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2011, Journal of the Text Encoding Initiative
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3 pages
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Journal of the Text Encoding Initiative, 2019
This issue illustrates the variety of research that is being done within the TEI community. The call for papers was issued by the Program Committee without limitation to a specic topic. Participants submitted proposals reecting their wide range of interests, disciplines, and elds of research, opening a huge range of possible approaches. 3 The open call brought almost two hundred participants to Vienna to enjoy a rich conference program 1 comprising thirty-eight papers, seventeen posters, ve workshops, and four demos, which are described in the Book of Abstracts. 2 The conference opened with a keynote address, and continued in seventeen plenary or parallel sessions, a poster session, and four special interest group meetings. As we write these introductory lines-at a time when conference attendance and travel have been limited by a global health crisis-we think back to the conference's social
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Petr van Blokland, The design of the (type) design process 18 Maria Smith Bohannon, Climate Design Activism: Lessons from environmental pioneers of the late 60s and 70s 19 Josefina Bravo, Sol Kawage, "The sign is mine": democratising design in times of disruption 20 David Březina, Hyperglot-a database and tools for discovering language support in fonts 21 Anastasia Chourmouziadi, Elisavet Kelidou, The "Sappho 2.0" exhibition. Converting a physical exhibition design concept into digital 22 Matthieu Cortat-Roller, Irene Vlachou, Non Legitur, Graecum Est 23 Ioanna Delfino, Η *3*320 I7/ .,1 2JJ/3+),10 2+),3,K8*L/μ20 3,1 N+NJ+0 ,1)*.*0 ./ μ2.*-,J+.21.+)/0-28+0 ,5, ./ς ΕJJ*0 5*ς 24 Mary Dyson, David Březina, Questioning the obvious: different ways of seeing 25 Craig Eliason, Auriol before and after the Great War 26 Amelia Fontanel, Shani Avni, Double Disruption: The typographic library through a pandemic renovation 27 Chrysoula Gatsou, Evangelia Pavlaki, Icons and symbols in the time of pandemic: From concrete to abstract 28 Vangelis Hatzitheodorou, The telos of graphic design 29 Akiem Helmling, Bas Jacobs, Sami Kortemäki, Inside the letter 30 Leila Hernandez, Grabbing COVID by the horns: Finding inspiration during the pandemic lockdown 31 John Hudson, Writing the Ending: the disintegration of the Soviet Union and Yugoslavia and the politics of language and script 32 Mary Ikoniadou, Between rupture and the promise of suture: the role of publishing in the politics of repatriation. The claims of the Greek political refugees in Pyrsos magazine, 1961-1968 33 Stelios Irakleous, The Kaminaria ledger: an uknown Karamanlidika source 34 Janneke Johanna Janssen, Ann Bessemans, A new perspective on the history and (experimental research) practices of index-typography 35 Panagiotis Kapos, Christos Mais, Digital visual communication of Greek trade publishers 37 CONTENTS
Computers and Composition, 2006
This article, written for the twentieth anniversary of the Computers and Writing Conference, is the sequel to "The Evolution of the Computers and Writing Conference" (Computers and Composition, 12(3), November, 1995). The earlier article analyzed many of the intellectual concerns, values, and language expressed in presentations at the Computers and Writing Conference from 1982 to 1994. This article does the same for the second ten conferences, 1995-2004. Throughout the second decade, we have developed a new comfort with computers, expanded our idea of "writing" beyond the traditional essay, and gained a respected place in the academy. Computers and writing has become an institution. At the same time, we sometimes worry about losing control over our teaching and can feel overwhelmed by the size of the task we undertake. Many of our values have stayed the same; however, we are optimistic about the place of technology in our work and in the culture at large, we love to experiment, and we routinely weave ideas from other disciplines and other areas of our lives into our computers and writing research.
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