University of Rhode Island
DigitalCommons@URI
Open Access Dissertations
1985
Creativity, Attention Deployment, and Equilibration
Joseph R. McAllister Jr.
University of Rhode Island
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McAllister, Joseph R. Jr., "Creativity, Attention Deployment, and Equilibration" (1985). Open Access
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https://digitalcommons.uri.edu/oa_diss/964
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CREA'I'I VITY, ATTENTION DEPLOYMENT,
AND EQUILI BRATI ON
BY
JOSEPH R . McALLISTER, Jr .
A
DIS SERTATI ON 8LJBMITTEDI N PARTIAL FULFILLl-1El.\J'l'
01'' Tl:iE
REQUI REMENTS FOR THE DEGREE OF
DOCTOROF PHILOSOPHY
IN
PSYCHOLOGY
UNIVERSITY OF RhODE I SLAND
19 85
Ab stract
This
theory
inv est i gat ion
for
understanding
creat
i vity
from
dive rse
using
of
unrelate
d investi
a variety
Three
theory
of
scientific
relate
the
findings
perspec
tive
Se lecte
ic
areas
are
of creatives
creatives
revolutions
from
each
of
were
a n attempt
to
io na li ze the
operat
and
Equa l,
Instruction
these
congrue
der ivin g
wit h the
nce
in more
areas
of
see mi ng ly
wit h a
detai
l:
and
, and
is
Kuhn ' s
made to
to
a Piagetian
.
A
served
as
p resente
Pri mary , and
s related
in
constructs
of
Reco g nizin
g wor d s fro m a
related
to
the
of mo derate
of
sche me , and
and
res pec tively.
d under
Exclus
to
was de veloped
Piagetian
as meas ures
ac co mmodat io n ,
were
task
an opera ti ona l measure
Recogn i z in g words
d words , served
students
recognition
acco mmodation.
scheme
ass imilation.
Words
among
An att empt
104 undergraduate
word
extensive
and
schizophrenics
.
p ic-type
unrelate
d stu d ies
, similarities
and
Piagetian
reviewed
cons idered
tachistosco
des i gnated
are
of
on creativity.
Subjects
a ss i milation
i es
, namely , t he ir
creativity.
between
i v i ty.
of met hodolog
of
dep loym ent
d ifferences
relevance
ng a common link
gations
subtop
the
orientations
d e monstrati
theory
attention
creat
theoretical
purpose
Piagetian
examines
the
three
iv e attention
propo rtio
instructional
conditions
n of
attention
sets:
.
s ub jects
•
were
directed
also
completed
decrement
used
as
to
g ive
t he Muller
effects
of
the
Cre a tivity
the
Unrelated
words
Exclusive
instructional
Exclus
ive
condition
than
a suppressor
variable
charac
with
to
- Lyer
attention
Piagetian
are
creativ
Results
i ty
to
to
and
sti muli
a r e i ncons ist ent
high - creatives
are
e and
of
was
any of
the
Under
the
more
d words
e ith er
acte d as
Primary
power
of
th e Unrelated
creatives
may be
toward
.
of
and
recognized
attention
significant
low levels
Performance
creativity
or
on the
the
.
offering
incidental
creativ
number
Primary
Re late
dis cre p an cies
as
the
and comparatively
measures
seen
vie w that
a cco mmodate
of
expectations
moderate
.
suggest
levels
deployment
also
predictive
effects
was
Creativity
condition.
Exc lusiv
the
the
.
r ecogn ition
attention
under
trials
The
No relationship
lo w creatives
was unrelated
Results
between
did
by high
attention
Muller
Equal
The suppressor
discrepancies
of
a nd the
, increasing
t erized
bo th
.
ts
.
with
, high - creatives
Sche me words
words .
associated
con d itions.
the
over
- Kogan tasks
under
creativity
under
conditions
were
recognized
i llusion
of accommodation
Wallach
scores
words . Subjec
- Lyer
illusion
measure
using
word - ty pes
Unrelated
of
an additional
between
vs.
30 tri a ls
in the
was assessed
found
Scheme
su pp ort
for
a relationship
l earn i ng , and
it y is
d i screpant
rel a te d to
with
f or
the
an ability
one ' s expectations
with
t he hypothesis
that
characterized
by greater
atten
tional
to
.
capacity
than
low-creatives.
Implications
accommodation
course
experi
process
events
of
_ of
to
relationship
are
discussed
progress.
design
by which
are
anomaly
scientific
mental
the
which
high-creatives
discussed.
might
between
in
creativity
relation
Mod ifications
further
of
explicate
accommodate
to
to
the
the
discrepant
and
the
V
Acknow led gments
I would
like
to
fellow
graduate
p l ayed
in my education
thank
students,
Fo l kers
programs
, to
Joe
analyses
, to
George
for
i ng me up and
I would
for
convincing
me that,
does
Kulberg
rather
than
assista
n ce at
floundered
a littl
Dr . Will
for
every
phase
the
Dr . J ames
have
l to
isti
cal
Steve
Colucci
Goodwin
to
for
and
for
, one ' s
interfere
my major
with
one .
, this
to
al l,
their
the
might
:Eor his
notion
for
t hat
theories
I am grateful
to
support
, and t heir
pro ject
her
I am no less
qua int
, Dr .
migh t have
' s folklore
listening,
education
this
Wit hout
p roj ect
as a result.
for
professor
in g me to pursue
department
in grad u ate
t,
on stat
ivit y research
traditional
iam Vosburgh
encouragemen
computer
Twa i n notwithstanding
encourag
rich
of
thank
gratefu
a more
and
Most
to
.
hold i ng fast
a place
the
th ey
up wit h me .
neces sarily
, for
e less
to
Mark
I am especially
Janet
I am indebted
Brown , and
putting
i n creat
not
one ' s education
for
like
my interest
a r,
advice
DuPaul , Judy
, my
role
with
his
teachers
essential
assistance
Ross i for
also
the
I n particul
his
fostering
schooling
for
.
Charles
putt
some of my best
been
grateful
to
adv i ce , and
t here
and
my family,
have
is
sti l l
i deas .
for
pa ti ence .
their
vi
Table
. . ... . . .. . . . . . . .. . . . . . . . . ... . . . .. .. . . .. .. . . .
Abstract
of
Tables
and
Figures
.........................
.
Intr oduct ion
Schizophrenia
21
29
. . . . . . . . . . . . . . . . . .. . . . . . . . . . . . .
and Predictions
.. . ...
....
.. .. .. ...
29
35
45
49
.. . .. ..
5~
.. ........ .. .. .. .. .............. .. .. ..........
61
s . . . •• •. .. . . . . . . . . •• •. . .••••• . . . •••. •. . . . .
.. • . • • •
bl
61
64
. . .. . .. .. . . . .. . . . .. .. .. .. .. .. .. .. .. .. . . . . . . . .
72
subject
.Materials
. ................ ...................... .
Procedure
......................
Results
viii
1
2
7
Behavioral
Similarities
and Differences
Between Creatives
and Schizophrenics.......
Attention
Deployment
and Creativity..............
Creativity
and Incidental
Learning............
Method
V
1
Statement
of the Problem.........................
Review of the Litera tu re.........................
Piagetian
Theory and Creativity...............
Creativity,
~orma l Science,
ana
Scientific
Revolution......................
Creativity
and Schizophrenia.....................
The Concomitance
of Creativity
and
Hypo theses
ii
. . .. . . . . . . . . . .. . . ... .. . . . .. .. .. . .. . . .
Acknowledgments
List
of Contents
.. .........
Creativity
and Attention
Creat ivit y and Performance
Attention
Deployment
and
i'1illler-Lyer
Discussion
Creativity
Modification
Task
...........
Deployment
......
...
on the Huller-Lyer
Performa n ce on the
.....
Task
. . . . . . . . . ... . . ... . .. . . . . . .. . . .
. ...
.. ......
. ...............
and Accommodation
to Discrepant
of the Assimilation/Accommodat
•••
Events
i on
72
80
84
&5
85
. .. . . . . . . . . .. . . .. .. .. . ... . . .. .. . . .. .. . .
87
The I1i.iller -L yer Task . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Creativity,
Accommodation,
and Scientific
Progress
97
99
Balance
vii
Limitations
and Directions
........
References
Appendic
ies
.' ........
for
Future
.. ·.....
...
Researc h .. .. ..
103
...............
113
. . . . . .. . . . . . . . .. . . ... ... .. . . .. . . . .. . . . . . .
A•
Raw Da t a
B.
Tables
. . .. . . . . .. . . . . .•... . .. .. •... .. .. .. . . .
. . . . . . . .. . . . . . .. ... .. . . .. . . .. . . .. . .. . . .
c.
Mat ched Word Lists
D.
I nstruct
E.
Li stings
ions
Frequency
Data
. . .....
. ....
. . .... ............ ..... ... ..... ..
of Computer
Programs
.. .. .. .. .. ... ...
124
1 24
134
140
1 44
150
viii
List
of
Tables
and Figures
Tables
page
1.
2.
3.
4.
Means and Standard
Deviations
for Transformed
Recognition
Scores
.. ........•................
74
Analysis
of variance
Summary Table for
Transformed
Scores:
Total Creativity
By
Word-Type By Instructio!'l
........ ... .. .... ....
75
Loadings,
Canonical
C~efficients,
Standardized
Coefficients,
and R with the Opposite
Set
Variables
for the First
Canonical
variate
78
Regression
variables
Coefficients
in Predicting
of
of
the Attention
Pattern
Meanings
... .. .. .. .. .... ........ ...... ..........
81
s.
Means and Standard
Deviations
for Word
Recognition
Scores
...........................
135
6.
Summary Table of the
Between Creativity
Scores
7.
Test
8.
Summary Table of the
Between Creativity
9.
Correlation
and Attention
.. .. .......... ...... .. ............ ..
Variables
for
Canonical
Measures
Trend
over
Miiller
-Lyer
Canonical
Measures
136
137
Trials
Correlation
and Slope Scores
Summary Table of the Canonical
Correlation
Between Attention
Measures
and Slope Scores
13 8
13 9
Figure
10.
Mean
Error
Trials
Score
on the
Muller-Lyer
Task
Across
.... .. .. .... .. .. .. .. .... ..... ... .. .... .
82
1
I ntroduct
Statement
of
· After
th e Proble
more
creativity,
than
m
30 years
no adequate
of
i ng or
withstand
empirical
scrutin
y.
creativity
appears
splayed
or
less,
d isc e r ned.
in
this
researching
certain
s~ction
offered
as
seemingly
a r eas
a po ssi b le
unrelated
are
styles
of
and
the
between
ifuen
this
in
of
of
theory
juxtaposed
it
is
comple menta r y theories
p oints
of
focus
greate
.
can
literature
on
be
i s reviewe
of
review,
d
equilibration
consi
is
de ri ng
Kuhn's
and
tne
are
f ic
evident
consi
essent
theory
that
creativity
The i ntention
d i iferences
r evolutions
's
theory
at t ent ion
each
the
Piaget
t h re e su o to p i c
r detail.
and
scienti
or
literature
commonalities
gene r al
illustrating
and
the
ab l e t o
i n creativity.
i nd ivi duals
theory
for
fr amewo r k for
sch izo:fJhrenics,
pu r pose
h is
and
si mil arities
creative
Kuhn 's
for
to
in
even . contradictory.
unifying
revolutions,
i ves
Therefore,
P i aget ia n t heo ry
studies
considered
scientific
creat
the
stuay
.nas oeen
po rti on o f the
and
In addition
framework
creativity
tr ends
A select
fai rl y intensive
theoretical
understand
Neverthe
i on
of
the
b etween
de:fJlo yment
de re d i n turn
is
i al
.
in troauced
s i milarity
equili
t wo can
, a l be it
on
b ration.
be
cons i dered
wit n d i verging
i n compar i ng th e
2
characteristics
groups
of
is
to
hypothesis
to
differences
for
among
these
int e rpretatio
n of
creative
of
Literature
of
the
incited
about
of
res earch
a qua rter
of
the
sty l es
unusual
individuals
J.P.
a century
creativity
d ifficulties
i n defining
and
study
attentional
is
a
for
Gu il ford
in c r eativity
res ear ch in
squelched
and
much of
(1 950 )
l Association
so , however,
appa rently
may
, an alternative
propensity
Psychologica
of
the
.
address
American
a flurry
their
"
processes
- -t hat
creative
perturbations
The presidential
the
Likewise
on the
of
manifestation
Review
.
" normal
cons i dering
sim il ar i t i es
proposed
style
to
for
is
, and
equ il ibrative
groups
als
accommodating
before
in
literature
deployment
behavioral
for
behavioral
the
individu
attention
, creative
a framework
a ccount
differences
of
provide
that
be used
sch i zophrenic
. Over
has
the
in
that
continued
last
decade
again
or
waned.
meas uring
creativity
the
iasm
enthus
1950
The
have
for
this
area
of
.
Although
forward,
few have
the
research
any
theoretical
research
numerous
theories
proven
to
in creativity
position
on creativity
of
be
fecund.
would
.
would
For
creativity
appear
the
seem
most
to
be
have
been
In
fact
to
be ungrounded
part
, the
put
bulk
in
, existing
independent
of
of
the
3
various
theories
of
impression
gleaned
since
is
1950
bivariate
last
to
observea
dwindle
spite
which
of
have
well.
and
of
years
research
collection
coherence
and
of
.
bivariate
As Stein
twenty
the
wide
range
of
associated
profile
adequate
creativity
disjointed
unity
, the
F..nd over
studies
Heinze
the
has
(1960)
ago ,
that
might be regarded
in one way or
as important
in a stuay
or any individual
- - h is
, his childhood
, his adolescence,
his adult
his intelligence
, nis verce~tual
process,
l em- solvin<::J behavior
, etc . -- r1as been considered
study
of the creative
ind~vidual.
(p . 2)
been
acceptable
of
succession
as
than
Everytning
another
heredity
personality,
h i s prob
in some
a survey
lacking
, this
more
Consequently
a somewhat
studies
begun
In
from
of
few years
creativity.
of
delineation
characteristics
with
the
of
creativity,
creative
the
and
neither
individual
creative
a b ilities
an
nor
process
has
an
yet
to
emerge.
An attempt
select
will
group
possible
creativity
common thread
subset
of
the
Many
which
research
from
reached
the
and
a wide
individuals
for
seem
environmental
.
to
exhibit
events
of
that
More
and
in
review
to
tie
differs
creativity
a
.
approached
backgrounds
employ
from
a
that
of
less
, creative
a receptivity
other
a
together
conceptual
people
a
su g gest
who nave
specifically
which
to
then
to
theorists
that
style
paper
thinking
variety
conclusion
individuals
this
may serve
and
cognitive/perceptual
creative
in
studies
investigators
creativity
have
of
be made
p eople
or
an attraction
woulct
tenct
to
4
find
disconcerting.
essence
of
To rrance
creativity
recognition
lies
"sensitivity
to
a fundamental
find
or construct
Barron
research
's
order
individuals,
that
and as ymetr ical
explanation,
Ba rron
more
stimuli,
complex
be evoked
and
blot
details
Ba rron,
than
t his
strong
into
are
studies
that
more
much more
are
yuration"
to
ts .
methodology
developed
subjects
achieve
subjec
the
by Asch
difficult
In addition
(e.g.,
conformed
any
(p.
153) .
responses
the
image"
to
individual's
and
, using
1 9 56) , Barron
to
of
that
According
creative
most
" {p . 153).
than
integrate
creative
to
to
(1 958 ) concludes
less
the
the
able
synthesizing
reflects
the
when viewing
li kely
his
By way of
, 1961).
Ro rsc hach
, Barron
from
than
satisfying
confi
to
.
comprehensive,
ordering
creative
are
ability
to prefer
extent
comparing
the
creative
tend
Holland
y,
s uggested
"one
far-reaching
found
of
, t he
has
in pa rt
in d ivi duals
groups
tendency
need
1971;
by a simpler
indi vidua ls
(p . 153)
"v ery
several
defects
a
chaos
derived
a greater
new order
low creative
original
to
creative
that
Summarizing
been
(1 958 ) proposed
" an e le gant
could
apparent
"t he
S i milarl
is
creatives
1958,
synthesize
(1970)
preferences
indicating
( Bar ron,
of
have
aesthetic
noncreatives
hign
out
that
. as exhibiting
of creativity
conclusions
on the
to
(p . 42) .
an d Barron
property
asserted
a sensitivity
creatives
prob lems,"
that
has
element"
(1 9 50) portrays
complex
in
of a disturbing
Guilford
(1962)
g rou p cons e nsus
the
(1 9 55 )
less
5
often
than
d i d noncreatives.
creative
subjects
contradiction
at
felt
of
the
more
inherent
noncreatives
process
were
in
of
findings
are
by Taylor
dispar
between
i nner
tension
can
r esulting
"eit her
the
with
reoganizes
world
resulting
'
inclined
are
Schaefer
an
(1973)
experience
--as
According
to
and
to
g to
the
utilizing
values
of
reached
the
same
conclusion.
Schaefer
's
studies
selected
the
to
the
with
ment
person
his
by the
creative
have
more
creative
ment.
b oth
and
referre
pe rson.
is
able
within
Cr• 12).
to
himself
'through
Schaefer
creative
number
d
internal
creative
dispositions
The more
.
less
individual
checklists,
" ( }?.
environ
external
the
alters
personal
are
whereas
(1968)
a greater
when a
two mean s:
subjects
integration"
adjective
of
or
of
and
that
organization
experience"--both
e,
p osition
perceptions
be altered
MacKinnon,
some kind
one
creative
characteristic
the
exists,
congruent
and i:'lacKinnon
instanc
with
worlds
via
environ
"a
thii
suggested
personal
being
"co nflicting
effect
research
willin
"openness
tolerate
the
in
the
163) .
environment,
Taylor,
reorganize
more
his
whereas
through
and
a new environmental
to
wit h the
consistent
reduced
social
Ba rro n , the
order
(p.
outer
environment
in
rding
to
people
to
the
the
maintain
who has
alters
deal
evidence,
and
be
to
nonconformity,
also
( 1976)
person
correspond
or
the
to
judgementll
advocated
ity
to
of
correct
Barron's
able
their
obliged
exclusion
cost
According
ha s
subjects
of
adjectives
in
6
as
self
descriptive
Furthermore,
well
as
the
creative
favorable
question
greater
creative
a more
as
veridicality
evident
Bruner
possesses
a less
and broader
of
materia
do noncreatives.
l than
anxiety
to
new material
relate
are
Finally,
creatives
summary
surprisingly
as
than
did
the
incongruous
into
the
lance"
to
(1968)
suggests
tolerate
, the
Echoing
the
inco mpleteness."
unsettlin
and provide
the
. has
life
that
on the
the
the
to
inner
r and
encoding
learned
(p . 111).
comments
or
for
"ca pacity
of
the me
creative
for
previously
to
the
systern
vein , Heis t
tne
io n of
that
categories
discussion
connection
with
percept
reported
by disorde
(19 62)
preceding
d irect
has
on the
concurs
in the
above , Heist
"challenged
the
(1973)
richness
turbu
Stein's
for
of
the
psychic
expressed
creatives
creativity
effectively
and the
sentiments
descriptive
stereotypic
In a more p syc hoana lytic
express
unfavorable
perspective
cognitive
incor po ration
and
subjects.
more
self
cognitive
Bruner
mation
at tempted
selected
creativity,
individuals.
in div idual
infor
females
creative
subjects.
taking
of
d i d less
adjectives
noncreative
vfnile
of
than
section
affinity
of
g serve
as
a
that
follows:
One might say that
homeostasis
has been disturbed
,
that
there
is a lack of closure
or that
there
is a
lack of satisfaction
with the existing
state
of
affairs
. The creative
indivi dual may actively
seek
to disturb
the equilibrium
he previously
attained
o r he may be res pons ive to disequilibria
already
existing
in the environment
. (p. 86 - 87 )
a
7
P i agetian
Stein
writ
Theory
' s observa
i ngs
passage
Crea ti v it y
tio ns
on cogn itiv
from
thinki
and
a r e re markab l y cons i stent
e eq uilibr
P ia get
a tio n .
(1977 a ) illu
ng , an d even
wit h Piage t ' s
The ju x t apos itio
s tr ates
i n t he terminologies
the
n of
co mmonalities
emplo yed :
At taine d equilibr
i um is lim i ted and restrained,
and there
is a t endency
to go beyond
it to a
better
equilibr
i um ....
In other
words,
equilibration
is the search
for a better
and
better
equ i libr iu m in the sense
of an extended
fiel d , in the sense
of an increase
in the number
of poss ible
compositions
, and in the sense
of
growth
i n coherence.
(p . 12)
The
recognition
and
"nonba lanc e " p l ays
equ ili brat
explo
it ation
a central
of
i ncongru
ro l e in
it y or
Piaget
' s conce p t of
i on:
One of the sou rces of prog res s i n the development
of know ledge
i s to be found in nonbalance
as such
wh i ch alone
can force
a sub ject
to go beyonct his
present
state
and seek new equilibriums.
(Pia get ,
19 7 7b , p . 1 2)
Thus
it
may be ada p tive
onl y t ole-r :ctted
For
with
g cognitive
' s " schemes
ass i mil a t ed
essentia
ac tively
in to
ll y means
")
those
i ng elements
to
be not
sought.
P i aget , env iro nmen tal
ex istin
organism
but
f or d i sturb
events
s tructure
s of t he
i n orde r for
structures
int erp r et ing
must
the
.
or
be co mpa ti b l e
organism
events
to
(t he
be
"Ass i mil a tio n
construing
external
a
in
8
objects
and
and events
fa vored
p . 7).
in terms
ways
of
thinking
When , on the
entirely
compatible
are
nonbalanc
e and
to
complete
equ ili brat
in order
make
environmental
po ssi b le.
are
is
the
is,
events
and
su bsequent
of
resolve.
In general
, P ia g et
can
i nvers
be fore
h is
p rocess
as a k in d of
i n neutralizing
Re ci p r o cit y , on the
sc heme to
tne
ion
and
novelty
disturbance
, and
organism,
or
inc ongruity
organ is m
toward
whic h he
refers
The two types
of
r ec i p rocit
y.
I nve rsion
the
d ist urban c e .
of
begun
to
(Inhelder,
t o t he
refer
" which
to
t h is
succeeds
1982 ).
hand , cons i sts
accom moda t e it
, be i ng drawn
g
be no c hange
wh ic h the
o r denial
e l ement " (Pia get , 1977b , p . 26) .
i ndividuals
could
"c ogn iti ve r epression
other
p resentin
l y make ass i milation
dea t h , Piage t had
the
the
a state
.
cancellation
Sh ortly
the
by
compensation
are
of the
wi th
scheme
(1 977b ) recog n iz es two way s i n wh ic h
be managed
as method s of
,"
a new , more
bf mod i fy i ng the
Change,
"non balance
results
m th en
achieve
accom modat io n there
(Ge be r , 197 7 ).
the
are
pro ces s of
process
co mpatible
co mpen sations
of
the
the
1977 ,
events
schemes,
, o r to
l y available
(Flavell,
The organis
more
mot ivat ed to
con sists
existing
it
source
nonbalance
to
with
i ~n , through
Without
deve lo pment
things"
hand , environmental
equilibrium
that
to
own present
disequilibrium.
restore
accommodation,
one's
about
other
not
attempts
of
of
initiall
Per haps
" mod i fications
y disturbing
creative
d istu rbances
, te nd to
9
utilize
i n version
relatively
more
indiv
i dual s.
l ess
likely
to
it
This
to
labele
cognitiv
re-e q uili
state,
b ut
to
creatives
equ ili brations
toward
integration.
whether
followed
Conflict
arisin
g inter
of an imposition
person
They are
at
a synthesis
wh ile , concurrently
manage
by way o f
be what
P ia ge t has
i mpo rt an t form
attaining
au gmentat
ive
their
d i sp ositio
by su b se quent
resol
ut i on and
of
of
, 19 82 , p . 42 ),
for
or
,
; t hey
(Inhelder
account
na lly
more
, ambiguity
, and
anomal y ,
f rom th e environment,
a challenge
fo r the
n
are
less
creative
.
bu i ld
environment
to
def ine
a structure
he re d it a r y nor
the
a re
le ad ba c k t o a p revious
, complexity
and more
·whe n asked
to
adept
crea~ive
whic h
achieve
" "an
ada p tation"
more
to
would
not
l e ss
.
structures
i bra tion,
, t h i s mi ght
conflict
those
does
a better
are
data
The result
which
of
information
wh i ch others
equil
reciprocity
in d ivi d uals
e structures
information
b ration
d ant
n of
d "au gmentative
ic
or expectations
of d iscor
.
and
creative
d is miss
beliefs
re pression
often
charaterist
that
or
a modificatio
cognitive
If
their
and existing
accommodate
is
implies
make use
producing
less
t han
overlook
with
likely
often
to
conflicts
of
relatively
in
creativi
that
is
t~
no t preformed
so ci a l en vir onmen t,
" ( Evans , 1 973 , p . 1 24 ) .
development
acc o mmo dat i on is
and
the
modificat
pr i ncipal
Piaget
r eplie
d,
, ne it her
no r in
the
" it
in
phy sical
P ia 9·et ' s wr iti ngs
i on of structures
mechan ism
in
suggest
t he
is
format
on
that
i on of
10
nove l structures
.
wit h existing
At tend i ng to
structures
and
reorgan
i ze a l l relevant
which
nove l s tru c tur es
Ac c ord i ng to
acco 1nrnoc1ation
" their
and
ra tio
are
t
seen
' s i nteract
i on with
c e ntral
hypothesis
of
achieve
as
cou l d all
eq uili
s are
um :
creativ
br iu ms.
d e fec ts ;"
under
crea tiv es
the
it
is
the
favor
es
What others
" re c o gn itio
of
have
n of
ab le
r e ferre
to
d to
disturbing
for
d isor de r and
i n co mpleteness
an
incli
na tion
toward
are , in
a sense
, more
vulnerabl
"
e
even ts.
as Piaget
in
viewed
e de ve lop men t , one
to
events,
ga tio n that
t i ppe d in
"preference
appropriateness
Attempts
investi
in
are
be subsumed
of
an essen tially
g forces
of d i sequ ili br iu m and ultimately
environmental
cogn itiv
Gi ven th a t assim il ation
en vironmental
this
act i v i ty , t hough
seduced
and
I nsofar
all
eas ily
y to
disequilibri
to
virtually
and
are
" s e nsitivit
,"
assimilation
as ba lancin
Consequently
bet ter
elements
mechan ism t hrough
creative
dua l s , t he scale
a sta te
the
da t a to
for
acco mmoda tion.
into
in
may vary " ( p . 7 08 ) .
are
is
pan t
at t a i ned .
organism
indivi
ion
( 1970) , both
presen
a c co mmodat ion
wh ic h i s d iscre
th en us in g t hat
i nformat
Piaget
are
that
as
mi gh t question
app l y i ng Piagetian
id i ographic
relate
Piagetian
in d iv i d ual
differences
variations
i n the
have
attainment
a nomothetic
line
of
th e ory
generally
of
the
theo r y o f
t he
theory
in q uiry
to
creativity
t o q uest i ons
focused
various
, 1969 ).
( Barron
of
on age
d evelo pme ntal
,
11
stages
(e. g .,
r ece iv es
Elk i nd , 1971;
li ttl e note
Neverthe
of
ep ist emolo g ical
conti
i n t he
les s , Piagetian
wit h -a theory
creativity
of
hence
assertion
t hat
(p . 50) .
Moreover
ac co mmodation
a c t i v it y , the
across
creati
are
rel ative
does
, nor
theory
to
, only
v it y i mplicitl
p resented
has
i n the
not
aspire
present
an elaboration
y ( and , in
cognition
the
writi
ng s of
developmental
the
last
Piaget
the
p rocess
l eve l.
g rowth
d eca de or
illustrating
and
are
individual
accommodation
although
in all
of
t he two
the
es
a novel
departure
of
recent
ontogenetic
references
a
' s (1 980 )
present
a radical
concern
over
rol e of
to p r opose
may be mor e r ead ily
writ i ngs
is
i,ios , 1 9 78 ).
contributions
Althou gh Piaget
for
wine d
ic
note d that
both
.
individuals.
i nve sti g ation
Piagetian
i n tert
&
own sty l e of
(1970)
Piaget
i nvention
Bringuier
ha s his
, Piaget
and
the
c oncu rr ed with
"eve r yone
of ~reativity
and
( Roy c e , Coward , Egan , Kessel
, P iaget
Th is
of
genet
novelty
differences
may vary
the
i on wh ic h
P i aget , knowledge
, whil e neve r emphasizing
cognitive
writings
Within
Furthermore
assimilation
a quest
i s ine x tri cably
.
pe rs pe ctive
i nvo l ved
1 9 78 ),
voluminous
theory
nuou s reconstruction,
always
Zigl e r,
the
theory
fro m
theo ry of
years
, explic
and his
cohorts.
identified
itl y )
wit h a
of know l edge , h is
two contai
l i nk between
involved
his
n nume r ous
v i ews on
in creativity
at
every
"
12
Piaget
(1972)
epistemology
the
of
their
tq
the
i mpor tance.
Br inguier,
the
suggests
peripheral
to
a theory
of
ic
purpose
knowledge
forms , ... up to
of
is
genet
central
kinds
the
writings
as
its
" ( p . 15).
that
"Piaget
develop
as
various
,
and
This
issue
of
Piaget
Accord in g to
19 80 ),
most
has
elementary
thought
characterization
primary
of
most
scientific
undertaking
which
"t he origins
with
including
not
his
, an endeavor
study
starting
describes
creativity
, rather
Gruber
the
psycho
of
creativity"
, it
(quoted
logist
is
is
of
in
who has
done
(p . 67 ).
