VOLUMETRIC SOVEREIGNTY: A FORUM – Society & Space
4/10/19, 10(07 AM
VOLUMETRIC SOVEREIGNTY: A
FORUM
EDITED BY FRANCK BILLÉ
H O M E / UNCATEGORIZED / VOLUMETRIC SOVEREIGNTY: A FORUM
Published April 10, 2019
http://societyandspace.org/2019/04/10/volumetricsovereigntyforum/
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Analogue
Balloons
Broadcast
Blueskying
Rachael Squire, Peter
Adam Fish
Ekaterina
Shiuh-Shen Chien
Adey, and Rikke
Mikhailova
Bjerg Jensen
Eddy
Filtration
Ground
Gyre
Paul Richardson
Alex Nading
Tim Ingold
Elizabeth
DeLoughrey
Incursion
Infrared
Interference
Lines
Nayanika Mathur
Nicole Starosielski
Aditi Saraf
Dylan Brady
Murmuration
Orbital
Pad
Quake
Franck Billé
Agnieszka Joniak-
Max D. Woodworth
Evangeline
Lüthi
McGlynn
Reservoir
Sinkhole
Spiral
Stratigraphy
Douglas Rogers
Marilu Melo
Malini Sur
Bradley Garrett
Turbulence
Vector
Viscosity
Vortex
Austin Lord
Michael Vine
Nancy Couling and
Jeremy W. Crampton
Carola Hein
Waves
Stefan Helmreich
Introduction: Volumetric Sovereignty
Franck Billé
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This Volumetric Sovereignty
The last five years have witnessed a veritable e!orescence
forum is a collection of 25
of publications on the topic of volume. A seminal
essays by geographers and
intervention that appears to have given the impetus for
anthropologists. The
much of this “volumetric turn” was Stuart Elden’s 2013
collection is part of an
paper, Secure the Volume, in which he argued for the
ongoing dialogue on
necessity to rethink geography in terms of volumes rather
volumetric sovereignty,
than areas. While Elden was not the first scholar to draw
launched in 2017/18 with
attention to volumes—indeed Elden’s article quotes an
26 essays in Cultural
extensive literature engaging with spaces beyond the
Anthropology. These two
surface—he was nonetheless instrumental in identifying
series will also be
commonalities shared by scholars interested in aerial
accompanied by a book,
spaces, such as Peter Adey (2010), Derek Gregory (2017),
under contract with Duke
or Alison Williams (2010), and subterranean realms, like
University Press and with a
Eyal Weizman (2007) or Bradley Garrett (2013), and
planned publication date of
integrating these various strands into a more
2020.
comprehensive and coherent volumetric framework.
Heeding his agenda-setting call, many geographers, and
in more recent years an increasing cohort of
anthropologists as well, have been actively engaging with
the volumetric, both in terms of new research and in
revisiting past work. The present collection of essays,
involving over fifty scholars in both disciplines across two
journals, is in many ways an outcome of this research
zeitgeist.
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Arguing that a volumetric approach to space allows for a
dynamic understanding of terrain, Elden (2017) insists
that thinking with volumes extends beyond the mere
addition of a vertical axis. What indeed makes this
approach especially fascinating is the entanglement of
scales and materialities that is inherent to volumes. In a
widely-cited text, Philip Steinberg and Kimberley Peters
have proposed that the ocean represents an ideal spatial
environment to challenge the assumed fixity and
groundedness of space. The “voluminous, stubbornly
material, and unmistakably undergoing continual
reformation of oceans,” they write, is able to
“reinvigorate, redirect, and reshape debates that are all too
often restricted by terrestrial limits” (Steinberg & Peters
2015: 247). In a recent ethnographic study, Jerry Zee
(forthcoming) makes a similar argument with respect to
atmospheric flows that transport particulates across vast
distances, thereby impacting air quality at continental if
not planetary scales. Several of the contributors in this
collection show that even the subterranean realm,
generally assumed to be static and inhibitive of
movement, is also a space of continual roiling and
churning, with “solids becom[ing] turbulent under
extreme conditions or at geological timescales” (Lord)—
ultimately blurring the line between solid, liquid, and
gaseous (Hein & Couling).
