LANDMARKS IN HEPATOLOGY
The Liver has a Body—A Cook’s Tour
J
ust as there are fashions, fads and fancies in Art, Music, Literature and Dress, so there are in the more
academic pursuits of Science, Economics, Engineering and Architecture. Even Medicine is vulnerable to the
vagaries of the vogue. “Fashion” sneered Ambrose Bierce
cynically, “is a despot whom the wise ridicule and obey.”1
In Physic, a prime practice that has swung like a pendulum
in and out of fashion is the performance of a physical
examination as part of the diagnostic algorithm. Now,
perhaps more than ever, with the availability of elaborate
laboratory tools to analyze bodily fluids, the perception of
high resolution imaging with sonic and electromagnetic
vibrations, and the intimate glimpses afforded by microscopic, ultramicroscopic and molecular dissection of the
tissues of the body, there seems to be little room for the
tradition of inspection, percussion, auscultation and palpation. Auscultation of the heart has yielded to echocardiography; percussion of the chest to computer-assisted
tomography; careful evaluation of the neural network
with flashlight, pin, cotton wool, tuning fork and tendon
hammer to magnetic resonance imaging of the brain and
spinal cord; and inspection and palpation of the abdomen
to endoscopic invasion of the gastrointestinal tract by flexible light-emitting tubes that propel charge-coupled devices, and with wireless capsules that relay their
reconnaissance by radio transmission to the examiner.
Whereas no one regrets the passing of gustation of sweat
and urine in the diagnosis of jaundice and diabetes, respectively, is it any wonder that residents and fellows
show little fascination or even interest, let alone respect,
for the visual, auditory, tactile and olfactory examination
of the patient. This lamentation is not expressed to imply
that an extensive meticulous physical examination has always been the bedrock of clinical diagnosis — far from it,
as we shall see. Rather it is an expression of nostalgia, that
emotion of longing for temps perdu, which for several
centuries was thought to be a truly disabling disease of
young people forced to live far from their homes2 but now
is a prerogative and a proof of senescence. But we digress,
for the purpose of this exposition is to remind the reader
that the physical examination not only has an illustrious
pedigree but is still rewarding in hepatology, as it can
indicate the presence of liver disease, assess its severity
and, together with the patient’s history, give some intuition as to its cause.
Copyright © 2005 by the American Association for the Study of Liver Diseases.
Published online in Wiley InterScience (www.interscience.wiley.com).
DOI 10.1002/hep.20597
408
Physicians of the Ancient World, in the East and the
West, did not have the virtually unlimited access that we
have today to the patient’s body, except perhaps at the
time of the “ultimate physical examination.” Nonetheless,
by carefully scrutinizing the accessible, i.e., the face,
hands, body posture and movement, the rhythm and
noise of breathing, behavior, demeanor and mood, together with some limited intrusive approaches, like feeling the pulse, inspecting the tongue, hearing the rumble
of the abdomen and even shaking the patient, they made
many astute observations.3 Witness Hippocrates and his
facies, fingers and succussion.4,5 Hippocrates recognized
jaundice and hepatic coma, and he could hear the succussion splash of fluid moving in the pleural space in his
patients with pleurisy, whom he jolted to make the diagnosis. Galen, in 2nd Century CE Rome, could fill 16
volumes with his writings on observations, interpretations
and prognostications of the pulse, a practice incidentally
much favored in Ancient China too.6 Wang Shuhe, who
lived during the Western Jin dynasty in the 3rd Century
CE, compiled all available knowledge on pulse diagnosis
in his manual on the pulse, Mai Jing. Galileo timed his
pendulum from his pulse and vice-versa, while his Paduan
contemporary Sanctorius Sanctorius (who had also improved on Galileo’s thermometer and dabbled in paracentesis) invented the pulsilogium, a pulse-watch dedicated to
that purpose.7 The pulse, tongue, eyes, nails and skin were
favorites of the Ayurvedic physicians too, dating from the
early centuries of the current era in India, but here great
emphasis was placed on the patient’s age, constitution,
body proportions, and capacity for food and exertion,
which were evaluated chiefly to allow them to estimate life
