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The hypocrisy of the BM unmasked with a damning example.
The Cultural Property Debate and Ancient Coins
A paper created for and delivered in abbreviated form at the 2010 Council for British Archaeology symposium at Newcastle, England.
Intended to initiate discussion
I focus this essay on the role of collectors and the effects collecting has had on both the archaeological sites and the cultural heritage of these regions. I also discuss what can be done, and what is being done in some areas, to mitigate this disastrous situation.
Art Antiquity and Law, 2013
Due to tax benefits enjoyed by museums, these institutions should be required to follow more stringent standards and to complete thorough provenance research prior to purchasing new acquisitions. The most recent revision of acquisition standards by the Association of Art Museum Directors was heightened, however the guidelines are still not demanding enough. During the past decade acquisition standards have become a major issue, as unethical museum practices have drawn attention and protest from the art community. With the public trial of the Getty Museum’s former curator, Marion True, the public has become aware of irresponsible acquisitions made by museums. In 2011, cultural heritage academics were outraged over the ownership dispute of the Ka Nefer Nefer funerary mask which was unearthed in Egypt in 1953 and then went missing in the 1960s. The mask reappeared in the St. Louis Art Museum in 1998, and the museum refused to return the artifact to Egypt. The case is currently in federal court, but has drawn attention to a number of museum purchases made from antiquities dealers with criminal or suspect records. (The St. Louis Art Museum purchased the mask from a gallery whose owners have been convicted for numerous art crimes.) Then in July 2012, an antiquities dealer from India was arrested for selling black market sacred Hindu antiquities to major museums worldwide. During this time of political upheaval, with so many cultural artifacts illegally exiting the Middle East, Northern Africa, the market is full of looted antiquities. With heightened due diligence standards, museums must avoid the purchase of illegally-excavated items. Acquiring this type of property fuels the black market for art, a market with ties to international terrorism. Museums have fiduciary duties to the public and ethical duties to protect art in their care.
Since the looting of the Baghdad Museum and archaeological sites throughout Iraq, Western scholars decry the loss of our shared cultural heritage. As the coalition forces begin to think about an exit strategy, the question arises of what will happen to Iraq post-occupation. There is great potential for the rich archaeological heritage of Iraq to play a significant role in the future economy of a post-Saddam era nation state. Egypt provides a good comparison as a neighboring Middle Eastern country with a similar heritage that has effectively developed its cultural resources for mass tourism. While tourism and archaeological expeditions may form the main uses of archaeological resources we must also consider the role of a licit trade in antiquities and the potential impact this may have, both on the physical remains of the past and any potential engagement the local population may have with the remains of ancient civilizations amongst which they live on a daily basis. In order to develop a working model of archaeological resource management, we also discuss the calls of American art museums for a return to the system of partage, and the shared ownership model of archaeological resource management encountered in the UK.
There are many ways to protect cultural heritage as a valuable commodity. Although heightened security measures and extensive surveillance methods can deter theft, a more effective means for reducing theft is the elimination of the demand for black market art items. Trade in unprovenanced antiquities is a demand-driven crime; the market for illegal or undocumented items is driven by buyers’ wants. The most effective method of protection for cultural heritage is to eliminate the demand for black market for these precious objects, thereby reducing the market, a method known as the “market reduction approach.” There is a well-documented link between the demand for items without provenance and museums. To eliminate black market demand, legislation is necessary to prosecute and regulate buyers, such as museums.
This master’s project explores how museums work to raise awareness and prevent further looting of cultural patrimony. Topics covered in the literature review include a brief history of Egypt, introduces the Egyptian antiquities laws and international conventions that affect the antiquities trade and a brief discussion of the antiquities trade and its practices. Other methodologies included an online survey of museum and anthropological professionals and a case study of the illegal wildlife trade that determines commonalities and differences with the antiquities trade. Recommendations include a common definition of looting and the posting and sharing of looting news by museums.
This study explores the complexities around the laws that govern the collecting of art in India. It discusses the reforms suggested to the Antiquities and Art Treasures Act, the fear of International smuggling of Indian heritage and impossibility of implementing the law as it stands.
2015
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