If you consider
creative
thinking
as a develop ment that
takes
a long time and br in gs forth
new
ideas , it is very si milar
to the proces s of the
child
constructing
his world,
his thoughts
, and
his ideas , because
the child
does not learn
simply
what the adult
te lls him , he reinvents.
It ' s a kind
of creativity.
(p . 67)
Inhelder
(1 982 ) has
disequilibration
preoperat
in his
i onal
elaborates
fill
h is
the
does
not
i nd ividual
disequil
ibrium
ingenious
do es
own schemes
not
creator
offer
provide
writings
creative
scientist
,
a cognitive
obstacle
to
overcome
and
.
obstacles
creates
1982,
p.
412).
to
invent
new obstacles
" it
d istur
in ward,
is
h i m to
be
subject
ments
to
bance , the
the
seeking
nature
new p ro blems , even
for
the
"\
•Then the
sufficient
scne mes , for
pla ce d on
, the
new instru
may tur n attention
among
Piaget
both
to
gaps " (Inhelder,
environment
creative
"I n working
emphasis
For
the
repre~ents
.
the
later
ch il d and
disequilibrium
surmounted
noted
conquer
if
of
the
r ea lity
" (p . 412) .
13
P ia ge t states
that
for
augmentative
the
early
as
of
( Piaget
rel e v ance
a·nd t he q uest
evident
o f intelligence
thou gh t"
on the
study
of nonbalance
equ ili br iu ms are
i f ic
elaborated
the
effects
development
i n scient
to
the
"a t a ll
i n the
in
child
as
in
wel l
, 1970 , p . 7 09 ) . Piaget
of h i s wr iti ngs
creativity
lev e ls,
on equilibration
an i n t erv i ew with
Bringuier
(1 980):
I used th
tru e for
theo r y :
adapt
it
ad ju stment
situations
It
refers
e example
of the infant , b ut it ' s also
the schol ar a nd the scientist
. You have
that ' s an assi milatory
scheme . You can
to ve ry diverse
si tuations
. . . . The
of t he assimilatory
sche me to all
these
is accommoda tion.
(p . 43)
i s i n t e r est i ng to
to
th e process
of
note , for
decentration
ob j ec t pe r manen c e ac c ompl i shed
and
eighteen
Revolut
the
i on '"
the
same
what
( Piaget
, 1 970 , p . 705) .
progress
to
as
the
uu m, Piaget
illustrate
the
ongo i ng battle
t o as
as t ronomy
is
util
concept
of
one
of
Cl ear l y , for
Piaget
existence
,
of
d i scove ri es
necessitate
i nvoke
overcom i ng
" t he bas i c obstac
end of
i zes
the
sc i ent i fic
egocen trism:
successive
of
l e to
.
latter
( 1972)
with
Both
development
' Copernican
' s revolutionary
.
P i aget
chi l d be t ween twe lv e
i ndependent
" (p . 135) , egocentrism
the
the
a " veritable
processes
( 1973 ) refers
Lookin g toward
contin
of
scientist
f undam ental
Piaget
by the
of
the
age
and
months
ch il d ' s acc ep t ance
ob j e ct s and
examp l e , that
a
the
developmental
history
p r ogress
"The whole
l iberat
of
i ons
astro
as an
history
from
n omy
of
successive
14
centering
s " ( p . 82 ).
Each
represents
an augmentat
e g ocen tric
e l eme nts , albeit
pre vious
equilibrium
eq uilibriu
equilibrium
Piaget
wit hin
the
, only
also
taken
explanat
i on for
the
thro ugh the
French
is
d ue
wha t amounted
to
ge ometry
" b ecause
d i ffe r e nce
between
expressing
t he
' l anguage
' of
Euclid
(Pia get , 1970 , p.
709 ).
construct
of
s tructur
at im,
" Riemanian
to
' understand
an augmented
r e lativity
a d i seq uili
for
anothe
of
( or
t he
r striking
others
had
relativity
.
He speaks
, Poincare,
theory
of
there
as
re lativit
y
to
was no
tr ans l at in g ) phenom e n.ct i n
Rie mani a n [sic]
in,
as
of
a poss i b le
where
he t hought
geomet r y "
i n contrast
, uti li zed
an i nstrument
' t he
relations
the
of
be tw een
space ,
Fo r E i nste in , Rie mann ian
bri u m wh i ch even tually
equ ili br i um inclusiv
, whereas
new
new
of accommodation
E i nste
speed , and t i me " ( p . 7 0 9 ).
ge omet r y produced
as
statesman
r i ng the
i an or
space
the
the
ei n .' s elu ci da tion
accommodation
t o a failure
Riemannian
of
of deve lo pments
theory
of
mathe mati c i an and
n a rro wl y mi sse d discove
the
(1 9 70 ) presents
how the
having
in
when
' s accomplishment
p rocess
containing
components
presented
Piage t
E instein
too
than
course
Einst
g.
Piag e t d i sc u s ses
deve lo ped
of
up the
tim e i n space
t h eory
b ed.
o f p hysics.
of de - c e n terin
refined
bec ome e vi dent
has
example
, it
Tne egoc e ntric
i n turn , d istur
of
fa il ed .
more
is,
field
relativity
iv e equilibrium
.
m, however
new d i scove r y or
e of
Poinc a r e either
the
theory
led
to
of
no d i sequ ili b ri um
15
was produced
or
the
in
the
confrontation
disequilibrium
Poincar~
, Einste
geometry
and
equilibr
wa s · resolved
i n was a b le
thus
was
i um that
is
other
si de of
developments
science
has
shown
(Other
inter
phy sicists
Rafel
, Illia
, Co rreeras
, 19 80 ]).
relevance
for
a l l sciences
the
He po ints
to
Piagetian
construct
view
concurs
a strono
i fic
"tak in g i nto
ctive
progress
of
the
are
pe rc eptual
are
contact
phy sicis
phe r of
, and
o f relati
i n clu de
Rolanao
Piagetian
h i s tor y and
t s who
scie nce .
wit h P ia get
that
theory
development
ha s
of
in pa rti cula r .
v it y and
acc oun t the
observer
t he
the
that
abstract
natural
to
wit h h is
Bohm
study
study
of
l earns
of
scientif
the
to
of
o f ind i v i dua l
gene r al
extentions
environ
t he
of
p oi nt
t he prin ci ,t?les
the
and
yo un g child
s p ecial
" ( p . 223) .
pe rti nen t to
, and hen ce
" The most
by which
ted
cognitive
o f de - cen te ri ng a s t wo manifestations
for
investigations
phys icist
be t we en the
my and phys ics
' s theory
deve lop ment
creativity:
p rocess
the
, the
a s a ph iloso
wii: h Piage t ' s contention
cognitive
scient
for
of
Unl i ke
aug-mented
o n e o f se ve ral
collabora
,
Rie mann ian
' s t heo ry oi
Bohm sug g-ests
Einstein
and perspe
th~
, Pri gog i-ne , Garcia
study
, b ut
necessity
Piaget
who h ave
[Bringuier
the
in
.
to
t h e fence
Piaget
Bohm is
es t
inversion
para llels
and
In fact,
an
generate
observed
Rie mann ia n geometry
accommodate
phys ics .
also
.
to
v ia
modern
Bohm ( 196 5) has
development
to
able
Comin g fro m the
in
with
ic
ver y same
come
into
ment " ( p . 223) .
of
16
More recent
beg un to
l y , several
explore
alluded
to
in
attempted
to
creative
in
to
cr eat i vity
detai
e Pia get ian
as
si gn ific
a nt
emerge
i ll ustrates
can
be
are
how the
v i ewed
Gruber
, for
constructs
in
i n the
examine
a P ia getian
and
theory
i n that
specifically
withiri
it
of
creativity
r y of
sci ence .
first
expression
.
of .
Gruber
is
by wh ic h si gn i ficant
.
development
of
arisen
Hi s case
study
t h e t heory
of
through
the
, has
study i ng
i s t-he
the
have
example
histo
framework
disseminated
as having
' s collaborators
1 the
man i fested
int ere ste d in t he mechanisms
i deas
Piaget
wr iti ng .
u tiliz
' s wor k is
pub lication
greater
Piaget's
thinking
Gruber
of
original
app roac h
evolution
process
of
equ ili b ration.
In the
Darwin
, Pi aget
appl icati
the
forward
face
on of
as at
" Gruber
this
the
the
theories
has
the
great
io n in
t he
of
cre ati ve process
" ( p.
Gruber
concerned
Br in g ui e r,
science
today
, "but
's
of
of
scientist
showing
work
of
us
of
the
ep istemolog
a great
me rit
as
l study
y "to
" (p .
that
we
a genius
as
well
wh ic h is
i tsel
f a
.
with
to
the
emergence
in
genetic
creative
viii)
" ( p . 36 ),
a c hange
under t aking
menta l deve l opment
1980 ) refers
(1 981 ) v i ews the
event
Gruber
pr inci p le s of
beg in n i ngs
is
s ( 19 8 1) b io graphica
of
quest
the
Gruber'
d escribed
deve l opment
vii ).
to
as
what
P ia get
" the
principal
g enes is
of
(ci ted
problem
structures
o f a new idea , not
the
proper
ti es of
in
as
in
.
Gr uber
an
isolated
s ome larger
men tal
17
s tructur
e of
process
of cons tru cting
the
wh i ch it
imp i nged
those
i dea
s c hemes
schemes
alteration
is
to
of
capable
of
the
, a proce
de l icate
ass i milation
of
to
Gru be r ' s e xpos ition
reveals
24 8 ).
a new t heory
scheme
is , of course
" {p.
is
i n respo n se to
be
the
a part
new data
of
in
s s of
acco mmodation
the
development
b etw e en the
the
alter
order
a s s:i.rn:il a t i ng t h at
consistency
of
Gru b e r,
a matter
attain
bal a nce
and
For
data
i ng
for
.
The
wit h the
new
.
of
new i deas
ongoing
processes
accommodation:
The perso nal know le dge packed
i n to an abstract
i dea
i s put th e r e by the growing
person
himself
, throu gh
his own a ctivit
i e s, assimil
a tin g what he can into
e x i st i ng structures
a nd there by str eng t hen ing them ,
o ccasion al ly not i cing anomalies
t hat requ i re the
revision
of th ese structures
to accommodate
ex perienc e s th a t wou l d otherwi s e not find a stable
place . ( p . 254)
E l aborat
addit
i ng sche mes
i onal
re l evant
However , sche mes
encorporate
structures
presenting
of
that
structures
this
of
g enerally
a mat t er
i nformation
are
radical
modifications
same
is
general
i nto
without
thos e str u ctures
stimulus
. Gruber
if
it
is
indicates
p a r a do x f o r sc i en tific
.
necessary
s t i mulu s may inh ibit
ass i mil at i ng
existing
sche mes .
l y t oo c i rcumscri
l y new ideas
wh ic h are
of
some
b ed to
substantial
Consequ e ntl y , the
v er y
for
a ny
understa
th e v e ridical
inconsistent
nd ing
a s similation
wi t h t h ose
the
p ossible
inquiry
:
c onsequ en ces
The working
s c i ent i st cannot
do wi tho u t t he ability
to ass i mil ate wha t is a l ready known . He needs
this
not on l y in o r der t o get started
on his scientific
ca r eer , b u t da il y i n the li fetime
pursuit
of i t.
On t he other
hand , overgrown
respect
of what i s
of
18
known and too
only to sterile
The li mitat
checked
i mposed
of
Schemes
satisfy
of
the
Adaptation
need
through
io ns
which
mi ght
d or
assimi
e ven
t h e face
structure
inhib
(Gruber,
198 1,
of objective
p . 115) .
i n Br i n gu i er , 1 980 ),
somet i mes even
especially
a theory
work " ( p . 8 7);
n i ce l y into
The
i s apparent
conflicts
" one
.
with
activity
can
t he syste
for
The tendency
, schemes
modera t e
be
destabil
happens
are
t hat
.
Thus ,
e xisting
change
words
indi vidual
of
(cit
- - a child
a concept
r ecognize
"
Piaget
s ly r epresses
to
i z i ng
either
, inhibits
' t want
As the
structures
i st -- constructs
doesn
1 i mi ts .
cont i nui ty .
existing
, he unconsciou
a given
.
l'lov e lt y , the
" when the
significance
nature
unceasing
or , in the
a scient
in
and
schemes
I t would
i ts
change
it s recognition
and
has
often
require
l a t ed into
i ts
t and
, it
avoided
a lso
overhauls
Therefore
a re partially
Th -ro n gh
be
ive
virtually
.
lead
in g data.
v e order
resisted
neg lecte
in
z e d though
bu t extensive
" observat
conflict
accommodation
t o preser
occurs
.
i on can
conservat
orgarii
alterations,
are
that
a r e essentially
foundation
fit
accommodatiol'l
, oversimplificat
, however,
n g it
by assim i lation
b e ,na,'l.e c ·) ,1s i.sb=m t with
appear
and
ions
by th e process
accommodation
can
muc h ti me spe nt ma steri
pedantry.
(p . 72 )
ed
or
or
t heory ,
what
doesn
wha t doesn
't
't
m" ( Br i ngu i er , 1 980 , p . 87 ).
c r ea tivit
to
t heory
y and
sc i entif
avoi d informa
or
scheme
will
i c prog ress
tio n wh ic h
serve
to
19
maintain
that
novelty,
discovery,
prerequisite
to
seek
scheme,
to
out
and
discrepancy
an d creativity.
creativity
engage
.
Creative
accommodating
to
information
equilibrium
.
to
Their
new , discrepant
of
individua
Gruber's
of
on~
the
.
opposed
Moreover
point"
illustrates
one
he p roposed
Lacking
the
notes
to
reject
capable
, using
of
the
an augmentative
perturbations
and
may enable
creatives
is
Darwin
tneir
com~romising
to
inaccessi
reveals
ble
that
achieve
to
less
" by immediately
to
incomplete
, namely,
knowledge
aspect
the
source
of genet
Mendel , Darw in was unable
avoid
. to
this
writing
the
aware
of
facts
or
pitfall
in
a memora ndum about
Gruber's
Darwin
of
as
y and
" (p . 239).
Furthermore,
which
i ncong ruit
such
theories
to
preoccupation
was keenly
events
sought
extent
with
Darwin
cherished
actively
the
scientist
unpleasant
(p . 239) .
the
be more
without
creative
one's
such
accommodate
one -' s cognitive
others
which
of
to
any
to
l s.
forget
, Darwin
, a
conflict
information
to
own endeavors
the
for
cognitive
bly
his
with
affinity
Gruber
"tendency
ideas
achieve
biography
indisputa
discrepancy
to
of
be an inclination
seem to
whicn
information
a structuring
creative
individuals
reconcile
expense
conflict,
revamping
information
discrepant
seem to
co g nitive
or
the
Conversely
would
by modifying
structures
ability
bu t may do so at
work
was totally
theory
of genetic
of
absorbed
evolution
as
variation.
ics
previously
explain
the
means
explicated
through
by
which
20
individual
variations
Accord i ng to
inhecitance
Gruber
ideas
had
been
years
, he delayed
announcement
indulging
in his
ng n ess
near
obsession
creat
to
of sc i ent i fic
section
that
of
reason
.
i ntent
to pub lish
habit
was engrossed
theory
with
of
disequ
evolut
mechanisms
for
h i s hesitance
for
i on .
the
of
by Wallace
Ra t her
's
than
or
min i mi z i ng
anoma li es h e
He exemplified
d i s c repan t st i mul i and
t hought
of
Darw i n ' s
a n umber
i gnoring
with
i l i brium
to
the
the
characterize
.
(1 98 1) and
bet1r, een
of
.
the
prodded
.
generated
Al t hough
developed
unt il
ubi q uitous
for
evolution
fully
i ve individual
s i mil ar i ties
primary
accommoda t e to
Bot h Gruber
new spec i es are
p ub lishing
of his
willi
the
theory
es , Darwin
perceived
the
of
virtually
in the
and
, Darw i n ' s concern
was one
in pub li sh i ng the
amb i g uiti
occur
Piaget
revo l u t ions .
fol l ows to
Bohm (1965)
noted
' s works
T.
and
An at t empt
further
exp l ore
s.
the
Kuhn ' s theory
wi l l be made
t hat
in
the
re l at i onsh i p .
21
Creativity
, Nor mal Science
Bri ef ly
theory
of
s ummar i z ing , Kuhn
scientific
accumulation
i nformat
stages
a r e said
throu
to pass .
S ci en tific
in wh ic h notions
organize
and
gh wh ic h a l l sc i entif
At th e heart
def i ne
p ara d ig m represents
d i s ci pl ine
refers
as
to
and
of
the
a per i od of
of
Once
the
implications
not
the
flesh
of
out
scientists
t he
s ci en tist
puzzles
io n of
f ir mly
implicitly
the
legitimate
, and
inv est i gat ion .
i gm can
to
the
t he que sti ons
S inc e only
be consi
dered
in
Kuhn
o pera tion
by the
, and
questi
the
tested
,
a g i ven ; the
is
parad
answered
to
i gm .
"puzzle
so lver
within
The paradigm
wh ic h are
v ast
is
a paradigm
wh ic h wi ll
, the
a
t ers .
i gm becomes
i gm .
those
of
wh ic h i s
be an eff icient
me t h odo l og i es
ser ves
exam in ed and
suggested
parad
the
The
lis hed , it
are
The parad
i s to
a
th e ti me .
estab
i gm that
i ons
is
that
i gm is
a stage
be in g posed , addressed
pec uli ar
ctive
it s par~ne
wor k in g within
ramificat
l anguage
parad
i gm is
of
d isci p li ne .
mo s t of
pa ra d i gm it se lf.
j ob o f the
the
sciences
parad
l i n ear
i c d isci pl i nes
def inin g elements
sc i en ce ,"
o f t he parad
objective
or perspe
dur in g wh ic h a parad
"normal
characteristic
the
spec i ficat
stage
a
of
Kuhn ' s th eo ry
a scientific
b oth
the
on
i on a r e rej e cte d i n favor
pa r ad i gm, t he p rev a ili ng t heory
to
Rev oluti
(1 9 70a , 19 7 0b ) offers
p r ogress
of
ser i es of
, and
The
,"
the
specifies
be considered
wo r thy
ons
ma jorit
of
suggested
y of
by t he
findings
22
are
consisten
t wi th
i ncons i s t ency
methodologica
a lto gether
is
l flaws
vie
and
the
course
.
continues
l
represent
or
i s ignored
revo l utionary
io n .
of
that
" novel
syntheses
, until
of Kuhn serves
account
for
the
the
i l i ng
the
anomalous
l y replace
anoma l ous
to normal
marked
then
it
and
new ,
data
as
wha t its
sc i ence
anomalies
follows
become
aga i n .
to
revolutions
(1 9 7 2 ) has
h i s own work
the
appears
P i aget ' s theory
, P ia get
bo t h theories
" in
preva
il y all , of
s ci entific
In fact
as
to be accep t ed , the
A return
ana lo gous
s i mila r i t i es between
states
.
once
Kuhn ' s theory
equilibrat
I f the
for
cannot
of debate
battle
eventual
necessar
phase
apparent
in many respects
."
account
not
i gm that
iv e t heories
t o this
In order
m must
parad
Al ternat
t heo r y will
encompassed
generally
.
science
.
produces
i s a renewal
Kuhn refers
as muc h , though
predecessor
the
to be unab l e to
pre - eminence
paradigm
with
" revolutionary
c ompet i ng paradig
the
The occasiona
of norma l science
The result
data , an a lte rnative
well
to
i ngs
pa r ad i gm itself
acceptance
per i od of
a t tain
shortcom
inconsistencies
on the
paradigm
l y thought
or
be dism i ssed .
for
i gm, as we ll .
.
anomalies
focusing
parad
general
Eventually
easily
the
represent
generation
many of
to
of knowledge
the
same
noted
of Kuhn .
attempts
be
of
himself
and that
to
functions
Piaget
a c count
.
the
for
The
as
the
23
scheme
to
of
Piaget:
existing
provide
information
additional
, as
information
delimit
doing
both
what
novel
, determine
(Kessen,
is
ideas
" the
well
range
and
the
within
integrated
be enterta
of
organization
as a framework
acquired
can
and
which
; both
i ned , and , in
knowable
so
unknown "
1966 , p . 102).
Norma l science
congruent
with
Piaget:
as
the
depicted
process
new information
current
knowledge
modifying
the
knowledge
to
on the
structure
other
discrepant
is
any
acquired
of the
significant
that
data
goes
information
cognitive
and
of
mere
requires
structure
of
i onary
science
accommodation
process
beyond
b ed by
ex i sting
Revolut
the
a manner
new information
previously
to
the
the
the
degree.
in
as descri
with
without
hand , corresponds
new , incongruous
assimilation
consistent
organization
data , in
additional
of
by Kuhn proceeds
acceptance
to
of
accumulation
the
of
a reorganization
of
structures:
Con t rary t o t he preva l en t imp r ess i on , most new
d i sco ver i es and theor i es in t he sc i ences
are not
merely
additions
to the ex i sting
stockp i le of
scientific
knowledge . To ass i mi late
them the
scientist
must usual l y rea r range the i nte l lectual
and man i pu l at i ve equ i pment he has previously
re l ied upon , d i scard i ng some elements
of his prior
bel i ef and practice
wh i le finding
new
s i gn i f i cances
in and new re l a ti onships
between
many othe rs .• • . The o l d mus t be revalued
and
re - ordered
when assimi l a ti ng the new. ( Kuhn , 1976 ,
p . 42 )
Ebth
the
accommodation
acting
in
revolutionary
can
response
be
to
seen
period
as
anomalous
self
and
the
process
of
- corrective
mechanisms
or discrepant
st i muli
the
,
24
(Gruber
of
, 1981) .
significant
of
inadvertently
cognitive
requires
1970a , p.
52).
seemingly
trivial
(1969)
observed
become
famous
most
Th us the
course
salient
revolutions
are
relatively
scheme , as
in the
theory
of
case
relativity
inconsequential
of
are
Piagetian
theory
Piagetian
theory
brushed
- may have
li mitation
of Kuhn ' s theory
has
of
to
.
As Smith
science
men have
ignor e small
' nuisances
, some significant
differences
Kuhn and that
concerns
of Piaget.
the
discr
epancy.
rare
events
resulting
to
the
ubi qui tous
to
by
the
of the
minor,
pe rhaps
scheme.
Kuhn ' s theory
striking.
what
and
Moreo ver,
when construed
for
of
is
only
between
and
arly
in a
' s deve lopment
in
of
Scientific
modifications
E instein
'
One of
frequency
Acco mmoda tion
ma jor
, the i r
set " (Ku h n ,
" (p . 177) .
relevance
bee n leveled
rules
aside
numerous
creativity-
criticism
to
, th e para llels
- - pa rticul
of
great
history
, or may result
are
set
potentially
the
, alterations
Ne verth e less
one
attending
reva mped discipline.
and may involve
"Produced
of
or
compar ison
adaptive
consequences
distinctions
anomaly
the
another
of
with
.
under
be refusing
pe rspective
in
recognition
of
, " throughout
encounters
totally
results
, the
elaboration
anomalies
are , of
the
more
the
simply
Piaget
s tructures
of us wou ld have
There
the
events
by a game played
assimilation
between
Kuhn and
anomalous
reorganization
that
For both
as
a theor
some have
scientific
on Kuhn ' s theory
revolutions
seen
y of
as a
.
Much
regar d in g th e
25
origins
of
a revolution,
for
monolithic
and
restrictive
co mpeting
parad
i gm ever
if
as
hope
the
paradi<;:Jm
Kuhn claims
to
gain
1970 ; Lakatos
, 1970 ; Watkins
, 1970)?
address
this
issue
l ength
suggest
that
individual
responsible
for-the
According
to
invention
[are]
the
science
(1976)
quant
anomaly
269) .
related
ities
to
of
of
ns,
scientists
it
to
ma jority
of
and
fruitless
the
be
without
which
would
appears
deployment
of
toward
perceived
is
tne
As h arx
equally
ti1at
creativity
is
i0i.1ate
anomalies,
and
that
i n scientific
, nonetheless
, for
with
( Kuhn , 1976) .
scientists
ot
component
encountered
d iv er t
nor
.
be
and
advancement
d is proport
a key
concerned
the
sufficient
be undesirable
anomalies
would
it
cnaracteriz;e
tra its,
need
" (p .
thinking
for
scientists
anoma lies
lea d nowhere
and
t hem , to
Alt hough
be overly
all
these
s that
possible
divergent
consider
all
attention
perception
i al
not
and.-
thinker
qualities
wh i le
" aiscovery
divergent
not
does
i gms .
open - mi ndednes
may be necessary
, "not
(p.
revo lutio
be
But
observed
closely
triv
thinker.
possessing
creative"
are
1970b)
not
in pa rt,
to
, the
bend ,
Kuhn do es
of parad
and
define
those
, Kuhn does
individuals
flexibility
possessing
to
are,
,
any
(Feyera
(Kuhn,
overthrow
revolutions
divergent
, he
imposin':,
, how could
While
p rerequisite
i ndeed
Sc i entific
attention
the
that
as
a foothold
d ifferences
(1976),
, or
individuals
great
eventual
Kuhn
characterize
42) .
at
is
anomalies.
by the
The vast
scientist
'l'hei r pursuit
from
all
their
are
woul<i
more
26
mundane , more
quotidian
Kuhn be lieves
the
, most
parameters
of
disadvantageous
scient
i sts
could
normal
have
sens i t ive
not
may be
revolutions
.
it
wou l d be
a small
percentage
concerned
without
If , as
occurs
within
of
the
p ri mar il y with
a cadre
of
anoma l y , scientific
somewhat
, as
have
achieved
creat
ivi ty
in
lies
in the
course
creative
revolutions
nature
for
is
to
in
Kuhn suggests
in
of , anomalous
science
data
who pursue
, the
tendency
to
anomaly
anomaly
into
the
creativity
.
nature
as
Yet
creativity
the
is
two concerns
are
differences
in
attend
to , and
others
con t ribute
isomorphic
creativity
to
.
are
make
sense
.
Those
the
cont inui ng
, wh i le
science
lay
groundwork
for
occasionally
of
versa)
overlook
to
but
responsible
of normal
the
such,
v ice
per i ods
, and
of
relevance
( and
creativity
io n wh ic h most
during
revolutions
of
that
individual
the
However , Kuhn may
Bohm , Kuhn ' s pr i ncipal
of
extent
d i sregard
of
a revolution.
the
done .
progress
study
in format
to
scientific
the
that
manifested
accretion
sc i entific
m that
scientific
insight
not
the
p roclai
for
to have
significant
in
to
necessary
Like
Kuhn ' s theory
advances
a re
lo g ical
so do in g .
of
apparent:
tauto
Kuhn seems
some
i nterest
those
science
, then
than
Yet
of
science
occur.
i nd ivi duals
in clined
more
to
normal
bus iness
science
anoma li es .
creative
for
the
within
with i n a d i scip line
als
It
of
to
paradigmatic
in d ividu
tasks
succeed
future
in
in ducing
27
Corning
from
radically
Piaget
have
both
reached
aspect
of creativity
for
developments
, i s the
to
t he
discrepant
achieve
creat
Piaget
that
infor
major
eluc i date
an element
dispos
their
accommodate
use
those
preta
l iterature
of
on
studies
i ndividual
st i muli
to
openness
to
the
disconcert
in
the
first
of
be , at
least
a super
io r ab ili ty
a c commodate
I n the
creat
i vity
been
included
mi n i - theory
theoret
creativity
cited
i ca ll y , subsumed
possessed
here
whi ch
wi ll
section
i nd i viduals
be
, two subtopic
reviewed
becau se r esear
serves
in g -- al l
-- can
of
to
.
fo l low in g sections
research
mity ,
unde r th e construct
by creative
to perturbations
attend
(i . e. , stimuli
Nonconfor
, attraction
to
c it ed ,
.
t he correlates
of
may serve
the
creative
t o anoma l ous
experience
data
tio n of
d i s c repan t wi th one ~s expectations)
to
or
o r gan i zation
theories
each
the
be
I n add iti on , th is
respective
iti on of
then
inter
the
wel l.
common to
to
scientific
veracious
This
with
a salient
i den ti fy anomalies
and
ma tion.
, Kuhn and
wh ic h seems
all
to
above , as
io n of
and
capacity
i s congruent
i v it y c i ted
namely , the
of
comp l e t e , more
i nterpretat
to
fruition
acqu i red
Kuhn and
con clusion
wit h expectations
a more
p reviously
the
perspectives
, a characteristic
fundamental
events
d i ffe r ent
to
illu
.
These
ch i n each
mi na te
areas
within
two areas
has
produced
some aspect
of
have
a
28
creat
re l ate
i v i ty .
the
eq uil ibrat
After
each
mi n i - theory
i on .
review
to
the
an attempt
Pi agetian
will
theory
be made to
of
29
Crea tivit
This
chapter
addresses
commonalities
of
that
i on of
a d i scuss
between
d i stinctions
The
first
between
schizophren
sect
i on reviews
c r eativi
t y and
the
high
of
Consideration
and psychopathology
psy ch o l ogy .
associat
io n between
was Plato
d i vine
creat
madness
" ( Rot henberg
were
in what
" Great
Wits
pa rtiti
ons
the
are
expressed
may be the
Bounds
to
clar
i fy
individuals
on the
.
relationship
The second
schizophren
it y and
section
ic s .