expectancy.8 Yet though the practice of medicine in most
cultures was vaunted as relying on the five senses, physical
examination literally remained at a superficial level, by
and large, until well into the late 18th Century.9 As Richard Gordon has sardonically remarked, the 17th Century
physician was useless but decorative.10 With his satin giltdecorated coat, buckskin breeches, silk stockings and
buckled shoes, lace ruffles and full bottomed wig, he
swung a long cane with a hollow gold head filled with
Marseilles vinegar that he sniffed repeatedly to ward off
infection.10 To Richard Mead (1673-1754), physician to
Queen Anne and George II and Fellow of the Royal College of Physicians, the gold-headed cane was a badge of
office to be carried with pride. To caricaturists, like
Thomas Rowlandson and William Hogarth, it was an
icon with which to identify individuals with medical pretensions, as in Hogarth’s 1736 cartoon “The Company of
HEPATOLOGY, Vol. 41, No. 2, 2005
Undertakers” that ridiculed leading physicians and
quacks of the day who, with expressions that range from
sour to stupid, are depicted either sniffing their canes or
absorbed by the contents of a urinal. Successful and
sought-after clinicians of the era, like Mead and Scotsman
William Cullen,11,12 were often consulted by letter to
which they replied in kind with a diagnosis, a prescription
and a bill for services rendered. All of this was to change
following the intellectual ferment of the French Revolution in 1789, which Iain Bamforth identifies as the event
that turned medicine into a public utility.13 In place of
mail order consultations, and diagnoses made by inference from a detailed, almost Freudian, interrogation and a
Sherlock Holmes-like scrutiny of the patient’s face, physicians in the 19th Century added a structured physical
examination to the narrative to help identify disease, using all the senses. There was at large a new doctrine of
organ-based disease, arising from the discoveries of pathologists, microbiologists, physiologists and pharmacologists of the age, like Giovanni Morgagni, Rudolf
Virchow, Robert Koch, Louis Pasteur, Claude Bernard,
William Beaumont, Oswald Schmiedeberg, Paul Ehrlich,
and so many others too numerous to tally here. And there
were also innovations in the clinic that enhanced patient
evaluation. The prevailing no-touch approach that was a
product of social propriety and traditional diagnostic reasoning, gave way to the thoroughness of a physical examination that would have appeared impudent and
embarrassing to patient and doctor alike in the 18th Century. In 1808, Jean Nicholas Corvisart, Napoleon’s personal physician, popularized percussion by publishing a
translation of the 95-page booklet on the technique that
had been produced in Latin almost 50 years previously in
1761, by the Graz-born Austrian Joseph Leopold Auenbrugger.14 Auenbrugger, who learned the percussion
technique by watching his innkeeper father knock on barrels to assess how much wine was left in them, did not
invent the percussion of patients as it had already been
practised to some extent by Hippocrates, Galen, and even
his teachers,15,16 and veterinarians in Switzerland were
already percussing the heads of cattle to diagnose cysticerci.17 Auenbrugger’s contribution, and later that of Corvisart, was that he considered percussion to be an essential
component of the physical examination. The second
boost to physical diagnosis was, of course, the introduction by René-Théophile-Hyacinthe Laënnec of the
stethoscope, which he developed from the rolled up quire
of paper he had used to listen, from a respectable distance,
to the heart of a buxom young woman.18 These devices for
examination, together with the introduction of others
such as the sphygmomanometer, the spirometer, the
roentgenograph, the electrokardiogram, the ophthalmo-
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409
scope and various forms of endoscopy, were seminal contributions made in the 19th Century to the practical
science of clinical medicine.
In the realms of physical diagnosis, hepatology is a
goldmine of lesions that typify moderate or advanced derangement of liver structure and/or function, granted,
admittedly, that no physical sign is unique or pathognomonic. However, liver disease can affect each and every
organ system, and since we have seen in the language of
many cultures that “The body has a liver,”19 in the framework of the physical examination we can now safely say
that, by its widespread effects, “The liver has a body” too.
