspects of archaeological research in Mexico today.
More than half a century has passed since Philip Phillips (1955) coined his famous
dictum ‘archaeology is anthropology or it is nothing’. According to Phillips, American
archaeology had a close relationship with general anthropology due to its dependence in
matters of theory. Phillips also thought that cultural anthropology observes the behavior of
human groups in two dimensions: social and cultural, but that it is also interested in
symbolic behavior (language, art, myths, and so on) and material culture (artifacts,
technology, etcetera). Archaeology, on the other hand, is primarily concerned with the
material consequences of human behavior, and refers to collective behavior only
occasionally through inferences; for instance, the interpretation of funerary customs, house
plans, settlement patterns, roads, irrigation systems, and similar phenomena. Seen in this
light, it seems as though the raw materials of the two disciplines are not so different after
all.
In recent years the relationship between archaeology and socio-cultural
anthropology has been less harmonious. There has been a lack of dialogue between the
disciplines, and it appears that each one has decided to go its separate way. On the one
hand, the postmodernists see the scientific, materialist, and evolutionary approaches of
archaeology as enemies of anthropology (Kelly 2002:14), while on the other, the so-called
‘official Mexican archaeology’ has devoted itself largely to the reconstruction of
archaeological sites as a strategy to promote tourism and nationalism, while losing sight
almost entirely of archaeology’s anthropological perspectives. In Latin America, the cases
of Mexico and Peru are usually mentioned as examples of how archaeological symbols and
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pre-Hispanic elements have been used to promote an almost mystical sense surrounding the
history of each nation-state. In this way, the members of official Mexican archaeology –in
other words, the archaeological establishment– have been strongly supported by a state
striving to legitimize its claim to political power and national pride (Benavides 2001;
Gándara 1992). This situation became especially evident in the case of the Templo Mayor
project in Mexico City (begun in 1978), where archaeologists were subordinated (or coopted) by the ideology of the all-powerful Mexican state (Vázquez 1996). It is obvious that
this situation is not the best scenario for a scientific archaeology with anthropological goals.
To better understand the complex relationship between archaeology and
anthropology, and the role of ethnoarchaeology within the political and scientific context
described above, it is convenient to review the theoretical developments that have marked
this relationship over many decades. We saw earlier that Willey and Sabloff (1980) defined
several periods of development in the archaeology in the New World, including the
‘Classificatory-Historical’ period, which they divided into two stages: early (1914-1940),
and late (1940-1960). According to Willey and Sabloff, the main theme during the early
stage of this period was a preoccupation with determining chronologies, while stratigraphic
excavation emerged as the main way to achieve this.
The first archaeological studies to employ the stratigraphic method in Mesoamerica
were conducted by Manuel Gamio in the Basin of Mexico. Before Gamio’s work, artifact
classifications had been conducted with the sole goal of describing materials found in
archaeological excavations, but now those excavations began to be seen as a means to
outline cultural manifestations in chronological and spatial contexts. In other words, the
main goal of American archaeology during this time frame was still the elaboration of a
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historical-cultural synthesis of several regions of the New World based on ceramic
sequences and the distribution of ceramic types and other cultural materials (Willey and
Sabloff 1980:83).
Discussing Mesoamerican archaeology in the 1940s, Eric Wolf (1976) mentions
that in those years the discipline seemed to be firmly in the grasp of piramidiotas and
tepalcateros; that is, researchers involved almost exclusively in reconstructing pyramids to
make archaeological sites more appealing to tourists and bolster Mexican nationalism, and
in examining potsherds (tepalcates). But new influences were already being felt in
Mesoamerican archaeology at that time. The most notable changes were the pioneering
attempts in the 1930s to combine the methods and perspectives of archaeology with those
of historical geography, history, and ethnology, in efforts to shed new light on the origins
and growth of civilization. As discussed earlier, the work of Gordon Childe was of
paramount importance in this process.
Writing around the same time as Childe, but on the other side of the Atlantic, illiam
Duncan Strong (1936) made an important contribution to the theoretical development of
archaeology, as he explored its links not only with history, but also with anthropology.
Strong sustained that archaeological research could change or confirm concepts derived
from historical and ethnological data. Ethnological and archaeological approaches, when
applied in a combined manner, could thus offer possibilities never explored before. He also
thought that the interrelationship in time and space of biological and cultural development
was the backbone of all anthropological research. Anthropology as a science was not
concerned with the study of culture as an isolated phenomenon but, rather, in connection
with the bearers of that culture, whether extant or extinct. However, anthropology was not a
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merely cultural discipline for Strong; it was a broad historical science preoccupied with the
relationship between cultural and biological factors over time and space (Strong 1936).
In those days, both ethnology and archaeology were merely descriptive endeavors.
In the case of ethnology, it was not until the results of research were used for generalizing
or historical purposes that sociology or anthropology became involved; while in that of
archaeology, it acquired historicity through its relationship with documentary history and as
part of anthropology. Most aspects of prehistory could never be perceived completely by
someone who was not widely familiarized with the main results and techniques of
ethnology and physical anthropology (Strong 1936:364).
One of the strongest criticisms raised against archaeologists working in
Mesoamerica during the 1930s (and before) was penned by Clyde Kluckholn in 1940.
Kluckholn believed that many researchers in this field were nothing but ‘reformed
antiquarians’ with an obsession for details and an unjustified proliferation of trivialities,
who produced studies in which the categories of ‘methodology’ and ‘theory’ were almost
completely ignored (Kluckholn 1977:42-44). In this vein, Julian Steward (1942:339)
argued that ethnology usually ignored the results of archaeological investigations, while
archaeology itself was focused on excavation techniques and methods for describing and
classifying the physical properties of artifacts. Archaeology was considered a ‘natural’ or
‘Earth’ science, more than a cultural one. Steward expressed his disagreement with the lack
of interaction or dialogue between archaeology and anthropology, stating that people often
forgot that the problems of cultural origins and change require more than just ceramic
sequences or trait lists. Inasmuch as archaeology could deal with specific problems of given
peoples by tracking cultural changes like migrations and other events into the prehistoric
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and protohistoric periods, it could make valuable contributions to the general problem of
understanding cultural change. Archaeological data could be handled directly for
theoretical ends; there was no need for taxonomy (Steward 1942).
The ‘direct-historical’ approach proposed by Steward (1942) was based on the
assumption of continuity between the human groups mentioned by history and the more
ancient ones studied by archaeology. This author suggested combining data derived from
ethnography with the information contained in historical documents as a strategy for
solving many problems of analysis. In fact, he wrote, if one took cultural history as one’s
research problem, and the peoples of the early historical period as the starting point, the
difference between strictly archaeological and strictly ethnographic interests would
disappear (Steward 1942). This direct-historical approach would serve to remind both
archaeologists and ethnologists that the two disciplines shared not just the general problem
of how culture had developed, but also a concern for a great many specific problems.
Turning now to the second stage of the Classificatory-Historical period (19401960), we find that ethnology and social anthropology were regarded as the true source of
theoretical developments and knowledge, while archaeology was largely relegated to the
periphery (Willey and Sabloff 1980). New trends in this sub-period involved the study of
context and function, while an interest in cultural processes was already visible. From the
perspective of these new ‘contextual-functional’ approaches, pre-Hispanic artifacts were to
be understood as material remains of social and cultural behavior. The study of settlement
patterns also acquired new importance as the study of the ways in which humans were
distributed across the landscape. This kind of research offered important clues for our
understanding of economic adaptations and sociopolitical organization. Finally, the
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relationship between culture and environment became significant with the development of
the sub-field of cultural ecology (Willey and Sabloff 1980).
At the end of the 1940s, the discussion of whether archaeology was closer to history
than to anthropology was still going on. In 1948, Walter W. Taylor stated that although
New World archaeology had been designated as a branch of anthropology, and
archaeology’s goals were linked to those of cultural anthropology, archaeologists seemed to
be consciously moving toward history, toward the recreation of the aboriginal past of the
Americas (Taylor 1948). Taylor thought that archaeology was linked to history in many
ways, because both disciplines were dealing with the past and with sequential time, and
their interests revolved around the human being as a cultural entity. For Taylor, then,
archaeology was ‘one of the so-called historical disciplines’ (1948:42). He went on to
define the relationship between archaeology and cultural anthropology by stating that when
archaeologists gather their information, construct their cultural contexts, and make
comparative studies of the nature and functioning of culture in its formal, functional or
developmental aspects, they are actually ‘doing’ cultural anthropology, and can be
considered anthropologists that deal with archaeological materials (Taylor 1948:43).