Sch i zophren
ia
re l at io nsh i p be t ween
a recurrent
earliest
i vity
and psycho
l og ic al
process
by Dryden
divide
in
known
near
it y
phenomen o n i n
, 1 9 7 8 , p . 17 2 ).
best
creativ
known proponent
" creative
su r e t o madness
do their
.
and
been
the
, who v i ewed
sent i ments
century
has
Perhaps
erature
i s hoped
behav i o r a l cha rac ter i s tic s
Creativ
the
help
low creative
schizophrenia
spec ific
of
lit
It
d i fferences
ic s will
and
the
man i fes t ed by bo t h creatives
The Concom it ance
sch i zoph r en i cs .
s i mi l ar iti es and
between
deta il s some of
r epor te d beha vioral
and
the
and
Sch izo ph re n i a
the
creatives
creatives
the
y and
the
quote
of
an
d i sorder
as possess
i on by
S i milar
seven t eenth
on the
sub j ec t:
al l y ' d ; And thin
" (1 68 1/1 958 , p . 22 1).
The
30
f i rst
systemat
t he
end
of
i c exa1t1i nation
the
nineteenth
Lomb r oso ' s The Hind
i n t e ll ectua
noteworthy
posit
i on with
because
he
:f?recipi
rela
were
among
genius
and
with
the
i n 1 891.
~ublication
Like
, Lomb r oso
asserted
concom i tant
.
Lombroso
he
empir i cal
data
(Cropley
&
interest
i n the
i ntense
between
his
tloo<i " of
gen i us
critics
insanity
was the
and
were
first
insanity
d i ametr
genius
is
to
support
subJect
his
,
on che
(Andreasen
, 1978) .
( 19 1 2) who argued
i cally
and
S i kand , 1973") , and
boox:s
was Jacobson
of
nis
that
that
a " ve r itable
t ionship
to1.;;ic d.l:J.i:Jearect towara
, in
generated
t a t ing
Chief
Genius
l p r edecessors
, however
the
century
of
" menta l abe r ration"
of
opposed
that
(Cropley~
S i kand , 1 973 ).
Research
to
suppor
not
been
creat
conducted
t Jacobson
unqualif
i vity
psycholog
se
between
was examined
only
,"
longitudina
l stuay
to
be
at
large
stereotype
of
the
Prior
,"
of
via
"eminence
gifted
chilaren
to
gifted
to
point
that
mental
."
in
time , the
child
as
'l'erman • ~
gifted
health
as
disorder
such
(Terman~
Terman ' s work
has
1960 ' s was
relation
constructs
or
evidence
.
that
tenaed
support
midale
in
to
that
has
and psychological
indirectly
susceptible
p6pulation
the
creativity
" genius
century
, a l though
d i rectly
.
substantial
less
twentietn
oefore
examined
relationship
offered
Not
disoider
" giftedness
the
' s position
i ed .
per
i cal
in
1959)
ind i viduals
problems
served
deficient
Oden,
to
in
tended
than
the
undermine
some
other
the
31
area .
It
shou l d be noted
ex tr eme l y intelligent
above
reported
by Hollingswo
has
critic
i zed
to
t he sole
Te r man found
adJustment
popu l ation
for
criterion
(I Q
Terman ' s study
hav i ng an overrepresenta
i nd i viduals
of
th e
d i ff icul t i es , a f i nding
rt h ( 1942 ) as wel l.
mi ddle - and upper - c l ass
as
that
i nd i v i dua l s in h is
1 70 ) t o be prone
been
, howeve r,
, and
g ift edness
.
tion
for
of
re l iance
Fur t hermore
on IQ
,
wh il e Ter man ' s stu dy seems to i ndica t e t ha t there
i s a negat ive correlat
io n betw e en gen iu s def i ned
as h i gh I Q and psych i atr i c ill ne s s , i t has also
i nd ic ated that
p eople
with hi gh I Q' s a r e no t
necessari
l y artistically
or s c i entif ic a ll y
crea tiv e . ( Andr e a s e n , 19 78 , p . 3 )
It
i s therefore
inappropriate
to
re l at io nsh i p be t ween creativity
on t he bas i s of
A more
reported
although
recent
eminent
i nvest
i gat i on ( Goertzel
s i mil ar
to
peop l e often
persona
ical
to
the
d is o r der
t hose
&
Goertzel
o f Terman .
, 1 962 )
A
lit y character
exh i bited
i stics
unusual
t hat
and
, psy c hot ic breakdowns
u n c ommon .
Despite
tenable
in
forth
have
and psycholog
as
l sur vey o f " emi nent " i ndi vi dua l s i ndicated
eccentric
were
conclusions
Terman ' s work .
f in d in gs
b i ographica
draw
ac cu mul ating
its
or i ginal
by Lombroso
not
faded
who l aments
creative
form , the
Jacobson
away ent ir e l y .
tha t
person
and
evidence
" it
has
degenerate
not
neither
t wo extreme
a t the
turn
In one camp
been
to
that
of
pos i t i on i s
posit
the
i ons
put
century
i s Chal l em (1 9 78 )
uncommon
to
observe
a s c h i zophren
ic
s t a t e in
a
which
32
creative
expression
opposite
extreme
who contend
between
cannot
is
that
the
and
Polemics
" seemingly
people
unfounded
on creativity
espouse
complex
research
1976)
.
has
view
to
recognize
individual
is
psychotic"
(Cropley
between
links
nature
creativity
between
discussed
with
(1975)
found
investigation
detect
of
papers
and
clearly
Sikand
& .McGie ,
and pathology
that
the
discriminable
, 1973 , p . 462) . Before
similarities
and
two
and psychological
group
further
research
are
literature,
no incidents
high
disorder,
control
previous
successful
strikingly
personality
findings
the
other
differences
hypothesized
disorder
will
Andreasen
and
be
.
Consistent
Cantor
the
between
Dykes
in common , but
&
recent
disorder
1960;
schizophrenia,
creativity
of
creativity
nonetheless
of
and
(1975)
are
theoretical
& Heinze,
characteristics
the
ill
relationship
recent
" that
creative
considering
mentally
majority
the
in
certain
the
of
(e . g. , Stein
been
the
Bion
similarities
and psychological
may have
from
and
, the
The trend
studies
apparent
and
The
" (p . 226) .
investigations
two constructs
" (p . 272) .
by Schubert
notwithstanding
a more
accomplished
represented
some creative
superficial
be
matched
and
intriguing,
of
schizophrenia
writers.
rates
of
They
alcoholism
and
affect
for
age , education
replication
particularly
an
did , however
,
, cyclothymic
disorder
are
in
as
compared
, and
sex .
called
to
v,hile
for , the
so when viewed
in
a
33
light
of
recent
research
characteristics
Chaplin
of
, and
have
more
is
also
ev idence
recall
of
the
Barton
to
self
that
creative
in d ivi duals
the
ion
world
others;
as
that
liability
enhances
mi ght
veridical
to
ability
derive
to
ignore.
depressed
are
more
accurate
Cra ighead
from
accept
In the
to
potent
information
wh ich
likely
to
might
be
thr eaten
Consideration
the
of
speculative
A second
genetic
this
area
level
until
area
of
link s between
a link
was
higher
than
first
usual
will
has
.
One
seem
related
to
wou l d re press
are
infor
an
or
down and
mation
wh ic h
i ng .
be
research
limited
is
to
undertaken
.
on possible
and psychopathology
by Galton
mental
seemingly
may be
focused
a
t wh ic h some
necessarily
further
is
to
individuals
in g or disturb
creativity
of
which
to
and
available
defenses
ac co mmodate
in qu iry
postulated
rates
themselves
others
ion
and
into
which
benefi
the
in
forays
creative
ial
in
Perhaps
commonly
on but
of depress
too
their
iv e ep i sodes
one may be more
otherwise
not
There
own responses
i on about
in
and
, 1 979 ) .
use
popu lati
depress
state
their
Abramson
are
, 1977)
a characteristic
the
individuals
controls.
perception
that
depressed
than
informat
general
speculate
able
of
possess
the
found
, Misc hel ,
ions
ab le
t hem that
they
in
&
are
sources
Lewinsohn
between
( Alloy
around
.
- percept
&
contingency
outcomes
depress
the
( Ne lson
obtained
personality
depressed
realistic
of
the
(1 980 ) have
feedback
judgements
into
.
Such
(1 892 ) who observed
illness
in
the
families
of
34
g e n i uses .
Mo r e r ecen t ly , a study
ma n i c - depress
iv es
and
19 7 0 ).
of
i n t e ll ec t ual
those
or
h i gher
relat
i ves
fam il ial
those
of
l eadersh
a c ont rol
l ogy .
genet
i c l ink
the
The r ate
t he b i olog i ca l or
i ve group .
be t ween creat
i v i ty
s pe c u l a ti on that
ana l ogous
occurren
may be
ma l adapt
to
St ud i es
ch il dren
and
p l aced
fo r
or hobb i es .
of psychiatr
i c i l l ness
than
in
t han
t he
in
the i r
t he b i o l og i ca l paren
a l so h i gher
Mc Ne i l
t s of
ra t es
fo r
adop ti ve pa r en t s o f a mode r a t ely
demonstrat
of
i n g a genet
t h e re l ationsh
ma l aria
i c ass o ciat
i on of
manifestat
to
the
i s , c rea ti ve b e ha v ior
an o t he r wi se
i c pred i spos iti on (Hamer
J a r v i k & Cha dw ic k , 1 9 7 3 ; Dykes
&
Zub i n , 1968 ;
& McGhi e , 1 9 76 ) ,
i ons
of
i on
i p may be
i mmuni t y and
a n emi a ; tha t
t he adap ti ve man i festat
Next , beha vi o r al
a l so
mothe r s , He st on (1 966 ) found
for
t h e na tu re
c e o f sic k l e c ell
i ve genet
" {p . 42 )
and psy c hopa t ho l ogy ha ve led
tha t between
" a much
c r eat i v i ty
c r ea ti ve people
h i gh l y c rea tiv e gr oup was
e i ther
creat
.
exhibited
between
r ate
b i o l og ic a l pa r en t s of
of
(1 9 75)
Can t or
c r ea ti ve inte r ests
(1 9 7 1 ) f o und a mu ch higher
t o be
a
Two adop tio n stud i es
s c h i z oph r enic
a much h i ghe r ra t e of
adop ti ve parents
.
found
i ve disorder
I n a samp l e of nor mal
ad opt io n by t he ir
the
and
affect
group
i n I celand
writ e rs
of
of
i p c ap a cit y " ( Kar ls son ,
creative
p r evalence
p o in t t o a poss i ble
psychopatho
of
r elatives
re l at i ves
Con verse l y , i n t he Andreasen
s t udy , the
than
t he
sch i zophr e n i cs
d i sp r opo r t i ona t e number
" supe ri or
of
the
r ep o rt ed
35
s i mil ar iti es be t ween
considered
·and
S i milarities
Creat
i ves
and
and
Sch i zophren
and Magaro
(1 976 ) have
creativity
offered
by Medn ic k is
of
h i erarch
sch i zophrenia
i es
dep loyment
of
and
emp iric
al
ranging
Creat
atten
i ves
&
Hasenfus
chronic
normal
and
&
word
artists
smooth
associations
sch i zoph r en i cs
basa l l evels
cons i dered
of
stimu li
rese mble
pursu
Bot h tend
i t eye
indicat
are
&
same
as his
flattened
assoc
i a t ive
of
There
is
a
t he a tt en tio n
" no r ma l "
i cs have
results
&
toward
( Crop l ey
Furthermore
in common
in
a wi der
McGhie , 1 9 76 ;
overinclusion
and
( Hasenfus
&
&
Sikand
on
Magaro
ic s in that
and
by h i gher
a p reference
movemen t s , a trait
, 1 973 ;
, creatives
characterized
i ve of nonvolunta
i ons .
Magaro , 1 976 ) and bo t h
arousal
sch i zophren
of
sch i zoph r en ic s are
l even t s ( Dykes
Maga ro , 1 976 ) .
amb i guous
and
t heory
i a ll y t he
suggests
schizophren
( Hasenf us
the
associat
ti on wh i ch apparently
tasks
em i t unusual
involve
f r om those
and
S i kand , 1 9 73) .
categorization
that
essent
creatives
d i ffer
samp lin g of environmenta
Cro p ley
noted
da t a that
of
tha t both
.
b oth
ic s
in unusual
strategies
individuals
wide
:
resulting
grow in g body
similar
wil l be
Di fferences
Hasenfus
theory
schizophrenics
.
Behav ioral
Be tween
creatives
for
, 1976 ) .
b oth
complex
Creative
exh i b it
wh ic h has
r y attentiona
than
poor
bee n
l sty l e
36
(Frost
, 19 8 1).
I n the
early
movemen ts , Ditchburn
i mposs ible
the
that
stimulus
comparatively
greater
regular
re po rt ed that
st i mulus , th e nerve
to
.
of
eye
psycho
mean in g put
As was noted
from
proposed
ability
to
may be t hat
in bas ic
screen
creative
central
or
r elevant
out
the
peripheral
1976) .
In other
aspects
deployment
creatives
this
same
is
in
deb ilitat
ed by an attentional
p . 51)
whereas
of
the
creat
the
.
do creatives
able
to
" (Dykes
has
&
.
It
on the
McGn i e ,
ranging
in flexible
under
the
screen
0c
, wide
is
to
focus
(Dykes
The schizophrenic
iv e individual
have
ana
mechan is m " which
stimuli
At
stimuli
environment
attention
in g?
relates
necessary
.
in
t ne
the
i ng mechanisms
and
"
a r e easily
schizophrenics
when app ro pr iate
irrelevant
and
process
is
the
is
expansive
only
inhibiting
in
overabundant
involuntary
emp lo yed
from
out
when this
attention
, both
difference
i ndividual
words,
rex l ect
How then
process
i zed
visual
~erna ~ s tne
, creatives
.
is
eyes .
creatives
i n information
One hypothes
the
tnat
creatives
schizophrenics
selectively
the
forwa rd by Piaget
differ
.
vision
qu ickl y " accommodate
of
of
above , however
t wo d iff e r ences
been
eye
eye
a constant
dep ict ed by Ditchburn
schizophrenics
least
to
speculate
ability
sense
and
the
movemen ts
phys iolo g ical
discriminated
movemen t of
One mig ht
accommoda tive
t ha t
when subjected
cells
rapid
lo g ic al
on staccato
(1 955 ) discovered
without
Ditc hburn
research
, while
control
in
and
is
precludes
him
McGhie , 1 9 76,
the
ability
to
37
retain
to
and ut i l i ze stimuli
others
(De llas
A second
creatives
the
exposed
as
creatives
are
The
to
all
dea l wi th
must
i n assimilation
be twe en assimilat
d iff erentiating
profiles
singly
and
.
somehow
ana
sch i zophren
i c groups
framework?
in the
Wi th
regard
to
, the
adaptation
the
avoid
an
in
efficiency
ongoing
construct
or
d i fferences
, in
i nteraction
Upon first
appropriate
, and
between
does
construct
schizophrenic
i on or accommodat
differences
level
the
co ll ectively
.
a more
be
At some
reflect
of the
, creative
assimilat
wh i ch we
differences
variations
i on would
may seem
either
to
and
accommodation
normal
r
be r edu ce d and
similarities
reflect
than
normals
to
bette
" (p . 74 1).
io n consists
ins pect i on , adaptation
for
information
Di fferences
i on and
, 1 979 ) of
are
processing
i ng i nformat
Adaptat
ar e
attention
, a c commodat i on , or , taken
i on .
to
they
~ cr eat ives
must
a Piagetian
process.
of process
of
, and
wit hin
equ ili b rative
adaptat
i ent
i s that
ability
which
ranging
of
" which
pa ttern
characteristics
manner
flood
effic
, creative
conceptualized
irr e levant
suggested
in their
differ
the
, a flood
this
among normal
these
t he i r wide
overwhe l mi ng overload
How can
be
"co gn iti ve econom i cs " ( Michel
t o allow
otherwise
been
i nforma ti on to
sch i zophrenics
exposed
simplified
has
d iffer
of
a resu l t of
and
prepared
which
schizophrenics
abundance
dep l oyment .
to
Ga ier , 1970) .
&
d i fference
and
process
wh i ch may appear
have
i on taken
creatives
a certain
38
p ri ma fa cie
app eal .
We t end
exh i b i t i ng s uper i or
cogn i tive
c ons i s t en t wit h
a g l obal
wit h d if fe r ences
i n adaptat
super i or i ty
charac
the
disadvantages
differences
To eq u ate
it
at
creat
i v i ty
odds
wit h the
Moreover
between
creat
iv es
account
for
t wo groups
s u ggest
t he
and
that
i nd ic ates
of
advantages
op i n i ons
one
t ed , one
be c a tegor
exp r essed
normals
, the
are
i cally
advan t ageous
and
sch i zophrenics
are
wi th
One wo u l d not
s uper i o r t o no r mals
more
d i ffe r ent i a t e creat
those
in
same
i ves
from
at t emp ti n<.:Jto
account
among
sch i zoph r en i cs mus t be mor e
c ir c umsc ri bed
I s i t poss i b l e t ha t one
adap t at i on , e it her
to
the
s i mil a r it i es and d i ffe r ences
crea ti ves , no r ma l s , and
spe ci f ic,
unaole
wi sh to
to
t han
of
the
ass i mi la ti on or
i s adaptat
c es
the
c es between
char ac ter i stics
t he pat t e r n of
o re p l ace
wou l d seem
d i fferen
r e , any hypothesis
.
by Kuhn .
r en i cs exhib i t some of
for
uncter
wou l d expec t
cong ru ent
hypo t hesis
s ch i zoph r en i cs .
thought
t ha t
migh t hypo t hes i ze t ha t d i fferen
s i mi lar i t i es
Therefo
t he
except
adap t at i on , ye t schizoph
norma l s .
, t ha t
In hi s
wit h adap t at i on wou l d theref
and
adap t at i on construct
, i . e .,
i on spec i f i c .
tne
As i ndica
i on to
, wh i le
is
i ve ind i v i dua l s , Kuhn concludes
s.
adaptat
Kuhn
disad van t ages
fa r outweign
in
But as
s i tuat
and
creat
unusua l c i rcumstance
as
ab i l i t i es , a vi ew wh i cn
i on .
advantages
t er i st i cs of
cr ea tiv es
sup e r i o rit y i n processing
i s re l a tiv e and
ana l ys i s o f the
t o th i nk of
i on .
t wo componen t s of
a c commodat i on a l one ,
39
migh t p r ov i de a su f f i c i ent
and more
fo r t he
at t en ti ona l s i mi l arit
c reative
, norma l , and
adapta
ti on , it
i nvoked
have
the
one
ab i l i ty
to
ass i mi late
ass i mi lat i on d o es
does
not
r econc i le
cha r acterist
the
i c which
more
creat
apparent
seems
li t tl e l og ic a l just
wi th
c r eat i v i ty .
If
i f i cat i on for
d i fferen
c e c omponent
wou l d seem
i n a l a r ge r q u ant i ty
of
for
hypo t hes i z i ng t hat
has
any
usab l e i nfo r mati on one
creativ
the
sch i zophren
of
, then
of
ivi ty
l ates
def i n i t i ons
in
creat
i ves
ana
appears
to
tak i ng i n
i ndiv i dua l
an a b ili ty
But
i s there
st i mul i one
level?
would
of
i c s . It
a behav i o r a l
an
t o imply
amount
assimi
for
t o t ake
any
ass i mil ates
The quanti
seem
to
intelligence
bas i s
t y of
be mo r e
than
of
i ty .
Indeed , it
ass i mil at i on can
and
the
can
asso ci at i ng ass i mi lat i on
i nfo r mat i on .
bear i ng on creat
rela t ed to
and
ass i mi lat i on i nvo l ves
i on in t o ex i s ti ng schemes
d i rectly
t ion
Moreove r , there
i nformat
d i rect
explana
i ves
.
i cs
cons t ruc t of
be adap t ive
deb ili tat i ng i n sch i zoph r enics
be
i nforma ti on t han
pa r adox
to
De
s ugges t tna t sch i zophren
t any
d i spar i t i es be t ween
As wi th
cha r ac t er i st i cs .
Fu rt he r mor e , the
no t sugges
?
among
how ass i mi lat i on can
fo r sch i zoph r enic
no r ma l i nd i vidua l s .
obv i ous
i c groups
see
wou l d no t wi sh to
exp l ana t ion
and d i fferences
sch i zophren
i s d i ff i cu l t to
t o account
Cer t a i nly
i es
pars i mon i ous
that
may be that
be
accommodation
equated
is
indi v idual
wi th
more
i ntel
pertinent
d i fferences
l igence
to
, in
level
in
general
of
,
40
creativity.
Intelli
g ence
an d assim il ation
as
dependent
on the
store
of
the
ability
and
accommodation
to
e mbracing
and
ava il able
information.
both
seem
of
information
at
variance
is
not
that
assimi
creative
to
creativity,
· is
not
it
is
to
it
is
assimilated
in volve
and
see k in9
with
on
Creativity
the
one's
out
ana
ex pe ctatio
y is
an i ntegral
co g nitive
ciivorcect
ns
part
activit
for
the
to
fro m
independent
of
of
y.
Data
wnich
individual.
in accommodation,
appear
But
not
be mos t directly
related
to
y level.
quant
be addressed
if
explanation
creative
for
all
i ty
creativity,
how is
of
more
the
is
Certainly
not
stimuli.
selective
environmental
meant
to
Attention
processe
s.
events
be put
quantity
to
account
with
the
to
i dea
su gge st
a s mall
be attended
of
must
fo rt h as an
of
for
sti mulation
t h an to
findings
to
a re
pr opo rtion
such
ex~erience
"op enness
th a t creat
to
o~
intelligence
openness
and perception
Only
can
the
to
creativity
experienced
characteristics
related
i t possible
and hyperarousal?
is
re p orted
directly
associating
experience"
sti mulation
And , if
is
as those
of
accommodation
individuals.
experienced
all
is
creativit
on is
differences
that
lation
no meaning
The issu e of
still
that
i n all
has
individual
assimilation,
(n or
Assimilati
as
creativit
say
process
in tel li gence ).
to
additional
both . be seen
be liefs.
This
the
acquire
i nformation
can
i ves
to
are
O.J:-'en
inher en tl y
of
and p rocessed.
Nor
41
does
" openness
creatives
it
t o exper
are
able
may be that
wh ic h they
experience
creatives
are
creatives
to
ie nce " necessar
are
open
more
d i ffer
" open " and
il y i mpl y that
in
others
than
t he k i nd of
are
not.
to pe rtur bat ions , to
p ro du cin g events
wh i ch o t hers
others
are
.
exper
I nstead
i ence
Spe cifically
,
to
,
d ise qu ili bri um-
in c lin ded
to
avo i d o r
mini mi ze .
It
quant
may also
it y of data
res ult i ng from
pe rt urbations
appear
to
st i muli
nature
quant
it
of
.
Thus
of
exp lan a tion
enter
stimuli
i ates
the
could
than
creat
effects
suppor
including
normal
individual
d if ferences
reverse
stimuli
process
i ng
quant
factors
in g s i gn i f i cant
pe r turbat
references
to
of
.,
for
i ng st i mul i.
data , par ti cularly
when
i nvo lv ed , without
ion s . Consequently
ac co mmodat i on may be seen
exp la na tion
the
ry
, i.e
li br iu m- produc
of
are
engaged
in
assimilation
claim~
range
of
f ac t ,
t he q u an tit y of
form
t the
may
, when , in
for
i ties
i mon i ous
normals
canno t p r ov i de a sat i sfacto
i n vast
pars
accommoda t e to
eas il y be mi sat tri bu t ed to
One may take
of
incor po rat e
stim uli
the
in
t a i n , creatives
i ves
of
d i sequi
construct
y to
and not
at t ent i on to
encounter
differences
y to
ab ilit
d i ffe r ent ial
selective
ab ilit
their
cannot
i s no t poss i b l e to
ity
the
t he stimulus
tha t d i fferent
accommodation
But
of
in more
apparent
may actua ll y be an art if ac t
s in
wh ic h others
individuals
that
experienced
Because
take
i s the
t he case
d ifference
.
i nf or ma tion
it
be
as
c r eat ivit y than
ass i mi lat i on .
, the
a more
any
construct
.
· 42
Horeover
the
, assimilation
interpretation
s tated
of
previously
utilizing
it
cognitive
, creat
is
structures
l at i on tends
outside
e l ements
( Piaget
It
would
itself,
compatible
with
able
the
observed
and
schizophrenics
difference
bolster
i on can
and
groups
without
schizophrenics
individuals
schizophrenics
is
assimilat
its~lf
no reason
"
to
of
i on nor
explanation
d ifferences
between
will
the
that
one
ability
to
of
to
of
pattern
of
i ve , schizophrenic,
on any
p rocess
back
t he process
amon<:J creat
the
for
creatives
now turn
or not
rel y ing
in
their
incor po rate
into
process
elucidate
differences
argument
was noted
to
to
an adequate
whether
be used
of
creativity.
The d i scussion
component
the
It
.
and
examining
simi ·larities
normal
to provide
is,
nature
the
neither
similarities
accommodation,
accommodat
with
reject
state
, there
associated
and
, "an y sche me of
Therefore
that
present
its
in
to
or
to
As
attending
that
differences
contrary
herein.
overlook
the
feed
appear
is
others
In contrast
to
to be
adaptation
normal
.
individual
assimilation
involves
with
, 1977b , p . 7) .
suspect
to
which
some extent,
contained
i vity
inconsistent
assimi
and
creativity
information
because
is , to
individual
assimilation
to
.
above
the
.
Similarly
accommodate
would
assimilate
, how can
to
not
information
wish
to
more
it
attribute
than
can
be that
unavailable
to
43
others?
have
Inhelder
noted
the
(1 976a , 1976b)
peculiarities
of
"p re- psy chotic"
is
particularly
acquisitions"
schemes
there
schizophrenics
little
stimuli
can
producing
with
resistance
·schizophrenics
or
cognitive
than
those
of
the
irrelevancy
of
undermining
cognitive
able
" or
would
activity
Perhaps
the
ill - formed
"irrel
evant
that
"
be dissonance
may encounter
is
little
structures
creatives
the
of
of
the
tend
with
quantity
of
avoid
stimuli
those
dant
stimuli
are
already
from
are
that
of
normal
stimuli
or apparent
to
perhaps
creatives
characteristics
respect
to
way li mited
suggests
of discrepancy
with
that
~o incongruity
again
attentional
degree
overwhelming
structures
schemes
This
be li eve
in any
accommodate
to
a stimulus
d iscor
to
in comparison
structures,
or
avoid
the
are
the
to
related
to
no reason
creative.
Low creatives
existing
to
and
cognitive
of
less
may be less
than
fail
so d iffuse
dua ls
schizophrenics
experienced
with
254).
hand , there
between
and
.
le ad to
, 1 976 , p.
that
nebulous
better
differences
schemes
stable
On the · contrary,
f lexible,
groups
not
" discrepant
indivi
structures
impaired.
creatives
of
Stimuli
the
other
more
the
"regulation
does
processes
.
On the
the
which
other
from
their
are
conflict.
for
equilibrative
and
(Sch mid- Kitskis
of
is
rdant
(1976)
in the
children:
disco
and · Schmid - Kitskis
the
operative
which
conflict
a r ealistic
structures.
, possibly
confounded.
fear
Schizophrenics
because
their
Creatives
of
44
actively
seek
with
their
those
discrepant
schemes
schemes
normal
.
groups
apparent
in
that
irrelevant
ability
of
incongruous,
there
, makin g the
to structure
and
discordant
terms,
it
disequ
m but
that
to
achieve
the
the
cr e atives
perturbations
schizophrenics
are
, the
by an equally
central
pr ocessing
overwhelm
fodder
of
the
able
resultin
matched
is
unable
in g to
cr ea tive
,
ions .
a re
exposed
appear
are
that
both
creatives
to
normals
to
by
go on
the
reestablish
an y e q uilibrium
to
a cco mmod ate
to
and
d isequili
to
.
allured
ar e able
whereas
an
to
sensitivity
is
structures
to
assimilate
b ria.
sti muli
performance
.
of
"is
-I n
not
[t he ]
(Leh mann , 1 966 , p . 406) .
schizophrenic
.
pre - existing
ion,
nor mals
ze the
mat ion , relative
extraordinary
apparatus"
and
utili
g f ro m constant.
extreme
the
and
phre nics
equi li brat
may be
to
What
equilibrat
onl y the
augmentative
schizophrenic
Only
would
from
a:i:tention
.
it
to
d iffer
p hrenics
with
schizo
infor
I n Piagetian
ilibriu
it
augmentative
creatives
of
schizo
in teg rate
modifications
data
creatives
to
creatives
incongruous
synthesize
attempt
greater
from
by achieving
abundance
give
creatives
to
Both
and
b oth
or
and
necessary
Schizophrenics
differentiates
the
sti muli
may be t he
intellectu·a1
Hhat
45
Attent
Puttin
for
the
g aside
moment,
attentional
will
ion
creative
research
processes
be considered
the
t heo ry
of
attentional
and
and
of
high
Creativity
schizo
examining
_t->h
r en ic
equilibration
and
to
s i milar
differences
the
i ndividuals
wi ll
to
account
found
in
iti es
low creative
An attempt
nex t.
characteristics
in dividua
be made
for
in
the
studies
utilize
u nusual
of
creative
ls.
The preceding
differences
d iscussi
between
l differences
in d ividuals,
and
ba sic
cognitive
dispositional
on s uggests
creatives
fun damenta
to
Deployment
and
between
that
these
stylistic
i n addition
to
, there
are
schizophrenics
creative
and
d iff erences
relate
and perceptual
or
that,
p r ocesses
l ess
creative
more
than
to
d i rectiy
mere
characteristics.