/// here.there.everywhere
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An important challenge posed by a volumetric
imagination concerns representability given that
cartographic practices are eminently horizontal and
therefore poorly suited to representations of depth.
Geopolitical forays into vertical spaces such as the
atmosphere or the subterranean have proven extremely
challenging to represent, cartographically or mentally.
From the God’s eye view cartographic perspective to
which we are accustomed, the vertical axis collapses on
itself and, once reduced to a single point, becomes
invisible. Such challenges are typically encountered in
vertical urban environments such as Hong Kong where
the multilevel urban fabric makes it complex to map. Two
points may share the same coordinates but be located on a
di"erent surface altogether (Wilmott 2017).[1]
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Importantly, a volumetric approach also shines a spotlight
on the abstract ideals cartography has conveniently relied
upon, as showcased by six of the contributors to this
collection. The two essays by Tim Ingold and Dylan
Brady challenge common cartographic assumptions such
as the abstract and disembodied notions of “ground” and
“line.” In his contribution, Ingold contests the
representation of the ground as a horizontal surface. The
ground, he argues, is the actual continuous rolling up and
turning over of material, leading lower and upper regions
to be unremittingly inverted. The state is reliant on the
ground as a fixed surface, but in order to establish
sovereignty over volume, it needs to take leave of ground
level. In a similar vein, Brady argues that lines are at best
an imperfect abstraction, never as precise as they are
represented. In their encounter with voluminous terrain
such as mountains or tunnels, their very linearity forces
them to confront three-dimensional space, and gain
weight as a result.
Representability is an especially critical issue in the
context of disputed territories. The border lines separating
Israel from Palestine for instance where the land surface
can be Palestinian territory while the subterranean space
underneath and the airspace above are under Israeli
control (Weizman 2007) are occasionally visible only with
a cross-section view. In the case of the town of Uri, at the
border between India and Pakistan in the contested
mountainous region of Kashmir, bordering takes place in
three-dimensional space. In her contribution, Aditi Saraf
shows the complex entanglement of “incompatible but
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unexpectedly complementary” threat, tourism, and trade
flows sited at di"erent elevations, generating visuala"ective interference patterns resulting in rapid shifts of
perspective. This spatial complexity, according to Jeremy
Crampton, is perhaps best challenged through the
metaphor of a vortex: in cities segregated by height, with
“the price per square foot vary[ing] vertically as well as
geographically,” the vortex mixes objects—but even more
importantly it mixes ideas and experiences—often
violently and suddenly. As a process of movement from
one level of the city to another, from one segregated space
to another, the vortex works against the grain of
cartographic fixity, thereby providing new avenues for
thought and change. Along similar lines, Paul Richardson
deploys the metaphor of the eddy to trace the
unpredictable, counter-intuitive, multidirectional, spirallike, concentric, centrifugal, and centripetal flows that
have defined the post-Soviet cultural and political
trajectory of the Southern Kurils, a small group of farflung islands disputed by Russia and Japan.
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The highly visual practice of cartography is also a poor
model for auditory, tactile, electronic, and other nonvisual
forms of bordering. In her contribution, Ekaterina
Mikhailova argues that terrestrial television broadcast is
an excellent metaphor for the gap between ideals of
territorial sovereignty and bordering practices. She shows
that states are invested both in providing access to the
entire territory over which they have sovereignty, and in
blocking foreign transmissions. If gaps in coverage tend to
be perceived as symptomatic of state weakness,
broadcasting across the border has proven a powerful tool
of propaganda and/or soft power (Min 2018, Peters 2018).
But as Mikhailova shows, territorial and electronic
sovereignty can never be coextensive: signal transmission
is impacted by local topography as well as jamming
systems (Tawil-Souri 2012), whereas borderland
populations have been highly proactive in tapping into
alternative news and entertainment sources hailing from
across the border. As James Steintrager and Rey Chow
(2019) insist, sonic entities—in contrast to the visual—need
to be “apprehended otherwise,” a point Lisa Sang Mi Min
and myself have also made with regard to sound and
tactility respectively (Min 2018; Billé 2018), and which
others have explored olfactorily (Lammes, McLean &
Perkins 2018). This is especially true with combat waged
across smellscapes (Feigenbaum 2017) or soundscapes,
including those beyond the threshold of conscious
detectability but with deleterious or even lethal
consequences on the body (Goodman 2010).
