Tenue est mendacium
Rethinking Fakes and Authorship in Classical,
Late Antique & Early Christian Works
Tenue est mendacium
Rethinking Fakes and Authorship
in Classical, Late Antique & Early Christian Works
edited by
K LAUS L ENNARTZ
and
J AVIER M ARTÍNEZ
B ARKHUIS
G RONINGEN
2021
AD EMERITUM ANTONIUM GUZMANEM
Gratias tibi agimus, magister qui scientia tua nos aluisti.
Natus in Gaditana terra per multos et frugiferos annos
in Academia Complutensi doctrinam tradidisti,
doctus inter doctos, tuorum tutor, consili plenus,
scaenae Graecae antiquae studiosus. Nunc tibi
tempus est dulci otio perfruendi. Ita di faciant!
Book design: Barkhuis
Cover Design: Anke de Kroon, ontwerpzolder.nl
Cover image: Third century A.D. pottery shard found in the Roman ruins at Iruña-Veleia
with an early depiction of the crucifixion. The carving has been proven to be a modern
addition, see pp. 315ff of this volume (Image credit: DFA/AFA).
ISBN 9789493194366
Copyright © 2021 the authors and editors
All rights reserved. No part of this publication or the information contained herein may be
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the information contained herein.
Contents
Acknowledgments
K LAUS L ENNARTZ
tenue est mendacium: Introduction
I
IX
1
GREEK LITERATURE
D IEGO D E B RASI
What a Cruel Bee!
Authority and Anonymity in Pseudo-Theocritus’s Idyll 19
17
J ONATHAN S. B URGESS
The Periplus of Hanno:
Dubious Historical Document, Fascinating Travel Text
29
M ARIO C APASSO
The Forgery of the Stoic Diotimus
43
K OSTAS K APPARIS
Fake and Forgotten:
The True Story of Apollodoros, the Son of Pasion
53
M IKEL L ABIANO
The Athenian Decree Contained in the Corpus Hippocraticum
75
K LAUS L ENNARTZ
Two Birds with One Stone:
Thuc. 2. 41 and the Nauarchs Monument
91
C O NT E NT S
VIII
H EINZ -G ÜNTHER N ESSELRATH
From Plato to Paul Schliemann:
Dubious Documents on the “History” of Atlantis
105
K ATHRYN T EMPEST
Confessions of a Literary Forger:
Reading the Letters of Mithridates to Brutus
119
A LESSANDRO V ATRI
An Interpolator Praising Forgers?
Dionysius of Halicarnassus on the Pythagoreans
(On Imitation, Epitome 4)
137
II LATIN LITERATURE
J OHN H ENDERSON
“Why Not Cicero?” The Spuriae I. De Exilio
151
J ARED H UDSON
Framing the Speaker: [Sallust] Against Cicero
163
G IUSEPPE L A B UA
The Poet as a Forger: Fakes and Literary Imitation in Roman Poetry
179
J. I GNACIO S AN V ICENTE
Mark Antony’s Will and his Pietas
195
III LATE ANTIQUE AND EARLY CHRISTIAN WORKS
E STEBAN C ALDERÓN D ORDA
Falsehoods and Distortions
in the Transmission of the New Testament Text
215
B RONWEN N EIL
Forging the Faith: Pseudo-Epistolography in Christian Late Antiquity
229
C O NT E NT S
C OLIN M. W HITING
Two Forged Letters and the Heirs of Athanasius and Lucifer
IX
243
IV EPIGRAPHY AND ARCHAEOLOGY
P ETER K EEGAN
False Positive:
Testing the Authenticity of Latin Graffiti in Ancient Pompeii
261
N ICOLETTA M OMIGLIANO
Minoan Fakes and Fictions
293
I GNACIO R ODRÍGUEZ T EMIÑO A ND A NA Y ÁÑEZ
Considerations on the Judgement of Criminal Court No. 1
of Vitoria-Gasteiz on the Iruña-Veleia Case
315
Abstracts
333
Contributors
341
Indices
Index locorum
General Index
347
347
349
Mark Antony’s Will and his Pietas*1
J. I GNACIO S AN V ICENTE
University of Oviedo
1. Modern Historiography
Mark Antony’s will has been the subject of extensive debate among authors who
have studied the period, but they have not reached a unanimous criterion. Three
clear positions remain: those who believe that the will Octavian read was authentically Antony’s; those who are of the opinion that he falsified it; and those who
maintain that he made a partial reading, but added new provisions that did not
originally appear in it. In the last two cases, in the eyes of the law Octavian became a testamentarius, that is, a counterfeiter who makes a false will or alters a
genuine one. We will now review the opinions of the most significant authors who
have dealt with the subject from the beginning of the twentieth century to the
present day.