Creative
J:>eO!Jle view th e wor lct ar1a react
to it
unlike
most of their
~eers
uo, not because
tney
are eccentric
and strange,
b ut because
they p roc ess
infor mat ion differently
. (i-lartindale,
1975,
p. 50)
The contention
that
the
differences
characteristic
of
accommodate
which
to
enables
diverse
in
creatives
theoretical
can
to
less
of
the
section
positions
from
seemingly
utilize
g ies
an ability
inte
ad d cre d ence
rr elate
.
deriving
to
to
information
in dividuals
and
follows
g
unrelated
and
cre ative
methodolo
tnat
processin
result
or
creatives
a variety
in
information
unexpected
inf ormat io n -than
utilizi'ng
advanced
the
more
Studies
froh1
is
46
proposition
that
infor
fro m their
mat ion
people.
creative
In a study
found
evidence
ideational
more
children
task
testing
, on the
cue - ric h testing
Glover
written
of
essay
Both
.
the
the
writings
of the
" logical
intrus
the
writings
were
defined
with
the
expressed
as
passage
not
in the
concluded
that
are
essay
and
summary
creative
" sentences
but
that
essay"
on an
environ
in a
ment
than
o± less
ennancea
cre at ive
tne
by
logically
creative
noncreative
Two separate
suggest
asked
to
students
a
basea
on the
fantasy"
passages
and
fli ght
of
fantasy
subjects
were
found
to
contain
fewer
" inco r rect
subjects.
that
were
contained
logicall
incorrect
intrusions
not
with
mation
" ( pp . 94 - 95) .
Glover
et
individuals
more
to
d irectly
intrusions
infor
information
than
y congruent
information
are
more
intrusions"
Logical
.
wr ite
of
congruent
p assage
pas sages
undergraduate
were
whereas
new , incidental
subjects
(1 969)
pe rfor mect better
(1980 ) examined
a " flight
of noncreative
presented
relate
Bruning
, subjects
i ons " and
i n the
" sentences
was not
and noncreative
an essay
summary
creative
Ward
1he performance
hand,
, Zimmer , and
reading
do less
environment.
by creative
After
a cue - rich
room.
more
children,
children
in
other
than
school
creative
fluency
utilize
environment
of nursery
that
austere
i nd ividuals
existing
were
al.
likely
to
schemata
than
individuals.
studies
that
with
creative
undergraduate
students
in d ividuals
make better
as
use
47
of
category
than
information
in
creative
subjects
do less
subjects
with
words
will
eating")
prior
to
that
battery
high
solving
Differences
ma les
in
were
creativity
set
, whereas
the
of
to
Rainwater
anagrams
the
females
the
creative
( 1976)
of
low - creative
subjects.
o f creativity
and,
more
related
strongly
by males
than
Rainwate
effects
the
to
utilization
by females.
low creative
the
mea sure
discriminator
of
of
that
the
a ~reduct
of an
.
similar
1:.0
The -solution
was enhanced
solutions
in
as
may be
information
Mendelsohn
as
than
anagram
and
r su ggests
r esul ts
subjects
anagram
indicated
of
hi~h
hypotheses
obtained
category
f ro rn the
utilization
better
subJects
male
tests
Results
RAT employed
.
Associates
controlled.
replication.
however
number
the
the
anagrams.
set
between
multi ple
by creative
total
at
GB was the
in a pa rtial
information,
and
of
to do with
Remote
1971) .
with
"some
the
the
adept
the
in
maintain
Mendelsohn
both
utilization
with
superiority
with
problems
(1 964 ) p rovided
have
se statisitically
greatest
utilization
ability
even
per
will
them
more
subjects,
ability
ot hers
(Guilford,
are
anagram
(e . g.,
Medn ick , 1967)
(GB)
of
Rainwater
sets
using
&
creatives
low creative
.
presenting
was assessed
Guilford
set
and
(RAT) ( Mednick
solution
solving
be animals
Creativity
Test
problems
the
did
used
Rainwater
the
study
of
by
category
i ncrease
by mid - or
RAT as
, the
category
o:i:
of
not
generated
tnose
a measure
RA'l' was
information
48
In add i t i on to
Mende l sohn
from
i nc l uded
ne i ther
Knowledge
of
subje
drawn
of
c ts
t he
sub j e c ts
that
he
category
was
refers
i nfo r med t hat
fro m either
were
solution
of neu t ral
anagrams
ca t egory
i nfo r mation
so l ved
ca t egor i es
i nformat
i on .
neutral
anagrams
an equal
subjects
anagra
than
of
did
tota
support
wou l d be
less
to
for
the
so l utions
creatives.
able
as
indicative
to
consciousness
i evable
enterta
for
sub j ects
Mendelsohn
from
the
the
the
i s that
the
.
which
creat
to
cons i d er
interprets
at t entional
allows
i nforma ti on from
that
t he t wo
, and
, accord
iv e
neutral
He concluded
Mende l sohn
a greater
fewer
, res u lt i ng i n
i ng to
them
the
the
capacity
i n mul ti p l e , si multaneous
more
the
two g r oups .
search
solution
individuals
, an ability
form
i ons
we l l .
of
group
i nhib i ted
r med sub j ects
simultaneously
anagram
Creative
uninfo
overlook
a b le
as
i es
group
sub j ec t s wi t hou t such
l i ke l y to
are
results
did
hypothes
creative
al t ernate
another
some of
anagrams
his
l ess
i es
that
.
Sub j ec t s who re c e i ved
more
for
we r e
wou l d be
i nforma t ion .
.
,
; one
words
, and
two categor
l solut
ms than
categor
retr
than
found
creatives
are
of
that
Howe ver , i nfo r med sub j ec t s solved
number
Mendelsohn
the
know l edge
anagrams
specified
" neu t ral " anagrams
mentioned
, the
sets
was man i pulated
no category
, i n general
as
some of
two categories
two
of anagrams
to
i nformation
received
respective
f r om the
an equa l number
set -- what
of
from
found
anagrams
Mendelsohn
streams
to
in
of
" acqu i re
environment
,
"
in
49
(p . 361)
than
less
A variation
results
that
creatives
theory
more
rapidly
i s also
both
it
eye
Fr ost
rapid
individuals
.
Creativity
and
attentional
the
attention
related
of
creative
to
creat
a permutation
creatives
are
i on is
i ves
environmental
y and
to
or
hypersensit
that
high
1) de t ect
events
consciousness
c h cited
above
exhibit
a
individuals.
, on smooth
artists
suggests
the
i n creative
learning
of
the
creatives
significant
, and , 2 ) to
another
deviant
of
the
process
more
seem
theory
l events
likely
to
styles
would
environmenta
but
appear
attentional
learning
are
a re a
in
l earn in g would
an extention
i ve to
is
researchers
Inc i dental
individuals.
represent
of
i on in
"normal"
, incidental
ivit
focus
Learning
has
Logically
i s that
schizophrenics
shifts
i ncidental
be
creat
creative
of
.
and
than
The construct
creativity
suggest
in
Incidental
attracted
ng attent
(1 983 ) , in particular
movements
of
of
wit h resear
i ves
the
the
streams
sh ifti
stimuli
data
shifting
consistent
creat
to
of
occurrence
that
of
sensitivity
research
pursu
rapidly
concept
that
greater
at
of
wit h the
simultaneous
people
indicating
consistent
facile
.
' s interpretation
Un li ke the
, the
creative
The
i s equally
.
individuals
of Mendelsohn
are
attention
creative
to
that
.
The
than
less
nonsalient
and
integrate
those
50
ev e n t s i n suc h a mann e r a s t o a llow
for
l a t e r re c a ll
and
u t ili za tio n .
La u ghlin
(1 966 ) h as not ed the
si milarit
inci den t a l l ea r n i ng a n d Mednic k ' s t he o ry
y be t wee n
o f cr ea tivit
y:
results
wou l d seem to indicate
that
creat i vity
and
incid e ntal
l earn i ng involve
the same basic
underlying
process
of bringin
g apparent
ly
irrelevant
or unrelate
d i deas into contiguity
or
association
so that
th e relationship
be t ween them
is strengthened.
( p . 119)
Us i ng t he RAT, La ugh li n fo u nd s i g ni f ic a nt
cr ea ti v it y gro ups
crea ti ves
of
ou t s c o r ed me d iu m and
wit h I Q emp l oyed
s t udy
on a measure
as
a c ov a r iate
(L a u ghli n , Dohe rt y ,
i n ci denta
c e s among
l l ea r n i ng .
.
I n a l arge
cr ea tivi
sepa rat e ANCOVA ' s .
Cr e ati v it y was s i gn ific
both
i nten ti ona l le a r n i ng wit h I Q as
a cov ar i a t e .
pred i c t o r of
of
d i st i nct
each
task
of
to
the
are
, sub j ects
were
three
i on of
ies
.
presen
the
among
p r ese n ted
f i nd another
other
in
a
to
bo t h
y sc or e a s
be t ne
I Q was the
i n t ent i ona l lea r n in g .
sim il a rit
RAT, sub j ects
i nstructed
i ng wit h c r ea tivit
inc i den t a l l earn i ng whe r eas
The pr i nc i pa l li mi tat
the
measures
an tl y r e l a t ed t o
Cr ea ti v i ty , howeve r , wa s found
be tt e r pred ic tor
i n the
and
S i mil a r ly , I Q wa s s i g nif ican tl y r e l a t ed to
i nc i de nt a l a n d i n t en ti ona l learn
be tt er
as dependent
ty
were
c o v a ri a t e .
ea c h u sed
r ep li cat i o n
i n t e lli gen c e sc or es
i n ci denta l and
Hi gh
lo w cr ea ti ve g r o up s , even
Du nn , 1 968 ),
&
differne
word
Laughl
i n stud i es
t he meas u res
wi th
se t s of
tha t is
emp lo yed . On
three
somehow
wo rds
of
and
re l a t ed t o
On Laughl in ' s i n t en ti onal
t ed wi t h sets
l i es
s i x wo r ds
l earn i ng
and
51
words
of
and
the
task,
asked
six
to
in the
su b jects
i ng each
from
set
i den tify
is
learning
that
are
apparent
actually
three
among the
underlying
the
attem p ted
to
subdivide
focal
first
p resen ted
while
another
were
Fo llowin
g the
ten
of
recorded
we re words
list
the
asked
word pa irs.
and
to
It
i nc i denta l
, rat he r than
any
means
of
commonalities
construct
lear ni n g has
i nto
two more
d ep lo yment , pe ri phe ral
_learnin
(1 966 ),
a p rinted
of
to
task
words
of p rinted
" inter
subj ects
.
f e rence
not
i nc i dental
by
e x amp le , subjects
of
words
to
on the
to
c onta ine d in
were
" words , and
encountered
recorder
.
pr inte d list
were
Unbeknownst
we re
memo ri ze
on a tape
su bjects
wo r d s , ten
s p ecific
In a study
concentrate
were
had
g.
was playing
memoriz at i on task,
solving
for
list
words
instructed
of
and
ns observed
on incid ~ntal
the
with
t h e solution
memor ize d li st
rch
Gris wold
an anagram
t h e concepts,
of over l ap i n the
incidental
g roup
Subjects
with
resea
of a~tention
and
two woras
constructs.
of
Mendelsohn
l earn i ng
words
t he
learning,
variabl,es
Much
and
four
intercorrelatio
a product
wit h four
int en ti onal
t o recall
with
, intentional
the
learning
the
associated
li nk in g eac h of these
the
mea suring
aspects
Foltowing
associated
i vity
concept
p rese n te d wit h the
t h e conce pt
creat
the
conce pt , asked
not
possible
· among
set .
were
exem p lify
the
i dentify
pre s ented
the
the
su b jects,
prev iousl
on tne
ta~e
the
remaining
i n the
y
ten
.
52
memor i zat i on task
i nc i denta
of
(i. e .,
l learning
anagram
subjects
neutra
" was operat
s oluti
ons
from
been
i nciden
learning"
solutions
from
each
case , the
used
as
t al
words
on t he
number
a covariate
of
to
io nally
words
had previously
"peripheral
l words ) .
on the
as
pr i nted
list
to
was the
taped
"f oca l
def i ned
instructed
l for
the
number
to
attend
wh ic h
, wh il e
number
of
" interference
" neu tr a l"
contro
'l'hus
anagram
" list
.
In
anagram
solutions
was
anagram
solv i ng ability
pe r se .
Results
and
of
this
occasionally
cues
the
use
s i gn i ficant
s i gn ific
creat
was obtained
( 1971):
ivit
y score
cues
not
study
by Mende l sohn
separately
of
cues
in
samp l es was use
to
l cues
found
The
use
(1966)
.
b oth
been
in
creativity
but
of peripheral
cues
no
use
pattern
of
of
and
l y re l ated
Creativity
Griswold
so lvi ng anagrams
the
of peripheral
samples
and
by Dewing
, data
inconsistent
though
between
re verse
s i gnificant
the
results
Battye
to
cues
the
.
were
was assoc
wi th
in only
one
associated
of
use
above
Mendelsohn
is
and
the
each
poss i ble
Gr i swold
incidental
confounding
the
the
t wo
wit h
attempt
t o address
learning
effects
this
of
In a
on two samples
i ated
focal
.
A prob l em common to
cited
.
have
Mende l sohn
, i n a study
was
focal
ana l yzed
to
was
, however
but
.
l ..1 related
creativity
creativity
research
of pe ri phera
an t relationship
and
focal
of
contradictory
(1 964 ) found
t o be
line
s tu dy
of
IQ .
i ssue
by
use
53
including
their
vocabulary
analyses.
RAT (the
into
it
equal
such
from
RAT scores
the
may well
their
the
study,
the
creativity
for
use
in
Torrance
and Battye
the
resulted
it
1964;
study
of
oecause
be
RAT for
of
French,
the
(p.
faulte
no means
possi
215) .
d:
(TTCT) and
1978) ,
in
for
b le
And
by Dewin g an d Batt y e
similarly
Guilford
use
unsuitable
of
Yamamoto , 1965;
contained
mean
inflation
level"
selectea
Thinking
GB:
"i n
427) , a procesure
the
vocabulary
can
y
in
artificial
rejected
study
measures
study
selectivel
sorae subjects
"was particularly
Griswold
of
are
creativity.
(1971)
that
of
(p.
in the
to
Battye
1973;
bot h the
t h e GB are
Wallach,
196 8 ,
, 1971b;
Guilford
Further
more , the
of
controllin
&
Dewing
g for
t he
IQ,
should
be noted
Barron - Welsh
of creativity
that
levels"
with . IQ (TTCT:
Christenson,
It
three
of Creative
Wodtk~,
effects
the
their
Test
correlated
1970;
produce
scores
the
subjects
to
maximum differentiation
to
effects
yet
divide
chose
in
and
stu dy)
as
and
[confounding]
this
to evenly
authors
b le
vocabulary
the
noting
Mendelsohn
in
varia
consideration
have
and
used
the
attributable
Dewing
because
possible
Instead
among
effects
an independent
creativity
was not
a fashion
which
of
cells.
eliminate
as
Unfortunately,
measure
correlated,
level
correlates
.
Art
that
scale
The BWAS is
with
creativity
Mendelsohn
and
Griswol
(BWAS). as an a dd itional
a test
of artistic
cri t eria
bu t
d used
measure
p references
is
app ar ent l y
54
unrelated
t -o IQ ( Wallach
associated
with
the
, 1971 ).
use
of
Scores
ne it h er
on the · BWAS we re
focal
nor
i:)eri_:?he ral
cues .
Another
concerns
issue
the
inc i dental
and
the
learning,
then
to
resultant
be
the
intentional
, not
incidental
learning
n ing , where
which
·th e task
at
hand
the
is
not
which
incidental.
is
the
readily
.
b etw een
the
learnin
in
suggests
that
use,
or
at
ter m focal
incid
when the
l ea st
t h an is
(p . 46 1 ) .
enta l ·learni
on a particular
be
the
of
subjects
incidental.
Each
so me
hand"
definition
has
g.
information
proble1 n at
occurred
, from
se p arate
irrelevant
knowledge
e of
not
the
y to
What
p revious
studies
deficient
(19 8 1)
may actually
of
relationship
inc i dental
attention
learning
t..1-ie relevanc
these
an acceptable
their
l earning
the
into
an oxymoron;
focus
acquisition
in
n of
is
instructed
trai
solutio
above
definitions
of
appears
seemingly
cited
may stem , in part
a "tendenc
' s statement
to
to
peripheral
has
tt1e
wou l d appear
each
learning
Barron
and
for
incidental
the
and
individual
Barron
regard
find i ngs
operational
in
constructs
to , more
the
t h e construct
respect.
necessary
If
of
derivative
creative
the
incidental
focal
· significant
attend
of
with
bifurcating
components,
to
utilized
findings
creativity
of
efficacy
learning
Equivocal
the
relating
are
sti mulus
At t h e ti me of
was clearly
be en called
focal
a me asur e of
transfer
is
applied
previously
apparent
ng
to
a new task
l e arne d material
.
of
to
I
55
The lack
pe ripheral
of consistent
incidental
definitional
another
characterized
as
interference
II
are
and differences
in the
schizophrenics,
the
construct
p re v iously,
schizophren
schizophrenics
the
creative
respond
subjects
out
Mendelsohn
the
role
cues.
anagram
One group
infor mation .
and
to screen
Perhaps
some of
lear n in g studies
their
which have been
the
attempted
ability
explicitly
to evaluate
by mani p ulatin
re garding
g the
"inci de ntal"
was infor med that
sa me words that
•
Another
Because
subjects
cue words
creative
abil _ity
and exercise
(1972)
were g iven
"are
228)
the
incidental
learning
of subjects
solutions
memorized " (p.
between
and Li ndholm
su bjects
to
."
of incidental
infor mation
and
incidental
between
when necessary.
, sti muli
as "distractors
of creatives
is that , unlike
may pos sess
demands
stimuli
tion
When
v1ords.
As alluded
d istinc
styles
above ,
of words and
of the peripheral
in the
to experimental
to screen
labeled
ambiguities
stimuli
cited
of si milarites
styles
become evident.
out overabundant
studies
in light
atte n tional
, creatives
to
cue words were
considered
ic attentional
r elate
to
or "distractor"
II
an hypothesized
regard
to one list
The peripheral
instructions
learning
of the
to attend
list.
with
may also
In all
were instructed
ignore
those
learning
confounds.
subjects
findings
and anagram
group
some of the
you just
received
no such
in fo r med of the
solutions
solved
relationsh
no more
ip
57
Like
the
literature
research
on the
indicates
that
receptivity
creat
accessing
words,
viewed
and
attentional
i ves
by
seemingly
noncreatives
, and
accommodate
to
creative
Piagetian
schemes
et
to
. Results
subjects
stimuli
The terms
.
readily
categories
i nto
stimuli
indicate
to
.
the
a·esignated
creative
discrepant
are
t han
able
of
by
i n the
are
less
attention
into
words
words
that
to
overlooked
d schemes,
scheme
which
then
on
of
translated
The categories
are
suggests
stimuli
in
In other
a state
employed
may be considere
assim i late
constitute
into
are
and
theor-.1 , research
prompted
may be
al.
accommodating
creative
.
in
n.
individuals
incidental
high
structures
creative
inc i dental
terminology
respective
words
of
the
Furthermore,
informatio
creatives
literature
.Mendelsohn
attemt
that
individuals
deployment
of . Piagetian
easily
a greater
existing
light
,
subjects
lo w creatives
that
the
schizophrenia
creative
.
utilizing
more
disequilibrium
the
events
into
sty l es of
are
of
have
mo re a dep t than
in
and
i ve individuals
new i nformation
l ater
creat
styles
environmental
appear
integrating
the
attentional
to
creatives
on cr_eativity
utilized
words
which
schemes.
by
within
subjects
The neutral
discrepant
with
subjects
are
sti muli
than
t he
mor e caf)able
a re
the
less
58
hypo thes es
An attempt
some of
the
the
was made
issues
framework
creative
raised
of
prov i de a more
i zed
auxi li ary
assimila
tion/
in dividuals
Specific
not
of
i gat i on to
address
The intention
the
and
their
that
of
than
average
accommodation
i s related
measures
was to
hypothesis
by higher
was that
a d justing
to
.
It
measures
assimilation
creative
was
of
.
An
i ndividuals
a r e mor e
personal
accommoda tio n balance
than
are
less
creative
.
was pred ict ed that
two d istinct
sub j ects
operational
attempted
br i ef l y presen
to
recognition
i nvolv in g the
scheme .
It
exceed
creat
of
ivit
measures
recognize
t ed words .
be no differences
would
to
ns
Predictions
It
the
.
iu m seeking
hy p othesis
of
t heory
creativity
but
capable
i nvest
i s characterized
that
accommodation
this
d ire c t testing
of disequilibr
hypothes
Pred ictio
by t he Mende lso hn stud ie s wit h in
Piagetian
thinking
levels
in
and
It
high
words
from
was ant ici pated
low creatives
three
different
and
that
low creative
a designated
of those
words
, however
, that
in
be
related
of accommodation
was predicted
between
assimilation
y would
recognizing
.
to
F ir st ,
types
of
there
would
subjects
in
scheme , a task
into
high
those
a prescribed
creatives
woras
wh ic h
59
are
rela t ed to
wor ds , t a s ks
the
scheme
i bed
scheme .
accommodated
The ab il ity
re l ated
was tested
sub j ects
.
or
atten
ti on to
all
creat
i ve subjec
the
respond
t o the
i on .
other
t hat
wh i ch sub j ects
.
on scheme
appropr
words
t her.
maximize
to
the
unre l ated
set
instructions
and
between
the
emphasized
; sub j ects
were
tha t
wou l d be
, when g i ven
(" give
that
words
than
eq u a l
high
i ns t ruct i ons
of
by
i n t he
low creative
to
be
re l at i vely
i ng an i nabi lit y to
thereby
i on balance
ins t ructiona
and
I n contrast
was expected
to
and no t
subjects
hand , was expected
ins t ruction
i on
that
ac c ommodation
it
respond
and
i ately
low c r eative
cond i t i ons , indicat
One add i tional
accommodation
at
i ng stimulus
The performance
ass i milation/accommodat
i ate
rate
focus
words "),
related
, on the
across
to
t s would
condit
constant
These
to
elim i na t ed altoge
more
mode r ate
ic a ll y vary i ng i nst r uct i ons
wou l d respond
i ntended
intermed
of
by othe r words , i t was expected
i ns t ruct i ons
i zing
st i muli
ass i mi lat i on/accommodat
be t ween h i gh and
mi n i mized
sub j ects
the
When i ns t ructed
sub j ects
previous
the
by systemat
t o be distracted
recogn
to
i llu s i on - produc
t o ad ju st
balance
i on to
Second l y , i t was ant i c i pated
t o an
differences
re cogn i z i ng unre l ated
d i sc r epany , r espe c t i ve l y , wit h t he
c r ea ti v i ty wou l d be
creative
in
requ i r i ng accommodat
and h i gh l eve l s of
prescr
and
alter
the
.
l condition
conditions
assimi
i nstructed
served
descr
l ation
to
i bed
wi thout
as
an
above .
exc l uding
g i ve t he i r
60
attention
other
pr imarily
words.
This
may poss ibly
three
possess
familiar
red
existing
knowledge
creative
lity
pant
that
.
The expectation
su bjects
faced
·con dit ion,
relate
.
then
d and
with
with
b ecause
to
the
the
new
alreaay
is
to
relate
the
knowleaye
valid
data
expectations
was that,
h i gh creative
unrelated
tne
val i d it y of
of existing
d iscre
more
ded
of knowleage
is
" attention
recognize
body
structure
possibi
inclu
may be analogous
The task
the
the
which
"e xclusive
the
was
overlookin'::i
external
by a scientist
to
to
excluding
encountered
set
g reatest
scientist.
new information
less
the
r elevant
to the
without
wordi:; without
Thi s condition
encounte
i nfo r mation
scheme
instructional
conditions.
situation
would
to
words
as
may be
or
with
in
the
subJects
than
would
it
bl
Method
Subjects
Sub Jects
were
volunteers
45 ma le
recruite
Subjects
receive
seniors
Forty
30% were
.
pe rcent
Subjec ts
pe rce p tion
were
the
told
and
br i ef ly
on a video
screen
all
completed
were
21 years
they
.
tasks
were
pat in g in
subjects
juniors
words
were
, and
9% were
.
20 years
ola .
pa rticipating
in
when flashed
of
a
s tu dy would
were
(Co p ies
contained
under
.
the
student
of the
SubJects
.
lo gy course
ola .
one part
recognize
the
are
of the
subject
t hat
to
forms
par tici
, 14% were
that
attempting
debr i ef ing
percent
above
involve
had
for
s tu den ts ,
psycho
was a nonmatriculating
of
study
cre d it
sophomores
were
unde rgraduate
an introductory
- nine
One subject
S i xty - two pe rcent
Eleven
59 female
d from
d course
investigation.
freshmen,
and
debriefed
the
in Appe ndix
very
after
consent
and
D. )
.Materials
Word
derived
recognition
in part
his
investi
and
indivi
A word
fro m methoaologies
gation
dual
tasK .
s into
the
differences
Mende lsoh n studies
, subjects
recognition
employea
relationshi
in
required
was
by Mendelsohn
p between
attention
were
task
creativity
deployment
to
solve
.
In the
anagram
in
62
problems
.
A simple
word
investigation
rather
than
to
mi nim i ze the
l1uller
etfects
- Lyer
Mul ler - Lyer
was developed.
in Appendix
for
measure
assessing
Line
IQ frequent
.
( e . g .,
tests
correlat
with
necessary
are
merely
to have
shortcomings
used
to
the
I I co mpu ter
program
is
given
ivit
Wallac h
the
creat
of
criteria
extent
plaguing
other
the
i ty ,
were
the
four
between
used
to
to
the
scores
otten
extent
" creativ
(Wallach
tests
tests.
Several
,
i ty "
,
( W- K)
methodological
creativity
and
iv ity
same
which
- Kogan
tasks.
creat
I Q is
intelligence
The Wallach
many of
the
test
, and because
overcome
t asks
creativity
ta pp i ng general
, 1 978 ) .
and
ver ba l creativ
from each
the
a
i n previous
correlations
que stion
task
and
Wing , 1 969) , su b Jects
&
i vity
use d as
Mean ings
AS
io ns between
the
were
measure
y.
by Wall ach
uses
and Pattern
cr it eria
to
1 968 , 1 970 ; French
seem
Apple
fluency
it ems selected
and creativity
is
i n order
the
adapted
The Al ternate
creat
l y approach
correlated
it
of
this
.
the
tests
ideational
were
three
Because
tests
task
of presenting
li sting
Four
.Meanings
i gat i ons
comp l eted
A means
y Tasks .
measu r e figural
i nvest
skills
in
E,
Sim il ar iti e s task
to
was used
solution
on a CRT using
of creativity
whi l e the
verbal
A complete
Crea tivit
Kogan
task
an anagram
of
t ask .
illusion
recognition
63
studies
have
tests
.
demonstrated
, one
a r e d isti
verbal
n ct
(1 97 1)
and
from
Crop le y & Naslany
cites
var i ous
several
validity
separate
test
studies
f i fth
be t ween the
g ra de rs
c r ea tivit
s t udents
o l ds
students
( Wall ach
&
(Lin demann
F u llagar
&
re po rt ed lo w correlat
i ons
of wh ic h may be a ttri
bu t ed to
pro c edu r es
recommended
"te s t - li ke " adm in strat
obtained
.
Ha l lach
ana
r ela tio n s
This
has
he l d
Kogan , 1 965a , 1 965b ) , for
&
Wing , 1 969 ) , for
( W. Ward , 1968 ) , and
Ward , 19b7 ;
y mea s ures
i n t ercor
were
( Wallach
factors
t he W- K measu r es that
IQ meas ure s wh il e significant
for
W- K
two
these
(J.
scores
the
& Fo r man , 1 977 ) .
using
measures
of
into
f i gu ral , and that
, 19 69 ; McKin ney
among th e cre a tivity
ye ar
one
int e lli gence
fou nd no relationship
college
factorial
Ana l yse s show te s t results
factors
true
the
for
South
, 1975) .
be t ween the
seven
Afr i can
and
h i gh schoo l
A few studies
W- K t a s ks and
dev i a tions
i ve procedures
have
I Q, most
f ro m t he test
by Wallac h and adoption
( e . g .,
e i yh t
i ng
of mor e
Ve r non , 1 9 71;
~
.
War d , 19 75).
The W- K tasks
d ata.
Whi le
ex tr ac urri
s i gn i f i cant
have
there
cular
acc ompl i shments
ivi ty
s co r es
( Wall ach
between
c rit e ri a have
& Be r ge r , 1971 ; Ba r t l e tt
betwe en
i n h i gh school
be t ween
i c attainments
Pos iti ve cor r e l ations
creat
accumu l a t ed aaeq uate
i s no relationship
cor r e l a tions
many nonacadem
o t her
also
&
found
IQ ana
, t he r e are
on the
W- K tasks
and
Wi ng , 1 969 ) .
t he W- K t asks
been
va li d it y
and nume r ous
(Rotter
& Davis , 1974 ; Wall brown
, Langland
&
,
64
Huelsman
, 1974) .
The internal
substantial.
Wallach
correlations
split
and
. 87 for
to
the
the
tenth
of
grade)
of
the
val i dity
of
stable
As Wallach
(1971)
ideational
warns
of
the
the
both
, not
dangers
of
y.
on the
W- K as
compare
creativity
.
interval
W- K tasks
creativity
.
are
pe r se .
not
creativit
abilities
measures
verbal
are
of
data
and
fluency
correlates
~ever t heless
favorably
other
a measure
Wal lach
;
necessarily
, the
an in dica tor
with
for
and
tw o c onstructs
ideational
fifth
McAll i ster
the
of
. 82
as evidence
equating
correlates
validity
, the
a
(1972)
(fro m the
an 18 month
of
and Pankove
as well
.