Another viewpoint held by Taylor, however, suggested that archaeology was not
really a part of either history or anthropology, but an autonomous discipline; a method and
cluster of specialized techniques used to gather cultural information (Taylor 1948:43-44).
He used the phrase ‘conjunctive approach’ to refer to archaeology’s interdisciplinary
character; a genuinely innovative proposal at that time. And Taylor really was ahead of his
time, especially considering that his book A Study of Archaeology was not published until
10 years after he wrote it.
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A decade after Taylor’s work cited above was published, a book by Willey and
Phillips made its appearance. This volume was entitled Method and Theory in American
Archaeology (1958) and can be considered as illustrative of the cultural-historical approach.
For Willey and Phillips, the phrase ‘cultural-historical integration’ covers practically
everything that archaeologists do to organize their primary data: typology, taxonomy,
formulating ‘archaeological units’, and examining the relationships between those units and
the functional and environmental contexts. No less important for archaeologists is the task
of determining the internal dimensions and external relationships of archaeological units in
space and time. For Willey and Phillips, cultural-historical integration was comparable to
ethnography, but added the temporal dimension. At this level of analysis, one was not just
asking what had happened in a given ancient culture, but also how –even why– it had come
about. In other words, it no longer sufficed to investigate cultural and historical processes
without regarding the causes of cultural change, which were always human groups and,
therefore, fell within the social sphere (Willey and Phillips 1958).
Moving forward in time, we find the arrival of the book An Introduction to
American Archaeology in 1966, a monumental two-volume work written by Willey in
which he brings pre-Hispanic cultural history up to date for the New World as a whole.
This is a very important and substantial contribution, in which Willey faithfully follows the
cultural-historical tradition. This is evident in the Introduction, where he writes that the
intention of his book is to do history –an introduction to pre-Hispanic American cultural
history– and its plan is to trace the histories of the main cultural traditions of the Americas.
Each cultural tradition analyzed is characterized by a defined pattern of subsistence
practices and technological and ecological adaptation. In every case, important cultural
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traditions were likely to have shared a well-defined ideology or worldview, but Willey was
not trying to classify cultures according to functional principles or principles of
development; rather, he was describing cultures and tracing their respective histories. As
defined by Willey in this book, the cultural-historical spheres or reference frameworks for
most archaeological discourse in the Americas are the desert culture, the Pleistocene biggame hunters, the Archaic cultural tradition, the Southwestern United States, and
Mesoamerican culture. This book is organized around the concepts of important cultural
traditions and the general chronological discourse of history (Willey 1966).
These ideas and approaches, however, were soon to be attacked by scholars seeking
a more ambitious role for archaeology within the social sciences; something that would go
beyond simple classifications of objects and speculative descriptions of phenomena to
address the dynamic aspects of culture —in other words, social processes. These critical
opinions began to appear in the 1960s, but even earlier works, such as Taylor’s 1948 study
(see above), had already envisioned these new tendencies. In the late 1960s, Kent Flannery
published a review of Willey’s An Introduction to American Archaeology. Although
Flannery acknowledges this book’s importance and its great contribution to our knowledge
of the pre-Hispanic world, he nonetheless expresses some doubts and critical viewpoints
regarding the general approach followed by Willey. According to Flannery (1967 [1974])
when ethnography was almost exclusively involved in gathering such artifacts as Indian
lances, baskets and headdresses, archaeology consisted in little more than the simple
gathering of potsherds, stones, bones, and similar objects; but once ethnography broadened
its attention to include aspects such as the structure of communities, archaeology responded
by conducting studies of pre-Hispanic settlement patterns. When the concept of cultural
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ecology came on the scene, archaeologists began to show a great deal of interest in
evolutionary sequences and the classification of ‘stages’ in the development of humankind.
One of the key debates in New World archaeology at the time of Flannery’s writing (late
1960s) was whether this discipline should become involved in the study of cultural history,
or of cultural process. The followers of the first approach had attempted to construct grand
synoptic tables showing variation over many centuries, while also trying to discover ‘the
Indian behind the potsherd’ by reconstructing the ‘shared ideas’ that served as a model for
the person who had crafted the artifact (Flannery 1967 [1974]).
Several decades have gone by since Flannery’s writings, but his ideas on this topic
are still quite relevant. Flannery thought that although the ‘processual school’ of
archaeology acknowledged the usefulness of the cultural-historical approach for
classification, the latter was incapable of explaining situations of cultural change. Followers
of the processual approach believe that human behavior is an ‘articulation’ between a great
number of systems, each one of which includes cultural and other kinds of phenomena. The
strategy followed by the processual school consisted in isolating each system and then
studying it as an independent variable, with the goal of reconstructing the whole pattern of
articulation, together with all the related systems. Explanation was the real goal, more than
simple descriptions of the variations in human behavior in prehistory (Flannery 1967
[1974]).
Flannery’s concerns outlined above were anticipated in an earlier, and influential,
article by Lewis Binford, entitled “Archaeology as Anthropology” (1962). There, Binford
pointed out that archaeologists had not made any significant contributions to explanation in
the field of anthropology, because they were not conceiving archaeological facts in a
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systemic framework but, rather, had adopted either a particularistic perspective in which
‘explanation’ was offered in terms of specific events, such as migrations between regions,
or were talking vaguely of ‘influence’ or ‘stimuli’ between different cultures. Binford
(1962), in contrast, held that explanations of the differences and similarities between
archaeological complexes should be offered in terms of our current knowledge of the
structural and functional characteristics of cultural systems.
These new ideas and approaches gave rise to what came to be known as the ‘New
Archaeology’ (Willey and Sabloff 1980), the product of an anthropological perspective
developed (primarily in the 1960s and 1970s) by archaeologists who had studied with
social anthropologists and with other archaeologists. Their main concerns were to identify
cultural processes and propose ‘laws of cultural dynamics’. Another idea related to this
approach was that archaeology, in revealing and explaining cultural processes, was relevant
not only to the study of anthropology, but also to the rest of the modern world. The
perspectives of processual archaeology can be summarized as follows: (1) a predominantly
evolutionist viewpoint; (2) general systems theory with a systemic viewpoint regarding
culture and society; and (3) the application of deductive reasoning. The evolutionist posture
adopted by most adepts of the ‘New Archaeology’ assumed that the techno-economic
sphere of culture was the main determining element of change, while the social and
ideological spheres modified in a secondary way (Willey and Sabloff 1980).
For Binford, one of the main proponents of the processual school of American
archaeology, the challenges for archaeologists consisted in how to link archaeological
remains with our ideas about the past, how to use the empirical world of archaeological
phenomena to generate ideas about the past, and at the same time use those empirical
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experiences to evaluate the ideas so produced (Binford 1981). Archaeological theory is
involved with the sphere of the events and conditions of the past, as well as with explaining
why certain events and systems existed in antiquity. Archaeology’s area of interest is in
cultural systems, their variations, and the way in which they could pass from one state to
another. However, it is important to bear in mind that our entire knowledge of the dynamic
aspect of the past can only be inferred by linking past events with recent ones based on
several general principles. In short, we need to know the past by means of inference
obtained through our knowledge of how the modern world functions, and we must be able
to justify the assumption that these principles are relevant. All our interpretations depend on
a general knowledge, as precise and unambiguous as possible, of the relationship between
the dynamic (i.e., ethnographic) and static (i.e., archaeological) aspects of culture (Binford
1981).
In the foregoing ideas expressed by Binford we see the need to conduct
anthropological research outside the archaeological record to obtain elements for analysis
and comparison, primarily through ethnographic analogy. A later work by this author
(1983) reinforces this dynamic relationship between the present (ethnographic data) and the
past (the archaeological record). Binford wrote that the archaeological record is a
contemporary phenomenon, and the observations we make about it are not ‘historical
statements’. We certainly need sites that preserve objects from the past, but we also need
the theoretical tools to give meaning to those objects when we find them. Their accurate
identification and the recognition of their contexts in antiquity depend on a type of research
that cannot be conducted with the archaeological record itself. If we aspire to understand
the relationship between statics and dynamics, we must be able to see both aspects
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simultaneously, and the only place where we can see the dynamic aspect of culture is in the
modern world, in the ‘right here’ and the ‘right now’ (Binford 1983:23).