For Michael Rostovtzeff (1926, 29, 494, n. 24), at least in the first edition of
his book The Social and Economic History of the Roman Empire, Mark Antony’s
will may have been false or forged, although he does not elaborate on his analysis;
Kenneth Scott (1937, 41–43) advocates its legality, while Ronald Syme (1939,
282, n. 1) does not rule out a partial forgery of the will, and argues that the issue
was not a matter of scruples, but of opportunity. John Crook (1957, 36–68) contends that the document is false, arguing that Cleopatra and her children were not
Roman citizens, although his view is contested by J. R. Johnson (1978, 494–503),
who objects that Mark Antony may have resorted to the military will or granted
citizenship to Cleopatra and his children and that, therefore, the will should have
been legally valid. The legislative analysis of the will carried out by François
Dumont (1959) does not question its content, so it can be deduced that from his
point of view it was not manipulated by Octavian. Eleanor Huzar (1978, 207–208;
1984, 656), for her part, argues that the entire will, if any, was a forgery, while
—————
* This paper is based on research funded by the Project “Falsificaciones y falsificadores de
textos clásicos” (FFI2017-87034-P) of the Government of Spain.
Tenue est mendacium, 195–211
196
J . IG NA C I O S AN VI C E N TE
Frank Siriani (1984, 236–241) assumes the authenticity of the document deposited in the temple of Vesta, but argues that it was partially forged by Octavian in
order to use it as war propaganda against Antony. For Edward Champlin (1991,
10, n. 20), the will reflected what Antony felt, so he advocates its plausibility.
Christopher Pelling (1996, 52) is of the opinion that the will contained the provisions of Mark Antony whose public reading could most favour Octavian, so much
so that it seems that Octavian had drafted them himself, or at least part of them.
He adds that Mark Antony was not in a position either to deny or to admit the
contents of the will because he was in the East. On the other hand, a study by Luca
Fezzi (2003) on the documentary falsification of the republican period between
133–31 does not include Antony’s will, so it must be that he considered there to
be no manipulation.
The authors of a series of Octavian biographies have defended different points
of view. Pat Southern (2013, 151, 330, n. 19) proposed in 2001 (the date of the
English publication of his work) the hypothesis that Octavian may have falsified
some sections of the will, but argued that he probably did not have to alter anything, and that instead it could have been enough to have rehearsed and offered a
good performance in the Senate and the Assembly. However, in a second work,
which is devoted to examining together the facts starring Mark Antony and Cleopatra (2007, 214), he qualifies his previous hypothesis, admitting that children
could not be heirs, since marriage to a foreigner was illegal from the Roman point
of view. He defends, against the doubts raised by the modern authors, that the
Greco-Latin authors did not accuse Octavian of falsification. For his part, Anthony Everitt (2008, 210, 397, n. 4) rejects the fact that the will is a forgery, rebutting Michael Grant (1972, 193), who was of the opinion that the document was
an invention and that Mark Antony did not deposit his will in the temple of Vesta.
He argues, against Grant, that Caesar had also deposited his will in the same place
before his planned campaign against the Parthians (Suet. Caes. 83. 1). One of the
last to deal with the subject has been Adrian Goldsworthy. In his study of Mark
Antony and Cleopatra (2011, 380), he considered the inheritance left in the will
to foreign children to be suspicious since it was illegal, although he believed that
Antony may have wished to be buried in Alexandria with Cleopatra. However, in
his biography of Octavian (2014, 199), he observes that it is likely that Octavian
did not falsify the document, but rather distorted it in order to worsen the impression caused by a document he describes as embarrassing. A certain tendency can
be perceived in these last works among the authors of the biographies to exonerate
Octavian from the accusation of falsification, perhaps driven by a hagiographical
propensity towards this character.