- item
of be tween
figural
observed
inter
and Maslan y
stability
tasks
is
(1 971 ) re ports
Kogan
W- K tasks
over
fluency
.
lon g term
tound
re por t
coefficients
tasks
the
be moderately
of
W- K tasks
. 8 7 , and Cropley
respective
(19 8 3) also
the
. 70 ' s , Vernon
for
predictive
Kulberg
middle
KR20 reliability
ev i dence
the
the
of
and Win g (1969)
reliability
re po rt
offer
to
in
- half
(1969)
consistency
reliability
ot
certain
measures
anct
creative
of
Procedure
Word recognition
were
of
administered
an Apple
II
tas ks.
to
computer
subjects
.
The word
indivi
recognition
dua lly
tasks
throu gh the
( The p ro gram ut iliz
ed is
use
p resent
ed
65
in Append i x E ) .
12 words
of
the
Subjects
pr i or
words
to
i on of
subjects
to become
du ration
of t he
at
trial
example
the
at
experimental
subjects
i onal
third
trial
criter
for
each
were
pe riod
words
.
I f the
, then
the
the
equally
third
t al
cr it erion
was not
t he
trials
length
40 s ).
word
, then
to
first
on
the
of
the
trial.
and
had
the
reached
percent
trial
An
8% on the
not
which
occur
n Engl i sh .
in
each
allow
more
reached
lists
the
of
three
i dent ifie
d for
subjects
pr i or to
the
48
g
were
composed
of
than
one
time
per
of
words
lists
a scheme
of
readin
Th r ee categories
within
a scheme
to
viewed
Lists
of words
of
- six
, subJects
consisted
An example
al l ow
trial.
category
list.
to
a criterion
proceeded
subjects
a time .
experimental
identified
second
at
was 100
reach
on t he
•ren
eighth
correctly
sufficient
nouns
the
fai l ed to
on the
represented
the
in
level
the
i n writte
the
criterion
wor d (a pp roximately
n words
through
used
of
The
word
. Seventy
of
.
example
regardless
it
experimen
p rocedure
experimenter
F i ve percent
concrete
first
a subject
eight
a tim e of
singu lar,
millio
If
i on after
In the
words
.
13 % reached
.
the
27 msec
trials,
reached
addit
the
for
, one
l y dec r eased
the
list
trials.
screen
was gradual
to
an example
experimental
was decremented
least
attempt
the
to
on the
acc li mated
was repeated
third
of
flash
the
was reached
exposed
flashed
flash
p oint
l eve l of
of
the
The duration
which
start
we r e then
The durat
msec .
the
were
that
presentat
whic h was utilized
.
One
was
i on of
i s " words
the
66
that
are
the
the
names
l ist , subjects
relate
d to
each
A second
words
that
scheme
For
" wool ."
The third
were
represent
wh ich
i dent ifie
stimuli
t he
e ease
relativ
accommodating
than
the
assimi
discrepancy
th e woras
in Appendix
,"
and
ot
to
words
eac h other
we r e int ended
y discrepant
words
with
fun ction
with
scheme
should
has
to
the
Perception
to
t he
ed as
scheme.
determine
were
r e late
of
.
in
l , subjects
rea d ily
t he
tne
d words
scheme
s h oul d be pr i ma ril y a funct
categories
of occurrence
compiled
scheme.
" s cheme ,
scheme
word ; in genera
hand,
that
or
a subject
was
i on of
.
The three
da ta
the
are
"
list
"tail
scheme
the
words
t he specified
discrepant
words .
each
of
unrelated
with
more
in
consisted
mode ratel
d if f iculty
unrelated
l ation
frequency
or
other
words
of
animals.
with
the
the
of
"hoof ,"
r e l a te d to
accommoda te
words , on the
names
of the
of animals
significantly
t o the
to
to
of
were
were
of
expected
category
presentation
some
members
included
either
the
i nc lu ded
words
wh ic h were
The degree
the
words
d scheme , whereas
which
a re
t he names
to
stimuli
" that
actually
are
unrelated
Words
of
not
that
of re l ated
Pr i or to
some way associated
t ha t were
th e " words
wh ich
they
cate g ory
in
."
informed
other;
were
b ut
animals
we re
examples
of
of
by Carrol
and
C) .
their
of
in
words
wr itte
, Davies
r es~ect
In addition,
were
mat ch ed for
n Engl i sh using
, and
Rich man (1 9 71) .
iv e frequenc
i es
each
1 6 words
set
fre quency
of
are
(Lists
p re sented
wit h in a
67
li st
contained
a rra nged
the
same
wi th i n the
orde r wh ic h was the
number
of
list
according
same
for
screen
spe ci fied
, one at
for
approximately
the
subject
exper
the
a time.
recorded
the
i menter
presentation
of
each
say
word
the
the
word
success
pe r mitt ed subjects
whatever
distance
comfortable
order
.
from
Words
whi ch was
i nitially
s i milar
suggests
significant
in
the
wor d recognition
that
flashed
the
results
task
to
each
aloud
of
flashed
screen
i on of
.
the
prompted
the
The hand - held
found
.
or der
at
most
in
sufficien
random
which
The successive
in
a word
An
n themselves
they
the
on the
on the
l padd l e .
procedures
is
wor ds ,
i n a p r edetermined
of
list
random
i ve wor d by pressing
screen
i ndependent
appeared
of
The s u b J ect
to pos itio
the
were
list
presentat
response.
were
.
was visible
but to n on a hand -h e l d game contro
control
the
After
Words
a p re de t ermined
above -- whic h were
27 msec .
to
.
36 words - - 12 from
Each
at t empted
letters
subjects
of
v i ewed a ser i es of
thre e categories
to
a ll
Fol l owin g t he presentation
subjects
to t al
t he words
use
a variety
of
of
s t ud i es
tl y re li ab l e for
be obta i ned
( Rumelhart
Si p l e ,
&
1 97 4 ).
The presentat
superseded
stud i es
of
i on of
by a mask , as
( Kahneman , 1 968 ) .
11 X ' s enclosed
f l ashed
wor d .
It
each
is
flashed
often
done
The mask
with i n a box
was v i sible
word
i n word
cons i sted
and cen t ered
on the
was preceeded
screen
and
recognition
of
three
over
the
for
li nes
68
approximately
54 msec
presentations
subject
, util
addition
to
are
based
" words
of
the
in
the
that
are
the
subject
by the
to
were
to
were
drawn
g ive
l ess
equal
told
most
to
the
flashed
the
l atter
subjects
related
of
when
that
their
Under
were
"
third
list
was
" scheme .
to
each
the
subject
were
t he
one
to
to
viewing
the
number
list
.
of
t he
They
the
third
instructional
were
viewed
the
list
Under
i ns tructe
words
and
d
and
more
fewer
condition
their
,
words
words .
former
of
and
flashed
that
all
were
words
told
give
the
Furthermore
r e l ated
were
to
of
related
, subjects
the
read
, subjects
t he unrelated
to
attend
presentation
the
from
they
should
were
condition
drawn
to
which
subject
prior
and
words.
instructions
Instructions
attention
as
In
on a "words
vehicles
ted
.
animals
the
of
how the
an equal
instructed
words
in
condition
unrelated
.
of
trial
was based
presen
at tention
t he related
words
names
names
were
Under
words
from
the
each
three
d.
instructional
the
the
g ive
unrelated
a second
superseding
procedure
" scheme , and
experimenter
instructed
subjects
and
for
lists
was p resented.
wo rd lists.
the
two
regarding
respective
to
list
the
differed
g iven
when it
are
lists
trials
were
a list
foods
de termine
The three
to
that
of
wh ich
randomly
word
remaining
names
on a " words
subjects
preceeding
d t he experimental
a different
the
the
The order
was
repeate
i zing
scheme , one
that
the
.
Each
times
in both
of
from
,
attention
, since
most
to
of
the
69
flashed
only
words
wou l d be selected
a few would
fact
, an equal
unrelated
number
words
obviate
i ng abi l ity
f i rst
and third
except
their
instruct
words .
less
that
i ons prior
equivocal
condit
each
in
subject
t he word
, subjects
the
Muller
illusion
length
each
the
trial
length
task
- Lyer
illusion
constant
the
right
.
Subjects
of
the
exposed
line
right
to
to
The
two
(1972)
rece i ved
to
the
establish
a
set , whereas
the
screening
l imiting
.
or
The order
sets
of
all
the
length
for
of
which
randoml y
for
Appendix
D.
deployment
presentations
line
all
in
was
attention
The left
third
instructions
in
.
segment
trials
.
of
The
the
initial
was r andom ly determined
use d a game control
line
the
exposure
30 successive
segment
.
subjects
i s presented
Following
and
Lindholm
initial
of
rendering
.
and
instructional
task
to
.
i ncluded
investigations
instructions
ed the
were
was of
of
to
recognition
learning
was intended
a measure
response
- Lyer
their
In
trials
were
investigation
learning
A complete
Muller
of
as
receiv
determined.
task
incidental
three
comparable
and
words , and
i nstructions
Mendelsohn
condition
i on was used
attention
were
to
words
words .
the
incidental
in present
The second
of
in previous
the
related
unrelated
each
of
of
cond i tions
in
the
words , related
in
sets
evident
employed
study
flashed
confounding
screen
the
scheme
differing
the
cond i tions
from
of
were
The three
to
be taken
from
segment
paddle
unt i l it
to
appeared
for
adjust
to be
70
equal
in
length
to
the
l eft
lin e segment
pressed
a bu tt on on t he padd l e , record
lin e as
set
segment
of
completed
by t he
the
thirty
at
d i min ishe d over
tri
to
Creat
ivit
recogn
i tion
given
the
i ns tructi
room .
emphasize
tasks
words
.
dec i de you
are
finished
and
and
that
enhanced
when t he ta sks
one
."
as
of
are
adm i n i s t ered
the
another
had
you
i on to
no
lik e .
another
was made to
and
between
validity
to
quest
.
to
t he tasks
long
r esults
connections
s were
d i rected
An a tt empt
t est
word
g i ven
as
the
wha t appea rs
measures
name l y , t he
, sub ject
that
te st -li ke situations
in d ic a t es
and g iv en in
from
i a lit y of
re search
" was also
n o f the
were
ques tio n for
or
score
task
in d ic ated
forth
n
rec ogn i zed .
Sub j e cts
ons
line
i nve r se l y
th e co mpletio
and
t he confident
i l lusio
be
t he
s.
inve s ti ga tion,
th e tasks
i ns tructi
of
wit h t he o t her
this
go back
tasks
to
Mull e r-L yer
mi n i mi ze an y s i mila r i ties
creativity
in
After
the
then
typically
t en minute
T"hi s " slope
Unrelated
.
length
Sub j ects
of the
correlated
"Wor k on each
to
.
to
expected
on completing
Enc l osed
you
and
creativity
ons
free
and
five
effects
a l s was
y tasks
t ask
ti me li mit:
unt il
the
emp lo yed
n u mbe r of Re la ted
Feel
s in
be negatively
accommodation
i ng the
length
l a t ed wit h cr eat i v it y .
expected
of
trial
wh ich
The sub j ect
and gene r at i ng a new right
random l y determined
The rate
corre
subjects
.
to
t he
P r ev ious
W- K t asks
is
wit ho u t ti me li mi t s
be a nona c adem i c , nonevaluative
71
conte x t
(Boers ma
&
O ' Br yan , 196 8 ; Vernon , 1 9 71 ; Van
Mondf rans , Feldhusen
, Treffinge
Ha r g r ea ves , 1974 ; Wal lbrown
wer e r em in ded
i ndependent
subjects
of
l y and
who had
J
t he
&
r,
&
Fe rris
, 1971;
Hue ls man , 197 5) .
i mpor tance
of
of
not
d iscus
sing
not
yet
completed
·Sub j ects
workin g on the
the
the
tas ks with
tas ks .
tasks
any
other
72
Results
Results
of
pertain
variables
:
deployment
first
and
the
attention
task
Creativity
attention
to
level
third
section
a total
the
repeated
creativity
distribution
of
chosen
to p roduce
groups
The
creativity
· sect i on examine
_s the
on the
between
Nuller
- Lye r task
.
iour
The
measures
- Kogan tasks
High -,
creativity
between
of
sex ,
word - type , with
were
the
su mmed to
Med ium -,
and
by trichotomizing
identical
creativity
the
Cutpoints
approximately
with
total
( Winer ,
cr _eativity
were
scores.
groups
variance
.
identified
The mean
of
factors
set , and
individuals
.
task.
between
on the
score.
were
total
separating
- Lyer
relationship
Wallach
groups
so as
sets
Deployment
, instructional
the
three
attention
relationship
performance
assess
from
among
and performance
and
Low- creative
different
r-1
uller
second
the
d eplo yment .
Sco r es
-without
the
relationship
Finally,
the
two being
obtain
the
, a 2 X 3 X 3 X 3 analysis
was used
creativity
scores,
the
and Attention
Initially
latter
.
in
ps
creativity
deployment
i s considered
and
the
between
- Lyer
relationshi
from
deployment;
relationship
1971)
data
addresses
attention
the
creativity
data , and
section
Mi.iller
to
were
equal
scores
score
size
i nto
was 62 . 23
73
with
a standard
deviations
dev iation
for
the
57 . 97/4 . 67 , and
Low- creative
Related
word
three
attention
Ce ll
recognition
scores
no significant
pooled
into
test
for
the
in
in
ly,
a data
resulted
cells:
standard
Table
1.
variance
effect
and
mation
The s ummary
transforme
main
a significant
interaction
main
table
using
the
effect
squared
the
d scores
is
for
for
other
presence
= 4.95
were
of
of
, p < . 01 .
.
Sq uaring
variance
Ce ll
are
means
presented
3 X 3 X 3 ana lysis
presented
was
word-type
crea t ivity
sex
Har tle y ' s F - max
scores
word -t ype
between
these
data
was attempted
of
effect
of
Homogene it y
homogeneity
the
ons
for
any
of variance.
indicated
for
of
Consequently,
adequate
dev i at ions
, and
dev iati
F - max (27 , 33 ) = 2.51 , p > . 0 1.
on the
the
sex
F - max ( 27 , 33)
in
A s i gnificant
Neither
no main
was assessed
transfor
in s tru ct i onal
5 of Append i x B .
between
Results
words ,
combination
Table
factors.
variances:
scores
across
and
c e lls
(Wine r , 1 97 1).
heterogeneous
and
attention
standard
each
revealed
of
Scheme
The three
and
a 3 X 3 X 3 analysis
across
Consequent
were
means
int eraction
or combination
variance
86 .3 0/ 18 . 09 ,
, Pr im ary
presented
factor
of
standard
High - , Med iu m-,
d words.
Pre li minar y analysis
and
the
categories
Unre late
Equal
are
were
and
, respectively.
attention.
factors
Means
groups
. 71 for
Word - type
were
Exc lusive
the
42.06/6
words , and
conditions
21.41.
resultant
groups
The three
of
nor
in
found
and
any
Tab l e 2 .
along
instruction.
of
ot
the
wi th
74
Table
1
Means and Standard
Deviat io ns
For ·Transformed
Recognit ion Scores :
Total
Creativity
X Word - Type X Instruction
Creativity
Low
Word - Type
Level
Medi um
high
= 33)
= 32)
. (n = 35)
Scheme
100 . 40
( 4 1. 06)
92 . 00
(33 . 65)
97 . 82
(3 9 .3 9)
Related
85 . 50
(44 . 10)
74 . 43
(3 8.04 )
79.61
(37 . 11)
Unrelated
68 .66
(42 - 29)
55.77
(32.61)
62 . 85
(43 . 91)
(30.66)
(35 . 83)
( 41. 02)
Related
79.88
(41 . 78)
73.86
( 35 . 88)
86 . 97
· ( 46. 12)
Unrelated
47.56
(37 . 24)
46 . 97
(35.87)
66 . 21
(34 . 32)
Scheme
98 . 94
(35.30)
93.86
(41.32)
107 . 20
(29.10)
Related
78.19
( 41. 40)
73 . 97
( 4 1. 70)
79 . 52
(40. 8 2)
Unrelated
48 . 16
(36 . 63)
49 .5 4
(38 . 28)
68 . 64
(43- 01)
(n
(n
EQUAL
ATTEN'l IO N
1
----------------------------------------------------------Scheme
105.70
103 . 20
103.90
PRIMARY
ATTENTION
EXCLUSIVE
ATTENTION
75
Tab l e 2
Ana l y sis of Va ri an c e Summa r y Tab l e o n Tr an s f or med Sco r e s:
Total
Cr eat ivi ty X Wo r d - 'I'ype X In s t r uct i on
Su m of
Sq u a r es
D. F .
151 03 . 80
2
755 1. 92
7 3 1 4 3 9 . 96
97
7540 . 62
783 . 0 1
2
39 1. 50
0 . 36
632 7 . 40
4
158 1. 8 5
1. 46
2 1 00 10 . 67
1 94
1 08 2 . 53
279480 . 00
2
1397 4 0 . 00
374 1. 1 2
4
9 35 . 28
Er r o r
14852 1. 23
1 94
765 . 5 7
I X W
6937 . 2 1
4
1734 . 30
3 . 13*
I X WX C
4226 . 62
8
52 8 . 33
0 . 95
2 14985 . 75
3 88
55 4 . G9
So urc e
Cr e ati v i ty
Error
In s tr uct i on (I)
I X C
Error
Word - Typ e ( W)
WX C
Er r o r
*
p
**£<
< • 05
. 00 1
Mean
Square
F
1. 00
1 8 2 . 5 3**
1. 22
76
interactions
with
. OS level
main
for
of probability
effect
all
for
possib
As expected,
most
Results
of
significant
the
attention
words
was
attained
97 )
=
significantly
attention
groups
a priori
the
.
significant
and
instruction
of detecting
and
words
in the
the
words
the
.
words
the
least
under
the
creativity
word - type , instruction
attention
seen
to
the
for
, and
the
, an alternative
procedure
evaluate
the
between
Primary
Low - creative
signif
between
for
word - type
i cantly
word - type
most
factor
of
.
interaction
a three
i zed
word - type , alon g with
account
creativity
words : F(2 ,
recogn
differ
found
a significant
, or
group
not
effect
difference
Unrelated
under
did
Therefore
relationship
no
numbe r of
Med ium - and
observed
with
reveal
Primary
found
two groups
, would
chances
the
i on of
interaction
associated
Unre l ated
However , a significant
did
effect
variance
word - type
.
than
The powerful
on the
Unrelated
groups
The High - creative
The latter
the
were
Unrelated
condition
Scheme
creativity
Under
recognit
. os.
more
the
compar i sons
across
recognized
3 . 10 , p <
p <
.
condition.
in
to
the
the
differences
> Related>
find
at
- up tests
Scheme
, and
, no differences
Related
follow
significant
tended
differences
condition
indicate
recognize
recognize
sign i f i cance
A pr i ori
subjects
to
to
.
l e comparisons:
all
difficult
reached
word - type
difficult
Equal
creativity
the
Renee
between
way interaction
are
minimal
was undertake
creativity
the
and
between
.
n to
the
.
77
attention
measures
p ree mptive
, one
that
e of
the
influenc
is
less
su b j e ct
word - type
to
effect
the
within
the
ANOVA model .
A canonical
1 980)
was pe rformed
P6M program
198 1 ) .
four
of
creat
~a ll ach.and
tests
desc r ibed
d eri ved
the
fo ur
subjects
with
an~
three
from
Standardized
are
p resented
at
variate.
i n Table
Only
s ubstant
i al
figural
of
t he
crossi
scores
l atter
e , the
,
two
s et
de.t:Jloy ment
thre e wor d -t ype
.
tclsk s
The second
Because
analysis
le ve ls
data
was perfo
on
r med
.
(see
wa s ob t a i ned
Table
6 , . Ap~end i x B) .
for
3.
All
from
the
four
Mean in g s , however
to
eigenvalue
creativity
loa d in gs on the
the
is
found
for
va ria bles
creativity
, makes
determ
the
the
Loaa i n~s
significant
a
i nat i on of
.
pattern
the
two a r e
.
attention
ng the
un i que contribution
A d if ferent
from
t he former
creativity
conditions
mode rate
Pattern
( Dix on ,
As no te d above ,
the
nine
Coefficients
le ast
usin g the
Uses , S imilarities
ei genva lue
correlation
exhibit
of
10 0 su b jects
and
raw
Gol d ,
&
variables
the
while
i ncomplet
One significant
canonical
Alternate
instructional
were
of
of
creativity
consisted
with
variate
:
a s measures
variables
of
(1 965a ) c ha rac ter i zed
verbal
of meas ures
sets
, a nd Li n e rtean in gs .
Kogan
of
two
consisted
tasks
.Meanings
(Lind ema n , Mer enda ,
Bi o me d ic a l Co m1.mt e r Prog rams
set
i vity
on
on the
the
The first
Pattern
as
correlati
attention
the
78
Table
Loadings
and
, Canonical
R2 with
the
Coefficients
Opposite
var ia b le
3
Set
Loading
, Standardized
for
the
Canon .
Coeff .
First
Coefficients,
Canonical
Variate
S tan dz .
Coe ff .
Oppos~te
Set R
1.051
.470*
- 0.100
. 412
-----------------------------------------------------------First
Set:
Creativity
Variables
Pattern
Line
Meanings
Mean ings
Alternate
.705
Uses
Similarities
Sec ond Set:
.9 96
Attention
.1897
-.0173
. 413
.0004
0 . 003
.374
. 375
. 0076
0.059
. 259
variables
Equal - Scheme
. 020
. 0288
0 . 061
.1 64
Eq ual-
Re late d
. 086
-.1 724
- 0 . 427
. 184
Equal - Unrelated
. 081
. 0506
0 . 153
.2 58
Primary
- Scheme
-. 098
-. 27 12
o . 534
.2 03
Primary
- Related
-. 084
- . 1984
- 0 . 528
. 317*
Primary
- Urelated
. 409
.2939
o .833
- 328*
. 325
. 3477
o . 736
. 241
ted
-. 005
-. 3150
- Unrelated
. 385
. 2735
Exclusive
- Scheme
Exc lusive-Rela
Exclusive
* I:
< • 05 .
- 0.863
0 . 891
.1 43
.2 61
79
variabies.
Few of
variate.
the
variables
The exceptions
Primary
and
under
the
pattern
Exclusive
Unrelated
attention
conditions
attention
condition
ev i dent
when the
standardized
variables
are
exa min~d,
the
attention
variables
are
the
attention
canonical
variate
In order
to
contributions
was employed
Nie , 1981)
&
missing
data
w~s selected
in effect.
as
criterion
canonical
coefficients
creativity
canonical
the
canonical
loading
of
coupled
with
Pattern
the
near
y variable~
Weighted
scores
scores
results
were
i nterpretat
as
in this
contn
for
the
.but ions
to
.
been
score
, and
on the
deletion
convenience
of
Meanin g score
Alternatively
used
to
.
to
canonical
, the
derive
use
But
the
the
a
score
high
of
the
unnecessary
would
other
.
l ik e l y yield
the
Pattern
and
ease
R obtained
on the
p re d ictio
the
Meaning s
in
ion .
The multiple
on
variate,
weigh ts
procedure
, hence
the
.f:-l
r ocedure
pairwise
have
Meanings
instance
of
regression
'l'he Pattern
this
Pattern
the
several
to
multiple
standardized
makes
and
selected
zero
of
that
variables
t he predictor
Meanings
creativit
same
variate
variable
A different
relative
measure
might
words
coefficients
the
with
option
both
Scheme
'i,he SPSS New Regression
was used
the
.
the
.
a backward
.
, and
unique
attention
of creativity,
analysis
making
with
under
indicating
explicate
made by the
prediction
(Hull
further
correlated
words
Exclusive
is
attention
are
appear
n of
Pattern
80
Meanings
score
by the
. 44
(E < . 01).
Table
for
the
attention
variables
make
equation
.
prediction
of
Unrelated
words
attention
conditions.
words
and
creativity
task.
e ase
suggests
under
( Winer,
1971 ) over
orthogonal
the
at ion
there
of
the
prediction
the
Equal
the
for
Exclus
exhibit
under
to
are
and
ive
significant
, and
the
Scheme
Exclusive
over
and
components
(Dixon,
B).
cluster
as
s of
of
in nature.
using
Task
the
the
three
Muller
three
- Lyer
trials
The figure
anticipated,
the
illusion
but
A test
the
contained
19 8 1) bolsters
At the
of
diminishing
10 blocks
procedure
of
interpretation.
i& nonlinear
the
Mul ler - Lyer
30 trials
exposure,
results
7 , Appendix
the
weights
performance
was some
r epeated
BMD package
to
two conditions
on the
averaged
of present
pattern
attention
contribution
only
the
over
with
same
coefficients
under
words
was
.
Performance
effect
Table
the
measures
nine
attention
loading
were
that
the
The largest
Primary
1 illustrates
Scores
of
variables
Related
groups
regression
a significant
.
under
the
Five
three
make
condition
Figure
the
the
show a positive
Creativity
.
deployment
contributions
creativity
weights
attention
for
4 shows
significant
condition
negative
attention
measures
None of
at tention
nine
that
of
analysis
in program
this
:s
suspicion
p < . 01 l eve l of probab
the
trend
of
P2V of
(see
ility
,
· 81
Table
Regress
Va ri ab l es
Var i able
4
i on Coefficients
in
Predicting
Unstd
of
Pattern
Be ta
the
Attention
Mean in g Scores
Std
Bet a
11 Va lu e
----------------------------------------------------------t ed
-. 809
-. 38
- 2 . 9 3**
Primary-Rela
Ex cl usive
- Unrelated
Exc lusive
- Re l ated
Primary
- Unrelated
Exc lusive-Sche
Primary
me
- Scheme
2 . 78~'*
. 679
. 407
-. 759
-. 377
- 2 , 54*
.5 94
. 304
2 - 5 1*
. 683
,2 68
2 . 25*
-1. 26
Equa l - Re lated
-1. 02
Equal - Schem e
- 0 . 55
Equal - unrelated
- 0 . 53
*
p
< • 05
** E
Note.
< • 01
N = 104 .
FIGURE 1
MEAN EFFECT OF MULLER-LYER
ILLUSION OVER TRIALS
N
co
I-
22
w
21
w
20
u
LL
LL
z
0
19
::)
18
-(/)
_J
_J
z
~
2
17
16
15
1
2
3
4
5
6
7
8
9
10
TRIALS
(SCORES SUMMED OVER 3 TRIALS tACH)
83
a quadratic
trend
quintic
function
results
of
be
the
all
all
block
of
the
of
i . e .,
indicates
no change
over
i.e .,
scores
permitted
for
the
creativity
six
the
analysis
slope
significant
leve l.
task,
scores
task
the
trials
.
are
each
led
Table
correlations
in
trials
as
score
the
score
six
of
zero
of
the
slope
separate
curves
across
with
set
of
second
the
s l ope
trials
set .
diminishing
B,
No
, indicating
of
of
and
Results
obtained
a function
four
variables
8 of Appendix
were
the
slope
.
one
the
. Each
particular
was performed
as
on
six
subject
t he effects
the
of the
groups
in
of
of
A slope
of
based
on a five - trial
effect
Using
serving
detai
each
by that
constituting
over
would
accurately
score
was based
evaluated
differences
effect
,
for
not
slope
for
magni tude
creativity
canonical
it
line
A high - negative
comparison
scores
are
the
d iminishing
correlation
no significant
illusion!s
in
measures
the
- Lyer
no accommodation.
A canonical
the
slope
accommodation.
the
, a
Regardless
that
of
data
a single
slope
- Lyer
resp ec tive
slope
the
i s aaopted
fit.
suggest
was calculated
rapid
the
score,
strongly
since
a rapidly
illusion,
< , 05
of best
the
Muller
six
Muller
E
a
function.
segments
indicative
illusion
trend
calculate
the
resulting
If
line
calculating
of
line
the
of
30 trials
than
30 trials
separate
the
by a linear
Rather
is
test
to
over
represented
indicated.
defines
inappropriate
subject
of
is
the
creativity
of
84
Attention
Deployment
and
An additional
the
six
slope
For
this
second
set
Appendix
ob tain
of
B.
canonical
scores
analysis
Muller-Lyer
ant
on.
measures
are
and
-L yer
Tas k
wa s pe r for med with
one
set
of
measu r es
canonical
no s i gn i ficant
dep lo yment
on t he Miiller
g as
attention
Resu lts
No si g-nific
illusi
servin
nine
variables.
r mance
cor r e lation
a g ain
, the
ed , in dicating
attention
Perfo
variables
for med the
re po rte d in
correlations
relatio
Tab le
9 of
were
nsh i p between
accom moda t ion
.
to
the
the
85
Discussion
The two ma jor
considered
sections
.
hypotheses
separate
ly
In the
first
relationship
between
accommodate
to
in the
examines
between
creativity
and
the
er
F inally,
the
of
task
of
revolutions
is
e.
in
the
to
.
to
The
the
second
relationship
mod if y one:s
Resu lt s on the
the
third
results
section.
with
d i scussed
and Accommodation
The central
creativity
stimuli
thesis
discrepant
for
this
to
in
with
Kuhn 's
relation
differences
were
to
theory
to
highest
level
that
more
l east
found
in
those
of
Events
th i s investigation
in
, at
recognize)
Di screpant
.
high
creative
Unrelated
words
under
attention
stimuli
discrepancy
was that
accommodate
one ! s expectations
hypothesis
sub j ects
to
an abi lit y to
significantly
creative
ab ili ty
of
i s related
recognized
the
considered
i ty
theory.
Creativity
found
per taining
balanc
consistency
scientific
Piagetian
are
abil
d i scussed
abi lit y to
be
on the
the
is
will
following
findings
and
evidence
investigation
immediately
events
ass i mila tion/accommodation
Muller-Ly
two
creativity
the
this
section,
d i screpant
section
of
certain
given
intended
from
the
to
Sup p ort
was
subJects
than
did
l ow
conditions
.