Figure 17. The interpretation of the archaeological record can be aided by ethnographic analogy, which
lets us formulate a middle-range theory or ‘bridging argument’ to go from observation to
interpretation of social phenomena (after Brodie et al. 2011).
What Binford was looking for was a precise medium of identification, accompanied
by effective instruments for measuring the specific properties of ancient cultural systems.
In other words, he sought ‘Rosetta stones’ that would enable us to translate the observations
of the static contexts into statements about the dynamic qualities of human behavior. To
accomplish this, he proposed the utilization of a new paradigm, one that would allow him
to produce a ‘middle-range theory’ (Binford 1981:25), a concept that comes to us from
sociology (Brodie et al. 2011) (Figure 17). Michael Shott (1998) says that Robert Merton,
first to use middle range theory in sociological research, understood the importance of
general theory, but considered that it was equally important to develop the capacity to test
this with empirical data. However, to test a general theory on the basis of empirical
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observations, scholars required an immediate corpus of theory that was itself directly
verifiable. This is what Merton (1948 [2007]) called middle-range theory, defining it as
theories located between lesser, but necessary, working hypotheses that become abundant
during research, and the systematic efforts to develop a unified theory to explain all the
uniformities observed in social behavior, as well as social organization and social change
(Shott 1998).
Middle-range theory is thus a bridge between observation and paradigm, ontology and
philosophy, a theory of substantive phenomena, of human behavior in its cultural and social
context. However, it is only a link in a long chain of inferences that run from general theory to
observation, and it must always be susceptible to verification (Shott 1998:303). In its original
context within sociology, middle-range theory was proposed as a basis for developing theories
about the causes of human social behavior and, potentially, a way to offset a disturbing trend
in social science research; namely, the division between, on the one hand, theories with a highlevel of abstraction but characterized by instability and, on the other, low-level empirical
studies devoid of theory. According to the original proposal, studies using middle-range theory
would be distinguished by having an empirical basis complemented by a hierarchy of
propositions that existed at a mid-level of abstraction and, therefore, provided a crucial link
between the gathering of information in the field and the use of high-level theories (Raab and
Goodyear 1984:265). Studies carried out among present-day populations –whether in the field
of experimental archaeology or ethnoarchaeology– would be important sources of middlerange theory; in fact, this belief inspired the ethnoarchaeological studies undertaken by Binford
and others. It is fair to say that Binford defined the role of middle-range theory in archaeology
on the basis of his own ethnoarchaeological studies (Shott 1998:305).
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Figure 18. Michael Schiffer’s flow model for viewing the life-cycle of durable elements in the
archaeological record (adapted from Schiffer 1995: Figure 2.1).
We owe to Schiffer (1995) the creation of a “flow model” that describes the trajectory
followed by most durable elements from manufacture to discard or recycling. This theoretical
model has been invaluable for archaeologists trying to understand the relationship between
people and material culture (Figure 18). The activities in which a durable element participates
during its life, or systemic context, may be divided into five processes: procurement,
manufacture, use, maintenance, and discard. Not all elements follow a unilineal path through a
system, as some items are rerouted at strategic points to phases through which they have
already passed. This is known as reuse, which has two varieties: recycling (for example,
precious metals and gems are usually recycled) and lateral cycling (after the termination of an
element’s use-life in one set of activities it is reincorporated into another) (Schiffer 1995: 27).
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Up to this point, I have presented a brief diachronic panorama of some aspects of
the development of the discipline of archaeology; in particular, its relationship to
anthropology and other social sciences, such as history. In the following pages, I discuss
the role of ethnoarchaeology as a link, or conceptual bridge, between anthropology and
archaeology, in a context of a growing lack of communication between the two disciplines
and a lack of common interests among their practitioners.
In recent years, several distinguished archaeologists have sought to achieve the
separation of archaeology from anthropology departments. Indeed, Binford, one of the main
proponents of ‘anthropological archaeology’, stated that socio-cultural anthropology had
become irrelevant for archaeology (Society for American Archaeology 2001:9). The desire
to set archaeology apart from anthropology in the academic environment has been
motivated to a great degree by certain ‘irreconcilable differences’ between archaeologists
and the followers of a postmodern philosophy, who see archaeology’s scientific, materialist
and evolutionary approaches as mortal enemies of anthropology (Kelly 2002:13-14).
The recent proposals by some archaeologists to abandon anthropology and open
their own departments specialized in archaeological research is worrying, because such a
move would affect all anthropological disciplines, including archaeology itself. According
to Phil Octetes (2015), the reasons given for a ‘divorce’ between archaeology and general
anthropology are ‘deeply-rooted in the way the sub-fields have emerged, the way they are
taught and perhaps more importantly where each sees its future… [many anthropology]
departments have… fractured into small groups of individuals who socialized based on
their sub-field… Cultural anthropologists and archaeologists rarely seem to mix outside the
committee room’ (2015:1). It could be said that ‘the breakdown in the marriage of
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anthropology’s largest sub-fields… partly… relates to how each has evolved over time,
with these changes increasingly leading cultural anthropology and archaeology in different
directions as distinct disciplines… Cultural anthropology… has become increasingly
sociological’. It is true that ‘very few cultural anthropologists are now involved in
ethnography (seen by many as too closely related to the colonial past to be useful for
modern academic study), even though ethnography is at the root of this sub-field’s
development’ (Octetes 2015:1-4).
Although both archaeologists and sociocultural anthropologists have become more
specialized in some of our research techniques, it is an error to think that we no longer have
anything to say to each other (Lees 2002:11). In fact, archaeology has long been one of the
more integrating areas of anthropology, since archaeologists must use linguistics to
understand the movements of ancient peoples, biological anthropology to examine human
remains, and cultural anthropology to make interpretations of the archaeological record.
Despite the reasons cited above for integrating archaeology with anthropology,
some archaeologists have suggested that their field never fit particularly well within general
anthropology since its founding as an academic discipline (Gillespie 2004). Though
archaeologists have been able to sustain a relationship with anthropology for many years,
this has been thanks to a conscious choice on their part. Susan Gillespie says that in order
to continue within anthropology –a discipline in a constant state of evolution–
archaeologists must be more diligent in their attempts to promote the interdisciplinary
aspects of their research, though this may entail reforming academic structures and
institutions to bring them closer to archaeology from the perspective of research, practice
and education (Gillespie 2004:13-16).
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Gillespie et al. (2003) have made an important contribution to the debates
surrounding the relationship between archaeology and anthropology. According to them,
the phrase ‘archaeology is anthropology’ has most often held the meaning of ‘archaeology
as a sub-field or specialty, one part of the multi-sub-field discipline of anthropology…
However, the relationship has also historically been treated as archaeology trying to be
something it cannot or should not be, another discipline with different objectives and
methods or… in a wholly dependent and inferior relationship with anthropology’. In the
opinion of Gillespie and her co-authors, ‘the discipline of anthropology has… moved away
from its founding principles, particularly the importance of recognizing the entirety of
human diversity, cross-cultural generalizations, long-term processes, and the role of
materiality. But a truly holistic anthropology is inclusive and integrates scholarship across
the sub-disciplines’ (Gillespie et al. 2003:155-165).
Archaeology has an obvious association with history, since both sciences deal with
humankind’s past. The goal of studying the past based on cultural and social manifestations
is to construct a narrative of what happened in that past and explain the events and
processes that shaped it. The differences between archaeology and history are mainly of
method, more than any philosophical perspective. Archaeology is also linked with
anthropology, which is a generalizing and comparative discipline that has the ulterior
motive of explaining the ways in which social and cultural phenomena are generated, as
well as their functioning and changes, to understand the broader processes of history
(Willey and Sabloff 1980:1).