An organ system-oriented classification of the physical
signs of liver disease would at first thought seem logical
mechanistically, but a more practical tack would be to
order the various signs as we come across them during the
traditional conduct of the physical examination. For descriptive purposes, this is akin to taking a sightseeing expedition of the body, and here the analogy of another
popular innovation of the 18th and 19th Centuries comes
to mind, namely that of the Grand Tour. Whereas history
is replete with the exploits of individual wayfarers who
journeyed to distant lands to learn the terrain and the
culture of the peoples there, like Benjamin of Tudela and
his 12th Century itinerary from Saragossa to 300 cities in
Greece, Mesopotamia, Syria, Palestine and Persia; Ibn
Battutah and his 13th Century journey from Tangiers to
India, China, Africa, Asia and Europe; Marco Polo and
his trip from Venice to China in the 14th Century; and
Cabeza de Vaca’s 16th Century foray into the interior of
America, historians generally regard the so-called Grand
Tour as having its beginnings in the late Renaissance and
reaching its high point in the 18th Century. That prolonged sightseeing pastime abroad of the affluent continued well into the 19th Century, however, as travel became
easier and more lands were colonized, and it is exemplified
by the entrepreneurial activities of the 19th Century temperance campaigner Thomas Cook,20 whose name is now
synonymous with the guided but cursory tour. Parenthetically, it was also implicit once that a Cook’s tour ensured
home-away-from-home comfort for the well-to-do English while they were “touring” Europe, the Mediterranean, the Middle East, the Orient or the Far East, but that
is hardly the case today.
In our Cook’s tour of the physical signs of the liver
patient, we must first take in a colorful scenic view of the
face before making our major stop at the hands. Is the
patient conscious and coherent, or confused and even
comatose? Are the eyes, mucus membranes and skin yellow, and if so shall we call it jaundice or icterus?21 Is there
the bronzing of hemochromatosis or the hyperpigmentation of cholestasis or the whiff of fetor hepaticus22; the
410
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HEPATOLOGY, February 2005
Fig. 1. Selected physical signs in liver disease, from head to toe. (A) Spider nevi. (B) Palmar erythema and finger clubbing. (C) Finger clubbing
and Terry’s nails. (D) Toe clubbing and erythema of the terminal phalanges.
gauntness of temporal wasting, and “paper money” skin
where tiny superficial vessels resemble the finely chopped
red and blue silk threads embedded in U.S. dollar bills;
and are creamy periorbital excrescences, xanthelasmas,
present?23 Is the corneal pigmentation visible that Drs.
Kayser24 and Fleischer25 espied before Wilson described
his eponymous disease,26 and do sunflower cataracts obscure our gaze into the patient’s soul? Are the teeth green
from childhood cholestasis,27 or the lips, mucus membranes and tongue blue from hypoxemia that could hint
at the hepatopulmonary syndrome? Is the tongue vitamin
B deficiency red in the alcoholic or decorated like the skin
elsewhere with the white lace-like pattern of lichen planus
that sometimes accompanies chronic hepatitis C,28 primary biliary cirrhosis,29 primary sclerosing cholangitis,30
and other liver disorders too?31 Are we struck by the alcoholic’s elephantiasis des buveurs, i.e., the rhinophyma that
is so popular in literature and the arts32; do his cheeks
bulge from parotid enlargement33 and, of course, are spider nevi present too?34 (Fig. 1A). Does a flat forehead,
widely-set eyes and a pointed chin suggest Alagille syndrome? There is much to delay us in the face before we
move on to the hands.
Clubbing of the fingers (Fig. 1B,C), which occurs in
liver disease and a host of other disorders, has fascinated
physicians of all persuasions ever since Hippocrates described curvature of the nails and hot finger tips, the socalled “Hippocratic fingers,” in his patients with
empyema more than 2000 years ago?4 When digital clubbing, palmar erythema and spider nevi are in conjunction
(Fig. 1A-C), the presence of liver disease and especially
cirrhosis is almost assured, yet the cause of clubbing (assuming that we even know how to recognize it without
the use of an unguisometer35,36) remains enigmatic. As
Samuel West wrote presciently in 1897,37 “Clubbing is
one of those phenomena with which we are all so familiar
that we appear to know more about it than we really do.”