/// underneath.underfoot.lateral
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Several of the essays in this collection focus on the
subterranean and the subsurface—a domain that remains
mostly unexplored and untheorized, at least in contrast
with the atmosphere. In his piece “stratigraphy,” Bradley
Garrett looks at the intersection of anthropogenic forces
with the earth’s layering. While the latter’s “dynamic
temporal sequencing” constitutes nothing short of a
cultural time map, human activity—not least through
approaching geology as resource—has reterritorialized the
environment as a “legible vertical landscape.” As Douglas
Rogers argues in his text, the subsoil is not simply a threedimensional space, it is also a space of potential, always
relative to a temporal horizon. Looking at oil reserves
through the concept of the reservoir, Rogers contends
that the particular volume of an oil reserve is frequently a
key source of a state’s claim to sovereign power over land
and people. In the context of Russia, the state and
corporate actors involved in oil production often compare
the depth of the region’s oil deposits to the historical
depth of its peoples’ culture.
Je"rey Cohen (2015) writes that the subterranean, while
generally assumed to be the realm of the inorganic and the
immobile, is in fact, on its own timescale, restless and
forever in motion. Two essays in this collection, by Max
Woodworth and Evangeline McGlynn, shed light on
these dynamic processes through the lens of fracking.
North Dakota’s Bakken region is home to vast oilfield
operations, originating at thousands of rectangular plots,
or pads. As Woodworth writes, while these pads have a
limited footprint, typically no larger than four acres in
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area, they are the entry points to massive passageways
between the surface and sub-surface, a sprawling threedimensional biophysical and sociocultural system that
coheres around volumes in the subsurface strata. As it
descends from a pad and then cuts horizontally, a wellbore
may traverse property lines at the surface and may slice
across multiple mineral rights holdings in the strata below,
thus requiring plotting the three-dimensional coordinates
of a coupled surface and subsurface prior to drilling.
Fracking, as Evangeline McGlynn also shows in her
contribution, thus requires a volumetric understanding of
the subterranean, in terms both of the mining activities
and of their aftershocks and unintended consequences. In
addition to extralateral rights which have allowed
serpentine underground claims to supersede the surface
grid, vibrations caused by fracking have been linked to
anthropogenic seismicity. In the past decade, she explains,
this has resulted in multiple damaging quakes of both
high magnitude and physical impact. The seismic events
that have taken place across the Kansas and Oklahoma
state lines in particular have highlighted the di#culty of
defining notions of cause, e"ect, liability, and culpability
across jurisdictions.
/// churning.erupting.collapsing
Related to McGlynn’s contribution, a second subset of
essays focuses specifically on the materiality of the soil, the
subsoil, and the subsurface. Exploring the notion of
turbulence in the context of the recent earthquake in
Nepal’s Langtang Valley, Austin Lord defines turbulence
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as violent encounters with “inhuman nature,” but also
with ongoing and more subtle forms of harm, such as
“gradual erosion, glacial deformations, seeping patterns of
contagion, and the atmospheric unknowns of climate
change.” As such, he contends, it is a particularly apt
concept for confronting the immanence, indeterminacy,
and multiplicity of the Anthropocene. By continually
reshaping volumes, turbulence, as a material and
discursive phenomenon, carries energy that can
underwrite or destabilize claims to sovereignty, as well as
expose our useful fictions of solidity. Along similar lines,
the turbulent oceanic phenomenon known as “internal
waves” also challenges the zoning and layering of
maritime space. As Stefan Helmreich shows, internal
waves are enormous masses of water that travel below the
ocean’s surface and manifest at the interface between
layers of water stratified by density—a stratification driven
by temperature and/or salinity di"erentials. As per the
Geneva Convention on the Continental Shelf (1958), the
fact that nation-states can claim the seabed as national
extension of their continental shelf has no incidence on
the legal status of the superjacent waters as high seas (nor
indeed that of the airspace above those waters), thereby
creating a horizontal border between sovereignties. The
turbulent movement of internal waves across such hybrid
spaces, transporting nutrients and fish populations while
blurring the line between sea and seabed, renders the
territorial disputes over the South China Sea even more
complex.