The ideas expressed above, however, have met with skepticism in some quarters,
especially among people who see archaeology as an independent science with its own
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paradigms, goals and methodology. One of these skeptics is Karl Butzer (1982). Although
he mentions that archaeology and cultural anthropology have a symbiotic relationship
because archaeology depends on the stimuli and models based on social, biological and
evolutionary anthropology, he also states that archaeology equally depends on geology,
biology and geography. While archaeology is a complex social science in its own right, it
depends to a great extent on empirical methods and models adopted from the natural
sciences, and can be regarded as a social science only by virtue of its goals (Butzer
1982:11).
Butzer further says that context represents a traditional preoccupation of
archaeology, and that context is determined by the application of concepts adapted from
cultural anthropology, human geography and biological ecology (Butzer 1982:12). This
interest in archaeological context is precisely what differentiates this field as a scientific
discipline. Butzer has called for a contextual archaeology, more than an anthropological
archaeology; one founded upon an approach that transcends the traditional focus on isolated
artifacts and sites to arrive at a realistic appreciation of the environmental matrix and its
potential spatial, economic and social interactions with subsistence and settlement systems.
He thinks that this contextual approach depends largely on archaeobotany, archaeozoology,
geoarchaeology and spatial archaeology. Contextual archaeology complements traditional
concerns about socioeconomic analysis and the interpretation of artifacts and their
distributional patterns by providing new spatial, hierarchical and ecological dimensions
(Butzer 1982:12).
Following Butzer’s lead, David Clarke (1978:11) contradicted the dictum expressed
by Phillips at the outset of this section, by stating that ‘Archaeology is archaeology is
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archaeology’. For Clarke, archaeology is a discipline in its own right; one that deals with
archaeological data that it clusters in entities that reveal certain processes, and that are
studied according to archaeological goals, concepts and procedures. Although one may
acknowledge that these entities and processes once had a historical and social nature, given
the characteristics of the archaeological record there is no easy way to equate the precepts
of our discipline with events from the past (Clarke 1978:11).
Archaeology’s claim to its own identity, independent from other social disciplines
like anthropology, should not be seen as a subversive movement, much less a capricious
desire that has emerged for no apparent reason. In view of the high degree of specialization
and intellectual development of cultural anthropology over the last 25 years or so, several
anthropology departments around the world have been fragmented, generating ferocious
academic wars. This has caused archaeologists to reaffirm their own professional position
and their own academic discipline. But this movement toward autonomy should not be
understood as an attack against anthropology or any other discipline, only as a reaction to
archaeologists’ need to establish their own curriculum, professional standards, research
criteria and priorities, as well as the standards of their professional practice and education
(Wiseman 2002:8-9).
The foregoing discussion has highlighted several aspects of the relationship between
sociocultural anthropology and archaeology; a complex and mutually enriching
relationship, to be sure, but one by no means free of conflicts. It seems that despite the good
intentions of many scholars, the divisions between the two disciplines became
insurmountable. Sociocultural anthropology appears to have forgotten about the past and
turned its back on thousands of years of human evolution to dedicate itself to the study of
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recent social phenomena, often examined outside their historical context. This is certainly
occurring in Mexico, as well as in other countries. In the opinion of Guillermo de la Peña,
structural-functionalist anthropology in Mexico was responsible for a series of community
and regional studies in which the interaction of anthropological disciplines took place
solely with sociology; an interdisciplinary approach that almost resulted in the
disappearance of Mexico’s ethnological traditions. What we witnessed in that period was a
preponderance of the sociological paradigm, and a sort of resistance toward communication
with other disciplines, even within the anthropological sciences (de La Peña 1995:88). De
la Peña asks, ‘What happened to the founding principle of Mexican anthropology?’, and
upon analyzing the interdisciplinary nature of anthropological sciences that interacted with
each other, and the capacity for dialogue with other scientific disciplines, he concludes with
this statement: “Unfortunately, the experience has been a divergent one, rather than one of
interaction and mutual understanding” (de la Peña 1995:90).
Given this state of affairs, one might think that all is lost, that there is nothing we
can do to save the relationship between sociocultural anthropology and archaeology, and so
avoid what appears to be an inevitable break-up and divorce. However, the search for new
analytical methods has not ceased, and archaeologists, conscious of the need for a scientific
and humanist framework for their research, have recently turned once again toward
anthropology, this time with renewed eyes. Ethnoarchaeology has emerged as part of this
new way of seeing things, a novel kind of ethnographic research performed by
archaeologists who seek to solve problems of archaeological interpretation by linking
material remains with the behavior that gave rise to them (Thompson 1991:231). In view of
ethnography’s recent discrediting, and the growing lack of interest among anthropologists
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in the issues that interest archaeologists most deeply –primarily those related to material
culture– scholars interested in past cultures are being forced to go out to the field to gather
their own ethnographic information. This situation has been acknowledged by Manuel
Gándara, who thinks that ‘ethnoarchaeology is without doubt one of the most interesting
developments in our discipline in recent years… Ethnoarchaeology rescued and perfected
ethnographic working procedures that had been virtually abandoned by ethnologists…
Today… it is fashionable to focus on symbolic aspects… forgetting… aspects such as the
size of the group under study… its technological repertoire, etcetera’ (Gándara 1990:45).
Gándara holds that the archaeologist’s life-long preoccupation with material culture has
stimulated new ways of ethnographic recording by paying attention to such features as
processes of resource procurement, preparation and manufacture, as well as the discard or
storage of products and tools. Ethnoarchaeology should not be seen as a science distinct
from archaeology, but as one of the heuristic techniques that help us generate and evaluate
inferences about the past. Ethnographic analogy is a procedure that aids in the production
of knowledge. It is not a substitute for empirical work, but a valuable research tool.
Ethnographic analogy is essential for archaeological theory. Since there is a significant
relationship between human activity and the material contexts of that activity, analogy is
indispensable for archaeological inference at its most profound level (Gándara 1990:46,
76).
Although much archaeological research can be carried out without referring to
ethnographic data, there are many situations in which ethnographic knowledge is
indispensable to a full understanding of archaeological information. Those archaeologists
who seek ethnographic information related to the material sphere of culture have long been
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disappointed by a lack of attention from ethnographers in this regard (though more
ethnographic studies about material culture have been made than are usually recognized)
(Thompson 1991:231-232).
The interest in using ethnographic data for analyzing archaeological contexts is
really not so new. Over half a century ago, David Clarke mentioned that the ethnographic
approach was a tool with a rich potential for deciphering information enclosed in
archaeological data. Clarke felt it was unfortunate that anthropologists rarely analyzed the
material culture of the human groups they studied in a way that could be really useful to
archaeologists. This critical view is unfortunately still valid, and in Clarke’s opinion, the
fact that modern anthropology has distanced itself from ethnology and ethnography has led
archaeologists to take on many of the tasks and problems that once pertained to
ethnologists; thus giving rise to ethnoarchaeology (Clarke 1978:12, 370).
David and Kramer (2001) see ethnoarchaeology as a combination of archaeological
and ethnographic approaches that may involve the systematic study of a single aspect of
material culture, the in-depth study of significant parts of a living culture, or even an entire
culture. The central concepts for ethnographic research by archaeologists were defined by
Susan Kent (1987, cited by David and Kramer 2001:9), who recognized four different
analytical categories: (1) Anthropological archaeology, the approach that uses the different
sub-areas of anthropology to generate a description as complete as possible of an
archaeological group and whose goals are often of a cultural-historical nature; (2)
Archaeological ethnography, in which ethnographic material is potentially useful as an aid
for analogies to make archaeological interpretations; (3) Ethnoarchaeology, which consists
in formulating and testing methods, hypotheses, models and theories with an archaeological
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orientation, based on ethnographic data; and, (4) Ethnographic analogy, the observation of
human groups from the historical period used to identify patterns in the archaeological
record based on archaeological, ethnographic or other kinds of data.
I have pointed out that material culture is the main subject of study of both
archaeology and ethnoarchaeology, because artifacts are the medium through which we can
come to know (through inference) past cultures (Schiffer 1988:469). Archaeology’s
irreducible core is the identification and explanation of the relationships between human
behavior and material culture. Thanks to their formal, spatial, quantitative and relational
properties, artifacts in archaeological context may function as evidence of past cultural
phenomena. Therefore, by understanding material culture we can gain important
perspectives regarding the way in which societies (both ancient and modern) functioned
and changed (Schiffer 1988:469).