It has been hypothesized that clubbing occurs because of a
noninflammatory vasodilatory hyperemia of the finger
tips and nail beds, which results from a neurocirculatory
HEPATOLOGY, Vol. 41, No. 2, 2005
reflex that may originate in the cholinergic sympathetic
autonomic innovation of the digits and the vagus nerve38;
transection of the latter does not reliably reverse clubbing
but it has been known to resolve its painful bony counterpart, hypertrophic osteoarthropathy.39 Many cytokines and growth factors, like platelet-derived growth
factor,40,41 vascular endothelial growth factor,41 growth
hormone,42 and hepatocyte growth factor,43 have been
impeached but the real culprit has yet to be caught. Some
digitally-orientated philosophers have even suggested that
these humors activate dormant genes that return the hand
to an embryonic claw, or even restore the claws that humans have lost during evolution.44 Irrespective of the
pathogenesis, however, when liver or lung disease is the
cause, replacing the spent organ with a new one returns
the digits to their pristine condition,45-47 unless rejection
supervenes.48
Even if the fingers are not clubbed and the hands are
not disfigured with vitiligo or the rash of cutaneous porphyria, the nails may be thickened, ridged, brittle, flat49 or
concave50 to indicate the presence of liver disease. Streaks
of green in the nails testify to previous cholestasis, whereas
if the lunulae are deep sky-blue, the suggestion is of Wilson disease,51 and if red, then the specter of alcoholism is
raised.52 In cirrhosis and other conditions too, an opaque
whitening that involves the whole nail usually including
the lunulae, with distal red or brown discoloration, defines Terry’s nails53,54 (Fig. 1C), whereas the paired transverse white lines of Muerhcke55 that appear when there is
hypoalbuminemia of any cause, must be distinguished
from the transient white bands of alcohol abuse56 and
from Mees’s white lines, those sinister marks of arsenic
poisoning57 that transform hepatologists into criminologists. Inasmuch as impressions from onychomancy — divination from finger nails — conjure suspicions of liver
disease and its cause, so much more does elicitation of the
peculiar tremor known as asterixis that almost invariably
indicates liver failure, even though this distinctive movement disorder occasionally stems from renal failure,58 respiratory failure,59 drug reactions60 and other nonhepatic
causes.61,62
That dramatic mental and neurological manifestations
disturb patients with liver failure, has been known since
the time of Hippocrates and Galen. Reference was made
to the neuropsychiatric phenomena of what is now called
hepatic encephalopathy (or portal-systemic encephalopathy) in all the more important writings on liver disease in
the 18th and 19th Centuries, as appraised in detail by
John Walshe more than 50 years ago,63 including his review of reports by such liver luminaries as Richard Bright,
George Budd and Friedrich Theodor von Frerichs. Irregular jerky movements of the limbs, or jactitations, had
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411
been noted but the significance of the so-called “liver
flap,” as it was colloquially called in the lingo of hepatic
coma aficionados, was not appreciated until the publication in 1953 by Raymond Adams and Joseph Foley, of
their landmark chronicle of the neurological disorder associated with liver disease.64 This publication, which was
a comprehensive detailed extension of the preliminary
account that they had reported a few years earlier,65 also
contained biochemical, electrophysiological and exhaustive neuropathological data. Joe Foley, now a grand octogenarian but then a junior faculty member in neurology,
performed repeated detailed neurological examinations
on 60 patients who had been admitted with severe liver
injury, two-thirds of whom had alcoholic cirrhosis, as he
was looking for a harbinger of impending coma. More
than 100 other patients were examined at least once too.
Foley, who conducted these clinical studies initially at
Boston City Hospital in collaboration with the renowned
hepatic comatologist Charles Davidson and his colleagues,
and later at the Massachusetts General Hospital, noticed
that the liver flap appeared early in the course of the disease and in several cases was the first sign of looming
coma. Foley considered this idiosyncratic movement disorder to be one of the most characteristic features of hepatic coma and one of the most useful in predicting
disaster, since the vast majority of their deeply comatose
patients died. Foley’s original description of the involuntary movement that some have hyperbolically likened to
the beating of a bird’s wing, or flügelschlagen, as well as his
description of hepatic coma itself, are unsurpassed. He
described the appearances at irregular intervals of 1-7 seconds of rapid arrhythmic lateral deviations of the fingers,
flexion-extensions at the metacarpophalangeal joints and
flexion-extensions at the wrist, when the patient was asked
to hold the arms and hands outstretched with the fingers
spread apart. Flexion was always the most rapid of the
movements that occurred in bursts every second or two,
although there were also movement-free intervals. Comparable movements could be seen in the arms, legs and
feet, tightly closed eyelids, corners of the retracted mouth,
pursed lips and during sustained grasping by the hands;
though bilateral, the movements were asymmetrical and
asynchronous. The protruded tongue has picturesquely
been described as showing “tromboning.” Foley also described a fine 6-9 per second tremor of the outstretched
fingers that has only recently been termed “mini-asterixis,”66 which is thought by some to originate in the
cortex, reflecting a pathologically slowed and synchronized motor cortical drive.67 Asterixis itself is technicallyspeaking not a tremor but rather a form of negative
myoclonus in which there are irregular myoclonic lapses
of posture caused by involuntary 50-200msec silent peri-
412
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ods in muscles that are tonically active, as shown by
electromyography.64,66 Notwithstanding, the exact mechanism remains elusive and many postulated explanations
are yet to be explored.68 As for the term asterixis itself
(which incidentally does not actually appear in the landmark publication64 but soon entered the neurological vernacular69), this was Joe Foley’s invention too as he sought
to substitute a universal neurologically-egalitarian nomenclature for the partisan term liver flap. He and another classics scholar, his Jesuit priest friend Father
Cadigan, had repaired to a local hostelry in Boston, the
Athens Olympia Café, to discuss neurological semantics.