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The intricate entanglement of layers across materialities is
the focus of the contribution by Nancy Couling and
Carola Hein who write about Ekofisk City, one of the
largest oil fields in the Norwegian sector of the North Sea.
Not only is it a formation that spans a range of material
environments—it descends through 75m of the North Sea
to subsea formations 2900-3250m below the seafloor and
rises around 100m above the 30m extreme wave threshold
—but the materialities it encounters are subject to
dramatic changes. As Couling and Hein show, oil’s
viscosity disrupts binary assumptions such as the nature of
solids and liquids. Ultimately, they contend, viscosity is
inherently relational—contingent on temperatures and the
surrounding environment, as well as on the relative
liquidity and solidity of proximate materials. The
transitional and intermediary quality of viscosity, they
argue, is a very potent metaphor for the multilayered,
sometimes thin and ephemeral, and mostly secured and
disguised spaces that make up the contemporary
petroleumscape.
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Speaking directly to points made in the viscosity and
turbulence essays, Malini Sur’s contribution mobilizes the
spatial form of the spiral as political register and
metaphor. Placing in parallel the barbed wire and the
clouds of dust that characterize the border zone between
India and Bangladesh, she contends that the volumetric
properties of these two spiral shapes displace scholarly
preoccupations with barriers as uniform artifacts of loss of
sovereignty. Instead, as a metaphor for a nervous nation
which rapidly envelops people in its own “circles of
insecurity,” the spiral attunes to the expansions and
extensions of national margins. Its twisted form palpably
establishes what border infrastructures seek to do, while its
spatial propensity to gather volume, aggregate, and
generate disorderly forces amplifies the nation’s unsettling
presence in the lives of its remote border residents.
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The final essay of this subset, by Marilu Melo, looks at
another form of turbulent change: the sudden collapse and
subsidence of the surface. Sinkholes, she writes, remove
surface land while their voids simultaneously become
access points to the subterranean: “they are beginnings
and ends, entries and exits; they are threads in the weft of
territories that form volumetric landscapes.” While
sinkholes have caused substantial damage and even deaths
when the surface suddenly collapses in urban
environments, they have, in places like Mexico’s Yucatan
Peninsula, transformed into tourist commodities. Taking
advantage of the emergence of a sinkhole market, some
“land” owners have opted to dynamite the surface to
accelerate the creation of sinkholes—thereby
manufacturing recreational volume for tourist
consumption.
/// detection.incursion.infection
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Four essays in this collection examine volumetric
sovereignty through the prism of the body—both human
and nonhuman. In her contribution, Nayanika Mathur
looks at animal incursions across the China-India border.
In a high-altitude border zone such as this, at around
16,000 feet above sea-level, the “foreigners” that enter and
exit tend to be nonhuman animals. The border guards
stationed in this region spend much of their time tracking
such incursions and chasing “Chinese yaks” back into
Tibet/China. As Mathur’s ethnography elucidates, what is
crucial is these animals’ capacity to inhabit and travel
through landscapes that are, oftentimes, located beyondthe-human. In so doing they demonstrate, with a
profound starkness, the volumetric nature of political
space, as well as the “beastly” task that is the control of this
space by humans.[2]
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Looking at animal control in another volumetric space,
this time in the urban environment of Miami, Florida,
Michael Vine discusses the challenges inherent in
controlling Zika-carrying mosquito populations in a built
environment. With mosquito-control programs still
depending primarily on spraying insecticide from light
aircrafts, Miami Beach’s towering condominiums and
apartment blocks are posing significant challenges for
local mosquito control o#cials to deliver insecticides to
the right places at the right doses. Not only do high-rise
buildings constitute a physical impediment to low-flying
aircraft, but tall buildings also create atypical convection
currents that disturb the even dispersal of insecticidal
chemicals. Taking into account variables such as airflow,
temperature, and humidity, the material agency of local
airscape itself therefore needs to be recruited as a vector
for the distribution of protection against mosquito-borne
disease.
