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ICYE Leiden 2019
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9 pages
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At the start of Naqada II, a new material is being used all over Egypt. Linen textile, woven from flax, is used in most human burials (and a few animal burials) either as shrouds or as padding in an early form of mummification. The woven linen is also used for ritual purposes; to protect foundation deposits and as backing for plaster and paint in walls of ritual structures and artefacts. But when and how did this new material arrive, how was it produced, by whom and where? In Hierakonpolis, a large amount of textile tools for spinning are found in ritual contexts, making the question of whether textile for ritual use was also produced ritually relevant.
Pharos International Journal of Tourism and Hospitality, 2023
The Egyptian spinners and weavers have not changed over the years; they usually preferred the traditional, safe procedures of production and hand tools rather than adopting newer methods. Both ancient and modern Egyptian spinners and weavers are famous for using very simple tools to produce lots of high-quality products. Modern Egyptians have maintained several working tools such as wooden combs, hand spindles, and horizontal and vertical looms, in addition to following the same manufacturing techniques as their ancestors. Therefore, this study highlights the significance of the inherited similarities between ancient and modern spinners and weavers by analysing some spinning and weaving scenes. The research aims to clarify the inherited raw materials, manufacturing techniques, tools, workshops, and production centers. On the other hand, it explains the integral role of female spinners and weavers, particularly those who reside in rural areas, as they are the greatest preservers of spinning and weaving heritage.
ATR Archaeological Textile Review, 2020
Around 3500 BC, an adult elephant was sacrificed and buried in the elite cemetery of Hierakonpolis in the very south of Egypt. The elephant was given a burial similar to humans including a linen shroud. This shroud is just one of an impressive number of textiles found at the site illustrating a range of uses. The textiles of the late prehistory in Egypt, the predynastic period, have not yet been thoroughly researched, and the linen of the elephant’s shroud therefore presents a unique opportunity to consider the time used to produce it and the expertise of the spinners and weavers. The information from textile tools found at Hierakonpolis can now also be added to this story. The results of research into the elephant’s shroud and the textile tools question on our perception of prehistoric society in Egypt just before state formation, especially in relation to the organisation of textile production. Keywords: Egyptian prehistory, animal burial, linen shroud, spindle whorl
Clothing and Nudity in the Hebrew Bible, 2019
The Hebrew Bible (HB) 1 describes the relationship between God and the Israelite nation throughout the Iron Age. In other words, its primary goal is "spiritual culture. " Without "material culture, " however, spiritual culture cannot survive. In order to complete the HB's picture, this chapter will describe the material textile aspects, which both complement and support the spiritual ones. The HB is not a systematic source of information about historical material culture. This means that the omission of certain data from the biblical corpus does not indicate its nonexistence during the biblical period. Therefore, in some instances where there are no relevant biblical references or detailed descriptions are lacking, supplemental information may be gleaned from and enriched by external sources, including literary, pictorial, and archaeological evidence from the Levant, Mesopotamia, and Egypt 2the Fertile Crescent. 3 Indeed, various topics within this category of textile material culture, including production and use, appear in the HB in different contexts. 1 English Bible translations are based on New Jewish Publication Society translation of the Jewish Bible (NJPS) and/or New Revised Standard Version (NRSV), with certain alterations made by the author. 2 Inferences regarding biblical material culture drawn from comparisons to ancient textile production in other lands or cultures must be approached with great care. Although textile production in general is similar in many different and dispersed cultures (this phenomenon has been referred to as industrial zeitgeist), some of the finer details may vary. Here are three examples: (1) Spindles all over the world are essentially the same, varying only in the shape, material, and position of the whorl. (2) The use of a distaff or not and if so, which method of usage-freestanding, handheld, or tucked into the belt. (3) Twist direction in spinning, either "S" (Egypt) or "Z" (southern Levant and Europe). See Bender, Textiles , 13, for the cultural aspects of these phenomena. 3 Postbiblical literary sources from the southern Levant include the Mishnah, Midrashim, Targumim, and Talmud and span the period of 70-500 CE. These texts contain a much wider selection of material culture topics and details. We do not claim that information originating in these sources necessarily reflects the Iron Age biblical period. However, it does raise the possibility that a more ancient, albeit undocumented, local tradition existed.