Thus
to
(a nd/or
to
the
represent
designated
scheme .
86
High
more
creative
Related
intended
words
to
High
than
creatives
d id
creativity
mad e no significant
that
, under
variables.
correlations
with
bet a wei gh t s are
effect
discrepancy
, or
indivi
contrasted
more
,
Related
words
of
conditions
regression
and
eq uation
suggest
that
to
appropriately
most
th e
moderately
p ortrayed
words
and
by a
suggests
that
h is/her
it
to
r e l a ted
for
respons
as
functionally
to
is
For
with
cre ativi
not
of
extremely
moderate
the
ty
are
th e
attention
c reativity,
e to
b ut
l y high .
discrepant
the
order
zero
The presence
accommodation
directly
Exclusive
words , zero
moderate
indicate
serving
correlations
ly high.
to
and
a re
Re lated
order
seems
Primary
are
negative
dua l ' s propensity
with
both
creativity
words , zero
suppressor
the
any
attention
ana lysis
For
and moderate
is
the
with
pr ediction
prediction
results
and
, Related
suppressor
which
this
instruction
to
regression
conditions
positive
three
be
discrepancy
relationship.
clearly
Unrelated
in the
The
cannot
The multiple
attention
the
creativity
stimuli
l i near
quite
of
for
recognize
, words
Mor eove r , Re lated
we ig h ts
condition.
between
discrepant
.
of
recognize
contribution
third
association
simple,
level
not
to
subjects
found
did
beta
expected
creative
lo w creatives
u nde r two
t he
low
also
a moderate
negative
under
were
No sup por t was
however.
exhibited
than
represent
expectations.
words
subjects
stimuli
rather
to
, per
se
, it
is
discrepant
discrepancy
87
wh ic h is
between
most
the
number
discrepant
value
is
stimul
of
the
score
of
of modifiy
i ng their
less
high
Unrelated
words .
unable
to
stimuli
condition
were
, on the
expected
assimilation
to
in
the
to
be most
significant
creatives
the
the
absolute
high
.
creative
similarities
schizophrenics,
subjects
would
be more
shift
.
be given
subjects
to
Under
other
greater
the
recognition
to
high
Scheme
Related
tends
to
fact
, the
support
evidence
the
opposite
from
the
and
to
be
of
attention
creative
and
subjects
to
maximize
between
or Unrelated
canonical
conclusion.
the
words
expected
any differences
of
than
instructions
accommodation
accommodation
reducing
to
were
Exclusive
hand , the
minimize
was that
appropriately
was
capable
balance
The expectation
attention
it
words.
In
It
Balance
apparent
and
Low creative
, thereby
two groups
to
discuss
respond
equal
make this
discrepant
which
creative
would
that
opposed
distinguish
sub j ects.
requesting
as
assimilation/accommodation
creative
creatives
and moderately
Ass i milation/Accommodation
between
that
The difference
subjects.
on theories
predicted
.
discrepant
, appears
which
the
and differences
creativity
extremely
low creative
Based
less
of
differences
Modification
the
i ve of
i recognized,
either
these
from
predict
correlation
High
creative
the
88
subjects
appear
Their
attention
It
wou l d be
creative
to
instructions
scheme
than
d i d the
unnecessary
the
if
the
demanding
screening
tas k had
been
of
by the
Sykes
can
the
is
Exc lu sive
th e switch
attent
toward
more
(1 9 7 6)
make
the
mode "i n cases
ion
condition
greater
Scheme
, if
the
words .
it
had
effic
occurred
.
creative
assimi
l ative
,
i ent
convergent
" under
cont i ngent
.
been
, t hen
have
the
a more
performance
ass i milation
screen
might
where
was not
been
i ve attention
that
on a more
, " efficient
to
difficult
sw it ch to
these
recognized
may have
the
suggest
to
instructions
subjects
recognize
failed
As per
also
It
subjects
cont in gent
Apparently
.
h i gh
they
.
attention
h i gh creative
readily
or
that
since
subjects
' exclus
and Mc Gh ie
the
attention
condition
subjects
accommodative
performance
this
creative
to
suggest
Exclusive
subjects
i n order
ns .
u nder
Pri mary
man ner
Exclusive
high
instructio
words
to
the
creative
l ow creative
words
Perhaps
to
under
under
the
the
accurate
inappropriate
high
words
for
Unrelated
than
words
ions , the
more
under
three
.
responded
Unrelated
i nstruct
than
t he
lo w creative
to
Unre l ated
instructions.
over
, the
responded
more
le ss
i n an
by the
consistent
conditions
s ubj ects
screen
have
cond ition
Exclusive
unaffected
In contrast
recognized
Equa l attention
55 ) .
relatively
d o appear
Low creatives
less
was
conditions.
subjects
person
been
performance
instruction
more
to have
approach
" {p .
the
on making
I ndeed , the
effects
90
the
as
literature
well.
that
indicat
Moreove r,
h ig h creatives
events,
an ability
least
es
to
find
attentional
can
d istracti
in high
sufficien
t ly dif ficult
screeni
like
that
and
the
another
.
in formation
that,
for
to
at
co n trolling
Martin
least
and
the
to
"i nvoke
the
are
of
self
methods
reported
l y used
o ver
stimulation
-i mposed
by high
Unequ i vocab l e assessment
require
to
the
, high
surfeit
is
al
of
hiyh
l s,
evidence
the
problematic
.
i nd i v iduals
t hro u gh external
means
arous al"
isolation
creatives
in
of
There
i on is
co rtic
in
onl y
t he ability
.
any
be def ici ent
many creative
l eve 1 of
, drug s , and
to
was no t
t ha t t h e highly
individua
that
task
t wo g rou p s may lie
stimulat
At
the
indistinguishable,
exposed
t he muse"
"chang e their
t he
suggest
are
some creative
.flood
that
Alternatively
integrate
they
Alchohol
t o reduce
not
for
creatives
relating
(1 9 75 ) su gge sts
dr iv en to
to
is
l ack .
The f irs t -, as pu t
may i n fact
probably
which
of
d ale
order
This
to p rocess
is
strategy.
t he sch izo phrenic
area , most
.
high
schizophrenics,
to
il y control
creatives
d iff e renc es between
creatives
feel
attention
ng ability
creative
voluntar
the
hypothesis
b e advanced
in g section,
for
the
appear
can
to
schizophrenics
ng e nv ironmental
schizophrenics
an ability
in t he preceed
creatives,
screen
explanations
forward
of
of
was foun d for
strategy
modification
characteristic
no su pp ort
which
two p ossible
failure
is
are
in
( p . 50) .
among
their
in
t he
effort
.
of
the
sc r ee n i ng ab ili t y of
s
91
high
creative
research
subjects
has
d i ff i culty
on t he
been
is
will
systematically
hypothesis
that
When subjects
g i ve eq u al
attention
d ifferences
to
between
In contrast
Unrelated
, high
words
i nst r uct io ns
a study
would
further
i n wh ic h task
shed
further
diverted
by him.
t hat
wi th
the
although
prov i ded
low crea tives
in
light
expl icitly
whether
informe
utilization
but
of
the
support
study
, Mendelsohn
creat
matter
d as
to
or
found
found .
the
t ed words .
but
link
nature
of
creat
Mende lsohn
(1 972 )
use
than
the
the
cues
explains
d id
(i. e. ,
of
on cue
i vity
of
subjects
I n terms
creativity
between
suggested
task
or not
l
are
made more
expl i c i t ).
for
's
attentiona
solution
whe ther
the
found .
and Lindholm
i ve subjects
anagram
were
Mendelsohn
man ce " ( p . 365),
of
to
when
a "li nk between
nature
incidental
more
Unrela
p erfor
was
was
the
is
no interaction
cues
i zed
subjects
from
i ncidental
des i gn , a ma in effect
g rou ps
there
high
to
words , no
recogn
low creative
d i d not
the y were
and Unrelated
subjects
cons ist ent
instructions
low creative
a subsequent
, it
explicit
specific
I n a p revious
that
given
investigation
and creative
i ncons ist ent
were
attention
t his
are
i v it y i s related
and
did
instruction
creat
creative
(1 976 ) conc lu sion
p roc esses
of
Scheme
high
than
Resu lt s of
nature
varied
effects
l ea rni ng .
were
Perhaps
before
issue.
wit h the
cues
be possible
undertaken.
F i nd in g s on the
found
not
and
the
the
the
92
results
in terms
creative
subjects
multi ple
streams
Given
the
of
and
of
's
.
words
for
of
each
differences
word -t ypes
and
the
analysis
any
indication
the
latter
creativity
consciousness
of
high
va~iance
a main
analysis
tends
and
in consistent
require
effect
were
zero .
effect
to
exhibit
with
should
show
and
A main
effect
would
a high
value
effect
for
great
the
across
case.
i ty .
and
for
one
Neither
correlation
g ives
Instead,
between
- way
instruction.
results
creativity
may
I f a creativity
most
of
tne
main
att en tion
to hi yh zero
var i ate .
creativity
allow
correlation
moderate
of most
to
a three
ex p ect
standar
in
aeplo y
an i n teraction
canonical
.
to
g roups
creativ
word - type
the
of
for
equally
wa s not
for
creativity
the
seem
and p ossibly
positive,
the
would
suggest
a main
one
ability
canonical
explanation
p resent,
correlations
coefficient
with
some further
variables
variable
the
among creativity,
that
, the
low creative
to
outcome
of word - ty p e or
Such
word -t ype,
The contention
are
maintain
woul d result
producing
and
nor
of
interaction
word,
instructions.
of
to
predicted
. capacity
Likewise
type
between
for
be a ma i n effect
irrespective
condition.
streams
, the
attentional
of more
i nstructional
capacity
of creatives
should
Greater
recognition
ability
hypotheses
invesigation
c r eativity
multiple
the
attentional
consciousness.
Mendelsohn
present
channel
a greater
Moreover,
or d er
one
d ize d canonical
of
t h e rest
would
shoul d b e near
indicate
that
a ll
93
nine
attention
same
thing.
variables
If
a substantial
this
were,
were
unique
so , only
contribution
creativity
variate.
But,
of
is
different.
results
variables
of
two
to
the
obtained
present
the
in
time
su b ject's
task
the
is
after
the
do with
the
ability
words
the
list
existence
attention
to
account
for
to
than
of
be played
, they
facilitates
the
the
nature
the
were
list
i nformed
words
of
had been
words
inc ide n tal
able
subsequent
In
subsequent
withdrawn.
have
y recognize
were
or
less
recall
to
the
initially
subjects
Unre l ated
to
to
the
the
learning
words
~rior
words.
of
and
when creative
by the
of
of
In the
mat i on was relatea
to
may be ·
subject.
stimulus
are
and
notable
regarding
wi th how the
to
Most
to
the
investigation
' s studies.
subsequentl
of
list
of this
infor
in
may be that
that
the
onsh i p .of
communicated
It
manner
suygests
results
p roces sed .
the
several
be advanced
, subjects
differences
studying
pattern
levels
' s studies
role
actual
various
exposure
the
the
that
make
n of.the
the
initial
Perhaps
stimulus
shoula
at
that
between
only
the
pred ictio
The fact
when information
investigation
relationship
the
the
differs
can
words
Mendelsohn
variable
above,
relati
in Mendelsohn
t he stimulus
measuring
.
between
point
to
noted
the
reasons
discrepancy
one
contributions
creativity
factors
Several
those
as
ion effects;
deployment
the
quite
make uni que
i nteract
in essence,
words
structure
accommodation
are
prior
to
schemes
to
told
in
the
a
94
unrelated
the
words.
timing
var i able
the
of
.
Future
information
insights
the
discrepant
sensit
present
differences
investigation
than
correlation
to
there
variance
the
.
First
analysis
of
significant
, and
other
words,
related
forfeited
variable
correlation
analysis
went
hand,
except
to
reduces
deployment
effect
for
word - type
between
by the
in order
to
use
creativity
of
the
variance
entire
.
an
word -t ype
in
obtaining
a
, or
word -t ype ,
correlation,
on
in the
are
was
independent
The canonical
distribution
the
of
differences
as
this
for
differences
those
the
1980),
creativity
Second , much information
analysis
utilized
which
of
and
is
.
a l.,
analysis
The canonical
extent
et
by the
chance
in
canonical
significant
interaction
unaffected
of
uncover
the
been
While
reasons
instruction.
the
to
to have
(Lindeman
main
between
creativity
in the
appears
tendency
undetected
variance
to
of
additional
legitimate
to
powerful
three-way
creativity
the
several
, the
nature
ANOVA model .
on chance
interaction
a significant
the
capitalize
which
the
accommodating
in attention
regarding
correlation
relationships
anlysis
was the
are , nevertheless,
canon i cal
an independent
and
in
using
expectations.
i ve to
questions
consider
may provide
involved
correlation
may provoke
timing
by subjects
with
mi ght
i on as
the
processes
The canonical
more
both
received
into
ions
disseminat
Manipulating
information
stimu li
i nvestigat
of
creativity
95
scores
and
Finally
, the
variance
four
was therefore
creativity
measuring
the
analy~is
Factor
analysis
factors
, one tapping
(e.g
McKi nney
creat
more
and
between
Battye
and
fluency
fluency
variable
is
presence
of
other
correlation
deployment
differences
than
a spurious
of
learning
found
to
.
should
verbal
evidence
. one.
the
to
In the
relationship
, nonverbal
to be more
and . low - creative
two
"total
substantiating
not
.
, figural
than
score,
figural
incidental
high-
tasks
assumption
the
investigation
were
- Kogan
in accommodation
with
(1971)
between
is
these
some
canonical
creativity
obscured
finding
creativity
differences
the
the
ideational
figural
hybrid
is
the
the
in attention
the
associatea
predicated
are
The canonical
differences
to
is
Both
~allach
indicate
why differences
there
.
creativity,
Using
unclear
that
It
that
related
, yet
suggest
verbal
tasks
on the
tests
an erroneous
Forman , 1977).
&
closely
been
verbal
i v i ty.
is
creativity
of
the
," may have
It
Dewing
of
' scores
su mmed score
on the
oi
analysis
creativity
research
~rocedure.
tne
construct
may have
closely
creativity
be
this
suggests
more
four
in
subjects
the
same underlying
that
verbal
all
and previous
procedure
Using
that
suggest
are
.
powerful
used
by summing
tests
assumption
.,
measure
was obtained
creativity
on the
a much more
tests
sensitive
groups
to
than
were
measures.
also
interesting
which
virtually
to
note
defines
that
the
Pattern
cr e ativity
Meanings
variate
,
96
in this
study
four
creativity
that
the
the
than
merely
illustrate
the
perception
.,
versus
amount
determined
the
recognized.
the
of
of
instruction
conditions
, the
when subjects
are
the
words .
Unrelated
Given
the
accommodation
given
fact
recognize
word being
that
recognition
under
somewhat
instructions
between
creativit
subjects
words
expectations
powerful
is
The
d ) largely
nce s in the
exp licit
association
, the
require
effect
.
influence
with
extremely
.
Unrelated
t he stimulus
d iffere
remain
to
expectations
accommodation
the
predictive
order
versus
discrepancy
of
in
the
population,
ability
which
likelihood
words
are
wo~ds
of
entire
of
all
miti gated
to
attend
to
y anci
evidenced
more
accommodation
whe n instructed
to
do so suggests
intri
possibilities
for
.
Would
subjects
"expect
styles?
creativity?
the
If
intervention
unexpected
so,
what
Futu re
" alter
would
research
subjects'
the
effect
might
the
suggests
utilizing
potential
the
subjects'
to
Though
types
ng . to
is
of
This
on chance
y level,
. The degree
the
greatest
Related
extent
Wing , 196 9 ).
capitalizing
in
consistency
procedure
pe rtaini
differences
words
&
the
of creativit
striking
(i.e
(Wal lach
with
Some comments
irrespective
internal
correlation
variable
rather
Scheme
greatest
tasks
canonical
creativity
power
, has
training
attention
gu in g
to
dep loyment
be on assessed
consider
the
effects
of
97
"accommodation
The r-·iuller
tra i ning"
- Lyer
it
the
the
on the
proved
in
anticipated
which
decrement
trials
more - closely
assumption
and
with
to
the
performance
on the
any
deployment
results
indication
It
is
a relationshi
discouraging
relationship
and/or
of
found
nor
attention
poss i b le
example,
to
over
consistent
accommodate
exposures
.
Yet
, nor
was
p be t ween
and
creativity
p between
attention
While
the
invalidate
creativity
necessarily
deployment
for
do not
on a faulty
-- is
performance.
they
between
do they
function.
repeated
task
across
.
relationshi
Muller-Lyer
and Mul ler - Lyer
are
deployment,
any
of
show a
pattern
was based
tend
course
in
was
would
' s effects
subjects
of
It
, the
notwithstanding
the
was found
.
a curvilinear
illusion
that
no evidence
there
I nstead
that
hypothesis
illusion
untestable
function
over
the
and
be noted
relevant
hypothesis
in the
creativity
must
stated
trials.
was therefore
hypothesis
stimulus
the
of
original
-- nonlinear
the
effects
resembles
The decrement
trials
task , it
evaluate
across
, the
between
was originally
the
linear
Consequently
to
it
that
relationship
MUller - Lyer
impossible
form
performance.
Task
In consi~ering
performance
on creativity
negative
the
and att~1tion
mean that
are
unrelated
for
creativity
to
creativity
accom modation.
and
Hul ler-L
yer
98
performance
not
be
to
related
It
.
purely
each
other
or
in
more
in
Related
relationship
between
accommodate
to
moderately
d iscre
in
on the
required
in
the
One additional
- Lyer
tasks
which
su ggest s that
More
than
one
line
so that
t he po int
The confounding
.
Several
the
with
subject
it
appea red
where
it
effects
worthy
sam ple
to
asked
the
the
in
" really"
of pr ior
nct
fro m
to
acco mmodat io n
order
than
ta~k.
concerning
volunteered
of
the
one
should
le n g th
to
be the
know le dge
the
the
inf ormation
on ma y not
nature
whether
d isti
the
accommodation
of note
pop ulati
equal
would
is
of a lesser
subjects
regard
to
deployment
is
to
ability
the
is
ability
that
Perhaps
task
may
suggests
y and
attention
point
Muller
y naive
- Lyer
performance
sti muli
.
p r_ocesses
The complex
words
creativit
mor e
attention
accommodative
and
are
pro cess es operating
y and the
discrepant
M~ller
and
kind.
creativity
stimuli
The
creativity
- Lyer
Unrelated
p ant
still
d to
wh ich
Or the
between
relate
p rocesses
accommodative
than
highly
relationship
ent irel
while
and Muller
and
are
accommodation.
i p among creativit
recognize
occurring
of
level.
quantity
interrelationsh
to
to
in creativity
differ
that
two constructs
related
yet
.
nature
on a co gn itive
involved
accommodation
accommodative
perceptual
are
d to
levels
may tap
dep loyment
the
relate
the
aspects
Huller-Lyer
more
to
be
may be that
difterent
,
both
have
b een
illusion
adjust
.
the
standard,
sa me length
concerning
or
.
t he
99
illusion
may have
Muller
- Lyer
influe
, Accommodation
Differences
to
implications
revolutions;
for
it
help
to
parad
ig matic
clarify
symbiotic
shifts
r e lationshi
her
to
Kuhn
within
Normal
creativity
Instea
adequate
puzz le
on each
successive
i nte resti
ng to
moderate
discrepant
required
of
Pe rh aps
scientist
the
does
the
of
of
h istorical
creativity
may
wi th i n t he
clarify
between
require
i ndiv i dual
skills
and
su gges ted
speculate
t hat
stimuli
t he
the
creative
puz zle-solvin
the
engaged
g a c tivit
attempts
by
high
levels
needs
the
by
operating
to
ability
the
parad
ability
to
may correspond
indi v i du al
d iscr epan cy , possibly
with
t h e scientist
not
d , the
step
represent
so me s ynthe sis
d by Kuhn , to
(197 6 ),
solving
the
achieve
discipline.
science
.
d iscr epan c y
scientific
i ndiv idual
ex ists
in
of
ana l y sis
the
p t hat
or
Ac cording
to
of
o"f Piaget
of
p ropose
the
Progress
lev e ls
theory
A Piagetian
role
i ng to
lo w creatives
and h igh
perspective
the
pe rso n and his
and
Kuhn's
of Kuhn .
pertain
Scientific
may be possible
dev elop mental
orientation
, and
moderate
results
ways .
betwee n high
accommodating
the
the
in un p r ed icta ble
Creativity
have
nced
to
resolving
i es of
accommodate
apparent
the
possess
to
elaborate
i gm .
It
attend
to
in Nor mal
of
the
is
to
sk ills
sc ie n c e .
Nor ma l
to mode rat e
conflicts
wit h i n
100
the
operat
i ve parad
unsuspected
aspects
accommodating
relative
i gm, or
of
to
the
l y mi nor
data
i nto
the
paradigm
moderately
science
, on the
able
an orderly
to
findings
c omprehens
i ve theory.
and
may be necessary
discrepant
can
t hat
creat
the
i ve p r oduct
anomaly
only
percentage
can
be
that
leads
of the
with
is
percentage
sc i entif
not
of
wil l not
always
Chance
i ve abi l ity
d i scovery
.
Moreover
, creativity
I n their
continuing
i al
become
preoccupied
i nconsistenc
with
the
to
of creativi
always
extent
individua
as creat
i nconsequent
mor e
accommodation
lead
the
to
which
creativity
Certa
l s ever
in the
to
a small
.
and
ty
to
, at t ention
productive
creative
routinely
a new,
to anomaly , it
sign i f i cant
may be
into
outcomes
attention
search
apparently
of
( 1976 ) suggests
.
, unexpected
to
i n th i s theory
To the
i c accomp l ishments
ind i v i duals
them
advantageous
time .
i dentified
creativity
sma ll
to
anomalous
dependent
.
process
As Kuhn
occur.
hand , is
before
inherent
.
paradigm
other
of
stimuli,
accommodate
be achieved
creative
process
reorganizations
s cheme/paradigm
is
the
synthesize
Major
One implication
In the
integrate
whole ; to
inconsistent
o n prev i ously
disc r epant
to
being
data
.
ad j ustments
Revolutionary
on i ndividuals
by elaborating
can
i nly
realize
Zeitgeist
fru i tion
be seen
only
major
may be as
of
can be counterproductive
for
perturbations
distracted
i es .
tangents
a
.
, creative
by sp u r i ous
As a result
and dead
ends.
, they
data
may
Lakatos
and
101
(1 970 ) descr
science
i bed
numerous
whe r e exper
evidence
at
data
later
are
odds
im ents
with
revealed
Neverthless
prerequisite
to
Occationa
the
for
relevance
of P ia get
general
, and
i n d is covery
synthesis
help
and
the
framework
the
deve l opmental
sequence
study
of
Thus
within
age
mi lestones
or
on the
at
wh ich
strates
areas
of
It
stage
of
study
underscores
cognition
.
for
of
the
, in
processes
involved
Furthermore
the
, the
may
expansion
differences
far , most
differences
illu
Kuhn ' s theory
room
individual
equal
l i ttle
i cular
considerable
on the
rate
to
the
with
focused
or
be
down on the
Kuhn has
It
of adult
, i n part
of
to
in.
.
c onstructs
constructs
theory.
have
and
research
understanding
i nd ivi dual
come
parad i gm .
investigaation
P i agetian
to
Piagetian
invention
illuminate
examining
the
the
or
by a
some money
Piaget
and
the
these
or
as an attempt
comparatively
to
often
anoma l y appears
received
of Piagetian
to
wit hin
to
the
Most
big .
app lic abi lit y of Piagetian
with in
profound
Fos t ering
lay
of
theory
attention
.
fail
off
- fertilization
prev i ously
to
and
will
of
some way i naccurate
seen
bets
pay
Piagetian
wh ic h have
of
in
be
l y , it
l ly , i t wi ll
import
be
progress
its
history
i ng theory.
, attention
can
General
The cross
apparently
scientific
i ne to hedge
lon g shot .
produced
to
creativity
discipl
i n the
a prevail
mi s l ead i ng .
tolerating
instances
components
the
research
a Piagetian
attainment
of
poss i bil i ty
- specific
the
of mod i fying
behav ior s
102
occur.
However , Piaget
processes
that
which
is,
These
the
are
embraced
remain
accommodation
Certainly
to
investigation
to
which
to
but
which
factors
are
in
Furthermore,
this
relationshi
p between
creativity
intriguing
one,
creativity
.
adaptation
been
either
gated
.
def i ned
remains
those
the
to
may help
be seen .
considered
in
and
to
is
needed
Nevertheless
accommodation
further
this
of
research
.
.
by
determination
relationship
stages,
and
much additional
demonstrate
of
is
events
clearly
nature
investi
creativity
when examining
developmental
generally
ra~ely
beyond
that
across
equilibration
involved
one
be envoked
have
anomalous
other
creativity.
of
dismissed,
The extent
also
constant
mechanisms
proce sses
or
can
is
illuminate
, the
an
the
103
Limitations
This
and
Directions
investigation
attempted
Piagetian
theory
of
presented
herein
represent
investigation
and
alternative
that
must
be
theories
disconfirmed
and
qualified
remains
for
support
or
providing
the
to
reject
.
only
Popper
theory
and
subjected
the
has
supported
or
to
in
data
(1962)
put
favor
a
a single
be
offered
theory
for
the
that
investigations
the
Research
support
can
, only
the
satisfying
to
theory
is
suggested
some preliminary
forward.
It
secure
of
additional
an alternative
comprehensive
explanation
of
.
The problems
creativity
in
attempting
may be more
faced
in
other
tends
to
be
creativity
a higher
a high
level
and
less
to
difficult
psychological
research
problematic
be even
possibility
investigation
subsequent
of
the
This
for
work
results
be proven
support
offer
the
acknowledged
a more
data
attain
the
because
Future
But because
cannot
.
to
·creativity.
explanations,
spurious
for
the
to
of
in
areas.
of precision;
operational
satisfying.
,n~n
creativity
is
crossed
with
the
constructs
put
forth
by Piaget,
specifying
operational
measures
It
definitions
elusive
inferred
the
is
those
ambiguity
in
difficult
to
constructs
is
utilized
tend
area
of
processing
difficulties
increase
of
'!'here
and
defining
the
than
endeavors.
nebulousness
other
a theory
overcome
research
level
than
substantiate
in
exponentially
.
to
104
In the
into
the
and
present
investigation
selection
of
accommodation.
because
they
two constructs
or
underlying
constructs
operational
measure
are
not
above
studies
can
to
re p roach.
may be
confounded
readily
assimilated
the
may be necessary
that
the
the
operative
schemes
accommodated
stated
to
above,
indirectly
it
is
gain
designating
at
subsequently
all.
not
accommodation
into
a given
some control
or
creating
over
dua l with
modifications
inaividual
it
to
be
stimuli
only
to
necessary
scheme.
al:)}?ear
the
However,
as
be accessed
ex per imenter
to
of
would
of p r e -existi
for
a given
is
the
limited
whether
One way of
Kno wing
has
ng sche mes ,
ascertain
ambiguities
.
minimal
the
status
schemes
event
of
the
these
The problem
some kn owl edge
impossible
is
.
in
which
a ~articular
indivi
can
, the
inherent
assimilated.
Because
the
is
Therefore
of
information
, if
b e assimilated
to
and
as
the
constructs
another
have
the
investigation
issue
that
mation.
well
concerning
difficult
extensive
as
present
extensive
for
must
this
, if
information
while
same, infor
investigator
fact
be tween
observed
by one
modifications,
assimilate
the
directly
by the
reJected
Nevertheless
hypothetical
not
structural
scheme
.
In par t , this
and
were
ponden ce with
tenuous
in
went
assimilation
sets
corres
address
of
distinguish
their
s employed
be inferred
i s further
adequately
was too
to
meas ures
alternative
because
attempting
only
acce p ta ble
Several
failed
, much deliberation
stimulus
to
atteILt.f:)tln9
by
parameters
of
105
a scheme
which
is
permits
more
various
the
stimu ·1i
approach
its
use
of
limits
the
generalized.
schemes
natura
resemble
schemes
according
limitations
of
attempting
of any
each -construct
among
the
all
measures
.
were
su ggest
s that
a certain
type
accommodating
the
levels
creativity.
For
operative
informa
of
t ion
scheme.
Mult i ple
appears
measures
fabr icate
use
be
of more
is
and
same
would
no
utilize
the
.
for
the
multiple
measures
int er relations
support
also
rel at ionshi
, the
d
specified
for
the
h ips
contention
underlyin
g
prov i de a mean s of
p between
p resent
creativity
in vestigat
may be mos t closely
degree
of disc repancy
can
, there
the
example
creativity
to
to
the
measures
.
or
is
ta pping
the
of
compensate
p rovide
t h e ran ge of
accommodation
to
measure
would
a pproa ch has
expectations
Demonstrating
Multiple
delineating
with
.
measures
construct
one
this
develop
experimenter
·rn is
schem~s
artificially
Moreover
actually
to
scheme .
on and operation
schemes?
to
degree
delineate
resµlts
do the
constituti
the
artificiality
which
extent
subjects
One means
and
to
l ly occurring
that
that
extent
the
p resent
However,
, the
the
the
was made to
lists.
of
with
in
. First
To what
assurance
of
was taken
word
own li mitations
assessment
discrepant
An attempt
the
schemes
are
that
investigation.
through
accurate
i on
associated
with
accom..,1odat i on , na me l y ,
which
is
severely
Acco mmodating
to
be
to
le ss direct
may help
to
discrepant
moderate
or
l y r elated
clarify
these
l ow
to
106
relationships.
Similarly
creativity
may provide
treatment
and
of
what
the
the
it
measures
measures
as
peers
, behavioral
, but
self - ratings,
may aid
in
treated
.
using
the
a global
creativity.