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Thousands of miles away, in the sugarcane plantations of
Nicaragua, a progressive renal failure called chronic
kidney disease of non-traditional causes (CKDnt) has
become prevalent. Plantation workers (cañeros), Alex
Nading shows, talk in volumes about their condition:
from the tridimensional stalks of cane that need to be
slashed, to the measurement of the kidney filtration rate,
down to the very volume of bodily functions,
tridimensionality is key to understanding the disease as
well as medical and state responses. The title of his
contribution, filtration, refers to kidney function but also
evokes state practices of “triage” that assess whether
CKDnt cases are work-related (laboral) or ordinary
(común). As Nading concludes, the forms of biopolitical
control to which cañeros are subject are eminently
volumetric.
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The fourth essay in this subset looks at the deployment of
the infrared part of the spectrum as it relates to what
Nicole Starosielski refers to as “thermal sovereignty.” She
argues that, in reshaping the distribution of heat to
naturalize forms of territorial control, thermal sovereignty
is inherently volumetric. It is often, she writes, “a means of
exercising power so that the environment, rather than the
state or its people, appears to be exerting force and
constraining movement”—a point Jason De León (2015)
has also made compellingly in his ethnography of illegal
migrations across the Mexico-US border. Using three
examples—fiberoptic cables, drone imaging, and body
thermal regulation—she demonstrates how thermal
sovereignty, in part through the deployment of digital
technologies that work on the infrared, has dramatically
expanded its reach.
/// jetsam.gyre.untethered
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The remaining six essays take us to the limits of territorial
sovereignty, from the uppermost layers of the atmosphere
to inhospitable spaces beyond the human. In all these cases
we see the logic of territorial sovereignty stretched to its
limits, yet remaining tied to—and defined by—a resolutely
terrestrial logic. The essay by Adam Fish looks at the
deployment of air balloons as novel ways to bring
Internet connectivity to rural and remote communities
where infrastructure is currently lacking. Alphabet’s
“Project Loon,” first launched in 2013, uses software
algorithms to determine where its balloons are needed and
transports them using existing winds to form one large
communications network. Local responses in Indonesia,
where Project Loon was launched in 2015, have been
mixed: Project Loon is a closed platform, which means it
is neither transparent nor open for citizen understanding,
critique, and adaptive reuse; further, the balloons are
controlled remotely, by workers in Alphabet’s global
headquarters in Mountain View, California rather than
locally. In response, Indonesian startup company Helion
has developed a proprietary balloon-based platform that
provides internet access and remote sensing for lower
elevations and in urban areas. Unlike Project Loon’s,
Helion’s balloons are literally tethered to the ground, thus
symbolizing the political and cultural significance of
information infrastructure remaining linked to
emplacement, domestic usage, and local investment.
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Climate engineering and weather modification is another
atmospheric intervention that illuminates the significance
of volume for territorial management. In recent years,
China has been employing both geo- and socioengineering measures to ensure blue sky conditions, in
particular for important events potentially generative of
international prestige. In addition to aggressive cloud
seeding prior to mega events to ensure clear skies on the
day, China has also sought to shape social and economic
activities, from the temporary closure of polluting
factories and construction sites, to encouraging residents
to stay o" the streets or to leave town entirely, and to
additional restrictions on personal and commercial vehicle
use. If “blue sky performances” have been a useful tool for
the government to achieve global legitimacy, they have
also placed in sharp relief the perceived worth of the local
population relative to foreign dignitaries and publics.
Blueskying, Shiuh-Shen Chien writes, is thus a
“pioneering concept of aggressive weather-taming
through temporal restructuring and geo-engineering
practices” as well as an opportunity to analyze the
relationship between the state, society, and nature through
the lens of volume.
