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Inspired by Jewish Austrian writer Stefan Zweig's last book before his suicide The World of Yesterday, this short story seeks to explore the dark consciousness of suicide and death by creating an imaginary dialogue between Zweig and the narrator at the former's suicide scene. In the fictive conversation, the narrator explores notions of nostalgia, memory and death by creatively quoting Zweig from his book and combining it with his own. Not only does the text draw many parallel between the postbellums and the current time, it also ventures to form a cross-cultural conversation sustained through the transversal modes and nodes of contact along the planes of history and fiction.
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