There, inspired by a splendid meal and fortified by an
unspecified volume of the famous grape brandy invented
just 60 years previously by the Greek silk trader Spyros
Metaxas, Foley contrived the term an-iso-sterixis (later
shortened to asterixis for Hoi Polloi) from the Greek,
which means “a lack of [maintenance] of position,” which
indeed it is.
Before we leave the bounding pulse and warm hands,
flapping in dorsiflexion as if hesitantly bestowing a blessing, we cannot help but notice a curious flexion deformity
of some of the digits, caused by shortening of the palmar
fascia. Known as Dupuytren’s contracture, after the legendary but arrogant 19th Century French surgeon Baron
Guillaume Dupuytren, Chief of Surgery at l’ Hôtel Dieu
in Paris and personal surgeon to both Louis XVIII and
Charles X, this hand deformity had already been described around 1200 CE in the Icelandic sagas70 and was
well known in Scotland too since the 16th Century, as the
curse of the MacCrimmons of the Western Isles, whose
preeminent bagpipe players were increasingly thwarted in
their performances by progressive finger contraction deformities that were a frequent inheritance amongst members of that clan.71.Felix Plater, a Swiss anatomist in Basel,
published the first account in the medical literature in
1614,72 when he described the contractures of the ring
and little fingers of a master mason, and though Henry
Cline at St. Thomas’s Hospital in 1808, and his famous
former apprentice, Sir Astley Paston Cooper, in 1818,
described the malformation too,70 it was Dupuytren who
earned eponymous immortality after he delivered a lecture on December 5, 1831, on the topic of permanent
retractions of the digits of the hand. Dupuytren later published in English in the Lancet73 without acknowledging
the work of Cline and Cooper, about which he cannot
have been oblivious. Yet, for all its time-honored history,
neither the cause nor the pathogenesis of Dupuytren’s
disease are clear, but fibroblast proliferation, chromosomal aberrations, immunological abnormalities, growth
factor activity and androgen-responsiveness of Dupuytren palmar tissue are all thought to play a role.71
HEPATOLOGY, February 2005
Dupuytren’s contracture occurs in both genders and all
ethnic groups, but far and away it is predominantly an
affliction of older men of northern European ancestry
and, by repute, it is another genetic gift from the Vikings.70 Although typical liver patients with Dupuytren’s
contracture have alcoholic cirrhosis,74 it is a feature of the
alcoholism rather than the liver disease as such, and it also
complicates diabetes, seizure disorders, cigarette smoking
and probably vibration-induced hand injury too, especially in genetically-prone individuals.70
Transfer to the chest by way of the arm, shoulder and
neck offers more sights that bespeak of underlying liver
disease. Muscle wasting is common in the upper arms,
shoulder and around the scapula, tattoos give a clue to a
high-risk lifestyle, xanthomas appears at the elbow and
the ear, and this is definitely spider nevus country. Careful
inspection of the neck, in the right light and at the right
angle, may reveal portopulmonary hypertension-induced
jugular venous pressure elevation, which can be enhanced
by applying gentle manual pressure to the abdomen, anywhere but over a congested tender liver, to elicit an hepatojugular reflux. On the pruritic back, “butterfly
distribution” sparing from hyperpigmentation, shows the
limits of scratching.75 In the chest, gynecomastia76 may be
the most prominent part of the feminization syndrome
(together with sparse beard and soft skin),77 often painfully exacerbated or caused by a side effect (or should that
be front effect?) of spironolactone treatment,78 and occasionally it may give an inkling of an underlying fibrolamellar hepatocellular carcinoma that synthesizes
aromatase.79 Auenbrugger’s percussion confirms the presence of an hepatic hydrothorax without the need to shake
the patient. Combining palpation of the precordium with
auscultation through Laënnec’s invention, gives further
evidence of the hyperdynamic circulation and/or pulmonary hypertension, both being relatively common in patients with cirrhosis. The abdomen has always been the
domain of the hepatologist, and there is surely no need to
wax lyrical to this readership on the virtue of bulging
flanks, an everted umbilicus and shifting dullness (executed by Auenbrugger’s technique), nor to recall that even
if the 3-hand trick of eliciting a “fluid wave” is possible, it