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Cultural linkages between the atmospheric and terrestrial
layers are explored further in Agnieszka Joniak-Lüthi’s
contribution. Looking at what one might term “cosmic
jetsam”—pieces of satellites discarded and crashing onto
Earth, she contrasts American and Kazakh responses, and
usages, of these space debris. The crash of a piece of
Russian Sputnik in Manitowoc, Wisconsin in 1962 led to
the creation of the yearly Sputnikfest celebrating the 1962
event with contests such as the Ms. Space Debris Pageant,
open to all “human life forms.” But whereas encounters
with Russian space debris are rare in Wisconsin, in
Kazakhstan and in the Russian Altai Republic, in close
proximity to the Baikonur Cosmodrome,[3] such objects
are a relatively common sight—Russian media estimate
that over 2,500 tons of such debris have fallen in the
region since the 1950s. As they impact people and
animals, falling debris have raised issues of accountability.
Through established norms and principles, as well as per
the 1974 Convention on Registration of Objects Launched into
Outer Space, while outer space is considered neutral
territory, human-made objects remain the property of the
launching state (Stuart 2009: 12)—in e"ect orbital
ambulatory enclaves of sovereign territory. For
Kazakhstan, both Baikonur and the space objects taking
o" from it are inextricably entangled in debates about the
meaning of national sovereignty, and about Russia’s
protracted presence in post-Soviet Central Asia.
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The three final essays explore spaces resolutely located
beyond a territorial framework. The so-called “great
Pacific garbage patch” is a plastic vortex of flotsam and
jetsam whose contents and boundaries defy both spatial
definition and visibility. Larger than Texas—and possibly
twice the size of America—evaluations of its size speak to
the ambition but ultimate impossibility of comparing it to
a landmass as the nature of the patch invalidates all
attempts at territorial referentiality. As the gyre churns
vast quantities of discarded plastics, the material is broken
down into ever smaller components. Frequently imagined
as a vast floating collection of refuse, the garbage patch is
in fact a ghostly presence reaching across scales, both
immense and minuscule (Te Punga Somerville 2017).
Generated for the most part by the planet’s own counterclockwise rotation, this expanding entity has become an
index of the Anthropocene (or Plasticene), but the gyre
also has a long history intimately tied to the US military.
As Elizabeth DeLoughrey writes, the concept of the gyre
as an unstoppable, terrifying dynamic force has been a
productive one for the Hydrographic O#ce of the US
Navy. Working in close collaboration with corporations
as well as the MIT Instrumentation Laboratory, it
developed decades’ worth of gyro-technology to support
the navigation of their nuclear-armed submarines. The
gyre has thus become both an animated force and an
instrument for interpreting complex bodies in motion.
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The complex and dispersive nature of new forms of
political territoriality—and their entanglement with the
military—also animates the next essay. In my own
contribution I argue that the voluminous and transscalar
materiality of the state displays levels of complexity and
dynamism that defy both spatial definition and
comprehension. Political appropriation of the maritime,
aerial, and subterranean realms demands cutting-edge and
ever more sophisticated human-machine assemblages, but
this fine-tuning is gradually leading to assemblages
skewed in favor of the nonhuman. Using the spatial
phenomenon of murmuration, I argue that in
assemblages where technology initially was a prosthetic
extension, the human component now constitutes the
weakest node, increasingly superfluous and obsolete.
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The final essay, by Peter Adey, Rachael Squire and Rikke
Jensen, explores the idea of territorial simulacra:
colonizable and inhabitable spaces elsewhere—spaces
untethered from the physical constraints of territory yet
seeking to replicate familiar environments. The analogue,
the authors argue, is a move beyond our home planet, an
ambition to “find new spaces, membranes and volumes in
which to start again, to capture something of Earth and
take it elsewhere, removed from Earth’s climatic extremes
and decay.” For NASA, for instance, harsh and inhumane
environments such as oceans, deserts, and polar regions
have become analogic testing grounds. They are
earthbound environments that best replicate the physical,
mental, and emotional e"ects experienced by those
undertaking lengthy space missions. This essay’s foray
into prosthetic spaces—on Earth yet not quite earthly—
taps into an emerging literature on volumetric analogue
spaces found in beyond-the-human environments, such as
the oceanic seabed (Squire 2018), the underground
bunker (Klinke 2018), or the “subterranean chrysalis”
(Garrett, forthcoming). It also takes us full circle, to the
contributions by Tim Ingold and Dylan Brady, as well as
to the essays by Sarah Green (2017) and Clancy Wilmott
(2017) in the sister collection, who all deconstruct some of
the basic building blocks of territorial sovereignty and
their assumed horizontality: ground, surface, geometry,
lines.