Using
of
evaluate
this
creative
and
creativity
another
only
one
and
from
the
future
one
.
of measures
, advisors
wh ic h are
An assumption
could
No distinction
Comparing
creative
of
be
was made , tor
" scientific
approach
provide
, or
inventories
creativity
and
to
"
the
an opportunity
groups
task
re li able
creativity
dimensional
scientifically
by a single
include
creativity
might
was
to
" creativity
assumption.
information
other
of
.
a multi-
this
accomplishment
was that
" artistic
in
supervisors
aspects
construct
used
an assortment
of
with
verbal
In
include
check li sts , or
, between
provide
also
of
.
measures
to
investigation
as
assessment
verbal
each
provided
to
satisfying
little
constructs
associated
present
been
ratings
specifying
closely
example
have
that
may be propitious
of creativity
such
the
would
approach
and
were
suggest
Wal l ach - Kogan
figural
most
creativity
respective
investigations
complete
Two measures
Results
over
measure
ity.
figural
investigation.
from
a more
of creativ
creativity
gained
, a multidimensional
of
to
artistically
individuals
would
means .
The population
employed
represents
an a dd itional
re l atively
homogeneous
in
the
present
limitation.
with
respect
inve st igation
The population
to
age
and
educat
was
io n .
107
Consequently
li mited
range
, the
.
Moreover,
of creative
popu lati
on .
in
regard
this
research
to
o utstanding
predom i nated
speculate
ate
number
accomplishments
somewhat
which
individuals
results
sensitive
technique
wh i ch may have
One further
relates
to
subjects
regard
task
sample
the
had
population
that
the
i n this
group.
of
a more
dist
groups
icularly
nature
of
influ
the
enced
not
a whole .
possess
ing
an
creative
abilities
are
Perhaps
a study
demonstrably
i nct
creative
pattern
would
be
One
of
a more
to
a sample
ran ge .
regarding
they
the
as
as compared
a r estricted
ed that
may have
creative
- Lyer
a state
of outstand
percentage
, part
..
Mul ler
does
wi th
of
characterize
perhaps
extreme
concern
indicat
to
of
to
this
a g ive n subject
pop ulation
i ndividuals
a l arger
The use
io n
the
wou ld p roduce
.
a populat
of
underrepresented
i ncluded
examp les
in
mat io n
only
some
poss ible
, and
of
expect
not
of
no infor
which
sophomo res
what
by this
be meaningful
within
and
the
ted
exactly
prov ide
to
is
that
specify
is
i on from
would
ab i lity
it
results
publ is hed : results
populat
by freshmen
, but
tasks
i ntended
one
abilities
inordin
are
are
sample
to
i s re presen
; no norms
creative
creative
difficult
abilities
Certainly
university
is
of the
The Wallac h - Kogan
the
i s drawn .
might
it
instrument
respect
the
generalizability
task
the
.
were
..
Muller
sample
As noted
not
ion
prev iously
entirely
- Lyer
performance
populat
task.
and
naive
, some
with
Knowledge
confounded
of
108
results
in
expected
the
any
gro ups
d iff erent
understanding
either
for
on the
limitations
of
be used
of
measures
hypothesized
un der l ying
proved
particularly
as
administered
the
subjects
able
the
to
still
when they
t hese
attention
were
subjects
may have
is
to
confounded
the
.
between
the
mu lti ple
" approach
Mod ific
It
measures
been
appears
and
recognized
y of
of
Re lated
The relative
the
s ; subjects
words
the
t he tasks
demand ing
Scheme
and
words
Unrelated
and
words
wit h which
may have
underm ined
readily
of
were
ease
who could
'
ba lanc e
Some subjects
all,
the
subjects
that
sufficiently
a tions
mi gh t have
Evaluating
ic.
not
.
,
' s effects
emp loy
measures
resources.
presented
may
res pond
illusion
investigation
have
ma jorit
some
Therefore
ass i mil ation/accommodation
most , if
instruction
.
present
problemat
the
to
way of minimizing
inadequate
' attentional
recognize
the
was
Given
or
appears
of
across
a subject
effects
constructs.
may not
identify
.
However , a "shotgun
connection
modify
its
the
information
operates,
measure
in the
the
to
one
excuse
used
the
groups
wh ich
construct.
to
of
task.
icular
strengthened
ability
that
knowledge
factor
Knowledge
rep resented
"actually"
above,
a part
each
cannot
the
figure
using
to
of
may be
for
Mulle r - Lyer
As a llu ded
equally
ill usion
, independent
measures
it
compensate
way the
propensity
results
or
ways .
ly by th e respective
to
on the
another
been
of how the
attempt
based
different
may have
creativity
the
several
effects
utilized
is
of
the
i dentify
,
109
Scheme,
Rela t ed , and
attend
exclusively
would
be
l ess
assimilat
instr
to
likely
to
of
appa r ent
approached
The diffe
type
would
of word .
modify
have
no need
Consequently
to
, they
their
balance
the
p r esent
the
ceiling
in
renc e may have
i n response
investigation
to
In the
demonstration
if
This
made the
pilot
Alt ernat
possib
to
li ty
subject.
exposure
further
would
be to
a t which
difficulties
words
woul d e li minate
.
Of course,
the
went
in
d if ficult
to
future
than
again
lat encies
the
be used
individual
use
w~s i n
the
.
for
the
words
require
g i ven.
latencies
to
subject
concerns
th~ir
it
research
instructions
presented.
of
the
easier
and might
the
through
spec i f i ed criterion.
task
exposure
a given
and
subjects
the
.
subject
repeated
reach
could
categories
once , r egard l ess
indivictualize
Train i ng tr i a ls
time
former,
p roce dure
more
in
studies
may be desirable
utilize
examp l e , of the
latencies
not
few subjects
wora
made
pilot
subsequent
It
three
, subjects
iv ely , re duc in g the
task
the
only
demanding
Then,
changes
In the
did
training
wou l d make the
subjects
.
of
the
l atter
they
studies
limited
any
exercise
insufficiently
studies.
been
.
per for man ce.
may have
being
between
demonstration
more
task
du rin g p ilot
t r ain i ng p r ocedures
for
words
uct io ns .
was not
the
one
i on/accommodation
The problem
the
Unrelated
Another
for
determine
would
each
the
recognize
50 %,
Individualizing
about
basal
d i fferences
or ce il ing
in
the
110
exposure
the
time
required
is
derivative
words
words .
Therefore,
differences
is
a possible
to
expect
, individualizing
account
for
Incidental
the
learning
alternatives.
mutually
obtained
and breaking
These
exclusive
a Piagetian
interpretation
be possible
to
evaluate
scope
of
possible
research
In this
res p ect,
may be more
to
in
and
the
the
, fro m the
results
and
play
necessarily
compatible
obtained.
with
in the
per spective
more
the
and
field
the
to
the
it
is
t hree
explaining
of
creativity.
advanced
inclusive.
at
It
herein
would
many d ifferent
small
may
was beyo nd the
Meanwhile,
of
with
It
so as
endeavor
merits
to
such
associated
of
f orth
studies
stud y of . creativity
creative
not
summari z ing
Piagetian
comprehensive
be put
largely
n.
to
.
are
fact,
, that
thinking
be unlik~ly
two
the
rela tive
creativity.
set
are
investigatio
the
d to
investigation.
research
however
in
in this
predictions
perspectives
existing
levels
fu tu re
present
t o assess
theoretical
pertinent
design
theories,
the
in
of
differential
respective
are,
latency
However , there
would
can
pe rspectives
and
.
creativity
flashed
consider
be relate
hypotheses
results
to
latencies
to
g e of
to per ceive
differences
would
pertaining
percenta
measure
latency
words
alternative
ability
be necessary
that
Consequently
Several
a given
dependent
unselected
results
the
would
recognizing
influence
recognize
of
it
as
no reason
to
child
to
the
seem
111
advancement
of
radically
The util
i ty
of
the
be more
circumscribed.
attentiona
l styles
for
new paradigms
inciden
understanding
ta l learning
W'nile
of
its
creatives
major
within
disciplines.
construct
relevance
is
creative
for
clear,
its
accompl
appears
to
studying
the
significance
is hments
seems
more
tenuous.
The Gestaltist
to
that
of
particular
the - scheme
theories
significant
mental
than
the
is
or broken
for
set
, Piaget
into
part
for
more
accurate
hindered
icularly
those
Piagetian
Add iti onal
of
research
is
needed
be
sustained
break i ng
what
may follow
.
Interpretation
i onal
studies
definitions
to
explo ration
shortcomings
operat
-- a more
sche me .
as a preliminary
Replication
operational
only
on l y for
veridical
to
may
construct
. Pia9etian
creativity
relating
the
However ,
schemes
by methodological
constructs.
and /o r modi fied
of
served
theory
is
, not
, but
i nvestigation
static
can
of
, more
.
of
mod ification,
integration
detection
merits
two perspectives
be a more
set
similar
therefore
r e l ative
the
the
an explanation
a Piagetian
resu l ts
to
is
of creativity
between
allows
set/perturbation
This
study
appears
It
.
the
Wh e r ea s the
, and
offers
complete,
the
set
respects
discuss
appears
scheme.
differentiation
theory
to
difference
be that
of men tal
in many
l y d if ficult
respective
one
construct
,
def i nitions
using
are
del i neate
of
alternative
called
the
of
for . .
parameter
s of
11 2
the
theory,
applies.
perhaps
specifying
the
circumstances
where
it
113
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of
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,
124
Appendix
A
Raw Data
Note:
fixed
The data
format :
are
in
order
according
to
the
followin
g
30F2 . 0/F3 . 0 , X, 2Fl . O, X, 9F2.0 , X, Fl . 0,12F2.0
The first
card for each subject
contains
the da t a for the 30
trials
on the Muller - Lyer task.
The secon d card contains,
in order , subject
ID , order
of trials
, and experimenter.
The next nine variables
are the attention
meas ure s . The
order
for instruction
is Equal , Pri mary , Exclusive.
The
order
for Word - Type is Scheme , Related,
Unrelated.
I nstruction
is the slower
changing
of the t wo re pea ted
measures
. The next variable
is sex , followe d by scores
on
each of three
items
for each of the four creativity
tests ,
Alternate
Uses , Pattern
Meanings , Similarities
, and Line
Heani ngs .
125
Subject
001
55525053514657484653485542485647485746514649505049524959
001 11 090810120909111008
2040304040504060304040403
Subje~t
002
5351463846464646393839444652394050514046494539494754483
002 10 091006 11 0905091009
5 253
8 4443
Subject
003
625852504548554739455750494948454652505047475250473432633637
003 40 121009110907110906
1080806030503040204030302
Subject
004
454039323638333330323637323132202634253323232525262422171921
004 61 090807111006110908
1080404030403080504040305
Subject
005
585237463743492626344036443147383438324241474943474241423747
005 11 121008101110111108
2040503010302050404020302
Subject
006
57575652485150504746514951535052495352414547505649454243
006 40 080910120810111109
207090702040407070605
0 404
4 244
Subject
007
434750483641405043464850523742453428434950424543454343404546
007 21 090805 11 0707111007
2080704040503040603050608
Subject
008
616164996770585956566148446354645158524
8 50493946484745635350
008 60 08 1008100607100604
2070507030703050304040506
Subject
009
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009 32 121010100907121006
108050804060304030506
0 504
Subject
010
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0 1 0 52 091007091006 111 210 2120405030203070302050203
8 585555
Subject
011
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011 32 090909121108060708
2100505040502060602040304
8 5251
Subject
012
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012 10 101006110506090804
1050205020504040704090508
126
Subject
014
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014 62 100704100606070802
2080405030202080304040405
Subject
015
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0 15 50 070604110406060100
2090504030303080405030403
Subject
016
645460615350535153555852465750505558624743635150575146404545
0 1 6 22 091010121210121010
1090709050505070606060405
Subject
017
373746394736324l36433735404243534148425040505141394540464550
0 17 50 12121111101 0 1211 07 1070605040503040201010304
Subject
018
6364646 16760546068596060646453586060586062616363616356636858
018 10 080709121108111211
2880107060508070907040508
Subject
0 19
655758484946464243514943384242474342444045464140454436484746
019 ' 13 100909090807121109
1110707070809100709030509
Subject
020
514459575660648464445051545454484950504848514951455050545150
020 20 030200050300050001
110 0304010403040503030404
Subject
02 1
374947524242504941384041383835374444463846524245544858444242
021 13 1212121 2111112 1211 2050001999999090304999999
Subject
022
715957636258546154495250454650484840534249404244424549475054
022 43 100709121004120707
1050406010201091117010101
Subject
023
595355484751534962545153625452494940515359535359484254516362
023 50 080401100505070602
2070405030100060402010501
Subject
024
585044443744384644464355484331474544464036454446495051534042
024 33 090707090504100604
1070405020303040407020503
Subject
025
534944475245394546415042464444454347474499504343534348484947
025 40 100808090603100505
2070404020304030202050403
.
127
Subject
026
5768504649164443444557455045525744466152505446524
026 34 050602070301080400
1100809040501100804050503
4 3639362 84 7
Subject
027
535553555444323249524852494245535057444853494749535550504948
027 10 071109091209070704
2110403020001
0 50304030301
Subject
028
474942454841505050544250534448374947385344444048465246515054
028 20 10090712111112110
9 115070602020208
0 503 0 30404
Subject
029
625256614955505459565761575259564859535551515350475251495144
029 34 121008120708121010
2100704040505100708060708
Subject
030
565558535859585452545553515551525151525855565245544653515149
030 44 121007090702110805
10906020405020504040303
02
Subject
031
645759545659626752515855525961675450555354496064645950636365
031 60 100803090306100603
1090706090704070806030406
Subject
032
666364547067656465616457666059585963595457616060616560596058
032 54 111209121111121010
2061006040304050504030504
Subject
033
395313354440444235424143324238373228384129283032282019292829
033 40 070709110905100911
2080203030304080403080607
Subject
034
.
566165575752514955605453537151606264644654476250535654576449
034 10 120607090908101108
108040302030106
05040 104 02
Subject
035
464943213945324744423340312719332931403833232730323328312135
035 15 081107121005111009
2050405030303040505030505
Subject
036
616571493626423741485158444539585242405043484738514046555056
036 30 060906070708100908
2150906030503090606030506
Subject
037
474353474548465056535754475556485257545350494850435249414634
037 45 1111121 212 10121 2 10 1140505050505130
609030303
128
Subject
038
444851554742515647555050474638514338364441383533414541362543
038 50 070300100803080300
1080605030405050507050405
Subject
039
50545555465051494245474236474
039 60 091208070808091009
04 139423844373 83938424138373946
1050206020504070605050804
Subject
040
586867524553445056546045585255666254516454626255586249585961
040 55 111209100908090809
2070505010301080303010404
·subject
041
20304424283621252617180~210816142308201913162128242113123521
040 30 080403060100110705
1120204050906040405110807
Subject
042
586561616062597066536761565156485364649953413952295328355978
042 10 100809090905100809
2120605040403040506050403
Subject
043
575665676254545758565557575599322120121117991399101013121415
043 11 120909121210110708
1160908070807040306080511
Subject
044
362899999999995599999941999952415250474641434744475044515140
044 50 080500100707070301
2070504030302040405070406
Subject
045
635761626159656365593562636962625660595657586162606355586561
045 61 121110121108110301
2100306010101050810000101
Subject
046
555855565147343836363937354039342933333434353034362325352626
046 30 080702070606080504
11 003030 2020104 0301020305
Subject
047
645050433632445242423949473334344937383850433825434235434848
047 11 080806101107101009
1050405040302040403050504
Subject
049
586164564855555049494852504549445348494849516249465053535549
049 41 1108051106061 00703 2090303020302060505030504
Subject
050
746665546261587358485950556555556459645859526253636156695581
050 31 090607060805060404
2i20303020302060508050408
129
Subject
05 1
5651484959515557585758575355585952565856475851565
15958435051
05 1 46 1 21108100808 120710 222 0806130 708 09 1011 0807 14
Subject
053
65646161606 1606064525658606060614852545650515552656054555452
053 10 060802060509100706
2100404081005050606050507
Subject
054
58465 1484746365440413738424143464539453340363542464436474947
054 26 1211 12 111 20809 1111 1 2525 15040404 1 207 1 5020302
Subject
055
695856535457476054585752505951485048544955485861634964636863
055 66 121111090706090910
1070308040702050204070404
Subject
056
59575157545 16265566054525654645
15 062574963525047364545434641
056 40 111 008 11 0806 111 003 2999999999999 999999999999
Subject
057
6151516054 5557546 1615962626257586264566
057 10 090703040501 111 005 11 00705030304
1606 1 5758605249605560
141213060708
Subject
06 1
484651443841534740474344372741343240414340433942363947353332
061 1 0 0505071 11 008 10 11 08 2070505020404030305030303
Subject
062
384453474748444445404140453647443735434
14 647464939424
062 65 121112121211111007
1050 1020204020 10302020302
1444945
Subject
065
6161615952535251485749555457635954505148555
14857434049454242
065 55 060307090705060604
10403060 1020 103020 1030203
Subject
066
72726552495466584
12 0 29304332373740513727363239364047545
066 45 111110110907091012
1080305030 30305 040305030
Subject
067
474445444543433844425045424342
067 20 080807 11 0908090710
99999
3
454 54743453637404
4424242444243
117091601 020 50307040303 0 2
Subject
068
544947444653434540354050435150564244484542433847412938424543
068 10 101 0060 7 070706 1 209 21 1 0 708040 70 1060706080708
130
Subject
069
6057595457495
16445586445545455504458475350455652605452605854
069 55 060601060403070100
2110505 0 3030305050705
0404
Su b ject
070
555 95450495350445550535
14 94852485147504451495
070 20 111009111108101206
1241 4 17 0504052120
149495248524250
11 040407
Subject
072
57545656484355585146604749505343434644485356484653435
072 50 111 008 1209 09 11 0904 2060406010304050203030307
65 75862
Subject
073
505451504547515448415649444344484952535353484952545152514246
073 20 090809110701110804
1130305030403040606030907
Subject
074
4348575660554754464147494457585345485451565
9 5356534948505053
074 50 040403110708100705
21407 09070806080507060605
Subject
075
655857596658615654585561604759674756515668494948555456564953
075 15 08 1004070604 11 0803 1090706030303060607040205
Subject
076
746768676168686866676767656567666769676967666566676768676665
076 14 120 907 12 11091 012 1 0 209050503050505040206
0609
Subjec t 077
59 54535251424 6505045433643474237444
1435 1434 1434 1403840394036
07 7 1 0 121 008 121 003 1110 09 1070203020202060304020203
Subject
078
5951555256524954555260595562535539404544424645
46484540424355
078 24 100808 12 11 08 10 0708 2120607050502080506040304
Subject
079
444037444447545852464238455149534848404449383940433846434046
079 20 071007 10 1009060409
113121209070805
0408080909
Subject
08 1
525065695353566074484953566857635347554844534851485342625762
08 1 44 080704080302090604
2050503040201030302050305
Subject
083
424743423246494242404146424543474546414744464044394
083 20 100504 10 111 0090602
11208 09050504090708020406
1 56354 152
131
Subject . 084
60585557525350
515 448514747505 85 15153444 448424 152495340484251
084 13 '12 12 1 2 1009 1 2 111 0 1 0 10604060202020502040
10302
Sub ject
085
43435046545063665856365231555349575547544749564
45066 52474140
085 63 070503040402040301
205980300020 19804020 10 204
Subject
086
486364586 2556 2585560666862586357
57 51 536155 64565454576
086 53 1112 0809 101 00709 10 2 13 0506090406030502040405
Subj ect 087
51534954505151485248505049484949445254515350555449
08 7 20 - 111010121104120907
20504030103010402010101
1545752
42485 15 453
02
Subject
089
555354465047524851505
054495259526057535048555550545255524954
. 089 10 11 0905 111 009 100806 210061403070607070
9060608
Subject
090
4938414555494746454545404449353448394950
4 345403 9404338404
090 32 12 1212111208 1 21 11 2 1090 7100207050604 08030405
141
Subject
09 1
68 51 64646862655546545658585448424236403536323654486154435347
09 1 30 0604020501020
10401 20906040303030704
04030302
Subject
092
595953525458524857535149575
092 62 110 809060707090809
85558545457 545 5525 7545 65 1 53565357
217151407071112
0809120508
Subject
093
5157 .52565460515556555
65 4465047435549465350475557575
093 52 100707080804040902
108031 102030 1050305020
954544550
4 04
. Subject
O 94
58495251525049535
1 565 151 50555556545143484
8 564847484
094 20 080507 120904120804
2070406020403060705030202
649464849
Subject
095
.
47454442504744414940354
44 1444535203420
17223 432 3026 4736333032
095 62 090805110607070801
1050203989898060304010201
Subject
096
71605352595247505555525249425152525454565
864 58 42484364464260
096 1 0 07050 1 080705 11 0701 2100604040404060606060
806
132
Subject
097
514551483748304143453544384349503855474441464536525045385150
097 12 08080 71 0 11 06 10 0908 2 14 10040 10404060306030303
Subject
099
715 25945525 1455 0 39545 556 545 157 494347 51 5054525254534438394954
099 42 1111121 2 1208 111110 2050402020100030302020304
Subje ct 1 00
505763716359625655444750615437433946475656583941574947464542
100 42 121008100606 121 209 1100305030403060402020503
Subjec t 101
585654556056625852585962545558545
15 95454585564535354686
1 0 1 50 090912090706080904
2070503020201040305010302
15 754
Subject
1 02
545553515859545960576062655762586358656057565660595456595961
10 2 66 121210 121 2 1111100 9 112 0307040504040406060607
Subject
103
4645493938454
131 34372827362827384032344536404
142383234393934
1 03 50 080405100703050401
205020 1020 104040304020403
Subject
104
767066706969 7161 63686870676976797574797375707
17 0 7 2687472657
1 04 36 100606081003090807
2080506040202060607050204
Subject
106
495245454842474947504650464848514441465256534353495353474951
1 06 40 11 1209 1111 09 12 12 09 1060206010101050301030201
Subject
107
615857495 15 1384945554842424447404637404
14343494 8494249484444
107 56 11111112 1111111012
.2220406050502170815040807
Subject
108
394738383537353333293436403330363528313633383532353525352423
108 1 7 101010 1008 1211 1207 2080405030304090707040303
Subject
109
495048464841464345484
1464341414 14 143444846474847474650453846
109 50 11 0909121010090710
2110303020209051008040604
Subject
1 10
605556644952554552515259555155555354545557585550535553535653
110 50 100 8 10111008100604
21004050 80912090506060914
1
133
Subject
111
545053525153495152495254494946494949474446515048555051555450
111 4 7 12121010120 2 1211 07 1060208020303040302020306
.
Subject
112
515446414 84 2454 84939464440394839404042394
1423636383444293227
112 60 111009110806110706
2150705040807090700060510
Subject
113
615959545 6 535 35554 53575 65551 535146 49534649504645474849
113 27 12121112121 212 12 1 2 11 409 12 030402070504040403
5 04750
Subject
114
.
544651424746434746444743414635454043434441494241404246434339
114 27 1212101112091
2 12 07 2160404030203050304010303
Subject
115
424131313741433736403940414344354135322842373931283734364541
115 20 121 009 120 808 1 2 1110 105020 7040406050403060605
Subject
11 6
.
86949292929 390 92909291 879 19197 8 7838886888 1878986828282828588
11 6 27 120906121109111109
2231210010101090810010101
Subject
11 8
495449494 5495 0544554444950404353495052505
1515 352 51 5351565251
118 50 12 0707121 1 06100709
2080704030201090503020504
Subject
11 9
495246494048494440474448494551514949465143464554505052495048
119 17 08050709 1005 100908 2220905050307060508080509
134
Appendix
'l'ables
B
1 35
Tab l e 5
Mea ns a n d Sta n d a r d Dev iat ion s o n Wor d Recogn i t i on Sco r es :
Cre at i vity
L ev el
X Wor d - Type X I nst r uction
Cr eat i v i ty Leve l
Low
Wor d -Ty p e
(n
= 32 )
Med iu m
(n = 35 )
· Hi gh
(n = 3 3 )
9 .-75
( 2 . 36 )
( l. 79 )
9 . 64
( 2 . 26)
Rel a t ed
8 - 81
( 2 . 85 )
8 . 31
( 2 . 34 )
8 . 64
( 2 . 28)
Unr e l at e d
7 . 72
( 3 . 06 )
6 . 91
(2 . 86 )
7 . 27
(3 . 20)
Sc heme
10 .1 6
( 1 . 63 )
9 . 97
( l. 96 )
9 . 94
( 2 . 30 )
8 . 56
( 2 . 60 )
8 . 26
( 2 . 42)
8 . 85
( 2 . 99)
6 . 25
( 2 . 96 )
6 . 34
( 2 . 63)
7 . 67
( 2 . 77 )
( 2 . 00 )
(2.60 )
( 1. 54 )
Related
8 . 38
( 2 . 88 )
8 . 09
( 2 . 97)
8 . 61
( 2 . 37 )
Unr e l ated
6 . 28
(3 . 00 )
6 . 17
( 3 . 43 )
7 . 67
( 3 . 19 )
Sc heme
9 . 43
EQUAL
ATTENTI ON
PRI MARY
Rel ated
ATTENTI ON
Unr elat
ed
-----------------------------------------------------------9 . 34
10.24
Sc heme
9 . 75
EXCLUSI VE
ATTENT ION
------------------------------------------------------------
136
Table
Summary
Table
Creativity
of
Measures
the
6
Canonical
and
Correlation
Attention
Between
(N
Variables
= 104)
-------------------------------------------.---------------Number
*
Eigen value
Canonical
Correlation
Lambda
Degrees
Freedom
Chi Square
l
.22 1 6
. 4708
. 5638
36
52.72*
2
- 1433
. 3785
• 7243
24
29 . 67
3
.12 1 2
. 3482
. 8456
14
15 . 44
4
. 0379
. 1948
. 9621
6
3 . 56
p < • 05 .
137
Table
Test
for
Trend
Over
7
Muller-Lyer
Sum of
Squares
Trials
D. F .
( N = 1 00 )
r.iean
Square
F
------------------------~--------------------------------21 . 99**
3153.16
9
350.35
Trial
Error
1 3911.30
8773
Linear
Error
2288 . 37
3816 . 92
97 ·
Quadratic
Error
567.31
2336 .7 9
97
Cubic
Error
99.71
1762.09
97
Quartic
Error
94 . 22
1642.51
97
Quintic
Error
66 . 48
1006 . 15
97
Sextic
Error
33.77
892 . 52
97
2.48
10 00 . 50
97
Septenary
Erro r
o.oo
1
l
1
1
l
l
l
15.9 4
269716 . 80
39 . 35
361 . 35**
567 . 31
24.09
23 . 55 **
99.71
5.49*
18 .1 7
94.22
16.93
5 . 56*
66 . 48
10.37
6 . 41*
33 . 77
9 . 20
3 . 67
2 . 48
10 . 31
0 . 24
Octenary
Error
o.oo
97
7.48
o.oo
725 . 77
Nonie
Error
0.82
728 . 03
l
0 - 82
7 .51
0 .11
97
*
**
p
p
< • 05
< . 001
l
138
Table
Summary
Between
Numbe r
Table
Creativity
Eigen value
of
the
Measures
Canonical
Correlation
8
Canonical
and
. Correlation
Slope
Scores
Lambda
( N = 100)
Degrees
Free d o m
Chi Sq uare
-----------------------------------------------------------
Note.
the
l
-1 057
-3251
.7772
24
23 - 32
2
.0763
.2762
- 86 9 1
15
12 - 98
3
. 0539
. 2321
-940 8
8
5 . 64
4
. 0056
- 0747
- 9944
3
0 - 52
The first
E < • 05 level
canon i cal
of probabilit
correlation
y.
is
not
significant
at
13 9
Table
Summary
Between
Numbe r
Table
Atte nt ion
Ei gen va lu e
of
the
Measures
9
Canon ical
and
Correlation
Slope
Canonical
Correlation
Lambda
Scores
( N =1 00)
Degrees
Freedom
ChiSq uare
----------------------------------------------------------1
.1 426
. 3776
.653 8
54
38 . 25
2
.1113
. 3336
. 7625
40
24 . 40
3
. 0778
. 2788
. 8580
28
13.7 8
4
. 0394
.1984
. 9303
18
6 . 50
5
. 0250
.1 581
. 9685
10
2 . 88
6
- 006 7
- 0820
. 9933
4
0 .61
Note .
The first
canon i cal
the
p < • 05 leve l of
correlation
probability
.
is
not
significant
at
1 40
App endix
Frequencies
In the
Matched
Sets
En gl ish
of
Scheme,
of
C
Occurr ence
Language
Relatea,
for
ana
tne
Three
Unrel ated
~o ras
Note:
Words above the broken
lines
appear
bot h in the
listed
words and among th e flashea
words . Words b elow t h e
broken
lines
a pp ear only in the liste d woras , not among the
fl a shed words.