M ARK AN T O NY ’ S W I L L A ND HI S P I ET A S
197
Recently, Loïc Borgies (2016, 313–316) advocates that Octavian gave a reading of previously selected passages, taking them out of context and giving them a
tendentious nuance, and, therefore, assumes that Octavian did not falsify the will
or introduce Antony’s new will into his reading.
2. The Late Republican Roman Will
The purpose of the Roman will was to allow the testator, a civis romanus with the
capacity ius testamenti faciendi, to name his heirs. These could dispose of the
deceased’s property after the death of the testator. In the early Republic, wills
were oral. As time went by, they evolved and written wills were accepted, although for a certain period both modalities coexisted. The type of will used by
Mark Antony was the so-called testamentum per aes et libram (for the formal
ritual that accompanied it), with a written nuncupatio, the same that Octavian
would later use (Dumont 1959, 86). The will of the testator, that is to say, the
nuncupatio with all the dispositions mortis causa that would have been arranged,
was written on tablets, and the testator declared before the witnesses that their last
will and testament was contained in them. The tablets were tied with ribbons and
then sealed with the seals of the five or seven witnesses (five, plus the libripens
and the familiae emptor) and remained closed until such time as the seals were
broken in an official act (exhibitio) before a magistrate (although this formality
was only obligatory from the lex Iulia vicesimaria promulgated by Augustus)
(Dumont 1959, 94). He verified that it was signed by the seven witnesses, and
proceeded with its public reading. The advantage of the written will was that it no
longer depended on the memory of the witnesses or on their good faith and, moreover, whatever the testator had stipulated could remain secret (Iglesias 1972, 638–
639). If the testator did not want to make his will known, the witnesses were not
in a position to be aware of the contents of the will. As can be deduced from a text
by Horace (Sat. 2.5.52–56), the first line of the first tablet contained the name of
the testator and, from the second line, the names of the heirs.
As noted by Champlin (1989, 199; 1991, 1), the Romans’ wills mirrored their
personalities. He bases this on two testimonies by Pliny the Younger, who states
in a letter (Epist. 8.18.1) that it was a popular belief that the wills of men were
like a mirror of their character (creditur vulgo testamenta hominum speculum esse
morum), in other words, that the will would reveal the true nature of the man. An
equally illuminating quote is taken from the Greek philosopher Lucian (Nigr. 30),
who warned through one of his characters that the Romans only told the truth once
in their lives: when they wrote their wills. These testimonies reflect the special
198
J . IG NA C I O S AN VI C E N TE
sensitivity that the Romans had towards wills. They also explain that any manipulation of them was harshly punished, since it was considered an alteration of a
public document, and that the use of this type of document in a context of political
struggle could have an unsuspected scope. There was a clear precedent: the skilful
reading of Caesar’s will by Mark Antony, which led to Caesar’s assassins fleeing
Rome.
3. The Opening of Mark Antony’s Will, and its Context
Octavian’s victory over Sextus Pompey in 36 BC had been achieved with the help
of naval support provided by Mark Antony. As a consequence of this triumph and
the subsequent elimination of Lepidus, Octavian’s situation had greatly improved
and enjoyed a high degree of stability. On the other hand, Antony’s defeat by the
Parthians in the same year had put him in an uncomfortable position and had ruined his military prestige. It was evident that, in order to reduce the losses suffered, Mark Antony wanted to resume a new eastern campaign, initially against
Armenia, for which he needed Octavian’s support. Octavian only sent one-tenth
of the soldiers he had promised him, which left Antony in a difficult situation and
provoked, on the one hand, the rupture of the old alliance with Octavian and the
sending of Octavia to Rome and, on the other, a new approach to Cleopatra, who
offered to support his new projects in exchange for territorial concessions.