However, in the anthropological literature there is a dearth of information of a
material, descriptive nature that would be useful for making comparisons of this kind, and
studies of material culture from a theoretical perspective are equally few and far between.
The important works that have come to us from scholars like Boas, Kroeber, Wissler,
Haddon and many others who collected thousands of ethnographic objects and wrote
countless pages about them, usually lack the information we need to reconstruct the raw
materials required for the ethnological study of technical processes, and to build an
operational sequence or chaine opératoire; that is, a series of operations that transform
some raw material from its natural condition to a fabricated state (Lemonnier 1986; see also
Leroi-Gourhan 1945).
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In view of this oft-cited lack of information in the anthropological literature on the
matters of greatest interest to archaeology, the challenge for archaeologists is to bridge this
gap by doing our own ethnographic research to address precisely the issues we deem most
relevant; i.e. the production, use and discard of artifacts, the use and functions of domestic
space, subsistence activities and their material traces, and human impacts on the landscape,
among others. This information can then be used to decipher the archaeological record,
something only archaeologists can do.
One of the main goals of ethnoarchaeology is to provide ethnographic models for
archaeological interpretation. This is of the utmost importance, for archaeology is the only
social science where one cannot observe directly the object of study: the cultural behavior
in the distant past. If we are to arrive at a plausible interpretation of the archaeological
record, we should bear in mind the various terms found in the archaeological literature,
such as ‘bridging arguments’ (Wylie 2002); ‘middle-range theory’ (Binford 1983);
‘mediating theories’ (Bate 1998); and ‘formation theory’ (Shott 1998). These terms refer to
an approach whereby ethnographic fieldwork helps the archaeologist to relate a cluster of
activities and cultural behaviors with a particular assemblage and other diagnostic features
of material culture and cultural landscapes that can aid in the interpretation of the
archaeological record through analogy. The critical role of the ethnoarchaeological
approach is further underscored by Grahame Clark’s (1939) dictum: ‘Material culture has
meaning only in relation to society’.
One last word about the role of ethnoarchaeology as a tool to understand the human
past has to do with the nature of scientific research and the philosophical implications of
theory-building in scientific endeavors, including archaeology. Imre Lakatos (2016 [1970])
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wrote some 50 years ago that science consists of long periods of ‘normal science’,
paradigm-based research, where the researcher tries to force nature to fit the paradigm.
When nature refuses to comply, this is not regarded as a refutation, but rather as an
anomaly. It casts doubt, not on the ruling paradigm, but on the ingenuity of the scientists. It
is only in extraordinary cases that refutations occur.
Bruce Trigger (2006) has stated the following thoughts regarding the role of
hypotheses in archaeology: ‘It is a fundamental tenet of science that nothing is significant
by itself but only in relation to hypotheses; hence only theories can explain phenomena…
Scientists must search for order, most often in the form of systemic properties, that
facilitates the construction of explanations’ (p. 27). The goal pursued by many scientists ‘is
to discover mechanisms that account for how things work and have come to be as they find
them… A scientific viewpoint treats the idea of absolute, unchanging truth as a dangerous
and absurd illusion… scientists… acknowledge that they are unable to transcend the
limitations of their data and what they are capable of perceiving at any particular point in
time’ (p. 27). Therefore, investigators should ‘expect that in due course every scientific
theory will be altered and probably become outmoded’ (p. 27).
An important point about inference in archaeology was made by Binford (1983),
who held that each new archaeological study ‘results in the generation of more facts… but
they are all statements about the archaeological record alone. In the absence of robust
methods for inference, all that can be accomplished is the gathering of more and more facts,
whose significance in terms of past behavior is unknown’ (p. 76). Only on rare occasions
have archaeologists achieved established methods for justifying the inferences advanced
during their research. One such method would be middle-range research, often based on
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ethnographic observations. Binford thought that ‘studies of the archaeological record
provide the stimulus for research in the modern world which, in turn… can render our
archaeological observations into accurate statements about the past’ (p. 76). In conclusion,
Binford wrote that ‘in order to make inferences archaeology needs to develop middle-range
theory… divorced from the theories about past behavior which we seek to evaluate.
Archaeology, in general, has failed to realize that in order to refute or support theories it
requires a strong body of inferential techniques, warranted independently of its theories
about past dynamics’ (p. 213).
A serious problem facing social anthropology (as opposed to archaeology) is its
increasing separation from history and from evolutionary and historical perspectives, as it
moves towards an ahistorical stance. This is one of the anti-scientific postures of
postmodernism in anthropology and has become one of its most absurd manifestations in
recent years (see Hodder 1989 for an example of this situation).
General anthropology has traditionally been divided into four branches devoted to
the study of humankind: social or cultural anthropology, anthropological linguistics,
physical anthropology, and archaeology. Anthropology’s approach, in particular, is
characterized by a global, comparative and multidimensional perspective (Harris 1980:5).
However, as we have pointed out, in recent years there has been a lack of dialogue among
these disciplines, and each one seems to be pursuing its own interests. Because of this,
many people now seem to think that the division of anthropology into four areas is a ‘myth’
(Borofsky 2002).
But archaeology is also in part responsible for this lack of communication among
the several branches of anthropology. It is true that some sociocultural anthropologists have
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been less than eager to get closer to archaeology, but this may be because archaeologists are
becoming ultra-specialized, and their writings are hard to understand for people outside our
field. Indeed, Wolf’s critical comments (1976) about archaeologists being absorbed in the
analysis of material remains (pyramids and potsherds) with only the flimsiest of theoretical
frameworks to link them to the universe of anthropology or history have taken on new
meaning. Ignacio Bernal also chastised his colleagues, calling some of them
‘archaeological animists’ who simply lost sight of the people who created past cultures and
described them in terms of ceramic or lithic types: ‘the three-legged pot and the projectile
point occupy center stage while their creators are ignored’ (Bernal 1981:10).
Phil Weigand also voiced strong criticism of the pottery-centered works of his
colleagues, mainly in Western Mexico, who, he said, ignored other aspects of archaeology
such as architecture, and lacked a balanced approach to the study of the past (Weigand
1995). In addition to this focus on pottery to the exclusion of other important aspects of
ancient cultures, another problem that Mexican archaeologists face involves ‘official
Mexican archaeology’ and its penchant for reconstructing archaeological sites to foster
tourism and nationalism at the expense of a truly scientific archaeology. This approach has
contributed to archaeology being relegated to a secondary position by many scholars in
other fields.
There is a long tradition in Mexican archaeology of restoring ancient monuments
and creating museums with the aim of reaffirming the country’s national identity. This has
been criticized by Gándara (1992), among many others, who see a need in Mexico for a
kind of archaeology that has clearly-defined scientific goals, as well as an integration of
theory with practice. However, in spite of all the criticisms we have been discussing here, it
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is important to mention that Mexico is not lacking in good examples of high-level
archaeological research.
The culture-history approach was virtually the only one used by Latin American
archaeologists until the 1970s and is still the dominant paradigm of archaeological research
in this region. However, it would be unfair to characterize the current theoretical landscape
in this part of the world in these terms, for many new developments and theoretical
innovations have informed Latin American archaeology in recent years, making for a more
flexible and dynamic discipline, with research heading in many different directions.
Ethnoarchaeology is among the most important recent developments (for an example see
Politis and Jaimes 2005), though it must be said that despite the great cultural richness and
diversity in many parts of our continent, relatively few ethnoarchaeological studies have
taken place here. Opportunities for this kind of research are indeed great in this huge region
(Politis 2003). Likewise, examples of Mexican archaeologists who are doing
ethnoarchaeology are few, but most are of excellent quality: García and Aguirre (1994),
Fournier (2007), Sugiura et al. (1998), and of course, the late Phil C. Weigand (2001), who
set the course for anthropological archaeology primarily in West Mexico. Weigand showed
us that ethnoarchaeology can be a true interdisciplinary bridge; that is to say, ‘archaeology
as anthropology’.