141
·set
Scheme
1:
Words
Words
That
Are
Unrelated
---
The Names Of Foods
Words
apple·
suit
(294)
cheese
(236)
soup
(122)
potato
(30)
steak
(99)
bacon
(515)
bread
( 127)
turkey
(12)
chili
( 28)
cod
(88)
bean
(92)
crac ker
(25)
(292)
court
(236)
harbor
(121)
ribbon
(29)
spout
(100)
meadow
(511)
hat
( 12 7)
wax
(12)
gutter
(27)
oasis
(90)
organ
(90)
coop
(24)
sausage
va rnish
Related
Woras
meal
( 286_)
pan
(240)
stove
(122)
fork
(29)
menu
(103)
feast
(497)
kitchen
(128)
picn ic
(12)
spatula
(26)
snack
( 90 )
spoon
(92)
pantry
(25)
toaster
( 16)
( 16)
(16)
radish
falcon
grocer
( 14)
melon
( 16)
prune
( 8)
( 14)
orchid
(16)
tepee
( 8)
(14)
cafe
(15)
grill
(8)
142
Set
Scheme
Words
2: Words
That
Are
Unrelated
The Names Of Vehi6 l es
Word s
Re lat ed Hor<is
auto
(39)
rocket
(242)
jet
(221)
bicycle
( 182)
canoe
(1 64)
van
( 35)
yacht
(1 6 )
sled
(104)
truck
(410)
taxi
( 43)
ferry
(41)
train
(55 6 )
g rove
(39)
factory
( 23 7)
mail
(203)
soup
(1 84 )
hay
(171)
hoe
( 33)
corpse
(16)
guitar
(1 06 )
army
(412)
quartz
(43)
flap
(36)
root
(568)
pedal
( 39)
traffic
(242)
motor
( 198)
horn
( 185)
pi l ot
( 167)
toll
( 33)
bumper
. ( 17)
cargo
( 106)
wheel
(418)
mast
(41)
car
( 35 )
gas
( 583)
glider
( 38)
ship
( 1021)
bus
( 345)
tractor
( 4 7)
cocoon
(34)
moon
(1046)
plate
(346)
scarf
(50)
motal
(34)
road
(1106)
station
( 341)
fare
( 54)
143
Set
Sche me Words
3:
Words
That
Unrelated
Are
The Name s Of Anima ls
Wor ds
Re lated
words
panther
jade
(21)
zebra
(25)
turtle
(1 04 )
cat
( 620 )
mule
(7 6 )
camel
(72)
fox
(163)
tiger
(11 2 )
(21)
suite
(26)
la p
(1 05 )
cover
( 604 )
b r ook
(7 6 )
novel
( 71)
porch
(1 68 )
hook
(112)
candy
( 256)
ac i d
(140)
tent
(208)
marsh
(52)
r
(2 0 )
claw
(25)
feather
(106)
tail
(620)
paw
( 77)
po r k
(74)
ro ar
(167)
s table
(11 4 )
wool
( 255)
zoo
( 139)
ba r k
(204)
rodeo
(52)
p ig
fort
wing
( 142 )
gopher
( 11)
elk
(24)
lion
( 264)
( 140)
wig
(11)
a l tar
(24)
cave
( 264 )
cow
( 263)
wolf
( 139)
pony
(21 0 )
moose
( 52)
antle
•
(1 39 )
hoo f
( 11)
snout
( 24)
fur
(25 9 )
144
Appe ndix
Instructions
D
145
Consent
Form
This experiment
is a stu dy of various
perceptua
l
characteristics
.
It has th r ee ca rts
to i t .
TI1e first
cart
involves
looking
at words
wh ich ... will
be flashed
very briefly
on a TV screen
and trying
to reco gn ize the words when the y
are flashed
.
Because
this
part
of the stud y n ece ssi t at es
w~tching
flashing
light s you should
no t volunteer
for it if
you are bothered
by flashing
lig h ts o r susce pt i b l e to
se i zures.
I n the seco nd part
of t he st udy su b jects
will
be
comparing
lin es of vari ou s lengths
and tryin~
to -match
them
for size.
The third
par t will
b e completing
a paper
and
p encil
questionnaire
.
The first
two parts
will
take
a bout ha lf an hou r altogether
The third
oa rt is ooen
en- ded , it has no time
li mits . You
...
...
may s p end as much or as little
time working
on it as you
like .
Try to leave
yourself
a goo d c hunk of t i me for th is
part
tho u gh , so you don't
have to break
away wh ile you are
st ill
working
at it.
You may find
the q u e sti o ns fun to
answer
and n ot wan t to l eave before
y ou are satisfied
that
you a re done .
.
We are i nte reste d in how people
in g eneral
perf or m on these
tasks
and answer
these
quest ions,
not i n your performance
in
pa rtic •ular , or that
of any other
in d ivid ua l.
All of you r
responses
wi ll be kept
confi dentia
l . Only the data
on the
group
as a whol e will
be re p or ted , no t that
of any
i nd i vid ual.
Only the exp eri mente r s wi ll see any identifying
data
o r any individual
i nfo r mation , not your
teachers
or
your
class mates
or anyone
else. ·
If you decide
t o volun tee r for this
s tudy and co me during
the sch ed uled
time y o u will
receive
ten ex tra point s toward
you r final
course
grade . You are f r ee to wit hd r aw from the
study
at any time
i f for any reason
you chose
n o t to
continue
. After
the resul t s of the study
have been co mp i led
you will
receive
a letter
explain
i ng th e f i ndings .
You will
a lso h ave a c hance
to meet with
t he exper i emnter
at that
ti me if you have any quest i ons or if you des ire any
additional
i nfo r mat i on .
If you d ecide
to par ticipate
in
th is experiment,
please
si g n yo ur name b elow and return
this
form .
I ag ree to pa rtici
pate
i n the study
described
above.
unders tan d I may withdraw
at any time
i f I so choose
Name :
Date:
I
.
146
Initial
Thank
you
for
Instructions
volunteering
Please
read the
experiment
will
to
fo1 ·1owing
not begin
help
instructions
until
you
to
Subjects
out
with
are
this
study.
carefully.
ready .
In this
part
of the study , you will
first
b e looking
list
of words on a TV screen.
You will
b e given
instructions
on how to study
the list .
The
at
a
Next , some of the words from t he list
will
be flashed
on the
screen -- very briefly
-- one at a ti ine . The words will
be
flashed
in the middle
of a b ox.
There will
be an arrow on
either
side of the box , pointing
to the spot where the word
wil 1 be.
Your job is to try to reco9nize
the word when it
is flashed
and to say the word out loud.
Remember to be looking
as you press
the button.
right
at the area between
the arrows
Otherw i se you might miss t he word.
-- don't
get discouraged
i f you find you are missing
many
of the words.
The task
is difficult
and you will
not be
ab le to recognize
all of the words , but try to conce ntr ate
on each one .
-- if you have
ask the assistant
p ress
the b utton
any
questions
, reread
the instructions
for help.
Hhen you are ready
to
and the example
will beg in .
start
or
,
147
Instructions
to
Experimenters
1 ) Give the subject
a copy of the consent
form to read and
sign.
Subject
may choose
to leave
if he or sh~ would rather
not s i gn . Return
s i gned consent
form to designated
file.
2 ) P l ace a check
sub j ect ' s name to
3)
the
on the list
of subjects
show that
the subject
Wr ite the i nformation
subject
' s id# (taken
4 ) Give
questions
the sub j ect the
but t r y not to
next
came .
to
the
on the examp l e sheet,
including
from the list
of subjects)
.
initial
instructions
give any additional
. Answer any
informat i on.
5 ) On the keyboard
type "r un atten ".
Don ' t fo r get the space between
"run" and " at ten " and
remember to press
the " return " key after
typing
the words .
6 ) As the
record
the
subject
responses
attempts
to recognize
the example
as either
correct
or wrong .
words,
7)
After
the last
example
word, count the number correct.
If it is l ess than e i ght then press
the "y" to repeat
the
example
and record
the responses
again .
If the total
correct
is eight
or more, then as~ the subject
if he/she
wishes
to repeat
the example .
If yes , press
the 'y ' and
record
responses
again .
I f no , press
the 'n' and go on to
the next step.
Do not repeat
the example more than twice.
8)
Read the
genera
l i nstructions
.
9 ) Read the instruction
set indicated
by the computer,
filling
in the word in the blank
as i ndicated
by the
computer.
Do the same f or all three
sets
of instructions.
10)
Press
11)
the
Record the order
of
any key to go on.
instructions
Enter the subject's
id#
comp uter , as indicated.
(from
1 2)
Answer any quest ions about
subject
reads the instructions
on the
the
example
example
the second part
on the screen .
sheet)
after
sneet
onto
the
.
148
13)
Add up t o tals
on the first
workin g on the second
p art .
part
while
14)
When the subject
is done , hand him/her
and direct
him /h er into
another
room where
on it.
subjects
the
he/sh
are
third
part
e ca n work
149
Genera
l
Instructional
Sets
Read
Instructions
(after
the
By the
Expe r imenter
example)
Now we wi ll do the sa me thing
with a l onger
list
of ~ords.
The list
wil l be on the screen
fo r about
40 seconds , enough
time for you to look at each word at least
once .
Spec i fic
I nstructions
(rea d each
Give
Equ al
when com puter
indicates
)
Attention
Some of the words in the 1 is t that
follows
are related
. rrhey
are the names of ____
The r est are un rel ated wo r d s.
Howe ver,
an equa l numbe r of the words wh i ch will
be flashed
are th e names of ---~
and unrel ated words.
So t r y to
g ive the same amount of attent
ion to each word so thatyou
9-on ' t miss the unrela ted words when they are f l ashed .
Gi ve More Attention
Many
of
the words that
will
be flashed
are the names of
and some will
be unrelated
words .
So try to g i ve
more atten tion
to the words tha t are the names of
and not as much to the unre la t e d wor d s.
Gi ve All
i-iost
of
attention
try nor
Attention
the words that
will
be flashed
are the n ames of
and a few are un related
words . So g i ve a ll of your
to the words tha t are the name s of --=--- - - anct
to be d i stracted
b y the unrelated
words .
·
150
Appendix
Listing
of
E
Comput er
Programs
1 5.1
Attention
Deployment
Program
40 LOHEM: 1 6800 : HONE: HCOLOR = 3
50
S = PEEK ( 768) :
I F S= 32 GOTO 1 20
60 PR I NT "BLOAD CLOCK"
12 0 PRINT " FIRS'r THE EXAMPLE WORD LIS'r"
130
PR I NT "WILL BE DIS PLAYED": PRINT
14 0 PRI NT "ST UDY ALL THE WORDS SO THAT"
150
PRINT "YOU CAN RECOGNIZE ANY O:NE"
160
PRINT "W--rlENI T IS FLASHED": VTAB (8)
170
PR I NT "PRESS THE BUT'I'ON AL"\J'D
THE"
180
PRINT " EXAHPLE WORD LIST WILL APPEAR"
190
L = 6 : GOSUB 6000
200
HGR: VTAB ( 6 )
2 10 FOR A = 1 TO 12
250
READ A$ : PR I NT A$
260
I F A/3 = I NT ( A/3 ) THEN PRINI1
270
NEXT A
275
POKE - 16303,0 : POKE - 1630 1, 0
280
POKE 775 ,1 97 : POKE 781 , 60 : CALL 768
311
GOSUB 1500
315
POKE - 16300,0 : POKE - 163 03 , 0
320
VTAB ( 21)
330
PRINT "THE WORDS WILL BE FLASHED"
340
PR I NT "I N THE r-IIDDLE OF THIS BOX"
350
PRINT " ( PRESS THE BUTTON TO CONTI NUE)"
360
POKE -1 6304 , 0
365
GOSUB 6000
367 POKE - 163 00 , 0 : POKE -1 6303 , 0
3 70 HOME: PRINT "PRESS THE BUTTON A.ND THE"
380
PRINT " FLASHED EXAMPLE WORDS WILL START"
390
PRI NT " ( FOCUS YOUR EYES I N THE AREA mmRE "
39 1 PRI NT " THE BOX WAS BEFORE YOU PRESS 'l'HE BUTTON) "
394
FOR A = 1 TO 10
395
VTAB (10):
HTAB (13):
PRI NT" - >"
<-"
397
GOSUB 6000
400
IF A< 9 AND A/2 <> INT (A/2 ) THEN L = L - 1
4 10 I F A> 7 ORD>
0 THEN L = 1
420
POKE - 16304 , 0 : POKE - 16302 , 0 : POKE -1 6300 , 0
430
READ A$
440
VTAB (10):
HTAB (I NT(20 - (L EN ( A$)/2 ) ))
450
PRINT A$: POKE - 16303, 0 : POKE -1 6300 , 0
470
POKE 775, 80 : POKE 781,L:
CA.LL 768
480
POKE - 16304 , 0 : POKE - 16297 , 0
500
POKE 781 , 1 : CALL 768
519
HOME
520
POKE - 16300 , 0 : POKE - 16303,0
530
PRINT "SAY THE WORD OUT LOUD"
540
PRINT "I F YOU RECOGNIZED IT"
5 50 VTAB ( 5) : PR I NT "WHEN YOU ARE READY TO CONTI NUB"
570
PRI NT "PRESS TliE BUTTON"
590
I F F > 0 THEN RETURN
152
595
600
610
630
640
670
680
740
750
760
770
800
80 5
8 10
900
910
972
985
990
995
1 000
1010
102 0
1 030
1040
1050
1060
1 0 70
1 080
110 0
1 120
1130
1140
1200
121 0
1220
123 0
1232
124 0
1250
1255
1257
1265
126 6
1267
1 270
127 1
1275
1278
1279
12 8 0
GOSUB 6000
PRINT " THE WORD WAS
II;:
PRI NT A$
VTAB ( 3 ): PRINT " PRESS THE BUTTON TO S'rART "
PRI N'i' "T HE NEXT EXAMPLE WORD"
NEXT A
HOME: PRI NT " THAT WA8 THE LAS T EXAHPLE \WRD"
VTAB ( 4 ): PRINT " REPE AT THE EXAMPLE?
( Y OR bi )"
POKE 49168 , o : · GET B$: HOME
IF B$ = "Y" THEN RESTORE : D = l: GOTO 200
IF B$ = " N " THE N GO'fO 800
GOTO 740
IF F > l GOTO 900
PRI NT " EXPERIMENTER : READ GENERAL I NST RUC'i'I OL,iS "
PRI NT : PR I NT "F OLL OWED BY : 11 : P RI NT: PRIN'r .
FOR F = l TO 3
GOSUB 15 80
C$( 1) = " FOODS ": C$(2)
= "A N I MALS" : C $ (3) = " VEH I CLES "
r-1$( 1) = " EQUAL " : M$ ( 2 ) = " MOI-<E": 1-1$ ( 3) = "ALL"
PR I NT II A'l"l'ENT I OL\J
"
PR I NT " G I VE ";:
PR I NT M$ ( H );:
PR I N'r : PR I NT " WORDS THA'r ARE THE NAiviES OF II;:
PR I.NT
C$ (N)
GET B$
HOME : PRINT " PRESS THE BUTTON AND '£HE "
PR I NT " LIS T OF WORDS WILL BE PRE S ENTED "
GOSUB 6000
POKE -1 6304 , 0 : POKE - 1 6302 , 0 : POKE -1 6298 , 0
FORD = l TO 12
PRINT
FOR L = l T O 34 STEP 11
READ A$ : PRINT A$ ;
HTAB (L):
I F L > # ) TH EN PRINT
NEXT L , D
POKE -1 6303 , 0 : POKE - 16300 , 0
POKE 775 , 255· : POKE 7 8 1,247:
CALL 768 : HOHE
PRINT " PRE SS THE BUTTON AND •rHE "
PRINT "FLASHED WORDS WILL ST ART "
POKE -1 629 7, 0 : FOSUB 1 500
FORE
= l TO 3 6
<- "
V TAB ( 1 0 ): HTAB ( 13):
PRIN T " - >
GOSUB 395
.NEXT E
GOSUB 6000
N EXT F
d"l'AB ( 1 3 ) : PRINT "I NS'l' RUC'l' IO NS" : PRE\f '.f'
PR I NT " EQ=";:
PRINTMl , : PRINT " PR =;
PR I NT t-12 ,: PR I NT " EX=";:
PR I NT 1'1
PR I NT : PR I NT " EXPERIMENTER:
PRE SS A KEY TO ";
PR I NT "CO NTINUE "
.
POKE 49 1 68 , 0: GET B$
PR I NT : PRIN T " PRE SS THE BUT'I'ON TO GO ON "
GOSUB 6000
PRI NT " RUN ML2 "
153
1290
15 00
1501
1510
1520
1530
1570
1580
15 9 0
1600
1615
1620
1630
1631
1640
1650
16 60
1690
1692
2010
2020
2030
21 10
2115
2120
2125
2130
2135
2140
2145
215 0
2155
2160
2175
2180
2185
2187
2190
2195
2197
2198
2215
2220
2225
2230
2235
2240
2245
2250
2255
227 5
END
HPLOT 91,60 TO 16 8 , 60 TO 168 , 93 TO 9 1,93 TO 91 , 60
FOR Y = 60 TO 8 2 STEP ~l
FOR X = 91 TO 162 STEP 7
HPLOT X, Y TO (X + 7) , (Y + 11)
HPLOT X, (Y + 11) TO (X + &) , Y
NEXT X,Y: RETURN
I F F = 3 THEN M = 6 - Ml - M2: N = 6 - Nl - I N'1( lO*RND
(0)):
GOTO 1640
f'1 = I NT ( 10 *RND( Z ) )
IF M < 1 ORM> 3 OR M = Ml GOTO 159 0
N = I NT ( ! ) *Rl\J"D
(Z ) )
IF N < 1 ORN>
3 OR N = Nl GOTO 1615
IF F = ! "THEN Ml = B: -N = Nl
IF F = 2 THEN M2 = M
N = ( (N - 1) * 84) + 22
RESTORE
FOR A= 1 TON : READ A$ : NEXT A
+ 1
N = (( N - 21)/84)
RETURN
DATA LANP, TOWEL, FI J~LD, CI'rY, SNOW,CAP, ROPE, Box, RADIO, Pos·r
DATA BRICK, TREE, CAP, TREE,CITY , ROPE, TOWEL, POST,RADIO
DATA LAMP,S NOW,BRICK
DATA FEAST, SAUSAGE, SPOUT, STEAK, COOP
DATA HARBOR,BREAD
, PICNIC,PANTRY
DATA ORCHID, GRILL, GUTTER, SPOON
DATA TOASTER, BEAN, RIBBON·, PAN
DATA TEPEE, KITCHEN,CAFE,SNACK, HAT
DATA CHEESE, APPLE,CRACKER, VARNISH
DATA BACON, MEADOW
, FORK, COURT
DATA ORGAN, RADISH,SUIT,FALCO N
DATA MELON, STOVE, MEAL,WAX, MENU
DATA PRUNE, COD,SPATULA, CHILI , GROCER
DATA SOUP,TURKEY,POTATO,OASIS
DATA MEAL, PICNIC,BREAD , 1'-i
EADOW
DATA POTA"ro , OASIS , BACON, SNACK
DATA TURKEY,SPOUTWAX
, COD,GUTTER
DATA SUIT , STOVE, COURT, GROCER
DATA STEAK, MENU, FORK, RADISH, SOUP
DATA FALCON, PAN,HAT, CHEESE,KITCHBN
DATA TEPEE, SPATULA, CHILI,APPLE,FEAST
DATA RIBBON, HARBOR,GRILL,PRUNE
DATA PONY,COW,TIGER, FUR,ANTLER
DATA ACID, PANTHER,PAW,BARK, WOLF
DATA JADE, PORCH,LAP, LIO N,COVER
DATA CANDY,WOOL,FORT,MARSH
, WIG
DATA STABLE, PORK, CAVE, WI NG, HOOSE
DATA CAT,ROAR, FOX, ZEBRA, BROOK
DATA HOOK, TENT, ELK,SNOUT,TURTLE
DATA MULE, GOPHER, CLAW, ZOO, PIG, CAI-IEL
, HOOF, RODE), SUITE
DATA Tail,NOVEL,FEATHER,ALTAR,PO NY,TAIL , NOVEL, CAHEL
DATA WOO
L, FOX, WOLF , TENT, SUITE , cow , PORK
1
154
2280 DATA STABLE,TURTLE,PA
W, LAP,HOOK
2285 DATA CANDY, PANTH E R , FEATHER , RODEO
2290 DATA BROOK ,CO VER , MARSH , ROAR , ZOO
2292 DATA JADE,ANTLER,ACID,
f.'IULE,CLA W
2295 DATA ZEBRA,CAT, BARK , t-!OOSE, PORCH , TIGER
2305 DATA ROOT,SLED, ROCKET , MOON ,T RUCK
2310 DATA QUARTZ,PILOT,
MOTEL,PEDAL,AR MY
2315 DATA AUTO, BUMPER, SCARF, TRACTOR , CAl"\iOE
2320 DATA ROAD , TAXI,TOLL,TRAFFIC,JET
2325 DATA GLIDER,OAR,GROVE,
HA I L,FAC'I'ORY
2330 DATA ST ATIO N ,C ARGO , SHIP , BUS , FER RY
2335 DATA MAST ,F LAP ,C OCOON , FARE , TRA I N
2340 DATA WHEEL, VAN , HORN , PLATE , YACHT
2345 DATA SIL K,GU ITA R , HAY , GAS , CORPSE
2350 DATA BICYCLE , MOTOR, HOE , PI LOT, TAXI, GUITAR , 'i'RAFF IC, S IL K
2365 DATA TOLL,FACTORY , TRAI N ,J ET , ROCKET
2370 DATA AUTO , OAR , BUMPER , CAliOE , YACHT
2375 DATA SLED,C ARGO , ROOT , BICYCLE , CAl~OE,Y ACHT
2380 DATA PEDAL ,T RUCK , CORPSE , HAY, VAN
2385 DATA FERRY , MAIL, HOE , FLAP , ARMY, WHEEL
2390 DATA HORN ,G AS ,G ROVE , MAST, QUARTZ
3110 PRINT "K.Kf EQUAL NUMBER OF THE WORDS"
3120 PRINT "T HAT WILL BE FLASHED ARE 'rHE "
PR I NT C$;
3 13 0 PR I NT "NAMES OF ";:
3 14 0 PRINT . " AND UNRELATED WORDS": PR I NT
11
314 5 PRINT II SO, AS YOU ARE STUDYI NG THE
3150 PRINT "LIST OF WORDS, GIVE AN EQUAL "
3160 PRINT "AMOUNT OF ATTENT I ON TO THE "
3 17 0 PRIN T " WORDS THAT ARE THE NAMES OF "
3 180 PR I NT C$; : PRI NT " AND TO THE UNRELATED \·lQRDS "
3190 PRINT : PR I NT " ONCE AGA I N , GIVE THE SAN E AMOUNT "
3200 PRI NT "OF AT TENTIO N TO ALL OF THE HORDS "
3500 RETURN
42 1 0 PR I NT " MAi.."i
JY OF THW WORDS THAT WILL "
422 0 PRINT " BE FLA SHE D ARE THE i'JA.1.
"iES OF ";
4230 PRI NT C$ ;; ...
4235 PRINT " AND S OME OF 'THE WORDS ARE UNRELAT ED"
4240 PRI NT : PRI NT II SO , AS YOU ARE STUDY I NG 'r HE LIST"
4245 PRIN T "OF WORDS THAT FOLLOWS,"
4250 PRINT "GI VE MORE ATTE NTI ON TO WORDS "
11
4270 PR I NT "T HAT ARE THE NAMES OF · ;
4280 P R INT C$; : PR I NT
4290 PRINT " AND LESS TO THE UNRELATED WORDS "
4500 RETURN
5310 PRI NT " MOS"r OF T HE WORDS T HAT WILL"
5320 PR I NT " BE FLASHED ARE THE NAMES OF "7
5330 PRINT C$
.
5340 PR I NT " AND A FE.WARE FRO M THE UNREL A'fED ";
5350 PRINrr II WORDS ": PRii \J'i'
5360 PRI NT II SO AS YOU ARE STUDYING THE L I S'l1 OF "
537 0 PR I NT " WORDS THA'r FOL LOWS, GIVE ALL OF YOUR"
5 38 0 PRI NT II AT 'fENT I ON TO THE WORDS 'r HAT ARE THE"
1 55
5390
54 1 0
5430
5440
5450
6000
6002
6006
60 1 0
6020
PR I NT C$ ; : PR I N"r II AbJD TRY N OT TO"
PRI N'r " NAMES OF 11 ;:
PRIN 'r " BE DI STRACTED BY THE UNRELATED WORDS "
PR I NT : PR I NT " W::t--J:E
N THE WORDS ARE F L ASHED , HOWEVER , 11
PR I N'r "BE SURE '1'0 SAY ALOUD ANY ·woRD "
PR I NT " THA'r YOU TH I NK YOU RECOGNI ZE ": RETURN
Z = PEE K (-1 6286) : POKE -1 6368 , 0
IF Z > 1 27 GOTO 6000
Z = PE EK (-1 6286 ) : POKE -1 6368 , 0
I F Z < 1 28 GOTO 6006
HOME : RETURN
156
90
100
110
113
114
115
116
118
119
1 20
130
140
150
1 60
1 70
1 80
190
191
192
193
194
195
196
197
198
199
200
201
205
210
220
230
24 0
250
260
270
280
290
300
31 0
315
319
32 0
325
330
344
N uller
- Lyer
Illusion
Program
HO.ME
PRI NT " THAT IS THE END OF THE FIRS 'l' P AR'f OF T HE STUDY"
PRINT :PRI NT :PRINT " EN'.I'ER SUBJECT I D# AND PRESS ' RE'TURH '
KEY"
I NPUTS$:
PRI NT
PRI NT 8 $
PRI NT " SUBJECT ID # = ";:
PRI NT " CORRECT? ( ENTER 'Y' OR ' N ')"
GE'l' SCK$: IF SCK$ < > "Y" THEN GOTO 11 1
SUBJECT=
VAL (S$)
HOME
PRINT "IN THE N EXT P ART YOU WILL BE LOOKI NG AT "
PRUTT "T WO SECTIO NS OF A Lii. 'JE AND"
PRINT " ADJUST I NG THE LE NGTH OF ONE PART"
PRI NT " OF THE Li bJE UNT I L I 'I' IS THE SAHE "
PRINT "LEl."\JGTHAS THE FIRST PART":
PRI NT
PRI NT "YOU WILL . BE ABLE '1'0 CHANGE 'fH E "
PR I NT "LENGTH OF THE LI NE BY TURNI NG THE"
P RI NT "DIAL ON THE CON'I'ROL YOU HAVE BE EN USI NG"
PRI NT : PRI NT " YOU WILL B E DOI NG 3 0 T RI ALS>"
PRI NT "IT SOUNDS LIKE A LOT BUT IT WILL ONLY"
PRI NT "TAKE A FE W MI NUT ES, SO T RY TO "
PRI NT " CONCENTRATE ON EACH ONE": i?RI Wi'
PRINT "T HE ASSISTAt. \J'T WILL H ELP YOU"
PRI NT "IF YOU HAVE ANY QUESTIONS" : P RI NT
PRI NT " PRESS THE BUTTON TO BEGI N "
Z = PEEK (-1628 6 ): IF Z > 127 GOTO 2 00
GOTO 1 98
POKE -1 6368,0:
HGR:
DIM A(3 0 )
HOME
HCOLOR = 3
HPLOT 0,90
TO 111,90
HPLOT 1 5 , 75 TO 1 , 90 T O 15,105
HPLOT 95 , 75 TO 111,90
TO 95 ,1 05
I F B > 0 THEN RETUR N
FOR B = 1 TO 30
PRI NT : PRI NT : PRINT : V TAB (24):
P RI NT 31 - B
I F X < 112 GOTO 290
HCOLOR = 0 : W = X: GOSUB 910
HCOLOR = 3
X = I NT (1000
* RND (1))
IF X < 12 0 OR X > 25 0 THEN GOTO 300
IF (X - W)A2 < 25 GOTO 30 0
XO= PDL (1)
W = X: GOSUB 900
Xl = PDL (l)
> 0 GOTO 325
IF (X - XO) * (X - Xl)
'v'l = X
3 4 6 HCOLOR = 0: GOSUB 9 00
34 7 HCOLOR = 3
34 8 IF Xl = 0 T HEN GOSUB 21 0
35 0 X = PD L (l)
157
353
355
356
400
4 10
411
412
413
4 14
415
416
417
4 19
420
500
505
506
50 7
508
509
510
511
520
530
540
590
600
610
6 20
690
700
710
720
725
730
732
733
734
740
745
746
750
899
900
910
930
Z = PEEK (-162 86 ): If Z > 127 THEN GOSUB 4 10: GO'rO 500
IF (X - Xl)A2 < 2 GOTO 350
I F X < 112 GOTO 350
W = X : GOSUB 900
HCOLOR = 0: W = Xl
IF X < 1 1 2 THEN HPLOT 112, 90 TO 255 , 90 : GOTO 4 13
HPLOT X, 90 TO W, 90
GOSUB 9 10
I F Z > 127 THEN RETURN
HCOLOR = 3
I F Xl < 113 THEN GOSUB 210
HPLOT 111,90
TO X , 90
Z = PEEK (-162 86 ): I F Z > 127 GOTO 500
X 1 = X : GOTO 3 5 0
POKE -1 6368 , 0
HCOLOR = 0: HPLOT 112, 90 TO 255,90
FOR F = -1 TO 1
W = X + F
I F W > 111 'rHEN GOSUB 910
NEXT F
IF ( W - Xl)A2 > 2 THEN W = Xl
A(B ) = W
FOR C = 1 TO 3
FORD = 1 TO 1 0 : S = PEEK (-1 6336 ): Next D
NEXT C,B
POKE -1 6302 , 0
FOR B = 1 TO 30
PRINT A(B );: PR I NT
NEXT B
PR I NT II CHAIN Tourr "
D$ = CHR$ (4)
P RI NT D$ ; "APP END OUT
PRI NT D$; "WRITE OUT"
PRINT SUBJECT
FOR B = 1 TO 30
X = 255 - A (B)
PRI NT X
NEXT B
PRINT D$; " CLOSE OUT"
HOME : TEXT
POKE -1 6301 , 0
PR I NT " END PART II "
END
HPLOT 1 12 , 90 TO W, 90
HPLOT ( W + 15),75
TO W, 90 TO (W + 15),1 05
RETURN
11
11
;
11