is probably scarcely necessary because the presence of ascites is already obvious. And please, spare the patient the
indignity of demonstrating the puddle sign. How fitting
that the music of hepatology — the bruit of an hepatic
tumor, the hum of Cruveilhier and Baumgarten,80 and
the rare rush of a splenic arteriovenous fistula— can be
heard, above the borborygmi, through Laënnec’s stereophonic device. Visible dilated superficial abdominal wall
veins with cephalad flow are common in patients with
cirrhosis but it is a rare chance to observe caudal flow in
HEPATOLOGY, Vol. 41, No. 2, 2005
these vessels, which is a sure sign of superior rather than
inferior vena cava obstruction. Some say that the caput
Medusa is as much a myth as the Greek legend from
which its name derives. Abdominal hernias may not be all
they seem81; they may actually represent ascites rather
than bowel extrusion, and in the inguinal region surgeons
must beware of operating on what will turn out to be
ascites or worse, a collateral vein filled sac.82
And so to legs and feet, as 17th Century diarist Samuel
Pepys might have said, for the culmination of the tour. In
many ways the lower limbs are an anticlimax and simply
mirror the upper ones, with their muscle wasting, sparse
hair, and xanthomas on the knee. Spider nevi are never
sighted here but the legs are, instead, the preferred location for edema. Dependency has its price, but perhaps
therein lies the solution to the age-old riddle of how to
grade and stage peripheral edema. Rather than being nonplussed by the usual arbitrary scale of “pluses”83 that some
authors shun as meaningless,84 or foolishly trying to estimate the depth of the pit84 or the time that it takes to fill
in83 without regard to the size or strength of the prodding
fingers, why not grade the squelch of the waterlogged
tissues as trace, mild, moderate or severe, and stage the
encroachment of the legs by edema, plotting the extent
upwards from the feet to the abdominal wall (with a correction for redistribution due to recumbency or loss of
compressibility due to brawniness). Muscle wasting occurs in the thighs, asterixis may be observed by simply
letting them abduct as Foley recommended,64 and clonus
may be elicited too. Petechiae may be seen when the high
venous pressure in the legs conspires with thrombocytopenia, and the feet and ankles, the furthest cool reaches of
the body, are also prone to the palpable purpura of cryoglobulinemic vasculitis of chronic hepatitis C. Finally, it
may be possible to witness a recapitulation of changes that
we have already seen in the hands, namely toe clubbing
(Fig. 1D) and plantar erythema and even Dupuytren’s
pedal counterpart, the lederhosen syndrome of plantar
fibrosis, which is related to Peyronie’s disease by some
cruel twist of fate.
Nowadays fashion in medicine is evidence-based and a
few killjoys try to convince us that, despite the many
landmarks we have seen on our tour, the physical examination is no longer worthwhile in patients with liver disease.85-87 However, neither the author nor skilled
examiners like Joe Foley would agree (personal communication, November 2004). Admittedly, some arcane maneuvers in liver diagnosis, like the scratch test for
detecting the liver edge,88 are unreliable, and clinicians
often disagree about their physical findings.89 Why some
cannot even find the mid-clavicular line.90 Yet, for all
that, with practised hand and trained eye, seasoned clini-
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413
cians looking for the physical signs described above, such
as spider nevi, facial telangiectasias, white nails, abdominal veins, liver consistency, ascites, and the size of the
spleen,91 are able to diagnose advanced liver disease and
decompensated cirrhosis with a fair degree of certainty.89,92,93 Far from being a fad or a fancy, it seems most
likely that a carefully performed physical examination will
still be the fashion in clinical hepatology for many years to
come.
Acknowledgment: The author thanks Dr. Kenneth J.
Bergmann (Department of Neurology, MUSC) for advice about movement disorders, and Dr. Joseph Foley for
his reminiscences on the discovery of asterixis. The author
also acknowledges the manuscript and literature retrieval
skills of Margie Myers and Aretha Williams.
ADRIAN REUBEN, MBBS, FRCP
Professor of Medicine
Division of GI/Hepatology
Department of Medicine
Medical University of South Carolina
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