Ethnohistory
In addition to ethnoarchaeology, ethnohistory offers an important perspective for the
present study. Here, ethnohistory is understood to include oral history, since we conducted
interviews with many local informants during fieldwork (Williams 2014a, 2014b, 2014c,
2022a). Both historians and anthropologists have long used oral history to obtain
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information that is crucial for understanding many aspects of daily life, particularly those
which have subsisted over long periods of time (García Sánchez 2005). Doing oral history,
according to Donald A. Ritchie (2003), is ‘using interviews to uncover the past and
preserve it for the future’ (p. 1). For Valery Raleigh-Yow (2005), when using in-depth
interviews, we ‘are interested in how the respondents interpret experience and how we, the
questioners, interject ourselves into this process’ (p. 1). Ethnographic writing ‘is not
cultural reportage, but cultural construction, and always a construction of self as well as of
the other’ (p. 1).
Ethnohistory is a branch of anthropology that studies non-European cultures
(particularly indigenous ones) from any period (especially the pre-Hispanic period and the
16th century) using written sources, though it also permits the use of such auxiliary sources
of information as oral tradition, archaeological data, and linguistic evidence, with the aim
of presenting a complete history that takes into account the cultural and social systems of
the peoples under study (Wright 1994:380).
Phil Weigand’s (1994) view of the role of ethnohistory in anthropological research,
particularly in Western Mexico, is pertinent to the present study. According to Weigand,
the word ‘ethnohistory’ is usually defined in a simple way as the writing of a
comprehensive history dealing with an ethnos, such as the Huichol or Purépecha. This
history usually strives to include a combination of historical sources, oral histories,
historical mythologies, and anthropological data. This history is frequently written from
within the ethnic group we are dealing with, from their perspective, or at least including
their point of view. One of the main goals of this approach consists in giving a ‘people
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without history’ (following Eric Wolf 1982) a history that is more in keeping with their
own perception of time and reality.
Using the techniques of ethnology –in the earliest sense of the word– as well as
archaeology and history (both documentary and oral), a cultural and social history of an
area is defined and outlined for the first time, and later explored in detail. In this way, the
approach becomes regional and often acquires a multi-ethnic character by analyzing interethnic and multicultural dynamics through time in the context of extant political and
economic structures. Ethnohistorical research requires a multidisciplinary approach in
which several disciplines come together to offer a more holistic view of a society, a
landscape, or human nature (Weigand 1994).
The indispensable role of ethnohistory in Mesoamerican studies has been further
underscored by Kenneth Hirth (2016), who used an ethnohistorical approach to examine the
structure of the Aztec economic world based primarily on early colonial written sources. A
small amount of archaeological information was also used, but only as supplemental data.
Hirth’s goal was to focus on 16th-century sources to construct a plausible model of Aztec
economic structure. In essence, he set out to exploit the historic sources ‘with the goal of
developing as complete and comprehensive model of pre-Hispanic economic behavior as
realistically as possible… The focus on historic sources has made it possible to produce…
an archaeologically informed model of Nahua [i.e. Aztec] economy that can be directly
evaluated in future research using the direct historical approach’ (p. xiv).
Another example of ethnohistorical research in Mesoamerica comes from Frances
Berdan (2014), who presents a vivid portrait of the landscapes and lifeways that existed
before the Spanish Conquest. Berdan holds that thanks to written sources and
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archaeological fieldwork we know that there were many natural environments in the Aztec
realm of central Mexico, including swamps, lakes, forests, and high mountains that
‘provided varied natural resources and offered different potentials for human use. Natural
resources were highly localized. The lakes and swampy marshlands yielded abundant plants
and animals… including reeds, tuberous plants, algae, insects and insect eggs, frogs,
salamanders, turtles, several species of fish and their eggs’ (p. 52). No less important were
‘small crustaceans, and vast numbers of waterfowl and their eggs’ that people used to take
from the lakes and marshes (p. 52). If we add to this long list of aquatic resources the
numerous farming techniques of the Aztecs, such as agricultural terraces, aqueducts (pp.
78-79) and lakeside planting fields called chinampas (pp. 79-81) –amply described by
ethnohistorical sources and studied by archaeology– we will understand the considerable
importance of these and other aquatic adaptations for the survival of the Aztecs and most
other peoples of the Mesoamerican ecumene, as I explain elsewhere (Williams 2022).
For Boehm (2000:121), one of the defining features of anthropology is its
interdisciplinary perspective, which includes numerous methods and techniques that
complement anthropology’s holistic goals: to know the totality of human experience. To
accomplish this goal, anthropology is divided into several subdisciplines, ethnohistory
salient among them. Ethnohistory and history are in turn aided by social anthropology,
ethnology, statistics, geography, economy, and archaeology, among others. This
interdisciplinary feedback is expressed in an ontological sphere, whereby each discipline’s
instrumental and theoretical outlook is contrasted to other disciplines. The challenge for
scholars is to make these disciplines converge and thrive in a fruitful mutual relationship.
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Boehm holds that through history anthropology has followed the same trend as most
sciences toward specialization and isolation, following institutional tendencies throughout
the world. In Mexico we still have academic departments and research centers that combine
several branches of anthropology, some in geographical contexts that foster
interdisciplinary convergence. But we also see in Mexico some specialized and isolated
spaces where teaching and investigation do not attempt to involve information based on
other approaches, nor is there a proclivity to use different theoretical tools to examine
sociocultural phenomena.
Juan Pedro Viqueira's (1995) ideas on ethnohistory are also relevant to this research.
According to this author, ethnohistory ‘is nothing more than the meeting space between
history and anthropology’, which does not have ‘a field of study of its own, other than
anthropology, nor working methods or peculiarities that distinguish it from history or
anthropology… its originality lies in the use of heuristic and hermeneutic tools from
historical and anthropological disciplines’ to study the societies of the past, ‘whose contents
and cultural forms are distant from our own’ (p. 522).
Weigand and García de Weigand (1996) wrote a ground-breaking ethnohistorical
study of the rebellion of indigenous societies of Nueva Galicia (present-day Jalisco and
surrounding regions) against the Spanish colonial administration in the early sixteenth
century. Weigand and García de Weigand describe the rebellion of Nueva Galicia as ‘one
of the key events that marked the Spanish conquest of the old Mesoamerican world and the
start of the European colonial order. For West Mexico this was the main watershed event
between the indigenous period… and the real consolidation of the nuclear areas within this
vast region’ by the Spanish invaders (p. 9). Formal histories of the rebellion, according to
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our authors, have usually been written in narrative form, almost solely from the perspective
of the Spaniards. These historical accounts focus on the resistance of the Caxcan native
communities to the Spanish military incursion, excluding almost completely the rest of
Nueva Galicia. The emphasis is on the Mixtón war, the final chapter of the insurrection,
and the native leaders are mentioned just as obstacles to the advance of Spanish hegemony
in the region. According to Weigand and García de Weigand, most indigenous societies of
West Mexico are depicted in the colonial narratives as lacking in historical depth,
something our authors set out to put right in their study. Their goal was to examine the
indigenous antecedents of the rebellion, contextualizing it as far as possible within an
archaeological and ethnohistorical context, as well as carrying out a critical review of the
extant historical sources. In their reinterpretation of the documentary sources, the Weigands
offered new perspectives on the events that would be known as the Rebellion of Nueva
Galicia. Their goal was far more ambitious than just producing another repetitious account
of information. They set out to explain the rebellion from the perspective of the indigenous
West Mexican societies, including a synthesis of how these groups evolved during the preEuropean period, avoiding the usual ‘normative’ viewpoint that ignores the original history
of the peoples who bore the brunt of Spanish imperialism in this part of Mesoamerica.
Last but not least, another important perspective for my research has been that of
oral history, through interviews with informants (Williams 2014a, 2015). Both history and
anthropology have used oral history for a long time to obtain essential information for the
study of many aspects of the daily life of societies, especially those that remain over time
with long duration (García Sánchez 2005). For Donald A. Ritchie (2003), doing oral history
means ‘using interviews to uncover the past and preserve it for the future’, while Valerie
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Raleigh Yow (2005) holds that ‘many of us who use the in-depth interview are interested in
how the respondents interpret experience and how we, the questioners, interject ourselves
into this process… ethnographic writing is not cultural reportage, but cultural construction,
and always a construction of self as well as of the other’ (p. 1).
