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develop writing skills- ideas worth practicing in ESL / EFL Classroom

Here's some writing activities which are really recommend to put on trail:

Develop Writing Skills - Ideas worth practising Here’s some writing activities which are really recommend to put on trail: a. b. c. d. Improving paragraph writing Constructing a narrative from questions Word association game Story moulding Improving paragraph writing : This activity can be used with students of English and also trainee teachers. It is a way to make your opinion or discursive essay writing lessons more interesting and learner-centred. The activity focuses on mistakes made at paragraph level in a text. I have tried this with my university students and they have found it useful. Procedure I. II. III. IV. First, ask your students to provide sample paragraphs (introduction, body paragraphs, or conclusion), or choose paragraphs from their last essay that they wrote for the class. Second, study these samples carefully and try to give comments on two or three problems within one paragraph. Next, design a handout in which there is a copy of the paragraph with a table including two columns, comments and examples. Leave the "examples" column blank. Put your comments for the chosen paragraphs in the comments column. For example, 'Wrong word - register' or 'use a conjunction here' or 'spelling' or 'poor topic sentence'… In class give out the handouts and ask students to work in pairs to find examples to support the comments made by the teacher. NB “This activity aims to help students and trainee teachers to recognise their own problems with paragraph construction and to identify errors, which improves their own re-drafting skills. It also helps them to practise the (teacher's) skill of giving comments and examples (Baokham, Vietnam.)” Constructing a narrative from questions: Students often get muddled when writing a narrative because they concentrate too much on the plot of the story. As a result tenses and syntax suffer.This activity helps students both with a storyline and with the tenses (Jackie McAvoy, Teacher and Materials writer, British Council, Tunisia.) o Preparation: Make copies of these questions for each pair / group of students 1. 2. 3. 4. 5. 6. 7. 8. What was Mr Jones's job? What was he going to do? Why? What was the weather like? What did he decide to do after that? What didn't he want to do? Why? What was the surprising end? http:/ / www.teachingenglish.org.uk/ articles/ wr iting Razavi r [email protected] The Univer sity of Nottingham (UNMC) July 2014 Page 1 NB You can choose which tense you want to focus on depending on the class (for example you could ask What did Mr Jones used to do? or What would he like to do next? What has he done that no-one else knows about? etc.). You can also ask about different vocabulary too instead of the weather e.g. What was he wearing at the time? o Procedure a. Tell students that you had a text for them to read but unfortunately you left it at home! However, you still have the comprehension questions. b. Give out the questions to each pair of students and ask them to  read all the questions and then  write the answers to them. c. The answers should have some connection with each other and should be in note form only. d. Now, using their answers, they have to construct a story about Mr Jones. Either now or previously the students need to have appropriate linking words (however, all of a sudden, so... etc). e. When the students have finished writing swap the stories with another pair. They should read the text and see if they can answer the comprehension questions. f. Put the stories up around the classroom for everyone to read and get them to decide which one is the best / funniest / most unusual? Word association game :This is an idea to help students with their writing of narratives. It gives all the students some essential and some superfluous vocabulary (Brian Fowlis, Spain). . Procedure: Before giving the students the title (or first line) of the story, play a game of word association. o The teacher gives one word and the student on the left must say the first word s/he can think of which is associated with it. o Then the student on her/his left says the first word which s/he can think of which is associated with the previous word. o This can be repeated around the class a few times. o The teacher writes all the words on the board as they appear. o Eventually you should have 20 or 30 words on the board, the latter ones bearing no relation to the original. o Here is a typical collection: tree, forest, countryside, city, buildings, offices, work, leisure, holidays, beach, sun, moon, night, dark, black, reggae, music, piano, jazz, etc. o The teacher then gives the students the first line of the story using some of the vocabulary on the board (e.g., I'll never forget the night I went to my first reggae club while I was on holiday in a strange city). o The students (individually or in pairs) continue the story, drawing on the vocabulary on the board for ideas. http:/ / www.teachingenglish.org.uk/ articles/ wr iting Razavi r [email protected] The Univer sity of Nottingham (UNMC) July 2014 Page 2 Story moulding: This is a creative-writing exercise in which the teacher moulds the story but allows plenty of scope for the students' creative expression (Jeff Fowler, Teacher, Trainer, British Council, Naples). Procedure a. The students work in pairs or groups of three. The teacher dictates a part of a story and then gives instructions on how the students should continue the next part of the story in their pairs. (This usually involves adding description or dialogue.) b. Once the students have added a part to the story, the teacher once again dictates the next part and asks them once again to add more. c. This process can continue for 5 or 6 paragraphs or until the students lose concentration. NB You can use this procedure with any short story, but it works best when you dictate the movement of events and your students add description or dialogue. Students do generally like to decide on the end of the story themselves, so if you sense they are getting tired, just tell them to finish the story. Follow-up activities  If you have access to computers, get the students to transfer their stories onto disks. This can also be set for homework. The teacher can then edit the stories and correct the mistakes.  In a subsequent class all the stories are read by all the students. Each group will also receive their original story to compare their version with the teacher's version. All the stories should be displayed on a classroom poster.  The students record their stories onto audio cassettes. Allow the students time to practise their parts and to use sound effects. The students then all listen to all the stories. To focus your students' attention during the listening activity you can ask them to write a few comprehension check questions for their stories. http:/ / www.teachingenglish.org.uk/ articles/ wr iting Razavi r [email protected] The Univer sity of Nottingham (UNMC) July 2014 Page 3