The next phase took place in 34 BC, with the victory of Mark Antony over
Armenia, the celebration of the triumph in Alexandria, and the so-called Donations of Alexandria. In the course of the lavish ceremony held in the Egyptian
capital, he awarded Cleopatra the title of Queen of Kings and to Caesarion that of
King of Kings. In addition, as the sources state (Plu. Ant. 54.6–7; D. C. 49.41.1–
3), he proceeded to make territorial donations from areas under the control of
Rome to Caesarion and the children he had had with Cleopatra (Cleopatra and
Caesarion: Egypt, Cyprus, and Coele-Syria; Cleopatra Selene: Libya; Alexander
Helios: Armenia; Ptolemy: Phoenicia, Syria, Cilicia). As Goldsworthy (2014,
195–196) states, these were only nominal concessions, since no changes were observed in the administration of the eastern provinces. Similarly, Caesarion was
recognised as the son and legitimate heir of Julius Caesar, which compromised
Octavian’s position, since he was, after all, only an adopted son. By declaring that
Cleopatra’s son was Caesar’s son, Mark Antony, through Caesarion, would receive Caesar’s inheritance, which could lead to a rift with Octavian. This was
accompanied by Antony’s attempt to have both of them abandon the office of
triumvir. This would weaken Octavian’s position, who would be left without legal
M ARK AN T O NY ’ S W I L L A ND HI S P I ET A S
199
support, while the status of Mark Antony would not be so impaired, due to his
status as consort of the Queen of Egypt. From the moment Antony returned Octavia to Octavian, the rupture was inevitable (San Vicente, 2018). Mark Antony
had joined the queen of Egypt, and one of her sons, Caesarion, was Caesar’s heir.
The year 33 marked a decisive milestone in the poor relations of both triumviri. Octavian’s propagandistic attacks on Antony multiplied, and he transferred
his forces concentrated in Mesopotamia to the coasts of Asia Minor, a sign that
the enemy to be beaten was no longer in the East, but in the West. In the year 32,
the two elected consuls, Domitius Ahenobarbus and Gaius Sosius, supporters of
Mark Antony, politically attacked Octavian in the Senate. Faced with threats from
the latter, the two magistrates went to Ephesus to meet Mark Antony, accompanied by hundreds of senators who left Rome and embarked on the same itinerary
(D. C. 50.2.6; Suet. Aug. 17.2). After his departure, Octavian summoned the senators and discussed the situation, while Antony gathered a Senate with his friends
and supporters (D. C. 50.3.2). One of the main lines of Octavian’s attacks against
Mark Antony was to highlight the negative aspects of everything that had an eastern origin, accentuating the accusations against Antony and Cleopatra in this
sense. He must even have exhorted Octavia to leave Mark Antony’s house in
Rome, which she refused (Plu. Ant. 54.1–5). Antony, for his part, moved together
with his army first to Samos (Plu. Ant. 56.6) and then to Athens (Plu. Ant. 57.1).
The Greek polis became the operational centre from which to direct the impending
military campaign against Octavian, who was still his brother-in-law. All these
movements took place just before the summer, as Antony’s rapid preparations
alarmed Octavian, who foresaw that the conflict could begin that same summer
(Plu. Ant. 58.1). It was in this context that Mark Antony and Octavia must have
been divorced in the months of May–June of 32 BC (Eus. Chron. 2.140), while
Mark Antony and Cleopatra were in Athens (Plu. Ant. 57; Sen. Suas. 1.6). This
act had a clear symbolism. With it the last links between both sides were severed,
since the conflict was seen as inevitable and there was no interest on the part of
either faction in recovering the former alliances.
The final decision regarding his marital status may have prompted Mark Antony to draft a new will which he would send to Rome to be deposited, as was
customary, in the temple of Vesta. Among the witnesses who stamped the testamentary tablets were Lucius Munatius Plancus (Broughton 1952, I, 357; PIR2,
317, n° 718; Wiseman 1971, 243, n°263; Ferries, 438–444, n°100), the consul
from 42 BC, and his nephew, Marcus Titius (Broughton 1952, I, 420; PIR2, 328–
329, n° 186; Wiseman 1971, 243, n°263; Ferries, 475–477, n° 133), two important
supporters of his cause. Among Antony’s supporters, the growing role played by
Cleopatra in the political strategy of the Antonine camp found an increasing