In writing the present book I brought together as many aspects of archaeology,
ethnohistory, and sociocultural anthropology as possible. Following the example of Boehm
(2000), Weigand (1994), Rojas Rabiela (1998), Jeffrey Parsons (2019), and others, I used a
holistic approach in which ‘the whole is greater than the sum of its parts’.
Final Remarks
We saw in the first section of this chapter that researchers interested on the modern and
contemporary world are using archaeological methods, as part of a broader current of cross‐
disciplinary interest in the material dimensions of the world. The debates and perspectives
appear to be developing into a broader ‘material turn’ in the humanities and social sciences
(Hicks and Beaudry 2010).
According to Hicks and Beaudry (2010), since the late 1980s we have seen a fast‐
growing literature in ‘material culture studies’ in which archaeology and anthropology play
a central role. In this literature we see a dissatisfaction with purely ‘culturalist’ studies of
material culture, which served simply to reduce things to meanings or to social relations.
Many historians have followed an intellectual tradition that includes different forms of
material histories, from Marx's ‘materialist conception of history’ to the historical
materialism of Fernand Braudel. These approaches share an understanding of objects as
‘alternative sources’ that can complement documentary materials in answering several
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questions posed by economic and social historians. Geographers have also been interested
in things in their efforts to understand the constitution of lived space, while sociologists
have focused on the involvement of objects in social relations.
The studies collected by Hicks and Beaudry (2010) offer many insights for the
analysis of material culture, including ontological politics, debates over material agency,
and the implications of moving beyond analogies for material culture based on literary and
textual sources. Hicks and Beaudry also warn about the risks of reducing materials to
anthropocentric accounts of the social dimension.
Hicks and Beaudry (2010) firmly believe in the importance of the study of material
things in the humanities and social sciences, with an emphasis not only on the effects of
things on people, but also of things as the effects of material practices. Material culture is
not a straightforward object of enquiry for Hicks and Beaudry, simply requiring new
vocabularies for interpretation or abstract concepts and theories. Instead, they are critical of
any a priori distinction between subject and object, which must also encompass the
academic researcher and their object of study. Lastly, Hicks and Beaudry regard knowledge
as emergent and contingent upon material practice, and this idea must be the point of
departure for any interdisciplinary discussion of material culture.
The collective volume edited by Hicks and Beaudry (2010) includes many original
contributions to material culture studies. Dan Hicks’ (2010) chapter is titled ‘The MaterialCulture Turn: Event and Effect’. Here Hicks discusses the concept of material culture,
pointing out that the term ‘material culture studies’ emerged during the twentieth century in
archaeology and socio-cultural anthropology, and especially in the place of intersection
between the two disciplines: anthropological archaeology. Hick mentions that
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the field of material culture has developed to include studies in architecture, landscape,
historical archaeology, and the ‘decorative arts’. Hicks recounts that during the 1980s a
group of British archaeologists and anthropologists at University College London
developed an original model for material culture studies, grounded in anthropology but
with a strongly interdisciplinary outlook (Schiffer 2017; Miller 1985).
The range and scope of material-culture studies is best exemplified by the chapters
included in Hicks and Beaudry’s volume. Here I mention the most salient contributions (in
order of appearance). After the introduction and Hicks’ contribution, the first chapter I
found of special interest for my own work is that of Ann Brower Stahl (2010), titled
‘Material Histories’. Stahl holds that the study of history should be enhanced by
incorporating material evidence, because human life comprises not just matter, but also
ideas consisting of ‘bundles’ or ‘gatherings’ of people, things, and thoughts. The next
chapter that caught my attention is by John Law (2010). It is called ‘The Materials of STS’
and deals with studies of science, technology, and society. Law says that in this approach
materiality is understood as a relational effect that depends on a relation between the object
which is detected and the person who does the detecting. Matter that does not make a
difference is not regarded as matter since there is no relation of difference and detection.
Materiality cannot be extricated from the enactment of relations or, more generally, the
practices that do these relations. To understand the relevance of the material realm, we need
to look at practices, and to see how they operate relationally. Law holds that human
relations and the matters that they produce may shift in shape. If the observer assumes too
much about their form, they may not be able to detect the character of that shape-shifting,
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and so will miss the ways in which real things get materialized. Both practices and
materials are patterned (for instance, culturally), and they keep being re-done.
Material culture can be interpreted through the lens of human agency, according to
Andrew Pickering (2010), who holds that, because instruments and machines are always
present in science, one could think that the study of science would always have centered on
a discourse of materiality, but that was not the case for most of the twentieth century.
Historians, philosophers, and sociologists have discussed science as a field of knowledge,
in which theory (rather than empirical knowledge) was always at the center of attention.
The focus was on the ‘great men’ of the Scientific Revolution. Positivism tended to take the
empirical dimension of science for granted, while matter (nature, machines, instruments)
was seen as the stuff of the natural sciences and engineering. Knowledge belongs to
humans, so it is the subject matter of the humanities and social sciences.
The ‘discovery’
of matter caused a shift from an obsession with knowledge to a sustained interest in
practice, in what scientists do, and with questions of what knowledge production looks like.
The next chapter in the volume under discussion is by Michael Dietler (2010), who
sees consumption as a material and social practice involving the utilization of objects,
commodities, or services, as opposed to their production or distribution. Archaeologists
have always studied the patterns generated by consumption, rather than production or
exchange (which are generally difficult to visualize in the archaeological record). This is
because consumption is what ultimately determines the location and condition of most of
the objects excavated by archaeologists. Archaeological treatment of the process of
consumption has been largely implicit until recently. Consumption has been regarded as a
transparent epiphenomenon, rather than as a significant domain of agentive social action.
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The last contribution in the material culture volume discussed here is Howard
Morphy’s ‘Art as Action, Art as Evidence’. Morphy (2010) holds that art historians and
anthropologists have recently questioned the category of ‘art’, replacing it with more
general terms, such as ‘visual culture’ or ‘image’, yet the same kinds of material culture
objects remain as the subject of analysis. Morphy makes a strong defense of the idea of
‘art’ but at the same time recognizes its complexity and the fact that art is a somewhat
‘fuzzy’ concept. Morphy uses a concept of family resemblance and sees art objects as
forming polythetic sets. The category is immensely diverse, including objects that have
little in common with each other and require very different methods of analysis. However,
at the core of this concept of art there is a set of features or themes around which the idea of
art coalesces. Morphy says that art should be studied because it is often produced in durable
and recordable form. Art can be analyzed from different perspectives and can become part
of the process of interaction between researcher and producer. Works of art can be
interpreted within their cultural contexts. Many works of art live beyond the moment of
their making and hence become part of the record of human action.
According to Morphy, the relation between art history and archaeology has been
continuous—and contentious—from the early days of both disciplines, the contention being
in the same dialectic between a concept of ‘fine art’ and a cross-cultural concept of art that
has been pursued by art history and anthropology. This has resulted in a neglect of art as a
research resource for anthropologists and archaeologists, while in the case of art history it
underlies the discomfort with the category of art for the analysis of images. Morphy points
out that non-Western art has been ignored in art history and anthropology because ‘of
definitional issues concerning what kind of thing art is’ (p. 266).
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Obviously, material objects and the people who produce and use them do not exist
in a vacuum. Culture and nature are interconnected in myriad ways, and understanding
these connections is a challenge that humankind has tried to tackle from time immemorial,
as we saw earlier in this chapter. Sutton and Anderson (2004) hold that, although biological
evolution and natural selection are the forces that shape all living things, culture began to
influence human development in the distant past, changing the relationship between
humans and their environment from a strictly biological process to a mixture of biology and
culture. Over the millennia, culture has become more complex and influential in human
life, while the role of biology has diminished. Although people still need to provide for
their own nutrition, have physical limits to their physiological adaptations, and are still
subject to the rules of biological evolution, in the modern world biology plays only a minor
role in human adaptation, and now most of the problems posed by the environment are
solved through the mechanism of culture.
Sutton and Anderson believe that much cultural-ecological research has centered on
diet and subsistence. Subsistence is more than just a list of foods, however. It is a complex
system that includes resources, technology, social and political organizations, settlement
patterns, and all the other aspects of making a living. Subsistence is a vastly complex aspect
of human behavior closely related to culture. Because many studies of subsistence have
focused on food, much of human behavior has been excluded from many ecological
studies. Once we go beyond the emphasis on food, however, we can look at the influence
that other behaviors have on the adaptations of human cultures. The field of cultural
ecology focuses on discovering those cultural adaptations.