Quest'opera è distribuita con Licenza Creative Commons Attribuzione 4.0 Internazionale This work is licensed under a Creative Commons Attribution 4.0 International License Qualunque parte di questa pubblicazione può essere riprodotta, memorizzata in un sistema di recupero dati o trasmessa in qualsiasi forma o con qualsiasi mezzo, elettronico o meccanico, senza autorizzazione, a condizione che se ne citi la fonte. Any part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means without permission provided that the source is fully credited. Edizioni Ca' Foscari -Digital Publishing Università Ca' Foscari Venezia Dorsoduro 3246, 30123 Venezia http://edizionicafoscari.unive.it/ | [email protected] 1a edizione giugno 2018 ISBN 978-88-6969-232-1 [ebook] ISBN 978-88-6969-251-2 [print]
Abstract: Artifacts and products related to spinning became relatively abundant in the southern Levant during the latter half of the 5th millennium BCE. Contrary to widespread scholarly opinions wool was not used for yarn production. Flax was the only fi bre used. All the sites with remains of textiles or evidence for intensifi cation of spinning are currently within the semi-arid zone, lacking the conditions favoured for fl ax cultivation or excess water for processing. A dramatic increase in spinning is attested by a profusion of lightweight, sherd spindle whorls used in the drop spinning technique at some of the semi-arid zone sites. In tandem with the pronounced rise in the frequency of whorls is the earliest known appearance of spinning bowls. Résumé : Au Levant sud, dans la seconde moitié du 5e millénaire av. notre ère, les artefacts et produits que l’on peut associer au fi lage deviennent relativement abondants. Contrairement à l’opinion généralement admise, la laine, à cette époque, ne sert pas à la fabrication du fi l, le lin constituant la seule matière utilisée. Les sites archéologiques ayant livré des restes de textiles ou ayant montré une intensifi cation du fi lage sont tous situés dans la zone aujourd’hui semi-aride ; celle-ci n’offre ni des conditions favorables à la culture du lin ni assez d’eau pour pouvoir le traiter. Toutefois, l’abondance de fusaïoles légères faites à partir de tessons, utilisées dans la technique du fi lage suspendu, témoignent du développement spectaculaire de cette technique. Parallèlement à l’augmentation prononcée du nombre de fusaïoles, on assiste à l’apparition des humidifi cateurs (mouilloirs). Keywords: Chalcolithic; Flax; Spindle whorl; Fibre wetting bowl. Mots-clés : Chalcolithique ; Lin ; Fusaïole ; Bol humidifi cateur (mouilloir).
Interdisciplinary Studies in Textiles and Dress in Antiquity: Oxford , 2015
Some of the most ordinary, yet fragile, artifacts related to death and burial are textile remains preserved in the arid gravesites of Egypt. Following the initial fascination of the late 19th century with digging up Egyptian burial artifacts, the study of late antique textiles enjoyed a revival of sorts that began during the 1970s. This renewed appeal was due in part to the Metropolitan Museum of Art’s exhibition, The Age of Spirituality. Since then, several scholars have acknowledged the rare antiquity and exceptional quality of the finest textile finds, while ignoring others. This study examines an early Coptic Annunciation textile that has received little scholarly attention. This linen fragment, when examined with an interdisciplinary approach that utilizes iconographic, historical and patristic evidence, will help underscore the function of Annunciation iconography as a model of Christian matronly virtue.
This paper will present a broad overview of spinning practices in ancient Sudan during the Classic and Late Meroitic period (0-550 CE). It will call upon different types of archaeological sources, focussing its attention on the textile fibres and the tools used for their transformation into thread. The Meroitic textile industry has been known for quite a long time now, and is magnificently illustrated by the well-preserved textiles found in the northern part of the kingdom, in Nubia, mainly on cemetery sites. The past two decades have seen a great renewal of interest for the excavation of settlement sites in Central Sudan, which shed light onto previously little known aspects of textile production in the political core of the Meroitic territory. Many textile implements were notably discovered within occupation layers, especially spindle whorls. They document the organisation of textile craft, and provide interesting counter-points to the preserved fabrics. Interestingly, the thousands of spindle whorls dated to this period in Sudan present a sharp divide: the Nubian ones are generally made of turned wood while the ones from Central Sudan are made of ceramic. This material difference could have had various justifications. Is it the visible marker of different spinning technologies? Did it reflect different textile traditions? This paper will explore these questions, while presenting ongoing work on the spinning tools discovered in Sudan.
Online Review, 2009
2006
The experimental archaeological project “Tools and Textiles Texts and Contexts” included analyses of 12 spinning samples and one piece of woven fabric, all made of wool. As with all of the experiments in this project, the samples were produced by two different people. In the first stage of this investigation, no information was given concerning the spinners – i.e., which sample was done by whom or about the tools with which the experiments had been carried out.
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