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In foregrounding the voluminous materiality of the state,
the essays in this collection also speak to current and
emerging concerns about the emulsive relationship
between political sovereignty and elemental forces—from
wind (Boyer and Howe 2019), ice (Dodds 2018) and
water (Ballestero 2019), to the omnipresent force of
gravity (Gordillo, forthcoming; Chambliss, forthcoming).
The increasing recognition of generative entanglements
between the human/nonhuman, animate/inanimate, and
organic/inorganic (Amato 2000, Cohen 2015, Tsing 2015,
Fishel 2017) means that the cooperative and the mutually
constitutive are gradually replacing the crude earlier
model of neo-Darwinian evolutionary theory. This
dramatic shift in conceptual models is having significant
repercussions on the way state borders are imagined and
approached: less human-centered, more collaborative,
eminently three-dimensional. It is perhaps here, at the
juncture between political theory and the more-thanhuman, that a volumetric imaginary is especially critical.
_________
References
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Invisible. Berkeley: University of California Press
Ballestero, Andrea. 2019. A Future History of Water.
Durham, NC: Duke University Press
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Billé, Franck. 2018. “Skinworlds: Borders, Haptics,
Topologies.” Environment and Planning D: Society and
Space 36 (1): pp.60-77
Boyer, Dominic and Cymene Howe. 2019. Wind and
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Press
Chambliss, Wayne. Forthcoming. “Spoofing: The
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Franck Billé. Durham, NC: Duke University Press
Cohen, Je"rey Jerome. 2015. Stone: An Ecology of the
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De León, Jason. 2015. The Land of Open Graves: Living
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California Press
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Elden, Stuart. 2013. “Secure the Volume: Vertical
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———————. 2017. “Legal Terrain—The Political
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Feigenbaum, Anna. 2017. Tear Gas: From the Battlefields of
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Fishel, Stefanie R. 2017. The Microbial State: Global
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Garrett, Bradley L. 2013. Explore Everything: PlaceHacking the City. London: Verso
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Lammes, Sybille, Kate McLean & Chris Perkins. 2018.
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Gekker, Sam Hind, Clancy Wilmott & Daniel Evans.
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Squire, Rachael. 2018. “SEABEDS | Sub-Marine
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Notes
[1]
With the earth’s surface getting mapped ever more
precisely, with every inch accounted for, a British
company has recently divided the world into a grid of 3m
x 3m squares and assigned each one a unique 3-word
address. what3words can pinpoint an exact location and
direct a user to it—a very useful advantage for a country
like Mongolia with little infrastructure and no street
addresses. The system is however poorly suited to identify
elevation. The section titles of this introduction are a
playful critique of the app’s horizontal assumptions, and
do not refer to any of the existing what3words addresses.
[2]
Engaging with the work of Lippit and Derrida,
Jussi Parikka (2010: 92-93) writes that while animals have
disappeared from the midst of technological modernity,
they remain as “shadows, phantasmatic echoes that
transposed their intensive capacities as part of media
technological modes of communication.” Animals, he
writes, “are the conditioning and establishing framings of
nature in modernity but at the same time lack a voice.”
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[3]
The Russian spaceport Baikonur is actually located
in an area of southern Kazakhstan leased to Russia. After
the disintegration of the Soviet Union, the Russian base
became an extraterritorial space in the newly independent
state of Kazakhstan.
Franck Billé is a cultural anthropologist/geographer based
at UC Berkeley where he is Program Director for the Tang
Center for Silk Road Studies. He is currently finalizing two
books, Volumetric States: Sovereign Spaces, Material
Boundaries, and the Territorial Imagination and Somatic States:
On Cartography, Geobodies, Bodily Integrity, both under
contract with Duke University Press.
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