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In her discussion of cultural ecology, Boehm (2005) follows a political perspective
in which the mode of production—as understood by Marxist theory—pertains to
relationships through history between humans and the natural environment, as well as
relationships between people in the process of gaining their subsistence. The mode of
production is a total social process seen from an economic viewpoint. Boehm holds that
historical analysis must start with the social relations of people working within nature; this
view is similar to the ‘cultural system’ proposed by Steward as a functionally structured
whole. According to Steward’s methodology, researchers should first address the ‘culture
core’, the basic features used by people to adapt to a given environment. This apparently
coincides with Marx’s postulates, and with the total or holistic conception of society,
culture, or cultural system, which encompasses all social tasks involved in the entire work
cycle starting with appropriation of goods from nature, to transformation, and finally
consumption.
As we saw earlier, cultural ecology is relevant to the present study because of the
ecological approach used by several authors to study ceramic production. Salient among
these authors, Arnold (1985) tells us that the idea of writing Ceramic Theory and Cultural
Process, his world-wide study of ceramic production and use from an ecological
perspective, came from a frustration with the existing published ethnographic accounts of
ceramics. During his decades-long field work in Mexico, Peru and Guatemala, Arnold
discovered several similarities between pottery-making communities and common patterns
in the ecology, production, and organization of the potter’s craft in these areas. At the same
time, Arnold was frustrated by the lack of generalizations and theory about the massive
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literature on ethnographic ceramics. Virtually no attempt had been made to synthesize this
literature and apply it to archaeology.
Another problem encountered by Arnold was that the paradigms used in the
collection of these ethnographic data had very little relevance to archaeology. He
concluded that more research was needed on ethnographic ceramics using new paradigms
and set out to produce a synthesis of much of the ethnographic literature on ceramics. He
presents a set of generalizations described as ‘feedback mechanisms’ which stimulate or
prevent ceramic production in different cultural-ecological contexts. He explains each
mechanism and shows why, in his opinion, such relationships exist. Arnold summarizes
the main thesis of his book thus: ‘There are certain universal processes involving ceramics
that are tied to ecological… [and] cultural factors. These processes occur in societies
around the world and can provide a solid empirical… base for interpreting ancient
ceramics’ (pp. ix-x).
After a quarter century of the original publication of Ceramic Theory and Cultural
Process, Arnold (2011) remarked about the impact of his book on the field of
anthropological and ecological studies of ceramic production. Arnold says that recent
ethnoarchaeological research on ceramics has demonstrated the validity of many of the
points that he made in his book. Another positive point is that recent theories of craft
production have become more closely aligned with ethnoarchaeological data, particularly
that of ethnographic ceramic production. Undoubtedly, Ceramic Theory and Cultural
Process played an important role in this process (see discussion in Williams 2017: Chapter
III).
Ethnoarchaeology is an indispensable research strategy for understanding the role
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of material culture in human life through time, as we saw earlier in this chapter. This fact
is evident in Daniel Miller’s book Artefacts as Categories (1985). Here Miller sees
material culture as including prehistoric and contemporary materials freely interchanged.
His experience as an archaeologist working with prehistoric pottery led to the belief that
such studies could contribute towards more general anthropological goals. Miller believes
that material culture is a neglected source of evidence in the social sciences, while the goal
of archaeology is to use the assemblages of artifacts to understand past societies. It follows
that ‘material culture studies might assist in this highly problematic task of translating
objects into peoples’ (p. ix).
Because artifacts are objects created and interpreted by people, they embody the
organizational principles of human categorization processes. The artefactual universe is one
of the main products of social action. Miller sees the study of material culture as cutting
across disciplinary boundaries, but archaeology is one of its original foundations, and the
material world provides a prime source of evidence for social relations.
Miller’s (1985) study is based on a micro-analysis of the pottery from a rural village
in central India, including the details of rim form, body angularity and decorative
technique, following the usual approach of many archaeological analyses. The main goal of
the study is to reveal the richness of information about social relations which these typically
archaeological procedures can discover when applied to contemporary as well as ancient
artifacts. Miller addressed primarily two issues in his study: (1) how to understand the
variability represented by a ceramic corpus in terms of the social relations which constitute
its context, and (2) how to answer this question through examining the nature of objects as
categories. Miller analyzed pottery production as part of a system of categorization and
127
explored the implications for concepts such as ‘style’. For Miller, pots are not ‘facts’
explicable in terms of general laws. Pottery is a ‘construct’, a ‘part of the creation of a
cultural environment in which to live out practical pursuits and interests… a way of
interpreting the world by representing the world. [Pottery] manufacture creates a “text”,
which is subject to reinterpretation according to the differences in perspectives of
individuals and groups in the society, and the different contexts in which interpretation
occurs’ (p. 13).
Hodder (1982) conducted a series of ethnoarchaeological studies of material culture
in Kenya, Zambia, and Sudan, with the main goal of finding out what material cultures
represented and what they were related to in a contemporary setting. This would enable him
to shed light on the analysis and interpretation of cultures in prehistoric contexts. Hodder
set out to determine how ethnic groups identify themselves in material culture, what spatial
patterning results from this process, and what happens at material culture boundaries.
Hodder concluded that perceived ‘cultural areas’ do not always coincide with ethnic
units. In Hodder’s opinion, processual and behavioral archaeology had reinforced the
notion that areas of cultural similarity reflected a high level of social interaction, but this
idea had to be tested in ethnographic contexts. The title of Hodder’s book Symbols in
Action has a double meaning: the word ‘symbols’ refers to an object or situation which has
a direct, primary, or literal meaning, and at the same time an indirect or figurative meaning.
The word ‘action’ also has a double meaning, the first is akin to ‘action archaeology’, or
ethnographic studies undertaken for archaeological purposes. The second meaning of the
word ‘action’ concerns the viewpoint that symbols do not simply ‘reflect’ something but
128
play an active role in forming and giving meaning to social behavior. I will address these
issues in the forthcoming chapters.
Both Miller (1985) and Hodder (1982) use ethnographic data for archaeological
interpretation, in a way that is different from Binford’s postulates discussed earlier. But all
three authors coincide in the role of material culture as a means of reconstructing social
practices, something echoed by Michael Shanks and Christopher Tilley (1992), among
many other authors that I will discuss in forthcoming chapters.
I have discussed the role of ethnoarchaeology as a bridge between archaeology and
sociocultural anthropology (Williams 2005, 2017, 2022). In addition to anthropology,
several of the social sciences and humanities are relevant for the archaeologist’s quest for
cultural interpretation. By social sciences I mean any branch of academic study that
deals with human behavior in its social and cultural aspects. The following
disciplines are usually included within the social sciences: cultural (or social)
anthropology, sociology, psychology, political science, and economics.
Historiography may be regarded as a social science, while history is considered by
many as one of the humanities (Greenfeld 2022).
The contribution of sociology to archaeology, for instance, has to do with
the development of middle-range theory, which Merton (1948 [2007]) defined as
‘theories that lie between the minor but necessary working hypotheses that evolve
in abundance during day-to-day research and the all-inclusive systematic efforts to
develop a unified theory that will explain all the observed uniformities of social
behavior’ (p. 448). Psychology in its turn relates to archaeology through cognitive
studies (Rossano 2009) and evolutionary psychology, the ‘science of human
129
behavior and evolution’ (Rossano 2003). Finally, history (including ethnohistory
and oral history) has been indispensable to archaeology from the inception of the
discipline to the present. Colin Renfrew (2003) holds that art history and art
studies in general offer a parallel vision of artists and archaeologists, exploring two
approaches towards the comprehension of the modern material world. The first
approach is archaeology, which studies the past by means of material evidence. The
second is visual art, including artistic creations of the modern Western world.
Renfrew sees the visual arts as ‘a vast… enormously effective research programme
that looks critically at what we are and how we know what we are—at the
foundations of knowledge and perception’ (p. 7).
The reader will find many of these perspectives in the following sections of
this book, with the ceramic traditions of Mesoamerica as the central topic of
discussion, following a multidisciplinary approach in which culture and nature are
seen from a holistic viewpoint.
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